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Beirut is a tour de force that takes the reader from the ancient to the modern world, offering a dazzling panorama of the city's Seleucid, Roman, Arab, Ottoman, and French incarnations. Kassir vividly describes Beirut's spectacular growth in the nineteenth and twentieth centuries, concentrating on its emergence after the Second World War as a cosmopolitan capital until its near destruction during the devastating Lebanese civil war of 1975-1990. --from publisher description.
Combining urban theory with postcolonial methodology, Jens Hanssen argues that modern Beirut is the outcome of persistent social and intellectual struggles over the production of space.
Once the cosmopolitan center of the Middle East, Beirut was devastated by the civil war that ran from 1975 to 1991, which dislocated many residents, disrupted normal municipal functions, and destroyed the vibrant downtown district. The aftermath of the war was an unstable situation Sawalha considers "a postwar state of emergency," even as the state strove to restore normalcy. This ethnography centers on various groups' responses to Beirut's large, privatized urban-renewal project that unfolded during this turbulent moment. At the core of the study is the theme of remembering space. The official process of rebuilding the city as a node in the global economy collided with local day-to-day concerns, and all arguments invariably inspired narratives of what happened before and during the war. Sawalha explains how Beirutis invoked their past experiences of specific sites to vie for the power to shape those sites in the future. Rather than focus on a single site, the ethnography crosses multiple urban sites and social groups, to survey varied groups with interests in particular spaces. The book contextualizes these spatial conflicts within the discourses of the city's historical accounts and the much-debated concept of heritage, voiced in academic writing, politics, and journalism. In the afterword, Sawalha links these conflicts to the social and political crises of early twenty-first-century Beirut.
Gender and sexual identity formation is an ongoing anthropological conversation in both Middle Eastern studies and urban studies, but the story of gay and lesbian identity in the Middle East is only just beginning to be told. Queer Beirut is the first ethnographic study of queer lives in the Arab Middle East. Drawing on anthropology, urban studies, gender studies, queer studies, and sociocultural theory, Sofian Merabet's compelling ethnography suggests a critical theory of gender and religious identity formations that will disrupt conventional anthropological premises about the contingent role that society and particular urban spaces have in facilitating the emergence of various subcultures within the city. From 1995 to 2014, Merabet made a series of ethnographic journeys to Lebanon, during which he interviewed numerous gay men in Beirut. Through their life stories, Merabet crafts moving ethnographic narratives and explores how Lebanese gays inhabit and perform their gender as they formulate their sense of identity. He also examines the notion of "queer space" in Beirut and the role that this city, its class and sectarian structure, its colonial history, and religion have played in these people's discovery and exploration of their sexualities. In using Beirut as a microcosm for the complexities of homosexual relationships in contemporary Lebanon, Queer Beirut provides a critical standpoint from which to deepen our understandings of gender rights and citizenship in the structuring of social inequality within the larger context of the Middle East.
Unlike previous media-analytic research, Sarah Jurkiewicz's anthropological study understands blogging as a social field and a domain of practice. This approach underlines the significance of blogging in practitioners' daily lives and for their self-understanding. In this context, the notion of publicness enables a consideration of publics not as static 'spheres' that actors merely enter, but as produced and constituted by social practices. The vibrant media landscape of Beirut serves as a selection of samples for an ethnographic exploration of blogging.
