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Charles Barry's victory in the competition to design the new Houses of Parliament in 1836 has been widely regarded as the moment in English architecture when the influence of Greece gave way to Victorian Gothic. In this beautifully illustrated book, Frank Salmon redirects attention to the importance of classical archaeology in the education of British architects and to major classically-inspired buildings in Birmingham, Cambridge, Liverpool and the City of London, also commissioned in this period.
(Re)using Ruins: Public Building in the Cities of the Late Antique West, A.D. 300-600 by Douglas R. Underwood Pdf
In (Re)using Ruins, Douglas Underwood presents the history of Roman urban public monuments in the Late Antique West, demonstrating that their vibrant, yet variable, development was closely tied to significant shifts in urban ideologies and euergetistic patterns.
The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.
"This title was first published in 2001. Charles Barry's victory in the competition to design the new Houses of Parliament in 1836 has been widely regarded as the moment in English architecture when the influence of Greece gave way to Victorian Gothic. In this illustrated book, Frank Salmon redirects attention to major classically-inspired buildings in Birmingham, Cambridge, Liverpool and the City of London, also commissioned in this period after competitions had been held. He argues that these buildings bear witness to a self-conscious and more widespread identification with the ancient Roman world among the English middle classes, an identification tied to the expression of civic culture and pride during this time of political upheaval and social reform. The 18th-century fascination with the classical world, manifested in the Grand Tour and in British country houses, is a much-studied cultural phenomenon. In this book, Frank Salmon shows how study in Italy, an essential part of British architectural training in the second half of the 18th century, continued on beyond the Napoleonic period, during which there had been significant advances in the unearthing of ancient ruins. The knowledge of the ruins of Rome and Pompeii after 1815 made possible detailed imaginative reconstructions of the Roman townscape, distinct in type from 18th-century representations, that helped trigger a popular fascination with Roman society and architecture. Salmon's account of the commissioning of buildings of explicitly Roman character in England offers a fascinating insight into this preoccupation with Rome and the symbolic intentions of the architects' civil and academic patrons."--Provided by publisher.
This title was first published in 2001. Charles Barry's victory in the competition to design the new Houses of Parliament in 1836 has been widely regarded as the moment in English architecture when the influence of Greece gave way to Victorian Gothic. In this illustrated book, Frank Salmon redirects attention to major classically-inspired buildings in Birmingham, Cambridge, Liverpool and the City of London, also commissioned in this period after competitions had been held. He argues that these buildings bear witness to a self-conscious and more widespread identification with the ancient Roman world among the English middle classes, an identification tied to the expression of civic culture and pride during this time of political upheaval and social reform. The 18th-century fascination with the classical world, manifested in the Grand Tour and in British country houses, is a much-studied cultural phenomenon. In this book, Frank Salmon shows how study in Italy, an essential part of British architectural training in the second half of the 18th century, continued on beyond the Napoleonic period, during which there had been significant advances in the unearthing of ancient ruins. The knowledge of the ruins of Rome and Pompeii after 1815 made possible detailed imaginative reconstructions of the Roman townscape, distinct in type from 18th-century representations, that helped trigger a popular fascination with Roman society and architecture. Salmon's account of the commissioning of buildings of explicitly Roman character in England offers a fascinating insight into this preoccupation with Rome and the symbolic intentions of the architects' civil and academic patrons.
This book constructs a theory of ruins that celebrates their vitality and unity in aesthetic experience. Its argument draws upon over 100 illustrations prepared in 40 countries. Ruins flourish as matter, form, function, incongruity, site, and symbol. Ruin underlies cultural values in cinema, literature and philosophy. Finally, ruin guides meditations upon our mortality and endangered world.
Author : Susan Stewart Publisher : University of Chicago Press Page : 401 pages File Size : 48,6 Mb Release : 2021-06-02 Category : Architecture ISBN : 9780226792200
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
The Secret Lives of Buildings by Edward Hollis Pdf
A strikingly original, beautifully narrated history of Western architecture and the cultural transformations that it represents Concrete, marble, steel, brick: little else made by human hands seems as stable, as immutable, as a building. Yet the life of any structure is neither fixed nor timeless. Outliving their original contexts and purposes, buildings are forced to adapt to each succeeding age. To survive, they must become shape-shifters. In an inspired refashioning of architectural history, Edward Hollis recounts more than a dozen stories of such metamorphosis, highlighting the way in which even the most familiar structures all change over time into "something rich and strange." The Parthenon, that epitome of a ruined temple, was for centuries a working church and then a mosque; the cathedral of Notre Dame was "restored" to a design that none of its original makers would have recognized. Remains of the Berlin Wall, meanwhile, which was once gleefully smashed and bulldozed, are now treated as precious relics. With The Secret Lives of Buildings, Edward Hollis recounts the most enthralling of these metamorphoses and shows how buildings have come to embody the history of Western culture.
Despite growing international awareness of the presence and significance of ruined buildings and archaeological sites, and the increasingly sophisticated technology available for the collection of data about them, these sites continue to be at risk across the globe. Conservation of Ruins defines and describes these risks, which range from neglect, to destructive archaeology, and even well-meaning intervention in the name of tourism. The book provides detailed, practical instruction on the conservation and stabilisation of ruins by structural and non-structural means, as well as describing the procedures and conditions that need to be in place to ensure the protection of our important historic sites. In considering aspects of architectural conservation, archaeology and ecology together for the first time, this book provides an integrated, holistic view of this international topic that will be essential reading for those working in this field
The Re-Use of Urban Ruins by Hanna Katharina Göbel Pdf
How do urban ruins provoke their cultural revaluation? This book offers a unique sociological analysis about the social agencies of material culture and atmospheric knowledge of buildings in the making. It draws on ethnographic research in Berlin along the former Palace of the Republic, the E-Werk and the Café Moskau in order to make visible an interdisciplinary regime of design experts who have developed a professional sensorium turning the built memory of the city into an object of aesthetic inquiry.
Philosophical Perspectives on Ruins, Monuments, and Memorials by Jeanette Bicknell,Jennifer Judkins,Carolyn Korsmeyer Pdf
This collection of newly published essays examines our relationship to physical objects that invoke, commemorate, and honor the past. The recent destruction of cultural heritage in war and controversies over Civil War monuments in the US have foregrounded the importance of artifacts that embody history. The book invites us to ask: How do memorials convey their meanings? What is our responsibility for the preservation or reconstruction of historically significant structures? How should we respond when the public display of a monument divides a community? This anthology includes coverage of the destruction of Palmyra and the Bamiyan Buddhas, the loss of cultural heritage through war and natural disasters, the explosive controversies surrounding Confederate-era monuments, and the decay of industry in the U.S. Rust Belt. The authors consider issues of preservation and reconstruction, the nature of ruins, the aesthetic and ethical values of memorials, and the relationship of cultural memory to material artifacts that remain from the past. Written by a leading group of philosophers, art historians, and archeologists, the 23 chapters cover monuments and memorials from Dubai to Detroit, from the instant destruction of Hiroshima to the gradual sinking of Venice.
"This book offers the first study of ruination in the Hebrew Bible. Drawing on scholarship in biblical studies, archaeology, contemporary historical theory, and philosophy, he demonstrates how the ancient experience of ruins differed radically from that of the modern era"--
