Body Genre

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Film Genre Reader IV

Author : Barry Keith Grant
Publisher : University of Texas Press
Page : 785 pages
File Size : 46,7 Mb
Release : 2012-12-01
Category : Performing Arts
ISBN : 9780292745742

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Film Genre Reader IV by Barry Keith Grant Pdf

From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.

Body Genre

Author : David Scott Diffrient
Publisher : Univ. Press of Mississippi
Page : 255 pages
File Size : 44,8 Mb
Release : 2023-11-27
Category : Performing Arts
ISBN : 9781496847980

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Body Genre by David Scott Diffrient Pdf

In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover’s and Linda Williams’s pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a “body genre.” However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals—living or dead, real or fake—play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death.

Extreme Cinema

Author : Kerner Aaron Kerner
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 43,9 Mb
Release : 2016-06-14
Category : Performing Arts
ISBN : 9781474402910

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Extreme Cinema by Kerner Aaron Kerner Pdf

Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube 'reaction videos', Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.

Uncanny Bodies

Author : Robert Spadoni
Publisher : Univ of California Press
Page : 204 pages
File Size : 46,6 Mb
Release : 2007-09-04
Category : Performing Arts
ISBN : 9780520940703

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Uncanny Bodies by Robert Spadoni Pdf

In 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of the temporary weirdness of sound film deeply etched in the basic character of one of our most enduring film genres.

Spectacular Bodies

Author : Yvonne Tasker
Publisher : Routledge
Page : 215 pages
File Size : 43,6 Mb
Release : 2012-10-02
Category : Social Science
ISBN : 9781134873012

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Spectacular Bodies by Yvonne Tasker Pdf

While films such as Rambo, Thelma and Louise and Basic Instinct have operated as major points of cultural reference in recent years, popular action cinema remains neglected within contemporary film criticism. Spectacular Bodies unravels the complexities and pleasures of a genre often dismissed as `obvious' in both its pleasure and its politics, arguing that these controversial films should be analysed and understood within a cinematic as well as a political context. Yvonne Tasker argues that today's action cinema not only responds to the shifts in gendered, sexual and racial identities which took place during the 1980s, but reflects the influences of other media such as the new video culture. Her detailed discussion of the homoeroticism surrounding the muscleman hero, the symbolic centrality of blackness within the crime narrative, and the changing status of women within the genre, addresses the constitution of these identities through the shifting categories of gender, class, race, sex, sexuality and nation. Spectacular Bodies also examines the ambivalence of supposedly secure categories of popular cinema, questioning the existing terms of film criticism in this area and addressing the complex pleasures of this neglected form.

Women Do Genre in Film and Television

Author : Mary Harrod,Katarzyna Paszkiewicz
Publisher : Routledge
Page : 266 pages
File Size : 43,5 Mb
Release : 2017-10-30
Category : Social Science
ISBN : 9781315526072

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Women Do Genre in Film and Television by Mary Harrod,Katarzyna Paszkiewicz Pdf

This volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to ‘undo’ or ‘subvert’ popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.

Disability, Literature, Genre

Author : Ria Cheyne
Publisher : Representations: Health, Disability, Culture and Society
Page : 216 pages
File Size : 50,6 Mb
Release : 2019-11-30
Category : Disabilities in literature
ISBN : 9781789620771

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Disability, Literature, Genre by Ria Cheyne Pdf

Examining the intersection of disability and genre in popular works of horror, crime, science fiction, fantasy, and romance published since the late 1960s, Disability, Literature, Genre is a major contribution to both cultural disability studies and genre fiction studies. Drawing on recent work on affect and emotion, the book explores how disability makes us feel, and how those feelings shape interpersonal and fictional encounters. Written in a clear and accessible style, Disability, Literature, Genre offers a timely reflection on the rapidly growing body of scholarship on disability representation, as well as an innovative new theorisation of genre. By reconceptualising genre reading as an affective process, Ria Cheyne establishes genre fiction as a key site of investigation for disability studies. She argues that genre fiction's unique combination of affectivity and reflexivity makes it ideally suited to the production of reflexive representations of disability: representations which encourage the reader to reflect upon what they understand about disability, and potentially to rethink it. Examining the affective--and effective--power of disability representations in a wide range of popular genre fiction, this book will be essential reading for academics in disability studies, literary studies, popular culture studies, and the medical humanities.

Genre, Authorship and Contemporary Women Filmmakers

Author : Katarzyna Paszkiewicz
Publisher : Edinburgh University Press
Page : 294 pages
File Size : 44,5 Mb
Release : 2018-06-06
Category : Performing Arts
ISBN : 9781474425278

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Genre, Authorship and Contemporary Women Filmmakers by Katarzyna Paszkiewicz Pdf

Examining the significance of women's work in popular film genres, this test sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola, and Kelly Reichard.