Notably, studies on the Arabic novel tend to focus on canonical writers, like the Egyptian novelist and Nobel laureate Naguib Mahfouz (1911–2006), and leave out or just mention en passant the work of others. This book is not concerned with the ways in which the Arabic novel breaks away from or reproduces Mahfouz’s approach and techniques, but focuses instead on the way in which the authors in question engage with the phenomena of nationalism, feminism, post- and neo-colonialism, civil war, and social change in the Arab world using an urban scenario as their privileged point of observation. The Arabic city is privileged as a focal point because it is the space where the struggles over issues of nation-building, gender, religion, and class, as well as the patriarchal, colonialist, Zionist, and sectarian violence linked to these issues, manifest themselves most evidently. To this end, From Damascus to Beirut: Contested Cities in Arab Writing brings together four novels published between 1969 and 1989, which have never been approached from this perspective nor put in this kind of dialogue before. Ulfat Idilbi’s Damascus, Ghassan Kanafani’s Haifa, Ahlam Mosteghanemi’s Constantine, and Elias Khoury’s Beirut are social and historical products, and, as such, as Henri Lefebvre maintains, are deeply rooted in politics and affected by ideology. The cities discussed here, in fact, display the ebbs and flows of political and social life in their respective countries and in the Arab world in general. Each city stands at a crucial point in the history of the Arab world, and the way in which they are represented by their respective authors sets the stage for, and sometimes even foreshadows, an upcoming defeat or disappointment. Albeit for different reasons, Damascus, Haifa, Constantine and Beirut are all expressions of failures either on national, political, social, or economic levels. Paradoxically, however, they are also the repositories of their people’s hopes and aspirations, as well as of their disappointments. Analysing these novels as such, this book will be of particular interest to postcolonial readers and, more importantly, to English-speaking readers who are interested in the study of modern Arabic literature. Its close textual analysis offers the reader new tools not only for understanding themes and narrative techniques pertaining to the Arabic novel, but also the contemporary political, cultural and social issues that produced them.
In Visions of Beirut Hatim El-Hibri explores how the creation and circulation of images have shaped the urban spaces and cultural imaginaries of Beirut. Drawing on fieldwork and texts ranging from maps, urban plans, and aerial photographs to live television and drone-camera footage, El-Hibri traces how the technologies and media infrastructure that visualize the city are used to consolidate or destabilize regimes of power. Throughout the twentieth century, colonial, economic, and military mapping projects helped produce and govern Beirut's spaces. In the 1990s, the imagery of its post-civil war downtown reconstruction cast Beirut as a site of financial investment in ways that obscured its ongoing crises. During and following the 2006 Israel/Hizbullah war, Hizbullah's use of live television broadcasts of fighting and protests along with its construction of a war memorial museum at a former secret military bunker demonstrate the tension between visualizing space and the practices of concealment. Outlining how Beirut's urban space and public life intertwine with images and infrastructure, El-Hibri interrogates how media embody and exacerbate the region's political fault lines.
The Bourj in central Beirut is one of the world's oldest and most vibrant public squares. Named after the mediaeval lookout tower that once soared above the city's imposing ramparts, the square has also been known as Place des Canons (after a Russian artillery build-up in 1773) and Martyrs' Square (after the Ottoman execution of nationalists in 1916). As an open museum of civilizations, it resonates with influences from ancient Phoenician to colonial, post-colonial and, as of late, postmodern elements. Over the centuries it has come to embody pluralism and tolerance. During the Lebanese civil war (1975-90), this ebullient entertainment district, transport hub and melting-pot of cultures was ruptured by the notorious Green Line, which split the city into belligerent warring factions. Fractious infighting and punishing Israeli air raids compounded the damage, turning the Bourj into a no-man's-land. In the wake of former Prime Minister Rafik al-Hariri's assassination (14 February 2005), the Bourj witnessed extraordinary scenes of popular, multi-faith and cross-generational protest. Once again, Samir Khalaf argues, the heart of Beirut was poised to re-invent itself as an open space in which diverse groups can celebrate their differences without indifference to the other. By revisiting earlier episodes in the Bourj's numerous transformations of its collective identity, Khalaf explores prospects for neutralizing the disheartening symptoms of reawakened religiosity and commodified consumerism. 'A timely and informative study on Beirut's pre-eminent patch of public space.' The Daily Star 'Khalaf has arguably contributed more fine studies on the history and sociology of modern Lebanon than has any other scholar alive.' Foreign Affairs 'A spirited guide to Beirut's (re)development, lively in style, rich in illustration and perceptive in analysis.' Frederick Anscombe, Birkbeck College, University of London
Described by Harpers & Queen as "a chic insider's guide for sophisticated travellers," these sleek, black city guides are aimed at the more discerning traveller looking to sidestep the usual tourist traps and penetrate the skin of each city.The Hedonist's Guide To series offers a definitive view of the finest restaurants, the most stylish hotels, the chicest bars, the best shopping, the most luxurious spas and the cultural highlights in each city. Individually tried and tested, every bar, restaurant, hotel, cafe and nightclub is accompanied by a photograph.
