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Author : Megan De Kantzow
Publisher : Pascal Press
Page : 178 pages
File Size : 51,5 Mb
Release : 2001
Category : Juvenile Nonfiction
ISBN : 1740201345
Author : Derek Lewis
Publisher : Pascal Press
Page : 138 pages
File Size : 43,6 Mb
Release : 2004
Category : English literature
ISBN : 1741251559
Author : Paul Knox,Steven Pinch
Publisher : Routledge
Page : 392 pages
File Size : 52,5 Mb
Release : 2014-09-15
Category : Science
ISBN : 9781317903260
The 6th edition of this highly respected text builds upon the successful structure, engaging writing style and clear presentation of previous editions. Examining urban social geography from a theoretical and historical perspective, it also explores how it has developed into the modern day. Taking account of recent critical work, whilst simultaneously presenting well established approaches to the subject, it ensures students are well-informed about all the issues. The result is a topical book that is clear and accessible for students
Author : Society for the Interdisciplinary Study of Social Imagery. Conference
Publisher : Unknown
Page : 392 pages
File Size : 48,6 Mb
Release : 1994
Category : Literature and technology
ISBN : UCSD:31822035039304
Author : Scott Bukatman
Publisher : Bloomsbury Publishing
Page : 112 pages
File Size : 41,5 Mb
Release : 2017-10-26
Category : Art
ISBN : 9781844577132
Ridley Scott's dystopian classic Blade Runner, an adaptation of Philip K. Dick's novel, Do Androids Dream of Electric Sheep?, combines noir with science fiction to create a groundbreaking cyberpunk vision of urban life in the twenty-first century. With replicants on the run, the rain-drenched Los Angeles which Blade Runner imagines is a city of oppression and enclosure, but a city in which transgression and disorder can always erupt. Graced by stunning sets, lighting, effects, costumes and photography, Blade Runner succeeds brilliantly in depicting a world at once uncannily familiar and startlingly new. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner and its steadily improving fortunes following its release in 1982. He situates the film in terms of debates about postmodernism, which have informed much of the criticism devoted to it, but argues that its tensions derive also from the quintessentially twentieth-century, modernist experience of the city – as a space both imprisoning and liberating. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Bukatman suggests that Blade Runner 's visual complexity allows it to translate successfully to the world of high definition and on-demand home cinema. He looks back to the science fiction tradition of the early 1980s, and on to the key changes in the 'final' version of the film in 2007, which risk diminishing the sense of instability created in the original.
Author : Judith Kerman
Publisher : Popular Press
Page : 344 pages
File Size : 52,6 Mb
Release : 1991
Category : Literary Criticism
ISBN : 0879725109
This book of essays looks at the multitude of texts and influences which converge in Ridley Scott's film Blade Runner, especially the film's relationship to its source novel, Philip K. Dick's Do Androids Dream of Electric Sheep? The film's implications as a thought experiment provide a starting point for important thinking about the moral issues implicit in a hypertechnological society. Yet its importance in the history of science fiction and science fiction film rests equally on it mythically and psychologically resonant creation of compelling characters and an exciting story within a credible science fiction setting. These essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, important political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.
Author : Matt Hills
Publisher : Columbia University Press
Page : 138 pages
File Size : 40,5 Mb
Release : 2011
Category : Blade runner (Motion picture).
ISBN : 9781906660338
More than just a box office flop which entered the midnight movie circuit, Ridley Scott's 'Blade Runner' has gone on to become a cult classic which continues to inspire and influence the latest cinema releases. This book studies the legacy of the film.
Author : Will Brooker
Publisher : Columbia University Press
Page : 426 pages
File Size : 44,5 Mb
Release : 2006-02-21
Category : Performing Arts
ISBN : 9780231501798
Since its release in 1982, Ridley Scott's Blade Runner, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep?, has remained a cult classic through its depiction of a futuristic Los Angeles; its complex, enigmatic plot; and its underlying questions about the nature of human identity. The Blade Runner Experience: The Legacy of a Science Fiction Classic examines the film in a broad context, examining its relationship to the original novel, the PC game, the series of sequels, and the many films influenced by its style and themes. It investigates Blade Runner online fandom and asks how the film's future city compares to the present-day Los Angeles, and it revisits the film to pose surprising new questions about its characters and their world.
Author : Amy Coplan,David Davies
Publisher : Routledge
Page : 158 pages
File Size : 41,9 Mb
Release : 2015-05-08
Category : Performing Arts
ISBN : 9781136231445
Ridley Scott’s Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in ‘created’ life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions. This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions: How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition? What can we learn about the relationship between emotion and reason from the depiction of the ‘replicants’ in Blade Runner? How are memory, empathy, and moral agency related in Blade Runner? How does the style and ‘mood’ of Blade Runner bear upon its thematic and philosophical significance? Is Blade Runner a meditation on the nature of film itself? Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students – indeed anyone - interested in philosophy and film studies. Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve.
