Blackface Minstrelsy In Britain

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Blackface Minstrelsy in Britain

Michael Pickering
Blackface Minstrelsy in Britain Book PDF

Author : Michael Pickering
Publisher : Routledge
Page : 270 pages
File Size : 43,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351573528

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Blackface Minstrelsy in Britain by Michael Pickering Pdf

Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t

The Blackface Minstrel Show in Mass Media

Tim Brooks
The Blackface Minstrel Show in Mass Media Book PDF

Author : Tim Brooks
Publisher : McFarland
Page : 291 pages
File Size : 41,9 Mb
Release : 2019-11-15
Category : Social Science
ISBN : 9781476676760

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The Blackface Minstrel Show in Mass Media by Tim Brooks Pdf

 The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.

Cheap Print and Popular Song in the Nineteenth Century

Paul Watt,Derek B. Scott,Patrick Spedding
Cheap Print and Popular Song in the Nineteenth Century Book PDF

Author : Paul Watt,Derek B. Scott,Patrick Spedding
Publisher : Cambridge University Press
Page : 265 pages
File Size : 42,8 Mb
Release : 2017-03-23
Category : Art
ISBN : 9781107159914

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Cheap Print and Popular Song in the Nineteenth Century by Paul Watt,Derek B. Scott,Patrick Spedding Pdf

This is the first book to detail the musical and cultural significance of the songster.

Exporting Jim Crow

Chinua Thelwell
Exporting Jim Crow Book PDF

Author : Chinua Thelwell
Publisher : Unknown
Page : 0 pages
File Size : 51,5 Mb
Release : 2020
Category : History
ISBN : 1625345178

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Exporting Jim Crow by Chinua Thelwell Pdf

Based on the author's thesis (doctoral)--New York University, 2011.

Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy

Robert Nowatzki
Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy Book PDF

Author : Robert Nowatzki
Publisher : Unknown
Page : 240 pages
File Size : 40,5 Mb
Release : 2010-06
Category : History
ISBN : MINN:31951D03059466I

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Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy by Robert Nowatzki Pdf

In this intriguing study, Robert Nowatzki reveals the unexpected relationships between blackface entertainment and antislavery sentiment in the United States and Britain. He contends that the ideological ambiguity of both phenomena enabled the similarities between early minstrelsy and abolitionism in their depictions of African Americans, as well as their appropriations of each other's rhetoric, imagery, sentiment, and characterization. Nowatzki reveals how the most popular form of theatrical entertainment and the most significant reform movement of nineteenth-century Britain and America helped define cultural representations of African Americans.

Imitation Nation

Jason Richards
Imitation Nation Book PDF

Author : Jason Richards
Publisher : University of Virginia Press
Page : 256 pages
File Size : 53,6 Mb
Release : 2017-12-26
Category : Literary Criticism
ISBN : 9780813940656

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Imitation Nation by Jason Richards Pdf

How did early Americans define themselves? The American exceptionalist perspective tells us that the young republic rejected Europeans, Native Americans, and African Americans in order to isolate a national culture and a white national identity. Imitativeness at this time was often seen as antithetical to self and national creation, but Jason Richards argues that imitation was in fact central to such creation. Imitation Nation shows how whites simultaneously imitated and therefore absorbed the cultures they so readily disavowed, as well as how Indians and blacks emulated the power and privilege of whiteness while they mocked and resisted white authority. By examining the republic’s foundational literature--including works by Washington Irving, James Fenimore Cooper, Harriet Beecher Stowe, Herman Melville, and Martin Delany--Richards argues that the national desire for cultural uniqueness and racial purity was in constant conflict with the national need to imitate the racial and cultural other for self-definition. The book offers a new model for understanding the ways in which the nation’s identity and literature took shape during the early phases of the American republic.

Acts of Supremacy

Jacqueline S. Bratton
Acts of Supremacy Book PDF

Author : Jacqueline S. Bratton
Publisher : Manchester University Press
Page : 264 pages
File Size : 46,7 Mb
Release : 1991
Category : Drama
ISBN : 0719025834

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Acts of Supremacy by Jacqueline S. Bratton Pdf

In recent years theatrical history has moved into the historical mainstream. Social, intellectual and, increasingly, political historians have come to take note of the theatre while scholars of all forms of dramatic presentation have become more concerned with the full range of historical relationships.

Exporting Jim Crow

Chinua Thelwell
Exporting Jim Crow Book PDF

Author : Chinua Thelwell
Publisher : Unknown
Page : 283 pages
File Size : 43,8 Mb
Release : 2020
Category : Black people
ISBN : 1613767676

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Exporting Jim Crow by Chinua Thelwell Pdf