Genre Trouble and Extreme Cinema

Author : Troy Bordun
Publisher : Springer
Page : 244 pages
File Size : 44,9 Mb
Release : 2017-11-10
Category : Performing Arts
ISBN : 9783319658940

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Genre Trouble and Extreme Cinema by Troy Bordun Pdf

This volume re-evaluates theories of genre and spectatorship in light of a critic-defined tendency in recent art cinema, coined ‘extreme cinema’. In Genre Trouble and Extreme Cinema, Bordun argues that the films of Mexican director Carlos Reygadas and French director Catherine Breillat expand generic classifications. Bordun contends that their films make it apparent that genre is not established prior to the viewing of a work but is recollected and assembled by spectators in ways that matter for them in both personal and experiential terms. The author deploys contemporary film theories on the senses, both phenomenological and affect theory, and partakes in close readings of the films’ forms and narratives. The book thus adds to the present literature on extreme cinema and film theory, yet sets itself apart by fully deploying genre theory alongside the methodological and stylistic approaches of Stanley Cavell, Vivian Sobchack, Laura U. Marks, and Eugenie Brinkema.

Film/Genre

Author : Rick Altman
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 43,7 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838715809

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Film/Genre by Rick Altman Pdf

Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term 'genre' has different meanings for different groups, basing his new genre theory on the uneasy competitive yet complimentary relationship among genre users and discussing a huge range of films from The Great Train Robbery to Star Wars and from The Jazz Singer to The Player.

Transnational Asian Identities in Pan-Pacific Cinemas

Author : Philippa Gates,Lisa Funnell
Publisher : Routledge
Page : 261 pages
File Size : 40,6 Mb
Release : 2012-03-12
Category : Social Science
ISBN : 9781136591563

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Transnational Asian Identities in Pan-Pacific Cinemas by Philippa Gates,Lisa Funnell Pdf

This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. .

The Gaucho Genre

Author : Josefina Ludmer
Publisher : Duke University Press
Page : 290 pages
File Size : 52,9 Mb
Release : 2002-07-08
Category : Literary Criticism
ISBN : 0822328445

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The Gaucho Genre by Josefina Ludmer Pdf

DIVExplores the early genre in which the voice of the cowboy of the pampas was used in tales and poetry of various Latin American authors, which shows the relationship of literature to the state./div

Gender and Genre

Author : Stephanie M. Hilger
Publisher : Rowman & Littlefield
Page : 196 pages
File Size : 42,7 Mb
Release : 2014-10-23
Category : Literary Criticism
ISBN : 9781611495300

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Gender and Genre by Stephanie M. Hilger Pdf

Gender and Genre explores the ways in which German women writers used literature, in the sense of belles lettres, to comment on the French Revolution and its aftermath. By doing so, these authors adapted major literary genres and questioned these genres’ representation of women in the eighteenth- and nineteenth-century literary sphere.

Film Genre

Author : Barry Keith Grant
Publisher : Taylor & Francis
Page : 230 pages
File Size : 47,6 Mb
Release : 2023-12-22
Category : Social Science
ISBN : 9781003831150

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Film Genre by Barry Keith Grant Pdf

Offering an accessible introduction to the study of film genres and genre films, this book examines the use of genre in cinema from its beginnings to the present day. This book explains the various elements of genre, the importance of genre in popular culture, problems of definition, Hollywood and the studio system, ideology and genre, national cinema and genre, authorship and genre, and debates about representation. The book also provides an in-depth examination of four key genres: the Western, the horror film, the film musical, and the documentary film. Each chapter provides a historical overview of the genre and a summary of important critical debates, and concludes with a case study that builds on the historical and theoretical aspects already introduced and provides a model for subsequent analyses. Featured boxes throughout the text highlight specific cycles, filmmakers, and trends, and each chapter concludes with a list of suggestions for further reading. Film Genre: The Basics is an invaluable resource for those new to studying film and for anyone interested in the history and ongoing significance of film genres and genre films.

Gender Meets Genre in Postwar Cinemas

Author : Christine Gledhill
Publisher : University of Illinois Press
Page : 290 pages
File Size : 54,6 Mb
Release : 2012-01-15
Category : Performing Arts
ISBN : 9780252093661

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Gender Meets Genre in Postwar Cinemas by Christine Gledhill Pdf

This remarkable collection uses genre as a fresh way to analyze the issues of gender representation in film theory, film production, spectatorship, and the contexts of reception. With a uniquely global perspective, these essays examine the intersection of gender and genre in not only Hollywood films but also in independent, European, Indian, and Hong Kong cinemas. Working in the area of postcolonial cinema, contributors raise issues dealing with indigenous and global cinemas and argue that contemporary genres have shifted considerably as both notions of gender and forms of genre have changed. The volume addresses topics such as the history of feminist approaches to the study of genre in film, issues of female agency in postmodernity, changes taking place in supposedly male-dominated genres, concepts of genre and its use of gender in global cinema, and the relationship between gender and sexuality in film. Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen.