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A sea kayak battles the freezing Irish waters as the morning sun rises out of the countryside. On the western horizon is the pinnacle of Skellig Michael-700 feet of vertical rock rising out of exploding seas. Somewhere on the isolated island are sixth-century monastic ruins where the light of civilization was kept burning during the Dark Ages by early Christian Irish monks. Puffins surface a few yards from the boat, as hundreds of gannets wheel overhead on six foot wing spans. The ocean rises violently and tosses paddler and boat as if they were discarded flotsam. This is just one day of Chris Duff's incredible three month journey.
In cooperation with Corridor Films (Nashville) and Putamayo World Music (New York), Fox Music Books presents a new edition of this bestselling book + documentary + recording package, Celtic Tides. Celtic Tides tells the story of the ongoing world-wide renaissance of traditional Celtic music through extensive and exclusive interviews with the most influential artists. First published 15 years ago and out of print for a decade, Celtic Tides remains in demand. In this new edition, another 10 artists are profiled and the discography and guides to Celtic festivals, historic sites, museums and pubs throughout the Celtic diaspora are updated. Simultaneously, Putamayo World Music will be re-releasing the companion CD Celtic Tides, and Corridor will edit the documentary for a home entertainment DVD and downloadable file at the Fox Music/Quarry Press web site.
During the past few years, a spring tide of Celtic culture and folklore has washed ashore, with Celtic dance, Celtic history and traditional Celtic music enjoying a renaissance throughout the world. Celtic musicians from Ireland, Scotland, and Canada - like The Chieftains, Enya, Clannad, Altan, Mairead Sullivan, Dougie MacLean, Capercaillie, Alisdair Fraser, Martyn Bennett, Ashley MacIsaac, Natalie MacMaster, The Rankins, The Barra MacNeils, Mary Jane Lamond, Leahy, and Loreena McKennitt, among many others - are enjoying an unprecedented surge in popularity. "Celtic Tides is the first book to tell the story of this Celtic invasion through profiles of the traditional music scene in the old world and the new. The book features extensive interviews with the most influential Celtic artists, the first comprehensive discography of Celtic music, a complete guide to international Celtic music festivals, and forty pages of photographs. For fans of contemporary music and popular culture, "Celtic Tides is indispensable.
Martin Stokes,Philip V. Bohlman, Mary Werkman Distinguished Service Professor of Music and the Humanities, The University of Chicago
Author : Martin Stokes,Philip V. Bohlman, Mary Werkman Distinguished Service Professor of Music and the Humanities, The University of Chicago Publisher : Scarecrow Press Page : 303 pages File Size : 48,6 Mb Release : 2003-09-15 Category : Music ISBN : 9780585482828
Celtic Modern by Martin Stokes,Philip V. Bohlman, Mary Werkman Distinguished Service Professor of Music and the Humanities, The University of Chicago Pdf
This resource offers an opportunity to reflect critically on some of the insistent 'othering' that has accompanied much cultural production in and on the Celtic World, and that have prohibited serious critical engagement with what are sometimes described as the 'traditional' and 'folk' music of Europe.
Focus: Irish Traditional Music by Sean Williams Pdf
Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.
Irish music enjoyed popularity across Europe and North America in the second half of the twentieth century. Regional circumstances created a unique reception for such music in the English Midlands. This book is a musical ethnography of Birmingham, 1950–2010. Initially establishing geographical and chronological parameters, the book cites Birmingham’s location at the hub of a road and communications network as key to the development of Irish music across a series of increasingly visible, public sites: Birmingham’s branch of Comhaltas Ceoltóirí Éireann was established in the domestic space of an amateur musician; Birmingham’s folk clubs encouraged a blend of Irish music with socialist politics, from which the Dublin singer Luke Kelly honed his trade; Irish solidarity was fostered in Birmingham’s churches. Each of these examples begins with a performance at Birmingham Town Hall in order to show how a single venue also provides musical representations that are mutable over time. The culmination is Birmingham’s St Patrick’s Parade. This, the largest Irish procession outside Dublin and New York, manifests an incoherent blend of sounds. The audio montage, nevertheless, creates a coherent metanarrative: one in which the local community has conquered a number of challenges (most especially that of the IRA bombings of the area) and has moved Irish music from private arenas to the centre of this large civic event.
Whether carried by emigrants and exiles, or distributed by commercial networks, Irish traditional music is one of the most popular world music genres. Clare, at the western edge of Europe on Ireland's Atlantic seaboard, enjoys unrivalled status as a home of the music, a magnet for tourists and aficionados eager to enjoy the authentic sounds of Ireland.
Despite its isolation on the western edge of Europe, Ireland occupies vast amounts of space on the music maps of the world. Although deeply rooted in time and place, Irish songs, dances and instrumental traditions have a history of global travel that span the centuries. Whether carried by exiles, or distributed by commercial networks, Irish traditional music is one of the most popular World Music genres, while Clare, on Ireland's Atlantic seaboard, enjoys unrivaled status as a "Home of the Music," a mecca for tourists and aficionados eager to enjoy the authentic sounds of Ireland. For the first time, this remarkable soundscape is explored by an insider-a fourth generation Clare concertina player, uilleann piper and an internationally recognized authority on Irish traditional music. Entrusted with the testimonies, tune lore, and historic field recordings of Clare performers, Gearóid Ó hAllmhuráin reveals why this ancient place is a site of musical pilgrimage and how it absorbed the impact of global cultural flows for centuries. These flows brought musical change inwards, while simultaneously facilitating outflows of musical change to the world beyond - in more recent times, through the music of Clare stars like Martin Hayes and the Kilfenora Céilí Band. Placing the testimony of music and music makers at the center of Irish cultural history and working from a palette of disciplines, Flowing Tides explores an Irish soundscape undergoing radical change in the period from the Napoleonic Wars to the Great Famine, from the birth of the nation state to the meteoric rise-and fall-of the Celtic Tiger. It is essential reading for all interested in Irish/Celtic music and culture.
