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Valerian and Laureline - Volume 5 - Birds of the master by Pierre Christin Pdf
Valerian and Laureline’s ship has crash-landed on an uncharted planetoid. The two castaways quickly discover a vast ship cemetery, leading them to believe that their arrival was not an accident. Before long, they make contact with a population whose sole purpose seems to be to gather and produce food for a mysterious “Master.” The Terran agents aren’t going to be turned into slaves easily, but the Master enforces his will through his terrible agents: the Birds of Madness...
Twitterings and squawks that presage looting and death hand a cuckoo of a murder case to astounded Police Detective Mickie O'Day!excerpt"When Captain Jim Doran phoned me to come to his office in the Detective Bureau down at Headquarters I had a hunch he didn't want to discuss the rainy weather. "I've got a job for you, Mickie," he said in his deep, rumbling bass, when I entered. "Sit down and listen." I sat down cautiously, as a man will when he is six-foot-two and weighs a hundred and ninety. Sometimes furniture had a way of unexpectedly collapsing with me and it always offended my dignity as a first-grade detective. "Go ahead, Cappy," I said. "I'm all ears." "I know you are-you've got the best hearing of any man in the Police Department," he said. "That's why I want you to work on this case." He frowned. "And don't call me Cappy." I just grinned. I owed him a lot and we both knew it. Ten years ago I had been working in a steel mill and an accident had left me totally deaf. Doran had learned that I was anxious to join the police and had dug up a good surgeon who picked the pieces of steel out of my skull and made me hear again. I made the grade in the examinations and finally worked my way up to first-grade detective. I was so glad to be able to hear that I'd trained myself to really listen, and I was good at it. "It's a strange case," mused Doran. "I'd have thought Swenson was nuts, if it hadn't been for Brackton, and even with him I'd have put it down to coincidence if it hadn't been for Marshall." "And we'd have ham and eggs if we had some ham and we had some eggs," I said. "What are you talking about?" "Crimes and twittering birds," said Doran. "Three of them." The more he talked the crazier he sounded. I let him keep on talking, hoping it would begin to make sense.
Author : Linnean Society of New South Wales Publisher : Unknown Page : 604 pages File Size : 54,6 Mb Release : 1880 Category : Natural history ISBN : UOM:39015016438585
The Fairy Feller’s Master-Stroke by Harry Eiss Pdf
Richard Dadd is a trickster, a pre-post-modern enigma wrapped in a Shakespearean Midsummer Night’s Dream; an Elizabethan Puck living in a smothering Victorian insane asylum, foreshadowing and, in brilliant, Mad Hatter conundrums, entering the fragmented shards of today’s nightmarish oxymorons long before the artists currently trying to give them the joker’s ephemeral maps of discourse. The author thinks of Bob Dylan’s “Ballad of a Thin Man,” that cryptic refusal to reduce the warped mirrors of reality to prosaic lies, or, perhaps “All Along the Watchtower” or “Mr Tambourine Man.” Even more than Samuel Beckett’s Waiting for Godot, which curiously enough comes off as overly esoteric, too studied, too conscious, Dadd’s entire existence foreshadows the forbidden entrance into the numinous, the realization of the inexplicable labyrinths of contemporary existence, that wonderfully rich Marcel Duchamp landscape of puns and satiric paradigms, that surrealistic parallax of the brilliant gamester Salvador Dali, that smirking irony of the works of Roy Lichtenstein, Robert Rauschenberg, John Cage, and Robert Indiana; that fragmented, meta-fictional struggle of Kurt Vonnegut’s Slaughterhouse Five. John Lennon certainly sensed it and couldn’t help but push into meta-real worlds in his own lyrics. Think of “Strawberry Fields Forever,” “I Am the Walrus,” and the more self-conscious “Revolution Number 9.” In “Yer Blues,” he even refers to Dylan’s main character, Mr Jones from “Ballad of a Thin Man.” If Lennon’s song is taken seriously, literally, then it is a dark crying out by a suicidal man, “Lord, I’m lonely, wanna die”; or, if taken as a metaphor for a lover’s lost feelings about his unfulfilled love, it falls into the romantic rant of a typical blues or teenage rock-and-roll song. However, even on this level, it has an irony about it, a sense of laughing at itself and at Dylan’s Mr Jones, who knows something is going on but just not what it is, and then, by extension, all of us who have awakened to the fact that the studied Western world doesn’t make sense, all of us who struggle to find meaning in the nonsense images, characters, and happenings in the song, and perhaps, coming to a conclusion that the nonsense is the sense.
