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Lizzie's mother is dead, and left in the care of her prim older sister, the 15-year-old fears her carefree ways are over. But when tragedy strikes again, Lizzie discovers a sinister web of lies and deception, of murders past and present. Fierce resentments and racial tensions boil beneath the illusion of civilization. Soon, Lizzie finds herself ensnared in a secret that stretches from the opium dens of British Columbia and the alleys of San Francisco to the jungles of Panama and beyond -- and it's a secret that the murderer will do anything to protect.
There is a prophecy in the Old Testament that speaks of a day of revealing. On this divinely destined day, darkness will no longer be a shadow covering the world, but the light of mans rule. The Bucket of Blood will arriveand sooner than we think. It begins with an appointed birth. A child is brought into the world. With the childs ordained delivery, the signs begin. This child rises from the ranks of afflicted people who have forgotten their way, as they fear the nation within which they live. Lies become truths, and abominations in religious sects cause desolation. People kill one another and boast of it, are even praised for it, their hearts turned to ice. This child grows to be a man of great power and prestige, and his charisma pulls world politicians into evil fray. There are horrific ritual murders that stump investigators. Lust overtakes even the most honorable of men. The world is in a state of uproar, so will darkness prevail as the ruler of a nation brings ruin to mankind?
A Gun and Cherries in the Bucket of Blood by Greg Casadei Pdf
Italian immigrants of the early 20th century experienced an inevitable, and often emotionally painful, cultural transformation after arriving in America. Worlds turned upside down. Lives changed forever. Greg Casadei captures what that process was like in this touching tale about his family's "Americanization." He also provides insights and lessons that his experiences provided along the way. The Americanization of Greg's family began with his grandparents in Sassofeltrio, Italy in the early 1900s. It ended with the January 2010 passing of his father in Tucson, Arizona. In between lies a rich story of fear and faith, hardships and overcoming, respect and toughness, risk taking and rewards, family and friends, love and togetherness, separation and crumbled foundations, death and despair, and the gradual unraveling of a once tight-knit family. Through historical facts, anecdotes and humor, Greg provides a vivid picture of what it was like growing up in an Italian family in America. You'll laugh, cry and want more as Greg recounts stories about colorful family members and their lives in Sassofeltrio, Oakwood, Michigan, and Tucson, Arizona. After turning the last page, you'll understand why the Americanization of Greg's family was so painful, but why he wouldn't have traded the experience for anything.
Skullkickers Vol. 2: Five Funerals And A Bucket Of Blood by Jim Zub Pdf
Collects SKULLKICKERS #6-11 plus Bonus Material! The second SKULLKICKERS adventure is a wondrous tornado of action-adventure: a den of thieves, a city of danger, nobility, stupidity, plant monsters, dinner parties and bloodthirsty faerie folk. Jump on board to see why Ain't It Cool News says 'Everyone who loves comics should buy SKULLKICKERS.'
"Bucket of Blood" is what a coal town was called when bloodshed occurred to establish a worker's union. During the 1927-1928 strike in the western Pennsylvania coalfields, Russellton became known as such a place. In an effort to break the strike, special Coal and Iron Police were brought into the area to evict the mine families from their company houses. These men imposed unconstitutional restrictions to harass the people and keep out relief workers and organizers. It was a time of brutal beatings, rape, and murder. Without union representation, the workers were constantly exploited. Because the company used many weapons to keep them enslaved, the miners' families were forced to live in abject poverty. The miner had only one weapon, the strike. Bucket of Blood: The Ragman's War chronicles the depravation and indignities suffered by the families in the Russellton camps during the strike. Author R.S. Sukle explores the glimmers of hope appearing through relief efforts by the sons of a local farmer who become union activists. Ragman, a mine mechanic, walks out with the other men. Against his intentions, he is drawn into the struggle by his brothers, and the abuse that is heaped on his family by the Coal and Iron Police. The killing of a state Coal and Iron Policeman in Russellton is a local legend. The killer was never identified. This story has been passed down in certain families, each with their own version. Each claims the killer as a relative. Bucket of Blood is one of those stories.
A brilliantly original 'down and dirty' chronicle of the Los Angeles WATTS area before and after the infamous riots of 1965. The author is not only an outstanding storyteller; he was part of the community as well as a participant.
