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It's a long, mad ride from Summer Bay!Chicks, babes, cars and music; bored kids and shouting mothers; fathers that suck on a bottle to put themselves to sleep; and TV sets blaring mindlessly. Race tensions are hotting up in Marrickville and the media want a gang war so badly that they nearly start one. As Mitch looks back on his time as former leader of the Tunderjets, he tells the searing story of a scene that in some ways, no matter how hard you try, you can never leave.
The Pretty Committee is in a crisis when changes in relationships and boy-swapping incidents impact longstanding friendships and causes Massie to end up in messy love triangle with Dempsey and Layne Abeley
Set in the Barossa Valley area of South Australia, THE NEVER BOYS tells the story of Dean Mason, a boy with many secrets. On the run from the law, he gets a job as a rouseabout on a sheep farm, the first of a number of local jobs. He is a talented flamenco guitarist and the Spanish theme runs throughout the tale amidst the heat, olive groves and grapes of the countryside. Dean bunks down in the shearers' quarters, where he finds a series of letters, the first ones written during the Second World War, left by an old guy, Clive, who used to live there and has recently died. Dean eventually discovers that Clive had only pretended to go to war, lifting sections from a pal's letters in order to persuade his girlfriend and family that he was really fighting for his country. A parallel plotline has Dean thinking he is in love with his boss's daughter but she turns out to be a shallow friend and eventually he finds a deeper first love with a girl who shares his passion for music. A compelling story capturing the spirit of Australian outback life while following the fortunes of a boy fighting personal demons. This is the sort of scenario Scott Monk feels at home in, and is strongly reminiscent of RAW, his best-selling second novel. But this is a more mature and less angry work, although it is still gritty and engaging - you desperately want to know what Dean's secret is. As the reader begins to realise that Dean's own story parallel's Clive, it raises intriguing issues about identity.
An Alabama boy’s innocence is shaken by murder and madness in the 1960s South in this novel by the New York Times–bestselling author of Swan Song. It’s 1964 in idyllic Zephyr, Alabama. People either work for the paper mill up the Tecumseh River, or for the local dairy. It’s a simple life, but it stirs the impressionable imagination of twelve-year-old aspiring writer Cory Mackenson. He’s certain he’s sensed spirits whispering in the churchyard. He’s heard of the weird bootleggers who lurk in the dark outside of town. He’s seen a flood leave Main Street crawling with snakes. Cory thrills to all of it as only a young boy can. Then one morning, while accompanying his father on his milk route, he sees a car careen off the road and slowly sink into fathomless Saxon’s Lake. His father dives into the icy water to rescue the driver, and finds a beaten corpse, naked and handcuffed to the steering wheel—a copper wire tightened around the stranger’s neck. In time, the townsfolk seem to forget all about the unsolved murder. But Cory and his father can’t. Their search for the truth is a journey into a world where innocence and evil collide. What lies before them is the stuff of fear and awe, magic and madness, fantasy and reality. As Cory wades into the deep end of Zephyr and all its mysteries, he’ll discover that while the pleasures of childish things fade away, growing up can be a strange and beautiful ride. “Strongly echoing the childhood-elegies of King and Bradbury, and every bit their equal,” Boy’s Life, a winner of both the Bram Stoker and World Fantasy Awards, represents a brilliant blend of mystery and rich atmosphere, the finest work of one of today’s most accomplished writers (Kirkus Reviews).
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.
Fifteen-year-old Matthew Cassidy is an up-and-coming rugby league star. The talent scouts are circling him, his school team has reached the finals for the first time ever and he's determined to one day play professional. It's not bad for a down-to-earth guy from the poor side of town who lives with his mum above a fish 'n' chip shop.But despite being the team captain, his prowess and the embarrassing popularity among his mates, Matt really only wants one thing in life - a Dad.All his mates have one, so why can't he?His Mum had fallen pregnant at 14 at a drunken party and never heard from his Dad again.However, the old adage 'Be careful of what you wish for' comes true.Matt receives an anonymous card on his 15th birthday. It's not from his Mum, his grandmother or one of his mates. The only clue is handwriting that matches a dozen letters he accidentally finds in his mother's bedroom - threatening letters about him.Matt tracks down the mysterious writer and discovers he had another grandmother - his paternal grandmother.And that his Dad is alive. His mother has been lying to him for 15 years.And her reason for doing so was to protect him from the truth: that his Dad's in jail.Meanwhile, Matt is facing another dilemma: a crush.Blue-eyed Kelly Sinclair is gorgeous, rich and friendly. The only problem is her boyfriend, Aaron Blackwell. Captain of an opposing side and Matt's mortal enemy, he regularly beats up Kelly out of spite, jealousy or plain boredom. She never leaves him, though, because 'deep down he's a nice guy.''Nice guy' or not, Matt knows Kelly is protecting Aaron from the police and tries to rescue her from a cycle of domestic abuse.Except this is not as simple as it seems, as he tries to fight his own feelings for Kelly and the violent nature of her boyfriend.
