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Author : Anonim
Publisher : BRILL
Page : 395 pages
File Size : 45,8 Mb
Release : 2015-06-29
Category : History
ISBN : 9789004300019
Byzantium/Modernism examines the cross-temporal interchange between Byzantium and modernism and articulates how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture.
Author : Markéta Kulhánková,Przemyslaw Marciniak
Publisher : Bloomsbury Publishing
Page : 297 pages
File Size : 45,5 Mb
Release : 2023-08-10
Category : History
ISBN : 9780755607303
What is the contemporary cultural legacy of Byzantium or The Eastern Roman Empire? This book explores the varied reception history of the Byzantine Empire across a range of cultural production. Split into four sections: the origins of 'Byzantomania' in France, modern media, literature, and politics, it provides case studies which show the numerous ways in which the empire's legacy can be felt today. Covering television, video games and contemporary political discourse, contributors also consider a wide range of national and geographical perspectives including Russian, Turkish, Polish, Greek and Hungarian. It will be essential reading for scholars and students of the reception and cultural history of the Byzantine Empire.
Author : Louise Hardiman,Nicola Kozicharow
Publisher : Open Book Publishers
Page : 320 pages
File Size : 52,7 Mb
Release : 2017-11-13
Category : Art
ISBN : 9781783743414
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Author : Leslie Brubaker,Rebecca Darley,Daniel Reynolds
Publisher : Taylor & Francis
Page : 536 pages
File Size : 47,7 Mb
Release : 2022-07-29
Category : History
ISBN : 9781000624489
Global Byzantium is, in part, a recasting and expansion of the old ‘Byzantium and its neighbours’ theme with, however, a methodological twist away from the resolutely political and toward the cultural and economic. A second thing that Global Byzantium – as a concept – explicitly endorses is comparative methodology. Global Byzantium needs also to address three further issues: cultural capital, the importance of the local, and the empire’s strategic geographical location. Cultural capital: in past decades it was fashionable to define Byzantium as culturally superior to western Christian Europe, and Byzantine influence was a key concept, especially in art historical circles. This concept has been increasingly criticised, and what we now see emerging is a comparative methodology that relies on the concept of ‘competitive sharing’, not blind copying but rather competitive appropriation. The importance of the local is equally critical. We need to talk more about what the Byzantines saw when they ‘looked out’, and what others saw in Byzantium when they ‘looked in’ and to think about how that impacted on our, very post-modern, concepts of globalism. Finally, we need to think about the empire’s strategic geographical position: between the fourth and the thirteenth centuries, if anyone was travelling internationally, they had to travel across (or along the coasts of) the Byzantine Empire. Byzantium was thus a crucial intermediary, for good or for ill, between Europe, Africa, and Asia – effectively, the glue that held the Christian world together, and it was also a critical transit point between the various Islamic polities and the Christian world.
Author : Alexis Torrance,Symeon Paschalidis
Publisher : Routledge
Page : 214 pages
File Size : 41,8 Mb
Release : 2018-04-27
Category : Religion
ISBN : 9781317081784
Bringing together international scholars from across a range of linked disciplines to examine the concept of the person in the Greek Christian East, Personhood in the Byzantine Christian Tradition stretches in its scope from the New Testament to contemporary debates surrounding personhood in Eastern Orthodoxy. Attention is paid to a number of pertinent areas that have not hitherto received the scholarly attention they deserve, such as Byzantine hymnography and iconology, the work of early miaphysite thinkers, as well as the relevance of late Byzantine figures to the discussion. Similarly, certain long-standing debates surrounding the question are revisited or reframed, whether regarding the concept of the person in Maximus the Confessor, or with contributions that bring patristic and modern Orthodox theology into dialogue with a variety of contemporary currents in philosophy, moral psychology, and political science. In opening up new avenues of inquiry, or revisiting old avenues in new ways, this volume brings forward an important and on-going discussion regarding concepts of personhood in the Byzantine Christian tradition and beyond, and provides a key stimulus for further work in this field.