Proceedings of the Royal Irish Academy by Royal Irish Academy Pdf
Includes also Minutes of [the] Proceedings, and Report of [the] President and Council for the year, separately published 1965/66- at its Annual report.
Author : Eric G. E. Zuelow Publisher : Syracuse University Press Page : 388 pages File Size : 46,6 Mb Release : 2009-03-01 Category : History ISBN : 0815632258
From the dark shadow of civil war to the pastel-painted towns of today, Making Ireland Irish provides a sweeping account of the evolution of the Irish tourist industry over the twentieth century. Drawing on an extensive array of previously untapped or underused sources, Eric G. E. Zuelow examines how a small group of tourism advocates, inspired by tourist development movements in countries such as France and Spain, worked tirelessly to convince their Irish compatriots that tourism was the secret to Ireland’s success. Over time, tourism went from being a national joke to a national interest. Men and women from across Irish society joined in, eager to help shape their country and culture for visitors’ eyes. The result was Ireland as it is depicted today, a land of blue skies, smiling faces, pastel towns, natural beauty, ancient history, and timeless traditions. With lucid prose and vivid detail, Zuelow explains how careful planning transformed Irish towns and villages from grey and unattractive to bright and inviting; sanitized Irish history to avoid offending Ireland’s largest tourist market, the English; and supplanted traditional rural fairs revolving around muddy animals and featuring sexually suggestive ceremonies with new family-friendly festivals and events filling today’s tourist calendar. By challenging existing notions that the Irish tourist product is either timeless or the consequence of colonialism, Zuelow demonstrates that the development of tourist imagery and Irish national identity was not the result of a handful of elites or a postcolonial legacy, but rather the product of an extended discussion that ultimately involved a broad cross-section of society, both inside and outside Ireland. Tourism, he argues, played a vital role in “making Ireland Irish.”
Fish atlas of the Celtic Sea, North Sea, and Baltic Sea by Henk J.L. Heessen,Niels Daan,Jim R. Ellis Pdf
The atlas presents a unique set of abundance data to describe the spatial, depth, size, and temporal distribution of demersal and pelagic fish species over an extensive marine area, together with accounts of their biology. A large number of pictures, graphs and distribution maps illustrate the text. By largely avoiding - or at least explaining - scientific terms and providing extensive references, the book should be useful for both laymen and scientists. The quantitative information on some 200 fish taxa is derived from 72,000 stations fished by research vessels during the period 1977-2013. The area covers the northwest European shelf from west of Ireland to the central Baltic Sea and from Brittany to the Shetlands. Although the surveys extend beyond the shelf edge, only taxa reported at least once in waters less than 200 m are included. Typical deep-water species and typical fresh-water species are excluded. We hope this publication will contribute to gaining a better understanding of the ocean ecosystems.
Post-Colonial Distances by Denis Crowdy,Bev Diamond,Daniel Downes Pdf
This anthology emanated from a conference in St. John’s, Newfoundland, that brought together popular music scholars, folklorists and ethnomusicologists from Canada and Australia. Implicit in that conference and in this anthology is the comparability of the two countries. Their ‘post-colonial’ status (if that is indeed an appropriate modifier in either case) has some points of similarity. On the other hand, their ‘distance’ – from hegemonic centres, from colonial histories – is arguably more a matter of contrast than similarity. Canada and Australia are similar in various regards. Post-colonial in the sense that they are both former British colonies, they now each have more than a century of stature as nation states. By the beginning of the 21st century, they are each modest in size but rich in ethnocultural diversity. Nonetheless, each country has some skeletons in the closet where openness to difference, to indigenous and new immigrant groups are concerned. Both countries are similarly both experiencing rapid shifts in cultural makeup with the biggest population increases in Australia coming from China, India, and South Africa, and the biggest in Canada from Afro-Caribbean, South Asian countries, and China. The chapters in this anthology constitute an important comparative initiative. Perhaps the most obvious point of comparison is that both countries create commercial music in the shadow of the hegemonic US and British industries. As the authors demonstrate, both proximity (specifically Canada’s nearness to the US) and distance have advantages and disadvantages. As the third and fourth largest Anglophone music markets for popular music, they face similar issues relating to music management, performance markets, and production. A second relationship, as chapters in this anthology attest, is the significant movement between the two countries in a matrix of exchange and influence among musicians that has rarely been studied hitherto. Third, both countries invite comparison with regard to the popular music production of diverse social groups within their national populations. In particular, the tremendous growth of indigenous popular music has resulted in opportunities as well as challenges. Additionally, however, the strategies that different waves of immigrants have adopted to devise or localize popular music that was both competitive and meaningful to their own people as well as to a larger demographic bear comparison. The historical similarities and differences as well as the global positionality of each country in the early 21st century, then, invites comparison relating to musical practices, social organization, lyrics as they articulate social issues, career strategies, industry structures and listeners.