There's a Boy in the Girls' Bathroom by Louis Sachar Pdf
The beloved bestseller from Newbery Medalist and National Book Award winner Louis Sachar (Holes), with a brand-new cover! “Give me a dollar or I’ll spit on you.” That’s Bradley Chalkers for you. He’s the oldest kid in the fifth grade. He tells enormous lies. He picks fights with girls, and the teachers say he has serious behavior problems. No one likes him—except Carla, the new school counselor. She thinks Bradley is sensitive and generous, and she even enjoys his far-fetched stories. Carla knows that Bradley could change, if only he weren’t afraid to try. But when you feel like the most hated kid in the whole school, believing in yourself can be the hardest thing in the world. . . .
An instant New York Times bestseller Crazy Rich Asians meets Gossip Girl by way of Jenny Han in this knockout debut about a Korean American teen who is thrust into the competitive, technicolor world of K-pop, from Jessica Jung, K-pop legend and former lead singer of one of the most influential K-pop girl groups of all time, Girls’ Generation. What would you give for a chance to live your dreams? For seventeen-year-old Korean American Rachel Kim, the answer is almost everything. Six years ago, she was recruited by DB Entertainment—one of Seoul’s largest K-pop labels, known for churning out some of the world’s most popular stars. The rules are simple: Train 24/7. Be perfect. Don’t date. Easy, right? Not so much. As the dark scandals of an industry bent on controlling and commodifying beautiful girls begin to bubble up, Rachel wonders if she’s strong enough to be a winner, or if she’ll end up crushed… Especially when she begins to develop feelings for K-pop star and DB golden boy Jason Lee. It’s not just that he’s charming, sexy, and ridiculously talented. He’s also the first person who really understands how badly she wants her star to rise. Get ready as Jessica Jung, K-pop legend and former lead singer of Korea’s most famous girl group, Girls’ Generation, takes us inside the luxe, hyper-color world of K-pop, where the stakes are high, but for one girl, the cost of success—and love—might be even higher. It’s time for the world to see: this is what it takes to shine.
ÒBoys are emotionally illiterate and donÕt want intimate friendships.Ó In this empirically grounded challenge to our stereotypes about boys and men, Niobe Way reveals the intense intimacy among teenage boys especially during early and middle adolescence. Boys not only share their deepest secrets and feelings with their closest male friends, they claim that without them they would go Òwacko.Ó Yet as boys become men, they become distrustful, lose these friendships, and feel isolated and alone. Drawing from hundreds of interviews conducted throughout adolescence with black, Latino, white, and Asian American boys, Deep Secrets reveals the ways in which we have been telling ourselves a false story about boys, friendships, and human nature. BoysÕ descriptions of their male friendships sound more like Òsomething out of Love Story than Lord of the Flies.Ó Yet in late adolescence, boys feel they have to Òman upÓ by becoming stoic and independent. Vulnerable emotions and intimate friendships are for girls and gay men. ÒNo homoÓ becomes their mantra. These findings are alarming, given what we know about links between friendships and health, and even longevity. Rather than a Òboy crisis,Ó Way argues that boys are experiencing a Òcrisis of connectionÓ because they live in a culture where human needs and capacities are given a sex (female) and a sexuality (gay), and thus discouraged for those who are neither. Way argues that the solution lies with exposing the inaccuracies of our gender stereotypes and fostering these critical relationships and fundamental human skills.
In Scarborough, a low-income urban neighborhood, three kids struggle to rise above poverty, abuse, and a system that consistently fails them. The adults in their lives either rise to the occasion or fall by the wayside; together, they make up a troubled yet inspired community that refuses to be undone. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
‘The latest in the series of powerful books on the divisions in modern Britain, and will take its place on many bookshelves beside Reni Eddo-Lodge’s Why I’m No Longer Talking to White People About Race and Owen Jones’s Chavs.’ –Andrew Marr, Sunday Times ‘In his fascinating, enraging polemic, Verkaik touches on one of the strangest aspects of the elite schools and their product’s domination of public life for two and a half centuries: the acquiescence of everyone else.’ –Observer In Britain today, the government, judiciary and military are all led by an elite who attended private school. Under their watch, our society has become increasingly divided and the gap between rich and poor is now greater than ever before. Is this the country we want to live in? If we care about inequality, we have to talk about public schools. Robert Verkaik issues a searing indictment of the system originally intended to educate the most underprivileged Britons, and outlines how, through meaningful reform, we can finally make society fairer for all.
With our bags full of rats, the five of us began walking towards the line. We'd gone only a few yards when a voice sounded off to our left. 'What 'ave we 'ere, then?' it said. We turned our heads and say Bluey Lonnegan lifting himself up off a sandstone wall. 'You're lookin' at the Black Dog Gang,' said Mickey. 'No doubt ya heard a us?' The gang was Mickey's idea. We'd heard the rumours – rats were coming in off the ships and spreading disease. Then the government started offering tuppence a rat, so we decided to get stuck in. But we hadn't counted on someone getting sick. Or on Mickey's dad finding his rats chaining Mickey up. And what happened next . . . well, it would change things forever . . .
At the age of twelve, Ishmael Beah fled attacking rebels in Sierra Leone and wandered a land rendered unrecognizable by violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. At sixteen, he was removed from fighting by UNICEF, and through the help of the staff at his rehabilitation center, he learned how to forgive himself, to regain his humanity, and, finally, to heal. This is an extraordinary and mesmerizing account, told with real literary force and heartbreaking honesty.