Precarious Imaginaries of Beirut by Judith Naeff Pdf
This book investigates a shared experience of time and space in the post-civil-war city of Beirut: “the suspended now”. Based on the close analysis of a large corpus of cultural objects; including visual art, literature, architecture and cinema; the book argues that last decades have witnessed a gradual shift in understanding this temporality from being a transitional phase to a more durable experience of precariousness. The theoretically rich analyses take us on a journey through Beirut’s real and imagined geographies, from garbage dumps to real estate advertisements, and from subterranean spaces to martyr’s posters. For scholars of cultural analysis, urban studies, cultural geography and critical theory, the case of post-1990 Beirut offers a fascinating case of neoliberal urban renewal, which challenges existing theories. For scholars of Lebanon and Beirut, this study complements existing work on post-civil-war Lebanese cultural production rooted in trauma studies by its focus on the city’s continual exposure to violence.
Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 1960s. Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism. This book will be of particular interest to scholars in art history, Cold War studies, and Middle East studies.
Top 50 Best Things to do in Beirut, Lebanon by Nicholas Khatch Pdf
This list presents 50 diverse and captivating activities to experience in Beirut, Lebanon. From exploring the city's rich history and cultural heritage to indulging in its vibrant culinary scene and enjoying its lively nightlife, there is something for everyone to enjoy in this bustling metropolis. Beirut seamlessly combines its ancient past with its modern present, offering a unique blend of traditions and contemporary attractions. History enthusiasts will be enthralled by the city's museums, such as the National Museum of Beirut and the AUB Archaeological Museum, where they can delve into Lebanon's fascinating past through ancient artifacts and archaeological treasures. The Roman Baths in Downtown Beirut and the Byblos Castle, both popular day trip destinations, offer a glimpse into the region's rich historical legacy. The city's diverse neighborhoods, such as Gemmayze, Achrafieh, and Mar Mikhael, boast charming streets lined with traditional architecture, boutique shops, art galleries, and lively cafes, providing endless opportunities for exploration and discovery. Beirut's culinary scene is a feast for the senses. Food lovers can indulge in authentic Lebanese cuisine, from traditional mezze spreads to mouthwatering grilled meats and fragrant dishes like tabbouleh and fattoush. The city's restaurants showcase a delightful fusion of flavors and influences from the Middle East and the Mediterranean. After satisfying their taste buds, visitors can experience the vibrant nightlife scene, with its trendy bars, rooftop lounges, and live music venues offering an energetic ambiance and opportunities for memorable nights out. In conclusion, this list offers an exciting array of 50 activities and attractions that highlight the best of Beirut, Lebanon. From exploring the city's historical sites and museums to indulging in its flavorful cuisine and enjoying its lively nightlife, visitors will find themselves immersed in the rich cultural tapestry and vibrant spirit of this captivating city. Beirut truly stands as a testament to its resilient people, their warmth, and their determination to embrace life amidst the blend of ancient and modern that defines the city's character.
Zeina Abirached, author of the award-winning graphic novel A Game for Swallows, returns with a powerful collection of wartime memories. Abirached was born in Lebanon in 1981. She grew up in Beirut as fighting between Christians and Muslims divided the city streets. Follow her past cars riddled with bullet holes, into taxi cabs that travel where buses refuse to go, and on outings to collect shrapnel from the sidewalk. With striking black-and-white artwork, Abirached recalls the details of ordinary life inside a war zone.
From Beirut to Jerusalem by Thomas L. Friedman Pdf
This revised edition of the number-one bestseller and winner of the 1989 National Book Award includes the Pulitzer Prize-winning author's new, updated epilogue. One of the most thought-provoking books ever written about the Middle East, From Beirut to Jerusalem remains vital to our understanding of this complex and volatile region of the world. Three-time Pulitzer Prize winner Thomas L. Friedman drew upon his ten years of experience reporting from Lebanon and Israel to write this now-classic work of journalism. In a new afterword, he updates his journey with a fresh discussion of the Arab Awakenings and how they are transforming the area, and a new look at relations between Israelis and Palestinians, and Israelis and Israelis. Rich with anecdote, history, analysis, and autobiography, From Beirut to Jerusalem will continue to shape how we see the Middle East for many years to come. "If you're only going to read one book on the Middle East, this is it."--Seymour M. Hersh