By Grand Central Station I Sat Down And Wept And The Assumption Of The Rogues Rascals
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The Assumption of the Rogues & Rascals by Elizabeth Smart Pdf
First published in 1978, and widely considered to be the sequel to her masterpiece ‘By Grand Central Station I Sat Down and Wept’, this remarkable book further established Smart’s reputation as a brave and inspirational writer.
The novel was once upon a time the genre women felt at home in. This wide- ranging and detailed study of contemporary novelists explores the forms of nostalgia (shared by many feminist critics) for a 'woman's novel'; and the subtle or savage strategies which have turned the house of fiction upside down. The result is a critique of the nature of narrative now; and a celebration of the energies that are undoing our definitions of women's work.
Made in Canada, Read in Spain by Pilar Somacarrera Pdf
Made in Canada, Read in Spain is an edited collection of essays on the impact, diffusion, and translation of English Canadian literature in Spain. Given the size of the world’s Spanish-speaking population (some 350 million people) and the importance of the Spanish language in global publishing, it appeals to publishers, cultural agents and translators, as well as to Canadianists and Translation Studies scholars. By analyzing more than 100 sources of online and print reviews, this volume covers a wide-range of areas and offers an ambitious scope that goes from the institutional side of the Spanish-Anglo-Canadian exchange to issues on the insertion of CanLit in the Spanish curriculum; from ‘nation branding’, translation, and circulation of Canadian authors in autonomous communities (such as Catalonia) to the official acknowledgement of some authors by the Spanish literary system -Margaret Atwood and Leonard Cohen were awarded the prestigious Prince of Asturias prize in 2008 and 2011, respectively.
The Arms of the Infinite by Christopher Barker Pdf
"A moving account of a man returning to his child self, trying to understand his absconding father, and of an adult searching to forgive."--Rosemary Sullivan, author of By Heart: Elizabeth Smart, a Life.
Writing Methods in Theological Reflection by Heather Walton Pdf
'Writing Methods in Theological Reflection' offers a stimulating, provocative and accessible book that will be of use to students and practitioners who are seeking ways to use their own experience in the work of spiritual and theological reflection. This work is intended for use by the many students of theology/ministry/chaplaincy who are charged with the task of producing works of theological reflection upon placements, life experiences and faithful practiceIt will also be of general interest to a wide range of readers trying to correlate their life experiences with their spiritual beliefs.
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of texts by literary critics, textual editors, biographers, literary historians, and art historians whose collective research contributes to the study of modernism in Canada. The collection stages a major reassessment of the origins and development of modernist literature in Canada, its relationship to international modernist literature, its regional variations, its gender and class inflections, and its connections to visual art, architecture, and film. It presents a range of scholarly perspectives, drawing upon the multidisciplinarity that characterizes the international field of modernist studies.
Is it possible to capture something as ephemeral as love with mere words? Méira Cook draws on Lacan, Derrida, Barthes, and Kristeva to wrestle with the theoretical problems of representing the unrepresentable. In Writing Lovers she searches for a language adequate to articulating the discourse of passion, desire, and longing in the love poetry of Dionne Brand, Elizabeth Smart, Daphne Marlatt, Dorothy Livesay, Kristjana Gunnars, and Nicole Markotic.In writings by the French post-structuralists, rhetorical tropes such as speechlessness, fragmentation, and deflection testify to the writer's difficulty in broaching the subject of love. Similarly, Cook shows that love poetry proceeds out of a profound failure of language resulting from the opacity of discourse, its lack of neutrality, or the fugitive transparency of reference. Writing Lovers also explores race, ethnicity, age, and sexual identity within the context of the passionate excesses of amatory discourse.
Toronto-based scholar Podnieks analyzes the diaries based on both the published volumes and the unpublished manuscripts. Her work on the manuscripts focuses on their physical qualities, exploring how the women designed their diaries as books with title pages, prefaces, indexes, illustrations, and other features and how elements such as handwriting, edited words and phrases, or torn-out pages illuminate facets of self-representation and self-preservation. c. Book News Inc.
A Dictionary of Writers and their Works by Christopher Riches,Michael Cox Pdf
Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.
The Canadian Book of Snobs by Victoria Branden Pdf
Are you a snob? Then why not learn to do it right? Study this revolutionary work and become a Canadian Snob of Distinction! Victoria Branden has traced the history of Snobbery from its pre-human roots to our own era, in our own country, and has enunciated the definitive Theory of Snobbery. She examines its evolution from its crude beginnings to its present confused state, with detailed study of the most important types of snobbery, distinguishing Goodsnobs from Badsnobs, experts from fumbling amateurs. Snobbery has influenced history at least as much as the invention of the wheel or the printing press, which were probably actually inspired by snob instincts. Always staunchly patriotic, Ms. Branden has given particular attention to Canadian Snobs, who have been until this time gravely neglected in both life and literature, and has provided Canadian Snobmodels by which we can be guided to higher and better levels of Snobbery. She finds a certain lack of professionalism among Canadian Snobs: Snobbery is not acknowledged as an Olympic contender, and has received no recognition in this year's "black budget." So there is much to be done, urgently! Branden has thoughtfully provided Snobexercises (video later) by which you can develop Snobmuscle. Careful study, with diligent practice and iron self-discipline, will help you to achieve great heights of Snob-expertise, using techniques and materials particularly suited to the Canadian climate and social mores. Other how-to books claim to "make it easy" to succeed. We do not. Achieving Snob-distinction is hard, gruelling, and incessant work - but the rewards are incalculable. Any jerk can be a snob, and usually is. But to be a truly Great Snob, an upper-case Snob, a Snob who will go down in history like Beau Brummell or Oscar Wilde ah, that is attainable only by the few.
Wider Boundaries of Daring: The Modernist Impulse in Canadian Women’s Poetry announces a bold revision of the genealogy of Canadian literary modernism by foregrounding the originary and exemplary contribution of women poets, critics, cultural activists, and experimental prose writers Dorothy Livesay, P.K. Page, Miriam Waddington, Phyllis Webb, Elizabeth Brewster, Jay Macpherson, Anne Wilkinson, Anne Marriott, and Elizabeth Smart. In the introduction, editor Di Brandt champions particularly the achievements of Livesay, Page, and Webb in setting the visionary parameters of Canadian and international literary modernism. The writers profiled in Wider Boundaries of Daring are the real founders of Canadian modernism, the contributors of this volume argue, both for their innovative aesthetic and literary experiments and for their extensive cultural activism. They founded literary magazines and writers’ groups, wrote newspaper columns, and created a new forum for intellectual debate on public radio. At the same time, they led busy lives as wives and mothers, social workers and teachers, editors and critics, and competed successfully with their male contemporaries in the public arena in an era when women were not generally encouraged to hold professional positions or pursue public careers. The acknowledgement of these writers’ formidable contribution to the development of modernism in Canada, and along with it “wider boundaries of daring” for women and other people previously disadvantaged by racial, ethnic, or religious identifications, has profound implications for the way we read and understand Canadian literary and cultural history and for the shape of both national and international modernisms.