It's time to get off the couch and have some fun! Leave your cell phones behind and get outside. There's nothing better than playing sports with your friends. Live life, feel great, and you'll be a winner every time! Over 30 fun-filled pages. Appropriate for all ages, children 3-6 in particular. Descriptions of my other popular children's books are included after the main feature (an additional 5 pages).
About the book: There was a heaven and hell. In the heaven it lives an angels and he/she runs a magical school. In the hell there was a hell king who lives with the predator and he was a madcap king. As his life was inside a magical lamp. Which was kept at heaven. Thus he did not attack on heaven. One day one boy name Heavenlu has stolen the magical lamp and gave to hell king. So There was a Workish bird to whom black mail hell king wants to win the fight but at last he loses the fight. The above synopsis is right and funny.
Slavoj Žižek is undoubtedly one of the world's leading cultural critics. His witty, psychoanalytically-inspired analyses of contemporary society have almost single-handedly revived the notion of ideology. His brilliant commentaries on the French psychoanalyst Jacques Lacan and the 19th century German Idealists have brought alive their often difficult ideas for a new generation of readers. But does Žižek have anything to say in his own right? Is there a system of thought that we can properly call " Žižekian"? This book argues that there is, through a reading of two terms in his work—the master-signifier and the act. Featuring an interview with Žižek himself, Slavoj Žižek: Live Theory presents a snapshot of the Žižek system ideal for undergraduates in social and cultural theory and philosophy.
A Bird in Flight Leaves No Trace by Seon Master Subul Pdf
Penetrate the nature of mind with this contemporary Korean take on a classic of Zen literature. The message of the Tang-dynasty Zen text in this volume seems simple: to gain enlightenment, stop thinking there is something you need to practice. For the Chinese master Huangbo Xiyun (d. 850), the mind is enlightenment itself if we can only let go of our normal way of thinking. The celebrated translation of this work by John Blofeld, The Zen Teaching of Huang Po, introduced countless readers to Zen over the last sixty years. Huangbo’s work is also a favorite of contemporary Zen (Korean: Seon) Master Subul, who has revolutionized the strict monastic practice of koans and adapted it for lay meditators in Korea and around the world to make swift progress in intense but informal retreats. Devoting themselves to enigmatic questions with their whole bodies, retreatants are frustrated in their search for answers and arrive thereby at a breakthrough experience of their own buddha nature. A Bird in Flight Leaves No Trace is a bracing call for the practitioner to let go and thinking and unlock the buddha within.
Attar and the Persian Sufi Tradition by L. Lewisohn,C. Shackle Pdf
Farid al-Din Attar (d. 1221) was the principal Muslim religious poet of the second half of the twelfth century. Best known for his masterpiece "Mantiq al-tayr", or "The Conference of Birds", his verse is still considered to be the finest example of Sufi love poetry in the Persian language after that of Rumi. Distinguished by their provocative and radical theology of love, many lines of Attar's epics and lyrics are cited independently of their poems as maxims in their own right. These pithy, paradoxical statements are still known by heart and sung by minstrels throughout Iran, Afghanistan, Tajikistan, and wherever Persian is spoken or understood, such as in the lands of the Indo-Pakistani Subcontinent. Designed to take its place alongside "The Ocean of the Soul", the classic study of Attar by Hellmut Ritter, this volume offers the most comprehensive survey of Attar's literary works to date, and situates his poetry and prose within the wider context of the Persian Sufi tradition. The essays in the volume are grouped in three sections, and feature contributions by sixteen scholars from North America, Europe and Iran, which illustrate, from a variety of critical prespectives, the full range of Attar's monumental achievement. They show how and why Attar's poetical work, as well as his mystical doctrines, came to wield such tremendous and formative influence over the whole of Persian Sufism.