Studying The British Crime Film

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Studying the British Crime Film

Author : Paul Elliott
Publisher : Liverpool University Press
Page : 177 pages
File Size : 46,6 Mb
Release : 2014-10-01
Category : Performing Arts
ISBN : 9781800347397

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Studying the British Crime Film by Paul Elliott Pdf

Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).

Studying the British Crime Film

Author : Paul Elliott
Publisher : Unknown
Page : 0 pages
File Size : 47,8 Mb
Release : 2014
Category : Crime films
ISBN : 1800850190

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Studying the British Crime Film by Paul Elliott Pdf

"Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980)"--Abstract

British Crime Cinema

Author : Steve Chibnall,Robert Murphy
Publisher : Routledge
Page : 268 pages
File Size : 46,6 Mb
Release : 2005-07-27
Category : Performing Arts
ISBN : 9781134702695

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British Crime Cinema by Steve Chibnall,Robert Murphy Pdf

This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including: * acclaimed recent crime films such as Shallow Grave, Shopping, and Face. * early classics like They Made Me A Fugitive * acknowledged classics such as Brighton Rock and The Long Good Friday * 50s seminal works including The Lavender Hill Mob and The Ladykillers.

British Crime Film

Author : Barry Forshaw
Publisher : Springer
Page : 231 pages
File Size : 44,5 Mb
Release : 2012-09-20
Category : Performing Arts
ISBN : 9781137274595

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British Crime Film by Barry Forshaw Pdf

Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.

British Crime Film

Author : Barry Forshaw
Publisher : Springer
Page : 248 pages
File Size : 49,7 Mb
Release : 2012-09-20
Category : Performing Arts
ISBN : 9781137274595

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British Crime Film by Barry Forshaw Pdf

Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.

AS Film Studies

Author : Sarah Casey Benyahia,Freddie Gaffney,John White
Publisher : Routledge
Page : 425 pages
File Size : 51,5 Mb
Release : 2009-05-07
Category : Performing Arts
ISBN : 9781135226619

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AS Film Studies by Sarah Casey Benyahia,Freddie Gaffney,John White Pdf

AS Film Studies: The Essential Introduction gives students the confidence to tackle every part of the WJEC AS level Film Studies course. The authors, who have wide ranging experience as teachers, examiners and authors, introduce students step by step, to the skills involved in the study of film. The second edition follows the new WJEC syllabus for 2008 teaching onwards and has a companion website with additional resources for students and teachers. Specifically designed to be user friendly, the second edition of AS Film Studies: The Essential Introduction has a new text design to make the book easy to follow, includes more than 100 colour photographs and is jam packed with features such as: Case studies relevant to the 2008 specification Activities on films including Little Miss Sunshine, Pirates of the Caribbean & The Descent Key terms Example exam questions Suggestions for further reading and website resources

Clues: A Journal of Detection, Vol. 33, No. 2 (Fall 2015)

Author : Janice M. Allan
Publisher : McFarland
Page : 140 pages
File Size : 53,9 Mb
Release : 2015-10-13
Category : Literary Criticism
ISBN : 9781476621869

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Clues: A Journal of Detection, Vol. 33, No. 2 (Fall 2015) by Janice M. Allan Pdf

For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.

Murder and Mayhem

Author : David Nash,Anne-Marie Kilday
Publisher : Bloomsbury Publishing
Page : 361 pages
File Size : 53,6 Mb
Release : 2018-04-25
Category : Social Science
ISBN : 9781350307827

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Murder and Mayhem by David Nash,Anne-Marie Kilday Pdf

This introductory book offers a coherent history of twentieth century crime and the law in Britain, with chapters on topics ranging from homicide to racial hate crime, from incest to anarchism, from gangs to the death penalty. Pulling together a wide range of literature, David Nash and Anne-Marie Kilday reveal the evolution of attitudes towards criminality and the law over the course of the twentieth century. Highlighting important periods of change and development that have shaped the overall history of crime in Britain, the authors provide in-depth analysis and explanation of each theme. This is an ideal companion for undergraduate students taking courses on Crime in Britain, as well as a fascinating resource for scholars.

UK and Irish Television Comedy

Author : Mary Irwin,Jill Marshall
Publisher : Springer Nature
Page : 251 pages
File Size : 55,6 Mb
Release : 2023-09-19
Category : Performing Arts
ISBN : 9783031236297

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UK and Irish Television Comedy by Mary Irwin,Jill Marshall Pdf

This book looks at television comedy, drawn from across the UK and Ireland, and ranging chronologically from the 1980s to the 2020s. It explores depictions of distinctive geographical, historical and cultural communities presented from the insiders’ perspective, simultaneously interrogating the particularity of the lived experience of time, and place, embedded within the wide variety of depictions of contrasting lives, experiences and sensibilities, which the collected individual chapters offer. Comedies considered include Victoria Wood’s work on ‘the north’, Ireland’s Father Ted and Derry Girls, Michaela Coel’s east London set Chewing Gum, and Wales’ Gavin and Stacey. There are chapters on Scottish sketch and animation comedy, and on series set in the Midlands, the North East, the South West and London’s home counties. The book offers thoughtful reflection on funny and engaging representations of the diverse, fragmented complexity of UK and Irish identity explored through the intersections of class, ethnicity and gender.

