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It considers the guiding forces behind Visions of the Daughters of Albion and The Marriage of Heaven and Hell, the roles of vision and energy in the Songs of Innocence and of Experience and lyrics such as' The Mental Traveller', Blakes's attempts at mythological interpretation of current events, first in' The French Revolution' and then in the prophetic books America, Europe and The Song of Los, and how Blake's fourfold vision is employed as a means of interpreting and illustrating major predecessors such as Milton and Chaucer.
The closing years of the eighteenth century were the particular domain of literary radicals whose work challenged ideas on gender and sexuality. During this transitional period, the poetry of William Blake reflected the changing mores of society as well as his own developing notions of gender. This work presents an in-depth exploration of gender issues in Blake's three epic poems, The Four Zoas, Milton and Jerusalem. The opening chapter discusses basic concepts such as notions of apocalypse, utopia and gender, all essential to the author's reading of Blake. Background regarding the literary atmosphere of the time, which included influence from the tradition of dissent, English Jacobinism and early feminism, is also included, effectively setting the context for Blake's work. The book then examines the poems in chronological order. It concentrates particularly on male and female activity within each work (refuting the common assumption that Blake was anti-feminist) while exploring the symbolism of the poetry. Blake's repeated theme of the struggle between the sexes receives special emphasis, as does the progress of his gender vision through the three poems.
Famously, Blake believed that 'without contraries' there could be no 'progression'. Conflict was integral to his artistic vision, and his style, but it had more to do with critical engagement than any urge to victory. The essays in this volume look at conflict as it marked Blake's thinking on politics, religion and the visual arts.
Twentieth-Century Blake Criticism by Joseph P. Natoli Pdf
First published in 1982 this book provides a bibliography of commentary, criticism, and scholarship on the works of William Blake. It covers the period from Northrop Frye’s Fearful Symmetry in 1947 to 1980. The criticism is organised according to eleven classifications in order to help direct the research of students and scholars and each chapter is preceded by an introductory essay in order to guide the reader.
The classic book on William Blake as prophet of the New Age William Blake (1757–1827) inhabited a remarkable inner world, one that he brought vividly to life in his poetry, painting, and printmaking. Blake and Antiquity situates this brilliant and enigmatic artist within the Western esoteric canon, revealing his indebtedness to Neoplatonism, the Gnostics, alchemy, and astrology. In this book, Kathleen Raine demonstrates how Blake rejected conventional orthodoxy and went in search among the occult traditions of antiquity for symbols that might expand the mind’s awareness into a spiritual state where space, time, and even death are transcended.
William Blake and the Cultures of Radical Christianity by Robert Rix Pdf
This study traces the links between William Blake's ideas and radical Christian cultures in late eighteenth-century England. A detailed and historically-grounded study of a key literary figure, this book should appeal to Blake scholars and historians with an interest in the radical and religious culture of late eighteenth and early nineteenth century England. New research on Blake's links to, and reaction against, the Swedenborg New Church make this study a valuable addition to scholarship in this area.
Anti-Humanism in the Counterculture by Guy Stevenson Pdf
This book offers a radical new reading of the 1950s and 60s American literary counterculture. Associated nostalgically with freedom of expression, romanticism, humanist ideals and progressive politics, the period was steeped too in opposite ideas – ideas that doubted human perfectibility, spurned the majority for a spiritually elect few, and had their roots in earlier politically reactionary avant-gardes. Through case studies of icons in the counterculture – the controversial sexual revolutionary Henry Miller, Beat Generation writers Jack Kerouac, Allen Ginsberg and William S. Burroughs and self-proclaimed ‘philosopher of hip’, Norman Mailer – Guy Stevenson explores a set of paradoxes at its centre: between romantic optimism and modernist pessimism; between brutal rhetoric and emancipatory desires; and between social egalitarianism and spiritual elitism. Such paradoxes, Stevenson argues, help explain the cultural and political worlds these writers shaped – in their time and beyond.
Blake, Politics, and History by Jackie DiSalvo,G. A. Rosso,Christopher Z. Hobson Pdf
First published in 1998, this book formed part of an ongoing effort to restore politics and history to the centre of Blake studies. It adopts a three pronged approach when presenting its essays, seeking to promote a return to the political Blake; to deepen the understanding of some of the conversations articulated in Blake’s art by introducing new, historical material or new interpretations of texts; and to highlight differing perspectives on Blake’s politics among historically focused critics. The collection contains essays with varying methodological assumptions and differing positions on questions central to historicist Blake scholarship.
Humanism and the Humanities in the Twenty-first Century by William S. Haney,Peter Malekin Pdf
The book raises questions about the underlying paradigms of contemporary learning and social thinking, including the nature of consciousness and the mind, the purpose and conduct of eduation, the role of science and scientific methodologies, the place of art and literature, or relationship to the environment, our concepts of spirituality, our attitudes to the past and also what we are doing to our own future.