Author : Aldous Huxley
Publisher : Strelbytskyy Multimedia Publishing
Page : 128 pages
File Size : 49,5 Mb
Release : 2020-07-03
Category : Fiction
ISBN : PKEY:SMP2300000063271
Brave New World is Aldous Huxley’s dystopian novel. Borrowing from The Tempest , Huxley imagines a genetically-engineered future where life is pain-free but meaningless. The book heavily influenced George Orwell’s 1984 and science-fiction in general. The novel examines a futuristic society, called the World State, that revolves around science and efficiency. In this society, emotions and individuality are conditioned out of children at a young age, and there are no lasting relationships because “every one belongs to every one else” (a common World State dictum). Huxley begins the novel by thoroughly explaining the scientific and compartmentalized nature of this society, beginning at the Central London Hatchery and Conditioning Centre, where children are created outside the womb and cloned in order to increase the population. The reader is then introduced to the class system of this world, where citizens are sorted as embryos to be of a certain class. The embryos, which exist within tubes and incubators, are provided with differing amounts of chemicals and hormones in order to condition them into predetermined classes. Embryos destined for the higher classes get chemicals to perfect them both physically and mentally, whereas those of the lower classes are altered to be imperfect in those respects. These classes, in order from highest to lowest, are Alpha, Beta, Gamma, Delta, and Epsilon. The Alphas are bred to be leaders, and the Epsilons are bred to be menial labourers.
Author : Aldous Leonard Huxley
Publisher : DigiCat
Page : 197 pages
File Size : 53,7 Mb
Release : 2022-08-01
Category : Fiction
ISBN : EAN:8596547113164
DigiCat Publishing presents to you this special edition of "Brave New World" by Aldous Leonard Huxley. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author : Roy Menarini
Publisher : Unknown
Page : 140 pages
File Size : 53,5 Mb
Release : 2000
Category : Performing Arts
ISBN : UOM:39015045671313
Author : Paul M. Sammon
Publisher : HarperCollins
Page : 466 pages
File Size : 52,8 Mb
Release : 2017-11-14
Category : Performing Arts
ISBN : 9780062852892
The ultimate guide to Ridley Scott’s transformative sci-fi classic Blade Runner Ridley Scott’s 2007 “Final Cut” confirmed the international film cognoscenti’s judgment: Blade Runner, based on Philip K. Dick’s brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is among the most visually dense, thematically challenging, and influential science fiction films ever made. Future Noir Revised & Updated Edition offers a deeper understanding of this cinematic phenomenon that is storytelling and visual filmmaking at its best. In this intensive, intimate, and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction’s most uncompromising author into a critical sensation and cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes: An overview of Blade Runner’s impact on moviemaking and its acknowledged significance in popular culture since the book’s original 1996 publication An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007 A look at its long-awaited sequel, Blade Runner 2049 The longest interview Harrison Ford has ever granted about Blade Runner Exclusive new interviews with Rutger Hauer and Sean Young A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time.
Author : Paul Sammon
Publisher : Dey Street Books
Page : 0 pages
File Size : 45,6 Mb
Release : 2017
Category : Blade runner (Motion picture)
ISBN : OCLC:1391538214
"Ridley Scott's 1992 "Director's Cut" confirmed the international film cognoscenti's judgment: Blade Runner, based on Philip K. Dick's brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is the most visually dense, thematically challenging, and influential science fiction film ever made. Future Noir offers a deeper understanding of this cult phenomenon that is storytelling and visual filmmaking at its best. n this intensive, intimate and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes : An overview of Blade Runner's impact on moviemaking and its acknowledged significance in popular culture since the book's original publication An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007 An up-close look at its long-awaited sequel Blade Runner 2049A 2007 interview with Harrison Ford now available to American readersExclusive interviews with Rutger Hauer and Sean Young. A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time."--Back cover.
Author : Robin Bunce,Trip McCrossin
Publisher : Open Court Publishing
Page : 259 pages
File Size : 49,8 Mb
Release : 2019-08-20
Category : Philosophy
ISBN : 9780812694758
Blade Runner 2049 is a 2017 sequel to the 1982 movie Blade Runner, about a world in which some human-looking replicants have become dangerous, so that other human-looking replicants, as well as humans, have the job of hunting down the dangerous models and “retiring” (destroying) them. Both films have been widely hailed as among the greatest science-fiction movies of all time, and Ridley Scott, director of the original Blade Runner, has announced that there will be a third Blade Runner movie. Blade Runner 2049 and Philosophy is a collection of entertaining articles on both Blade Runner movies (and on the spin-off short films and Blade Runner novels) by twenty philosophers representing diverse backgrounds and philosophical perspectives. Among the issues addressed in the book: What does Blade Runner 2049 tell us about the interactions of state power and corporate power? Can machines ever become truly conscious, or will they always lack some essential human qualities? The most popular theory of personhood says that a person is defined by their memories, so what happens when memories can be manufactured and inserted at will? We already interact with non-human decision-makers via the Internet. When embodied AI becomes reality, how can we know what is human and what is simulation? Does it matter? Do AI-endowed human-looking replicants have civil and political rights, or can they be destroyed whenever “real” humans decide they are inconvenient? The blade runner Deckard (Harrison Ford) appears in both movies, and is generally assumed to be human, but some claim he may be a replicant. What’s the evidence on both sides? Is Niander Wallace (the-mad-scientist-cum-evil-corporate-CEO in Blade Runner 2049) himself a replicant? What motivates him? What are the impacts of decision-making AI entities on the world of business? Both Blade Runner and Blade Runner 2049 have been praised for their hauntingly beautiful depictions of a bleak future, but the two futures are very different (and the 2019 future imagined in the original Blade Runner is considerably different from the actual world of 2019). How have our expectations and visions of the future changed between the two movies? The “dream maker” character Ana Stelline in Blade Runner 2049 has a small but pivotal role. What are the implications of a person whose dedicated mission and task is to invent and install false memories? What are the social and psychological implications of human-AI sexual relations?