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Author : Christina Gerhardt,Marco Abel
Publisher : Screen Cultures: German Film a
Page : 340 pages
File Size : 44,9 Mb
Release : 2019
Category : History
ISBN : 9781571139955
Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings.
Author : Hieyoon Kim
Publisher : Univ of California Press
Page : 182 pages
File Size : 49,8 Mb
Release : 2023-09-26
Category : Performing Arts
ISBN : 9780520394384
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Celluloid Democracy tells the story of the Korean filmmakers, distributors, and exhibitors who reshaped cinema in radically empowering ways through the decades of authoritarian rule that followed Korea's liberation from Japanese occupation. Employing tactics that ranged from representing the dispossessed on the screen to redistributing state-controlled resources through bootlegging, these film workers explored ideas and practices that simultaneously challenged repressive rule and pushed the limits of the cinematic medium. Drawing on archival research, film analysis, and interviews, Hieyoon Kim examines how their work foregrounds a utopian vision of democracy where the ruled represent themselves and access resources free from state suppression. The first book to offer a history of film activism in post-1945 South Korea, Celluloid Democracy shows how Korean film workers during the Cold War reclaimed cinema as an ecology in which democratic discourses and practices could flourish.
Author : Christina Gerhardt,Sara Saljoughi
Publisher : Wayne State University Press
Page : 413 pages
File Size : 40,5 Mb
Release : 2018-10-17
Category : Performing Arts
ISBN : 9780814342947
Examines the political cinema of 1968 in relation to global events.
Author : Christina Gerhardt
Publisher : Bloomsbury Publishing USA
Page : 320 pages
File Size : 50,8 Mb
Release : 2018-07-12
Category : Performing Arts
ISBN : 9781501336690
Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts.
Author : Sarah Colvin,Katharina Karcher
Publisher : Routledge
Page : 314 pages
File Size : 46,8 Mb
Release : 2018-07-11
Category : Political Science
ISBN : 9781351203692
This volume analyses and historicises the memory of 1968 (understood as a marker of an emerging will for social change around the turn of that decade, rather than as a particular calendar year), focusing on cultural memory of the powerful signifier '68' and women’s experience of revolutionary agency. After an opening interrogation of the historical and contemporary significance of "1968" – why does it still matter? how and why is it remembered in the contexts of gender and geopolitics? and what implications does it have for broader feminist understandings of women and revolutionary agency? – the contributors explore women’s historical involvement in "1968" in different parts of the world and the different ways in which women’s experience as victims and perpetrators of violence are remembered and understood. This work will be of great interest to students and scholars of protest and violence in the fields of history, politics and international relations, sociology, cultural studies, and women’s studies.
Author : Timothy Scott Brown
Publisher : Cambridge University Press
Page : 253 pages
File Size : 47,8 Mb
Release : 2020-08-06
Category : History
ISBN : 9781107122383
This history of emancipatory left-wing politics examines the border-crossing uprisings of the 1960s, on both sides of the Cold War divide.
Author : Harry H. Kuoshu
Publisher : SIU Press
Page : 402 pages
File Size : 46,8 Mb
Release : 2002
Category : History
ISBN : 0809324563
This work is an introduction to the cinema of mainland China from the early 1930s to the early 1990s. Emphasizing both film contexts and film texts, this study covers a broad cinematic analysis that includes investigations of cultural, cross-cultural, social, ethnic and political issues.
Author : Briana J. Smith
Publisher : MIT Press
Page : 329 pages
File Size : 52,9 Mb
Release : 2022-09-20
Category : Art
ISBN : 9780262370943
An alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to collective creativity and social solidarity. In pre- and post-reunification Berlin, socially engaged artists championed collective art making and creativity over individual advancement, transforming urban space and civic life in the process. During the Cold War, the city’s state of exception invited artists on both sides of the Wall to detour from artistic tradition; post-Wall, art became a tool of resistance against the orthodoxy of economic growth. In Free Berlin, Briana Smith explores the everyday peculiarities, collective joys, and grassroots provocations of experimental artists in late Cold War Berlin and their legacy in today’s city. These artists worked intentionally outside the art market, believing that art should be everywhere, freed from its confinement in museums and galleries. They used art as a way to imagine new forms of social and creative life. Smith introduces little-known artists including West Berlin feminist collective Black Chocolate, the artist duo paint the town red (p.t.t.r), and the Office for Unusual Events, creators of satirical urban political theater, as well as East Berlin action art and urban interventionists Erhard Monden, Kurt Buchwald, and others. Artists and artist-led urban coalitions in 1990s Berlin carried on the participatory spirit of the late Cold War, with more overt forms of protest and collaboration at the neighborhood level. The temperament lives on in twenty-first century Berlin, animating artists’ resolve to work outside the market and citizens’ spirited defenses of green spaces, affordable housing, and collectivist projects. With Free Berlin, Smith offers an alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to Berliners’ historic embrace of care, solidarity, and cooperation.
