British Crime Cinema

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British Crime Cinema

Steve Chibnall,Robert Murphy
British Crime Cinema Book PDF

Author : Steve Chibnall,Robert Murphy
Publisher : Routledge
Page : 264 pages
File Size : 50,9 Mb
Release : 2005-07-27
Category : Performing Arts
ISBN : 9781134702701

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British Crime Cinema by Steve Chibnall,Robert Murphy Pdf

This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including: * acclaimed recent crime films such as Shallow Grave, Shopping, and Face. * early classics like They Made Me A Fugitive * acknowledged classics such as Brighton Rock and The Long Good Friday * 50s seminal works including The Lavender Hill Mob and The Ladykillers.

British Crime Cinema

Steve Chibnall,Robert Murphy
British Crime Cinema Book PDF

Author : Steve Chibnall,Robert Murphy
Publisher : Routledge
Page : 268 pages
File Size : 48,8 Mb
Release : 2005-07-27
Category : Performing Arts
ISBN : 9781134702695

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British Crime Cinema by Steve Chibnall,Robert Murphy Pdf

This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including: * acclaimed recent crime films such as Shallow Grave, Shopping, and Face. * early classics like They Made Me A Fugitive * acknowledged classics such as Brighton Rock and The Long Good Friday * 50s seminal works including The Lavender Hill Mob and The Ladykillers.

British Crime Film

Barry Forshaw
British Crime Film Book PDF

Author : Barry Forshaw
Publisher : Springer
Page : 256 pages
File Size : 50,5 Mb
Release : 2012-09-20
Category : Performing Arts
ISBN : 9781137005038

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British Crime Film by Barry Forshaw Pdf

A comprehensive social history of British crime film by the UK's principal expert on crime film and fiction Presenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre.

Studying the British Crime Film

Paul Elliott
Studying the British Crime Film Book PDF

Author : Paul Elliott
Publisher : Unknown
Page : 0 pages
File Size : 47,8 Mb
Release : 2014
Category : Crime films
ISBN : 1800850190

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Studying the British Crime Film by Paul Elliott Pdf

"Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980)"--Abstract

Studying the British Crime Film

Paul Elliott
Studying the British Crime Film Book PDF

Author : Paul Elliott
Publisher : Liverpool University Press
Page : 177 pages
File Size : 49,6 Mb
Release : 2014-10-01
Category : Performing Arts
ISBN : 9781800347397

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Studying the British Crime Film by Paul Elliott Pdf

Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).

British Crime Film

Barry Forshaw
British Crime Film Book PDF

Author : Barry Forshaw
Publisher : Springer
Page : 231 pages
File Size : 51,5 Mb
Release : 2012-09-20
Category : Performing Arts
ISBN : 9781137274595

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British Crime Film by Barry Forshaw Pdf

Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.

Studying the British Crime Film

Paul Elliott
Studying the British Crime Film Book PDF

Author : Paul Elliott
Publisher : Unknown
Page : 0 pages
File Size : 53,9 Mb
Release : 2014
Category : Crime films
ISBN : 191132599X

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Studying the British Crime Film by Paul Elliott Pdf

"Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980)"--Abstract

British Cinema in the Fifties

Christine Geraghty
British Cinema in the Fifties Book PDF

Author : Christine Geraghty
Publisher : Psychology Press
Page : 244 pages
File Size : 55,6 Mb
Release : 2000
Category : Performing Arts
ISBN : 041517158X

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British Cinema in the Fifties by Christine Geraghty Pdf

This text explores some of the key debates about British cinema and film theory, and examines the curious mix of rebellion and conformity which marked British cinema in the post-war era.

Historical Dictionary of Crime Films

Geoff Mayer
Historical Dictionary of Crime Films Book PDF

Author : Geoff Mayer
Publisher : Scarecrow Press
Page : 515 pages
File Size : 40,9 Mb
Release : 2012
Category : Performing Arts
ISBN : 9780810867697

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Historical Dictionary of Crime Films by Geoff Mayer Pdf

The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema. -- from Amazon.com.

British Cinema of the 90s

Robert Murphy
British Cinema of the 90s Book PDF

Author : Robert Murphy
Publisher : Bloomsbury Publishing
Page : 208 pages
File Size : 55,9 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838714789

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British Cinema of the 90s by Robert Murphy Pdf

This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.

