Gender Meets Genre In Postwar Cinemas

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Gender Meets Genre in Postwar Cinemas

Christine Gledhill
Gender Meets Genre in Postwar Cinemas Book PDF

Author : Christine Gledhill
Publisher : University of Illinois Press
Page : 290 pages
File Size : 55,9 Mb
Release : 2012-01-15
Category : Performing Arts
ISBN : 9780252093661

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Gender Meets Genre in Postwar Cinemas by Christine Gledhill Pdf

This remarkable collection uses genre as a fresh way to analyze the issues of gender representation in film theory, film production, spectatorship, and the contexts of reception. With a uniquely global perspective, these essays examine the intersection of gender and genre in not only Hollywood films but also in independent, European, Indian, and Hong Kong cinemas. Working in the area of postcolonial cinema, contributors raise issues dealing with indigenous and global cinemas and argue that contemporary genres have shifted considerably as both notions of gender and forms of genre have changed. The volume addresses topics such as the history of feminist approaches to the study of genre in film, issues of female agency in postmodernity, changes taking place in supposedly male-dominated genres, concepts of genre and its use of gender in global cinema, and the relationship between gender and sexuality in film. Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen.

Gender Meets Genre in Postwar Cinemas

Christine Gledhill
Gender Meets Genre in Postwar Cinemas Book PDF

Author : Christine Gledhill
Publisher : University of Illinois Press
Page : 290 pages
File Size : 52,6 Mb
Release : 2012-01-19
Category : Performing Arts
ISBN : 9780252036613

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Gender Meets Genre in Postwar Cinemas by Christine Gledhill Pdf

This remarkable collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and post-feminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as means of putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality come into view as elements fuelling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. Drawing on the intensifying transnational context of film production and on postcolonial thinking, this volume includes essays that explore the transformational transactions between gender and genre as world-circulating Hollywood generic practices intersect with and are stimulated by American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between centre and periphery, between feminism and generic filmmaking, and the supposed gendering of genres, filmmakers and their audiences. Contributors are Ira Bhaskar, Xiangyang Chen, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, and Deborah Thomas.

Doing Women's Film History

Christine Gledhill,Julia Knight
Doing Women s Film History Book PDF

Author : Christine Gledhill,Julia Knight
Publisher : University of Illinois Press
Page : 280 pages
File Size : 54,9 Mb
Release : 2015-10-30
Category : Performing Arts
ISBN : 9780252097775

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Doing Women's Film History by Christine Gledhill,Julia Knight Pdf

Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impact of gender on film production, distribution and reception, and reframing film history to accommodate new questions and approaches. Contributors include: Kay Armatage, Eylem Atakav, Karina Aveyard, Canan Balan, Cécile Chich, Monica Dall'Asta, Eliza Anna Delveroudi, Jane M. Gaines, Christine Gledhill, Julia Knight, Neepa Majumdar, Michele Leigh, Luke McKernan, Debashree Mukherjee, Giuliana Muscio, Katarzyna Paszkiewicz, Rashmi Sawhney, Elizabeth Ramirez Soto, Sarah Street, and Kimberly Tomadjoglou.

Genre, Authorship and Contemporary Women Filmmakers

Katarzyna Paszkiewicz
Genre Authorship and Contemporary Women Filmmakers Book PDF

Author : Katarzyna Paszkiewicz
Publisher : Edinburgh University Press
Page : 294 pages
File Size : 52,5 Mb
Release : 2018-06-06
Category : Performing Arts
ISBN : 9781474425278

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Genre, Authorship and Contemporary Women Filmmakers by Katarzyna Paszkiewicz Pdf

Examining the significance of women's work in popular film genres, this test sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola, and Kelly Reichard.

British Cinema in the Fifties

Christine Geraghty
British Cinema in the Fifties Book PDF

Author : Christine Geraghty
Publisher : Routledge
Page : 240 pages
File Size : 55,7 Mb
Release : 2002-01-04
Category : Performing Arts
ISBN : 9781134694648

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British Cinema in the Fifties by Christine Geraghty Pdf

In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.

Women Do Genre in Film and Television

Mary Harrod,Katarzyna Paszkiewicz
Women Do Genre in Film and Television Book PDF

Author : Mary Harrod,Katarzyna Paszkiewicz
Publisher : Routledge
Page : 266 pages
File Size : 45,5 Mb
Release : 2017-10-30
Category : Social Science
ISBN : 9781315526072

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Women Do Genre in Film and Television by Mary Harrod,Katarzyna Paszkiewicz Pdf

This volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to ‘undo’ or ‘subvert’ popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.