The author sympathetically portrays the people--miners, shopkeepers, bartenders, collegians, and country club members--of the coal region of his hometown in five novels and more than fifty short stories
Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South. There he begins a private battle against the religiosity of the community and in particular against Asa Hawkes, the 'blind' preacher, and his degenerate fifteen-year-old daughter. In desperation Hazel founds his own religion, 'The Church without Christ', and this extraordinary narrative moves towards its savage and macabre resolution. 'A literary talent that has about it the uniqueness of greatness.' Sunday Telegraph 'No other major American writer of our century has constructed a fictional world so energetically and forthrightly charged by religious investigation.' The New Yorker 'A genius.' New York Times
Up in the Old Hotel by Joseph Mitchell,David Remnick Pdf
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style. These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.
Spinegrinder is one man's ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema of the sort most that critics won't care to write about. It was the author's aim to fit as many reviews (more than 8,000!) of obscure movies into one book as possible, without sacrificing too many groundwork titles. It makes the perfect gift for horror, fantasy and exploitation movie buffs.
"Cat Person" and Other Stories by Kristen Roupenian Pdf
*Includes the story “Cat Person”—now a major film* A compulsively readable collection of short stories that explore the complex—and often darkly funny—connections between gender, sex, and power across genres. “These stories are sharp and perverse, dark and bizarre, unrelenting and utterly bananas. I love them so, so much.” —Carmen Maria Machado, National Book Award Finalist and author of Her Body and Other Parties “Kristen Roupenian isn’t just an uncannily great writer, she also knows things about the human psyche…The world has made a lot more sense since reading this book.” —Miranda July, New York Times bestselling author Previously published as You Know You Want This, “Cat Person” and Other Stories brilliantly explores the ways in which women are horrifying as much as it captures the horrors that are done to them. Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker. Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”
How I Made A Hundred Movies In Hollywood And Never Lost A Dime by Roger Corman Pdf
In these pages Roger Corman, the most successful independent filmmaker in Hollywood relates his experiences as the director and/or producer of such low-budget classics Attack of the Crab Monsters, The Little Shop of Horrors, The Raven, The Man with the X-ray Eyes, The Wild Angels, The Trip, Night Call Nurses, Bloody Mama, Piranha, and many others. He also discusses his distribution of the Bergman, Fellini, and Truffaut movies that later won Academy Awards in the Best Foreign Film category. Corman alumni—John Sayles, Martin Scorsese, Jack Nicholson, Vincent Price, Francis Ford Coppola, Peter Bogdanovich, Peter Fonda, Joe Dante, and Jonathan Demme, among others—contribute their recollections to give added perspective to Corman's often hilarious, always informative autobiography.
Go the Way Your Blood Beats by Michael Amherst Pdf
Using bisexuality as a frame, Go the Way Your Blood Beats questions the division of sexuality into straight and gay, in a timely exploration of the complex histories and psychologies of human desire. A challenge to the idea that sexuality can either ever be fully known or neatly categorised, it is a meditation on desire’s unknowability. Interwoven with anonymous addresses to past loves - the sex of whom remain obscure - the book demonstrates the universalism of desire, while at the same time the particularity of each individual act of desiring. Part essay, part memoir, part love letter, Go the Way Your Blood Beats asks us to see desire and sexuality as analogous with art - a mysterious, creative force, and one that remakes us in the act itself.
Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self-or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone's muchmaligned Feardotcom in the light of the torture debate at the end of President George W. Bush's administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the U.S. film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres-from the teenage horror flick to the serial killer film and the spiritual horror film-as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic, and the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was.
A pioneer of independent cinema, Roger Corman is a fascinating study in contrasts. As the original King of the Exploitation Film, he has filled his movies with images of blood-sucking vampires, rampaging biker gangs, vigilante strippers, and abducting aliens, all while producing each of his four-hundred-plus films on a shoestring budget and making a profit on nearly every one. In the process, Corman became the role model for today’s independent filmmaker. This guru with a vision has also demonstrated an uncanny eye for talent, being among the first to recognize and employ the abilities of Jack Nicholson, Peter Fonda, Dennis Hopper, Francis Ford Coppola, Martin Scorsese, Jonathan Demme, Joe Dante, Ron Howard, John Sayles, and James Cameron to name but a few. Through interviews with eighty of Corman’s friends and associates and photographs, Beverly Gray takes you behind the cameras and into the heart of Cormanville for a firsthand, insider’s look at the man and the mogul, providing a compelling private and public perspective on this soft-spoken giant of the cinema.