Author : John B. Beer Publisher : Manchester University Press Page : 460 pages File Size : 44,9 Mb Release : 1969 Category : Visions in art ISBN : 8210379456XXX
Rational Landscapes and Humanistic Geography by Edward Relph Pdf
This book, first published in 1981, explores why it is that the modern built environment, while successfully providing material comfort and technical efficiency, none the less breeds despair and depression rather than inspires hope and commitment. The source of this paradox, where material benefits appear to have been gained only at the expense of intangible values and qualities is found in humanism, the persistent and powerful belief that all problems can be solved through the use of human reason. But humanism has become increasingly confused, rationalistic, callously devoted to efficiency, and authoritarian. These confusions and contradictions, together with the anti-nature stance of humanism and its failure to teach humane behaviour, lead the author to conclude that humanism is best rejected. Such rejection does not advocate the inhuman and anti-human, but requires instead a return to the ‘humility’ that lies at the origin of humanism – a respect for objects, creatures, environments and people. This ‘environmental humility’ is explored in the context of individuality of settings, ways of seeing landscapes, appropriation and ways of building places. This title will be of interest to students of human geography.
The Moment of Explosion by Stephen C. Behrendt Pdf
William Blake thought that John Milton had been betrayed by both his commentators and his illustrators, and he set out to recover Milton's vision, particularly in Paradise Lost, from the misguided academic and Augustan misinterpretation to which it had been subjected. The Moment of Explosion: Blake and the Illustration of Milton is the first detailed. analysis of all of Blake's illustrations for Milton's poetry. Blake explicitly believed he was correcting errors that Milton wanted corrected, and he felt that his illustration was interpretive criticism in its highest sense, a re-vision that would broadcast Milton's revolutionary ethic afresh. Stephen C. Behrendt blends a close reading of Blake and Milton with meticulous and provocative examination of the illustrations of Blake, his predecessors, and his contemporaries. The focus on visual art as criticism establishes the book as a major essay on the interaction of the arts within and across cultural periods. Fifty-four black-and-white illustrations document that radical, Romantic assault by Blake on tradition in the name of tradition. The highlight of the book is Blake's two sets of Paradise Lost illustrations, reproduced here in twenty-four color plates?Blake's final statements on Paradise Lost and the culmination of his aesthetic and critical development. This beautiful book presents a wealth of illustration previously scattered or inaccessible. It will be of major interest to students of Blake, Milton, Romanticism, art history, and the history of ideas.
William Blake and the Digital Humanities by Roger Whitson,Jason Whittaker Pdf
William Blake’s work demonstrates two tendencies that are central to social media: collaboration and participation. Not only does Blake cite and adapt the work of earlier authors and visual artists, but contemporary authors, musicians, and filmmakers feel compelled to use Blake in their own creative acts. This book identifies and examines Blake’s work as a social and participatory network, a phenomenon described as zoamorphosis, which encourages — even demands — that others take up Blake’s creative mission. The authors rexamine the history of the digital humanities in relation to the study and dissemination of Blake’s work: from alternatives to traditional forms of archiving embodied by Blake’s citation on Twitter and Blakean remixes on YouTube, smartmobs using Blake’s name as an inspiration to protest the 2004 Republican National Convention, and students crowdsourcing reading and instruction in digital classrooms to better understand and participate in Blake’s world. The book also includes a consideration of Blakean motifs that have created artistic networks in music, literature, and film in the twentieth and the twenty-first centuries, showing how Blake is an ideal exemplar for understanding creativity in the digital age.
William Blake and the Productions of Time by Andrew M. Cooper Pdf
Challenging the idea that a writer’s work reflects his experiences in time and place, Andrew M. Cooper locates the action of William Blake’s major illuminated books in the ahistorical present, an impersonal spirit realm beyond the three-dimensional self. Blake, Cooper shows, was a formalist who exploited eighteenth-century scientific and philosophical research on vision, sense, and mind for spiritual purposes. Through irony, dialogism, two-way syntax, and synesthesia, Blake extended and refined the prophetic method Milton forged in Paradise Lost to bring the performativity of traditional oral song and storytelling into print. Cooper argues that historicist attempts to place Blake’s vision in perspective, as opposed to seeing it for oneself, involve a deeply self-contradictory denial of his performativity as a poet-artist. Rather, Blake’s expansion of linear reading into a space of creative, self-conscious collaboration laid the basis for his lifelong critique of dualism in religion and science, and anticipated the non-Euclidean geometrics of twentieth-century Modernism.
Palgrave Handbook of Critical Posthumanism by Stefan Herbrechter,Ivan Callus,Manuela Rossini,Marija Grech,Megen de Bruin-Molé,Christopher John Müller Pdf
Palgrave Handbook of Critical Posthumanism is a major reference work on the paradigm emerging from the challenges to humanism, humanity, and the human posed by the erosion of the traditional demarcations between the human and nonhuman. This handbook surveys and speculates on the ways in which the posthumanist paradigm emerged, transformed, and might further develop across the humanities. With its focus on the posthuman as a figure, on posthumanism as a social discourse, and on posthumanisation as an on-going historical and ontological process, the volume highlights the relationship between the humanities and sciences. The essays engage with posthumanism in connection with subfields like the environmental humanities, health humanities, animal studies, and disability studies. The book also traces the historical representations and understanding of posthumanism across time. Additionally, the contributions address genre and forms such as autobiography, games, art, film, museums, and topics such as climate change, speciesism, anthropocentrism, and biopolitics to name a few. This handbook considers posthumanism’s impact across disciplines and areas of study.