A Companion to British and Irish Cinema

John Hill
A Companion to British and Irish Cinema Book PDF

Author : John Hill
Publisher : John Wiley & Sons
Page : 608 pages
File Size : 41,9 Mb
Release : 2019-05-07
Category : Performing Arts
ISBN : 9781118482902

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A Companion to British and Irish Cinema by John Hill Pdf

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

British Cinema, Past and Present

Justine Ashby,Andrew Higson
British Cinema Past and Present Book PDF

Author : Justine Ashby,Andrew Higson
Publisher : Routledge
Page : 410 pages
File Size : 48,7 Mb
Release : 2013-05-13
Category : Performing Arts
ISBN : 9781135125158

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British Cinema, Past and Present by Justine Ashby,Andrew Higson Pdf

British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.

International Noir

Homer B. Pettey
International Noir Book PDF

Author : Homer B. Pettey
Publisher : Edinburgh University Press
Page : 272 pages
File Size : 50,5 Mb
Release : 2014-11-11
Category : Performing Arts
ISBN : 9780748691111

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International Noir by Homer B. Pettey Pdf

Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book explores the influence of noir on international cinematic traditions and challenges prevailing film scholarship. It includes extensive bibliography and filmographies for recommended reading and viewing.

The New Scottish Cinema

Jonathan Murray
The New Scottish Cinema Book PDF

Author : Jonathan Murray
Publisher : Bloomsbury Publishing
Page : 304 pages
File Size : 46,8 Mb
Release : 2015-03-31
Category : Performing Arts
ISBN : 9780857739629

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The New Scottish Cinema by Jonathan Murray Pdf

From a near standing start in the 1970s, the emergence and expansion of an aesthetically and culturally distinctive Scottish cinema proved to be one of the most significant developments within late-twentieth and early twenty-first-century British film culture. Individual Scottish films and filmmakers have attracted notable amounts of critical attention as a result. The New Scottish Cinema, however, is the first book to trace Scottish film culture's industrial, creative and critical evolution in comprehensive detail across a forty-year period. On the one hand, it invites readers to reconsider the known - films such as Shallow Grave, Ratcatcher, The Magdalene Sisters, Young Adam, Red Road and The Last King of Scotland. On the other, it uncovers the overlooked, from the 1980s comedic film makers who followed in the footsteps of Bill Forsyth to the variety of present-day Scottish film making - a body of work that encompasses explorations of multiculturalism, exploitation of the macabre and much else in between.In addition to analysing an eclectic range of films and filmmakers, The New Scottish Cinema also examines the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, and relates these to the images of Scotland which artists have put on screen. In so doing, the book narrates a story of interest to any student of contemporary British film.

The Metropolitan Police and the British Film Industry, 1919-1956

Alex Rock
The Metropolitan Police and the British Film Industry 1919 1956 Book PDF

Author : Alex Rock
Publisher : Bloomsbury Publishing
Page : 279 pages
File Size : 55,7 Mb
Release : 2023-06-15
Category : Performing Arts
ISBN : 9781350295094

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The Metropolitan Police and the British Film Industry, 1919-1956 by Alex Rock Pdf

This groundbreaking book investigates the murky relationship between the Metropolitan Police Press Bureau and the British film industry, shedding new light on police-media relations. Beginning with the culture of suppression during the interwar period, when retired police inspectors were threatened with loss of pension should they become involved with the film industry, the relationship shifted when a forgotten pioneer of public relations, Percy Fearnley, was appointed to the role of Metropolitan Police Public Information Officer in 1945. Fearnley was the first-ever journalist to take up this role and, through him, the Metropolitan Police embarked on a series of collaborations with the highest echelons of postwar British cinema, including J. Arthur Rank, Ealing Studios and Gainsborough Studios. Using newly-declassified internal Metropolitan Police and Home Office correspondence, Alexander Charles Rock tells the story of the Metropolitan Police's project to manipulate the British film industry into producing propaganda under the guise of mainstream entertainment cinema. In doing so he offers a radical re-reading of the context of production of a number of canonical British films such as The Blue Lamp (1950), I Believe In You (1952) and Street Corner (1953).