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Plagues, Apocalypses and Bug-Eyed Monsters by Heather Urbanski Pdf
Speculative fiction--both science fiction and fantasy--reflects, among other things, the fears of the culture that created it, contributing (perhaps unconsciously) to our efforts to prevent our fears from coming true. While the names and media change over time, the themes of speculative fiction have a long history. Nineteenth century works such as Frankenstein and The Invisible Man contain many of the same messages as the more modern tales of Terminator, Jurassic Park and even Buffy, the Vampire Slayer, although almost a century separates their creation. This critical study discusses the ways in which speculative fiction reflects societal fears and analyzes how such cautionary tales contribute to society's efforts to avoid the realization of these fears. Beginning with a discussion of the nature of speculative fiction, it takes a look at the characteristics of the cautionary tale. The core of the book, however, is the concept of the "Nightmares Model," which examines and categorizes the repetition of specific themes within the genre. The dangers of science and technology, the perils of power, and the threat of the unknown are discussed as recurrent themes within a variety of works in prose, film and television. Works analyzed range from Twenty-Thousand Leagues Under the Sea to 2001: A Space Odyssey to The Blair Witch Project. Sources include the author's own observations as a member of the genre's fandom, a variety of published commentaries and the perspectives of contemporary professionals gained through personal interviews and panel discussions.
Bug-Eyed Monsters & Bimbos by Isaac Asimov,Arthur C. Clarke Pdf
Who better to parody science fiction than science fiction authors themselves? *** In this classic collection of stories, compiled by Mike Resnick (winner of five Hugos, plus a plethora of other awards in multiple categories), such prominent authors as Arthur C. Clarke, Isaac Asimov, Barry Malzberg and a host of others take their pens and wits to make fun of themselves and the genre they live for. *** This collection was originally titled Shaggy B.E.M. Stories and was compiled exclusively for the 1988 Worldcon (Nolacon II). Seventy- five percent of the original edition sold out over the Worldcon weekend and the rest disappeared soon after. *** Phoenix Pick is proud to republish this classic collection of parodies. All the original stories are included and the only changes that have been made are corrections of typos and other mistakes. One new poem ('There's a Bimbo on the Cover' by Michael F. Flynn) has been added to the book for obvious reasons-it just begged to belong to this irreverent collection.
A first-contact novel written from an alien perspective by the #1 New York Times–bestselling author of Star Wars: The Force Awakens and Star Trek Into Darkness. Ryo is one of the Thranx, a race of social arthropods. From his larval years to now, his life has been normal, though his love of learning and insatiable curiosity set him apart. He has settled into his work as an agriculture specialist and is premated to a lovely female. Yet Ryo still feels something is missing from his life, and when he heroically defends his colony from the Thranx’s reptilian nemesis, Ryo gets a taste of excitement that’s hard to forget. Then his premate shares a garbled message from her starship-captain cousin—one that hints at the discovery of a completely new, completely alien space-going intelligence. Even when the captain backtracks and denounces the experience as a deep-space nightmare, Ryo can’t let it go. He becomes obsessed, leaving his colony and family behind to chase rumors of a murderous alien race, horrible beyond imagining. And when he finally makes it to an isolated military outpost rumored to harbor the captured aliens, he comes face-to-face with . . . humanity. Praise for Alan Dean Foster “One of the most consistently inventive and fertile writers of science-fiction and fantasy.” —The Times (London) “Alan Dean Foster is a master of creating alien worlds.” —SFRevu.com “Foster knows how to spin a yarn.” —Starlog “Alan Dean Foster is the modern day Renaissance writer, as his abilities seem to have no genre boundaries.” —Bookbrowser
A picture-book account of one of the most famous pieces of radio history! * “Sandwiched between a look at Depression-era radios and a set of fanciful period advertisements, McCarthy delivers a semi-serious account of the 1938 War of the Worlds broadcast, illustrating both passages from the script and briefly told descriptions of widespread panic with smudgy cartoon scenes featuring bug-eyed monsters and equally bug-eyed people. The author closes with a substantial note that analyzes the broadcast’ immediate and long-term effects, points out that the announcers repeatedly admitted that they were presenting a drama during the broadcast, mentions several later revivals here and internationally and notes the response of H.G. Wells himself to the original production. She has also set up an invitingly designed Web site with an array of relevant links.” —Kirkus Reviews, Starred An ALA–ALSC Notable Children’s Book A School Library Journal Best Book of the Year An IRA–CBC Children’s Choice A Kirkus Reviews Editor’s Choice A 2006 New York Public Library 100 Titles for Reading and Sharing
Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science-fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardbook is unjacketed.
You Can Count on Monsters by Richard Evan Schwartz Pdf
This book is a unique teaching tool that takes math lovers on a journey designed to motivate kids (and kids at heart) to learn the fun of factoring and prime numbers. This volume visually explores the concepts of factoring and the role of prime and composite numbers. The playful and colorful monsters are designed to give children (and even older audiences) an intuitive understanding of the building blocks of numbers and the basics of multiplication. The introduction and appendices can also help adult readers answer questions about factoring from their young audience. The artwork is crisp and creative and the colors are bright and engaging, making this volume a welcome deviation from standard math texts. Any person, regardless of age, can profit from reading this book. Readers will find themselves returning to its pages for a very long time, continually learning from and getting to know the monsters as their knowledge expands. You Can Count on Monsters is a magnificent addition for any math education program and is enthusiastically recommended to every teacher, parent and grandparent, student, child, or other individual interested in exploring the visually fascinating world of the numbers 1 through 100.
THEY CAME FROM...THE SEA - a huge crab and a giant scorpion, ancient foes intent on battle, and woe betide anything or anyone who gets in their way.THE SANDS - deadly beetles, each bigger than a man, swarming and frenzied in defense of an ancient temple.SPACE - a mutated spider threatens the ISS.BELOW - giant scuttling Isopods swarm out of the depths bent on feeding and mayhem.All of this, and more in this collection of creature features.They come. We fight.