Situating the Feminist Gaze and Spectatorship in Postwar Cinema

Marcelline Block,Angela Laflen
Situating the Feminist Gaze and Spectatorship in Postwar Cinema Book PDF

Author : Marcelline Block,Angela Laflen
Publisher : Cambridge Scholars Publishing
Page : 410 pages
File Size : 45,8 Mb
Release : 2009-01-14
Category : Performing Arts
ISBN : 9781443804394

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Situating the Feminist Gaze and Spectatorship in Postwar Cinema by Marcelline Block,Angela Laflen Pdf

Marcelline Block’s Situating the Feminist Gaze and Spectatorship in Postwar Cinema breaks new ground in exploring feminist film theory. It is a wide-ranging collection (re)visiting important theoretical questions as well as offering close analyses of films produced in the United States, France, England, Belgium, and Russia. This anthology investigates exciting areas of research for critical inquiry into film and gender studies as well as feminist, queer, and postfeminist theories, and treats film texts from Marguerite Duras to 21st century horror films; from Agnès Varda’s 2007 installation at the Panthéon to the post-Soviet Russian filmmakers Aleksei Balabanov and Valerii Todorovskii; from Quentin Tarantino’s Death Proof to Sofia Coppola’s postfeminist trilogy; from Chantal Akerman’s “transhistorical, transgressive and transgendered gaze” to the “quantum gaze” in Steven Spielberg’s Jurassic Park; from Hitchcock’s “good-looking blondes” to the career-woman-in-peril thriller, among others. According to the semiotician Marshall Blonsky of the New School University in New York, “given the breadth of the editor’s choices, this volume makes a splendid contribution to feminist and cinematic fields, as well as cultural and media studies, postmodernism, and postfeminism. It lends readers ‘new eyes’ to view canonical and other film texts.” David Sterritt, chairman of the National Society of Film Critics, states that this anthology “should be required reading for students and scholars, among other readers interested in the interaction of cinema with contemporary culture.” Situating the Feminist Gaze and Spectatorship is prefaced by Jean-Michel Rabaté’s brilliant essay, “Mulvey was the First…”

The Routledge Companion to Cinema & Gender

Kristin Lené Hole,Dijana Jelača,E. Ann Kaplan,Patrice Petro
The Routledge Companion to Cinema Gender Book PDF

Author : Kristin Lené Hole,Dijana Jelača,E. Ann Kaplan,Patrice Petro
Publisher : Routledge
Page : 672 pages
File Size : 41,7 Mb
Release : 2016-11-10
Category : Social Science
ISBN : 9781317408048

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The Routledge Companion to Cinema & Gender by Kristin Lené Hole,Dijana Jelača,E. Ann Kaplan,Patrice Petro Pdf

Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.

Operatic and the Everyday in Postwar Italian Film Melodrama

Louis Bayman
Operatic and the Everyday in Postwar Italian Film Melodrama Book PDF

Author : Louis Bayman
Publisher : Edinburgh University Press
Page : 240 pages
File Size : 46,6 Mb
Release : 2015-03-05
Category : Performing Arts
ISBN : 9781474402873

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Operatic and the Everyday in Postwar Italian Film Melodrama by Louis Bayman Pdf

Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.

Heightened Genre and Women's Filmmaking in Hollywood

Mary Harrod
Heightened Genre and Women s Filmmaking in Hollywood Book PDF

Author : Mary Harrod
Publisher : Springer Nature
Page : 314 pages
File Size : 45,8 Mb
Release : 2021-05-24
Category : Performing Arts
ISBN : 9783030709945

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Heightened Genre and Women's Filmmaking in Hollywood by Mary Harrod Pdf

Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.