Author : Michael D'Arcy,Mathias Nilges
Publisher : Routledge
Page : 248 pages
File Size : 49,5 Mb
Release : 2015-10-23
Category : Literary Criticism
ISBN : 9781317423652
At a juncture in which art and culture are saturated with the forces of commodification, this book argues that problems, forms, and positions that defined modernism are crucially relevant to the condition of contemporary art and culture. The volume is attuned to the central concerns of recent scholarship on modernism and contemporary culture: the problems of aesthetic autonomy and the specific role of art in preserving a critical standpoint for cultural production; the relationship between politics and the category of the aesthetic; the problems of temporality and contemporaneity; literary transnationalism; and the questions of medium and medium specificity. Ranging across art forms, mediums, disciplines, and geographical locations, essays address the foundational questions that fuse modernism and the contemporary moment: What is art? What is the relation between art and the economy? How do art and technology interpenetrate and transform each other? What is modernism’s logic of time and contemporaneity, and how might it speak to the problem of thinking genuine novelty, or the possibility of an alternative to the current stage of neo-liberal capitalism? What is modernism, and what is its history? The book is thus committed to revising our understanding of what modernism was in its earlier instantiations, and in accounting for the current moment, addressing the problems raised by modernism's afterlives and reverberations in the 20th and 21st centuries. The volume includes essays that consider literature, sociology, philosophy, visual art, music, architecture, digital culture, television, and other artistic media. It synthesizes the most recent thinking on modernism and contemporary culture and presents a compelling case for what happens to literature, art, and culture in the wake of the exhaustion of postmodernism. This book will be of interest to those studying literature, visual art, media studies, architecture, literary theory, modernism, and twentieth-century and contemporary culture more generally.
Author : Ellen C. Schwartz
Publisher : Oxford University Press
Page : 665 pages
File Size : 49,6 Mb
Release : 2021
Category : Architecture
ISBN : 9780190277352
"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--
Author : Mati Meyer,Charis Messis
Publisher : Taylor & Francis
Page : 549 pages
File Size : 45,6 Mb
Release : 2024-05-23
Category : History
ISBN : 9781040043455
This Handbook is the first to consider the interrelated subjects of gender and sexuality in the Eastern Roman Empire from an interdisciplinary perspective. Drawing on both modern theories and Byzantine perceptions, and considering multiple periods and religions (Eastern Orthodox, Islamic, and Jewish), it provides evidentiary textual and visual material support for an analysis of the two linked themes. Broadly, the essays demonstrate that gender and sexual constructs in Byzantium were porous. As a result, they expand our knowledge of not only how sex and gender were conceived and performed but also how ideas and practices shaped Byzantine life. The Routledge Handbook of Gender and Sexuality in Byzantium will be an indispensable guide for students and scholars of late antique and Byzantine religion, history, culture, and art, who will find it a useful critical survey of current scholarship and one that shines new light in their areas of research. The focus on issues of gender and sexuality may also be of interest to individuals concerned with Eastern Mediterranean culture, as well as to the broader public. Chapter 21 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author : Margaret Mullett,Susan Ashbrook Harvey
Publisher : Taylor & Francis
Page : 528 pages
File Size : 52,8 Mb
Release : 2022-09-30
Category : History
ISBN : 9781351358491
Byzantinists entered the study of emotion with Henry Maguire’s ground-breaking article on sorrow, published in 1977. Since then, classicists and western medievalists have developed new ways of understanding how emotional communities work and where the ancients’ concepts of emotion differ from our own, and Byzantinists have begun to consider emotions other than sorrow. It is time to look at what is distinctive about Byzantine emotion. This volume is the first to look at the constellation of Byzantine emotions. Originating at an international colloquium at Dumbarton Oaks, these papers address issues such as power, gender, rhetoric, or asceticism in Byzantine society through the lens of a single emotion or cluster of emotions. Contributors focus not only on the construction of emotions with respect to perception and cognition but also explore how emotions were communicated and exchanged across broad (multi)linguistic, political and social boundaries. Priorities are twofold: to arrive at an understanding of what the Byzantines thought of as emotions and to comprehend how theory shaped their appraisal of reality. Managing Emotion in Byzantium will appeal to researchers and students alike interested in Byzantine perceptions of emotion, Byzantine Culture, and medieval perceptions of emotion.
Author : Amalia G. Kakissis
Publisher : Taylor & Francis
Page : 348 pages
File Size : 52,6 Mb
Release : 2023-07-12
Category : History
ISBN : 9781351119801
Byzantium was a very influential part of the development of the Arts and Crafts Movement (1880–1910) in Britain, and although the influence of the Gothic Revival (1830–80) is well known, that of the Byzantine Revival (1840–1910) is not. This volume is about the people and the movements that created the Byzantine Revival and shows how they influenced British heritage from architecture to the decorative arts during the late nineteenth and early twentieth centuries. The central pillars of the volume are the architects and scholars who created the Byzantine Research Fund (BRF) Archive, a unique collection of architectural drawings and photographs of numerous monuments across the Byzantine world, and the social and professional networks in which they circulated. The BRF members, an eclectic and little-known group, who based themselves at the newly founded British School at Athens, established the research of Byzantium in Britain and Greece. They were trained in the traditions of the Arts and Crafts Movement, which sought authenticity in design and decoration in reaction to the styles that had developed through industrialisation. Their work, uniting a distinctively British design tradition with Byzantine arts and crafts, represents a highly significant and under-researched link between Britain and the Hellenic world. This volume is the first contribution to try to fill this knowledge gap. Byzantium and British Heritage will appeal to all those interested in the relation between Byzantine and British culture and Byzantine art.
