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Author : Anonim
Publisher : Unknown
Page : 250 pages
File Size : 47,7 Mb
Release : 1990
Category : Electronic
ISBN : STANFORD:36105020162181
Author : Anonim
Publisher : Unknown
Page : 160 pages
File Size : 51,8 Mb
Release : 1990
Category : Electronic
ISBN : STANFORD:36105020162199
Author : John Boe
Publisher : A-R Editions, Inc.
Page : 136 pages
File Size : 43,6 Mb
Release : 1989-03-01
Category : Music
ISBN : 9780895793447
Author : John Boe
Publisher : A-R Editions, Inc.
Page : 232 pages
File Size : 53,8 Mb
Release : 1989-06-01
Category : Music
ISBN : 9780895793454
Author : John Boe
Publisher : A-R Editions, Inc.
Page : 226 pages
File Size : 45,5 Mb
Release : 1990-08-01
Category : Music
ISBN : 9780895793706
Author : John Boe
Publisher : A-R Editions, Inc.
Page : 80 pages
File Size : 45,7 Mb
Release : 1990-02-01
Category : Music
ISBN : 9780895793690
Author : Alejandro Planchart
Publisher : A-R Editions, Inc.
Page : 152 pages
File Size : 54,9 Mb
Release : 1994-05-01
Category : Music
ISBN : 9780895793430
Author : Alejandro Planchart
Publisher : A-R Editions, Inc.
Page : 264 pages
File Size : 55,9 Mb
Release : 1994-07-01
Category : Music
ISBN : 9780895793041
Author : Alejandro Enrique Planchart
Publisher : Taylor & Francis
Page : 614 pages
File Size : 44,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351940733
After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Author : Lawrence A. Hoffman,Janet R. Walton
Publisher : University of Notre Dame Pess
Page : 301 pages
File Size : 50,6 Mb
Release : 1993-01-31
Category : Religion
ISBN : 9780268160579
Teachers, students, composers, performers, and other practitioners of sacred sound will appreciate this volume because, unlike any book currently available on sacred music, it treats the history, development, current practices, composition, and critical views of the liturgical music of both the Jewish and Christian traditions. Contributors trace Jewish music from its place in Hebrew Scriptures through the nineteenth-century Reform movement. Similar accounts of Christian music describe its growth up to the Protestant Reformation, as well as post-Reformation development. Other essays explore liturgical music in contemporary North America by analyzing it against the backdrop of the continuous social change that characterizes our era.
Author : James Grier
Publisher : Cambridge University Press
Page : 288 pages
File Size : 53,5 Mb
Release : 1996-08-15
Category : Music
ISBN : 0521558638
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Author : David Hiley
Publisher : Oxford University Press
Page : 764 pages
File Size : 53,9 Mb
Release : 1995
Category : Music
ISBN : 0198165722
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Author : Catholic Church
Publisher : Madison [Wis.] : A-R Editions
Page : 100 pages
File Size : 40,5 Mb
Release : 1990
Category : Church music
ISBN : 0895792419
Author : Helen Gittos,Sarah Hamilton
Publisher : Taylor & Francis
Page : 352 pages
File Size : 53,9 Mb
Release : 2017-05-15
Category : History
ISBN : 9781134797608
This book provides an introduction to current work and new directions in the study of medieval liturgy. It focuses primarily on so-called occasional rituals such as burial, church consecration, exorcism and excommunication rather than on the Mass and Office. Recent research on such rites challenges many established ideas, especially about the extent to which they differed from place to place and over time, and how the surviving evidence should be interpreted. These essays are designed to offer guidance about current thinking, especially for those who are new to the subject, want to know more about it, or wish to conduct research on liturgical topics. Bringing together scholars working in different disciplines (history, literature, architectural history, musicology and theology), time periods (from the ninth to the fifteenth centuries) and intellectual traditions, this collection demonstrates the great potential that liturgical evidence offers for understanding many aspects of the Middle Ages. It includes essays that discuss the practicalities of researching liturgical rituals; show through case studies the problems caused by over-reliance on modern editions; explore the range of sources for particular ceremonies and the sort of questions which can be asked of them; and go beyond the rites themselves to investigate how liturgy was practised and understood in the medieval period.
Author : Luisa Nardini
Publisher : Oxford University Press
Page : 329 pages
File Size : 55,9 Mb
Release : 2021-10-05
Category : Music
ISBN : 9780197514153
The liturgical chant sung in the churches of Southern Italy between the ninth and thirteenth centuries reflects the multiculturalism of a territory in which Romans, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were all present with various titles and political roles. Chants, Hypertext, and Prosulas examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics of the city of Benevento. These texts shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality, and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond', and in their interconnectedness with the parent chant, these prosulas can be likened to modern hypertexts. In this book, author Luisa Nardini presents the first comprehensive study to integrate textual and musical analyses of liturgical prosulas as they were recorded in Beneventan manuscripts. Discussing general features of prosulas in southern Italy and their relation to contemporary liturgical genres (e.g., tropes, sequences, hymns), Nardini firmly situates Beneventan prosulas within the broader context of European musical history. An invaluable reference for the field, Chants, Hypertext, and Prosulas provides a new understanding of the phonetic and morphological transformations of the Latin language in medieval Italy, and clarifies the use of perennially puzzling features of Beneventan notation.