Author : Eugene Lyons
Publisher : Colchis Books
Page : 517 pages
File Size : 45,5 Mb
Release : 2024-05-10
Category : Political Science
ISBN : 8210379456XXX
In The Red Decade: Stalinism in 1930s America, Eugene Lyons offers a compelling account of the influence of Stalinism on American politics and culture during the 1930s. Lyons, a former communist turned anti-communist, provides a unique perspective on the ways in which the Soviet Union's ideology and propaganda infiltrated various aspects of American society, from the arts and literature to labor unions and political organizations. While the book was originally published in 1941, its insights remain relevant today as a cautionary tale about the dangers of totalitarian ideologies and the importance of defending democratic values.
Author : Clare Bielby,Mererid Puw Davies
Publisher : Boydell & Brewer
Page : 239 pages
File Size : 44,9 Mb
Release : 2024
Category : History
ISBN : 9781640141148
"Explores what postwar German representations of violence in other places and times tell us about Germany. Germany's 20th-century history has made imagining and representing violence in German culture especially challenging: it has made certain constructions of violence unspeakable, even unthinkable. As a result, new ways of thinking about violence in postwar German culture are needed. One such approach is critical analysis of "violence elsewhere," that is, representations in literature, art, and film of violence in distant, imagined or temporally distinct times and places. Such representations have offered Germans a stage on which to imagine violence. Moreover, German representations of "violence elsewhere" are simultaneously images of Germany itself, revealing something about otherwise submerged or deeply encoded meanings and functions of violence in German culture. This volume explores what representations of "violence elsewhere" tell us about Germany. Its essays consider cultural products that arose from East, West, and reunified Germany and that imagine violence in Latin America, Vietnam, Cambodia, the USA, and the Middle East, as well as in the respective "other" German state and in the German past. Drawing on film, literary, gender, cultural, and postcolonial studies as well as visual culture, history, and life writing, they also introduce theoretical perspectives that are transferable beyond German Studies. As such, they allow us to reflect more broadly on relationships between violence, culture, community, and the creation of identities. Edited by Clare Bielby and Mererid Puw Davies. Contributors: Seán Allan, Martin Brady, Evelien Geerts, Katharina Karcher, J.J. Long, Ernest Schonfield, and Katherine Stone. On publication the chapter "Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11" is available as Open Access under the Creative Commons license CC BY-NC-ND"--
Author : Martha Kuhlman,José Alaniz
Publisher : Leuven University Press
Page : 291 pages
File Size : 46,5 Mb
Release : 2020-04-21
Category : Comics & Graphic Novels
ISBN : 9789462702127
Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czech Republic, Hungary, Romania, Yugoslavia, and Ukraine, given their shared history of WWII and communism. In addition to situating these graphic narratives in their national and subnational contexts, Comics of the New Europe pays particular attention to transnational connections along the common themes of nostalgia, memoir, and life under communism. The essays offer insights into a new generation of European cartoonists that looks forward, inspired and informed by traditions from Franco-Belgian and American comics, and back, as they use the medium of comics to reexamine and reevaluate not only their national pasts and respective comics traditions but also their own post-1989 identities and experiences.
Author : Jaimey Fisher,Marco Abel
Publisher : Wayne State University Press
Page : 432 pages
File Size : 43,6 Mb
Release : 2018-06-04
Category : Performing Arts
ISBN : 9780814342015
Germany’s most important filmmaking movement in conversation with its peers across the globe.
Author : Elisa Cuter,Guido Kirsten,Hanna Prenzel
Publisher : Walter de Gruyter GmbH & Co KG
Page : 390 pages
File Size : 50,7 Mb
Release : 2022-06-06
Category : Social Science
ISBN : 9783110707816
This volume brings together renowned scholars and early career-researchers in mapping the ways in which European cinema —whether arthouse or mainstream, fictional or documentary, working with traditional or new media— engages with phenomena of precarity, poverty, and social exclusion. It compares how the filmic traditions of different countries reflect the socioeconomic conditions associated with precarity, and illuminates similarities in the iconography of precarious lives across cultures. While some of the contributions deal with the representations of marginalized minorities, others focus on work-related precarity or the depictions of downward mobility. Among other topics, the volume looks at how films grapple with gender inequality, intersectional struggle, discriminatory housing policies, and the specific problems of precarious youth. With its comparative approach to filmic representations of European precarity, this volume makes a major contribution to scholarship on precarity and the representation of social class in contemporary visual culture.
Author : Dorian L. Alexander,Michael Goodrum,Philip Smith
Publisher : Univ. Press of Mississippi
Page : 289 pages
File Size : 55,9 Mb
Release : 2022-01-04
Category : Literary Criticism
ISBN : 9781496837233
Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Małgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author : Sean Eedy
Publisher : Berghahn Books
Page : 230 pages
File Size : 40,8 Mb
Release : 2021-02-03
Category : History
ISBN : 9781800730014
As with all other forms of popular culture, comics in East Germany were tightly controlled by the state. Comics were employed as extensions of the regime’s educational system, delivering official ideology so as to develop the “socialist personality” of young people and generate enthusiasm for state socialism. The East German children who avidly read these comics, however, found their own meanings in and projected their own desires upon them. Four-Color Communism gives a lively account of East German comics from both perspectives, showing how the perceived freedoms they embodied created expectations that ultimately limited the regime’s efforts to bring readers into the fold.