Film Noir

Author : Andrew Spicer
Publisher : Routledge
Page : 294 pages
File Size : 52,9 Mb
Release : 2018-10-08
Category : Performing Arts
ISBN : 9781317875024

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Film Noir by Andrew Spicer Pdf

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

Crime

Author : Sarah Casey Benyahia
Publisher : Routledge
Page : 198 pages
File Size : 50,9 Mb
Release : 2012-02-27
Category : Performing Arts
ISBN : 9781136581823

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Crime by Sarah Casey Benyahia Pdf

Crime films have, since the earliest days of cinema, been popular with audiences, industry and critics alike and encompassed a diverse range of subjects, styles and themes. The genre provides a range of pleasures for the spectator, from taking on the role of the detective in the pursuit of clues in the ‘whodunit’, to the more illicit thrills of identification with an anti hero. In the many incarnations of the crime film such as the gangster, film noir, political and detective thrillers, the genre explores the anxieties of different historical moments. Sarah Casey Benyahia provides an overview of the development of the crime film and examines the key theories and ideas involved in the study of the genre. These include; the investigative structure and narration of the crime film, the aesthetics of violence and issues of representation and ideology. These areas are explored through contemporary and classic, Hollywood and European cinema with case studies on the history of the genre, the role of the detective, the 'family crime' film and the conspiracy thriller. Crime provides a broad framework to the study of the genre through the introduction of narrative, genre and audience theories as well as detailed analysis of specific films. Films discussed include: Scarface (1932) Mildred Pierce (1945) Dirty Harry (1971) The Parallax View (1974) Reservoir Dogs (1992) Mystic River (2002) Hidden (2005) Gone Baby Gone (2007) Zodiac (2007) The Millennium Trilogy (2009) The Secret in Their Eyes (2010)

Crime Films

Author : Kirsten Moana Thompson
Publisher : Wallflower Press
Page : 156 pages
File Size : 55,5 Mb
Release : 2007
Category : Performing Arts
ISBN : UOM:39015070737898

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Crime Films by Kirsten Moana Thompson Pdf

'Crime Films' analyses the wide body of films that fall under the rubric of crime, from the gangster film to the film noir, and from the classic whodunnit to TV series like 'Law and Order' and 'CSI'.

Shane Meadows

Author : Martin Fradley
Publisher : Edinburgh University Press
Page : 224 pages
File Size : 54,9 Mb
Release : 2013-07-22
Category : Performing Arts
ISBN : 9780748676408

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Shane Meadows by Martin Fradley Pdf

"e;From his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema. Danny Perkins, CEO of StudioCanal UK, credits Meadows as the key figure in British film's contemporary renaissance, with This Is England "e;"e;doing more than any other [film] to change British audiences' attitudes"e;"e; to home-grown cinema. This book will explore the full range of Meadows' work, from its origins in local D.I.Y. media through to international festival acclaim. Over the course of its 15 chapters, it will present a comprehensive analysis of Meadows' oeuvre to date, situating it in the context of British cinema history as well as wider cultural changes from the nineties to now. "e;

A Companion to the Gangster Film

Author : George S. Larke-Walsh
Publisher : John Wiley & Sons
Page : 552 pages
File Size : 49,6 Mb
Release : 2018-11-12
Category : Art
ISBN : 9781119041733

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A Companion to the Gangster Film by George S. Larke-Walsh Pdf

A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.

Studying British Cinema

Author : John Fitzgerald
Publisher : Unknown
Page : 236 pages
File Size : 52,7 Mb
Release : 2010
Category : Motion picture industry
ISBN : PSU:000069287183

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Studying British Cinema by John Fitzgerald Pdf

Studying British Cinema: 1999-2009 adopts a number of approaches to popularist, mainstream, and esoteric arthouse films. The book considers the institutional and financial factors that influence U.K. film production and assesses issues of genre, representation, authorship, and social, economic, and political contexts. The growth of coproduction is considered by looking at both Aardman Animation and the Harry Potter franchise (2001 to the present). Representations of social class factor into films as diverse as Red Road (2006) and Love, Actually (2003), and developments in social realism, primarily by female directors, are examined. The revival of the British science fiction and horror film is also covered in detail, and ethnic groups and new economic migrants are viewed in two separate chapters, as well as the growth of films concerning British protagonists in Africa. One section offers a close analysis of two of the most important directors of the decade: Michael Winterbottom and Shane Meadows.