"Following the pathways of imperial commerce, blackface minstrel troupes began to cross the globe in the mid-nineteenth century, popularizing American racial ideologies as they traveled from Britain to its colonies in the Pacific, Asia, and Oceania, finally landing in South Africa during the 1860s and 1870s. The first popular culture export of the United States, minstrel shows frequently portrayed black characters as noncitizens who were unfit for democratic participation and contributed to the construction of a global color line. Chinua Thelwell brings blackface minstrelsy and performance culture into the discussion of apartheid's nineteenth-century origins and afterlife, employing a broad archive of South African newspapers and magazines, memoirs, minstrel songs and sketches, diaries, and interview transcripts. Exporting Jim Crow highlights blackface minstrelsy's cultural and social impact as it became a dominant form of entertainment, moving from its initial appearances on music hall stages to its troubling twentieth-century resurgence on movie screens and at public events. This carefully researched and highly original study demonstrates that the performance of race in South Africa was inherently political, contributing to racism and shoring up white racial identity"--

Demons of Disorder

Dale Cockrell
Demons of Disorder Book PDF

Author : Dale Cockrell
Publisher : Cambridge University Press
Page : 262 pages
File Size : 46,5 Mb
Release : 1997-07-28
Category : Drama
ISBN : 0521568285

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Demons of Disorder by Dale Cockrell Pdf

A study of blackface minstrels in the first half of the nineteenth century.

“Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties

Tony Lidington
Don t Forget The Pierrots The Complete History of British Pierrot Troupes Concert Parties Book PDF

Author : Tony Lidington
Publisher : Taylor & Francis
Page : 432 pages
File Size : 45,7 Mb
Release : 2022-09-30
Category : Performing Arts
ISBN : 9781000686142

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“Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties by Tony Lidington Pdf

This volume is the first authoritative historical textbook to look at the origins, development and evolution of seaside pierrot troupes and concert parties and their popular performance heritage. It will provide, for the first time, a definition of the pierrot troupe and its evolution from the roots of European popular traditions such as the commedia dell’arte and minstrelsy, to links between music hall and contemporary popular culture. Tony Lidington will explore how pierrot troupes grew from a single idea into a major international cultural industry and how it boosted morale and national identity during the two World Wars, before sublimating into contemporary pop music and comedy. Tony’s continuing practice as research provides an experiential framework for the historical and ethnographic analysis of the form. This book will be of vital interest to students, researchers, and performers of outdoor (al fresco) arts, clowning and comedy, minstrelsy, vernacular music-making and music hall.

The Creolization of American Culture

Christopher J Smith
The Creolization of American Culture Book PDF

Author : Christopher J Smith
Publisher : University of Illinois Press
Page : 352 pages
File Size : 52,9 Mb
Release : 2013-09-16
Category : Music
ISBN : 9780252095047

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The Creolization of American Culture by Christopher J Smith Pdf

The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.

Darkest America: Black Minstrelsy from Slavery to Hip-Hop

Yuval Taylor,Jake Austen
Darkest America Black Minstrelsy from Slavery to Hip Hop Book PDF

Author : Yuval Taylor,Jake Austen
Publisher : W. W. Norton & Company
Page : 368 pages
File Size : 48,6 Mb
Release : 2012-08-27
Category : Social Science
ISBN : 9780393083903

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Darkest America: Black Minstrelsy from Slavery to Hip-Hop by Yuval Taylor,Jake Austen Pdf

An exploration and celebration of a controversial tradition that, contrary to popular opinion, is alive and active after more than 150 years. Yuval Taylor and Jake Austen investigate the complex history of black minstrelsy, adopted in the mid-nineteenth century by African American performers who played the grinning blackface fool to entertain black and white audiences. We now consider minstrelsy an embarrassing relic, but once blacks and whites alike saw it as a black art form—and embraced it as such. And, as the authors reveal, black minstrelsy remains deeply relevant to popular black entertainment, particularly in the work of contemporary artists like Dave Chappelle, Flavor Flav, Spike Lee, and Lil Wayne. Darkest America explores the origins, heyday, and present-day manifestations of this tradition, exploding the myth that it was a form of entertainment that whites foisted on blacks, and shining a sure-to-be controversial light on how these incendiary performances can be not only demeaning but also, paradoxically, liberating.

Love & Theft

Eric Lott
Love Theft Book PDF

Author : Eric Lott
Publisher : Oxford University Press
Page : 342 pages
File Size : 49,9 Mb
Release : 2013-09-12
Category : History
ISBN : 9780195320558

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Love & Theft by Eric Lott Pdf

Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War.

The Show Must Go On! Popular Song in Britain During the First World War

John Mullen
The Show Must Go On Popular Song in Britain During the First World War Book PDF

Author : John Mullen
Publisher : Routledge
Page : 262 pages
File Size : 51,8 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317016120

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The Show Must Go On! Popular Song in Britain During the First World War by John Mullen Pdf

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

Love and Theft : Blackface Minstrelsy and the American Working Class

Department of English University of Virginia Eric Lott Associate Professor
Love and Theft Blackface Minstrelsy and the American Working Class Book PDF

Author : Department of English University of Virginia Eric Lott Associate Professor
Publisher : Oxford University Press, USA
Page : 332 pages
File Size : 46,7 Mb
Release : 1993-10-28
Category : Minstrel shows
ISBN : 9780199762248

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Love and Theft : Blackface Minstrelsy and the American Working Class by Department of English University of Virginia Eric Lott Associate Professor Pdf

For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.