Author : Armin Bergmeier,Andrew Griebeler
Publisher : Walter de Gruyter GmbH & Co KG
Page : 269 pages
File Size : 47,9 Mb
Release : 2022-03-07
Category : Art
ISBN : 9783110722079
This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others.
Author : Przemyslaw Marciniak,Dion C. Smythe
Publisher : Taylor & Francis
Page : 264 pages
File Size : 55,7 Mb
Release : 2017-05-15
Category : History
ISBN : 9781134808311
Studies on the reception of the classical tradition are an indispensable part of classical studies. Understanding the importance of ancient civilization means also studying how it was used subsequently. This kind of approach is still relatively rare in the field of Byzantine Studies. This volume, which is the result of the range of interests in (mostly) non-English-speaking research communities, takes an important step to filling this gap by investigating the place and dimensions of ’Byzantium after Byzantium’. This collection of essays uses the idea of ’reception-theory’ and expands it to show how European societies after Byzantium have responded to both the reality, and the idea of Byzantine Civilisation. The authors discuss various forms of Byzantine influence in the post-Byzantine world from architecture to literature to music to the place of Byzantium in modern political debates (e.g. in Russia). The intentional focus of the present volume is on those aspects of Byzantine reception less well-known to English-reading audiences, which accounts for the inclusion of Bulgarian, Czech, Polish and Russian perspectives. As a result this book shows that although so-called 'Byzantinism' is a pan-European phenomenon, it is made manifest in local/national versions. The volume brings together specialists from various countries, mainly Byzantinists, whose works focus not only on Byzantine Studies (that is history, literature and culture of the Byzantine Empire), but also on the influence of Byzantine culture on the world after the Fall of Constantinople.
Author : Stratis Papaioannou
Publisher : Oxford University Press
Page : 816 pages
File Size : 54,8 Mb
Release : 2021-05-18
Category : History
ISBN : 9780199351770
This volume, the first ever of its kind in English, introduces and surveys Greek literature in Byzantium (330 - 1453 CE). In twenty-five chapters composed by leading specialists, The Oxford Handbook of Byzantine Literature surveys the immense body of Greek literature produced from the fourth to the fifteenth century CE and advances a nuanced understanding of what "literature" was in Byzantium. This volume is structured in four sections. The first, "Materials, Norms, Codes," presents basic structures for understanding the history of Byzantine literature like language, manuscript book culture, theories of literature, and systems of textual memory. The second, "Forms," deals with the how Byzantine literature works: oral discourse and "text"; storytelling; rhetoric; re-writing; verse; and song. The third section ("Agents") focuses on the creators of Byzantine literature, both its producers and its recipients. The final section, entitled "Translation, Transmission, Edition," surveys the three main ways by which we access Byzantine Greek literature today: translations into other Byzantine languages during Late Antiquity and the Middle Ages; Byzantine and post-Byzantine manuscripts; and modern printed editions. The volume concludes with an essay that offers a view of the recent past--as well as the likely future--of Byzantine literary studies.
Author : Roland Betancourt
Publisher : Cambridge University Press
Page : 419 pages
File Size : 50,9 Mb
Release : 2018-04-12
Category : Art
ISBN : 9781108424745
Studies the interrelation of sight, touch, and the imagination in ancient and medieval Greek theories of perception and cognition.
Author : yasser elhariry,Edwige Tamalet Talbayev
Publisher : Springer
Page : 276 pages
File Size : 51,5 Mb
Release : 2018-03-06
Category : History
ISBN : 9783319717647
Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis. In this context, Critically Mediterranean asks how the theories and methodologies of Mediterranean studies may be brought to bear upon the modern and contemporary periods. Contributors explore how the Mediterranean informs philosophy, phenomenology, the poetics of time and space, and literary theory. Ranging from some of the earliest twentieth-century material on the Mediterranean to Edmond Amran El Maleh, Christoforos Savva, Orhan Pamuk, and Etel Adnan, the essays ask how modern and contemporary Mediterraneans may be deployed in political, cultural, artistic, and literary practice. The critical Mediterranean that emerges is plural and performative—a medium through which subjects may negotiate imagined relations with the world around them. Vibrant and deeply interdisciplinary, Critically Mediterranean offers timely interventions for a sea in crisis.