The US Sports Film: A Genre of American Dream Time

Danny Gronmaier
The US Sports Film A Genre of American Dream Time Book PDF

Author : Danny Gronmaier
Publisher : Walter de Gruyter GmbH & Co KG
Page : 308 pages
File Size : 50,5 Mb
Release : 2022-12-05
Category : Literary Criticism
ISBN : 9783110760354

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The US Sports Film: A Genre of American Dream Time by Danny Gronmaier Pdf

Sports and film are media that create time. They are temporal not only in the sense that they are defined and regulated by certain temporalities as a result of processes of social negotiation, but also in the sense of modulating and intervening in these processes in the first place. They are determined by multiple temporalities referring to and aligning along perceptual corporeality; but at the same time, they also produce time through and along temporalities of bodily expression and perception. Thus, as much as we perceive and understand sports and film by means of our culturally coded conceptions of time, this comprehension is itself already the product of these media’s fabrication and modulation of certain audiovisual imaginations of time. This book examines these imaginations with regard to US team sports feature films, understanding the former as the latter’s constitutive conflict which makes these films graspable as a genre in the first place. By addressing temporality as an ever-new crystallization of a heroic past and an unattainable future in a saturated yet volatile present, this conflict connects substantially to the American Dream as an idea of community-building historicity. Departing from a non-taxonomic approach in genre theory and such philosophical recognition of the American Dream as less an ideological narrative but more a social and socially effective imaginary embedded in an audiovisual discourse of time, this book demonstrates the interrelation of sports, cinema and “American” subjectivization along close readings of the poetics of affect of five exemplary sports films (FIELD OF DREAMS, WE ARE MARSHALL, KNUTE ROCKNE ALL AMERICAN, JIM THORPE – ALL-AMERICAN, MIRACLE).

Contemporary Cinema and 'Old Age'

Josephine Dolan
Contemporary Cinema and Old Age Book PDF

Author : Josephine Dolan
Publisher : Springer
Page : 258 pages
File Size : 51,7 Mb
Release : 2018-02-06
Category : Performing Arts
ISBN : 9781137584021

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Contemporary Cinema and 'Old Age' by Josephine Dolan Pdf

This book is the first to explore ‘old age’ in cinema at the intersection of gender, ageing, celebrity and genre studies. It takes its cue from the dual meanings of ‘silvering’ – economics and ageing – and explores shifting formulations of ‘old age’ and gender in contemporary cinema. Broad in its scope, the book establishes the importance of silver audiences to the survival of cinema exhibition while also forging connections between the pleasures of ‘old age’ films, consumer culture, the ‘economy of celebrity’ and the gendered silvering of stardom. The chapters examine gendered genres such as romantic comedies, action and heist movies, the prosthetics of costume, and CGI enabled age transformations. Through this analysis, Josephine Dolan teases out the different meanings of ageing masculinity and femininity offered in contemporary cinema. She identifies ageing femininity as the pathologised target of rejuvenation while masculine ageing is seen to enhance an enduring youthfulness. This book has interdisciplinary appeal and will engage scholars interested in ‘old age’ and gender representations in contemporary cinema.

Hollywood's Artists

Virginia Wright Wexman
Hollywood s Artists Book PDF

Author : Virginia Wright Wexman
Publisher : Columbia University Press
Page : 191 pages
File Size : 54,9 Mb
Release : 2020-07-21
Category : Performing Arts
ISBN : 9780231551434

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Hollywood's Artists by Virginia Wright Wexman Pdf

Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema? In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.

Final Girls, Feminism and Popular Culture

Katarzyna Paszkiewicz,Stacy Rusnak
Final Girls Feminism and Popular Culture Book PDF

Author : Katarzyna Paszkiewicz,Stacy Rusnak
Publisher : Springer Nature
Page : 281 pages
File Size : 48,8 Mb
Release : 2020-05-05
Category : Performing Arts
ISBN : 9783030315238

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Final Girls, Feminism and Popular Culture by Katarzyna Paszkiewicz,Stacy Rusnak Pdf

This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.

Ghost Faces

David Greven
Ghost Faces Book PDF

Author : David Greven
Publisher : State University of New York Press
Page : 315 pages
File Size : 40,5 Mb
Release : 2016-02-09
Category : Performing Arts
ISBN : 9781438460086

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Ghost Faces by David Greven Pdf

Finalist for the 2017 Lambda Literary Award in the LGBT Nonfiction category presented by the Lambda Literary Foundation Ghost Faces explores the insidious nature of homophobia even in contemporary Hollywood films that promote their own homo-tolerance and appear to destabilize hegemonic masculinity. Reframing Laura Mulvey's and Gilles Deleuze's paradigms and offering close readings grounded in psychoanalysis and queer theory, David Greven examines several key films and genre trends from the late 1990s forward. Movies considered range from the slasher film Scream to bromances and beta male comedies such as I Love You, Man to dramas such as Donnie Darko and 25th Hour to Rob Zombie's remake of the horror film Halloween. Greven also traces the disturbing connections between torture porn found in such films as Hostel and gay male Internet pornography.