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The Ziegfeld Follies, Florenz Ziegfeld's stage spectaculars, promised the best performers, the most lavish sets, and the most ravishing girls. Doris Eaton Travis was one of these prized beauties–and, at 14, was chosen as the youngest chorus girl in the Follies. "Mine eyes are yet dim with the luminous beauty of a girl named Doris," one Chicago reviewer wrote. Doris Eaton Travis was the last living Ziegfeld girl. In her 106 years, she performed for presidents and princesses, entertained Gershwin, Lindbergh, and Astaire, starred in silent and talking pictures, bantered with Babe Ruth, offended Henry Ford, outlived six siblings, written a newspaper column, hosted a television show, earned a Phi Beta Kappa degree in history, raised turkeys, and raced horses. In 2010, she performed on Broadway, returned home to Detroit and two weeks later peacefully passed away. Century Girl is a visual tour of this extraordinary woman's journey through life.
An absolute must-have parenting guide to raising girls in the 21st century. 'There can be no keener revelation of a country's soul than the way it treats its children.' Nelson Mandela Childhood, as a stage in human development, has been steadily eroded. Children today are introduced to 21st-century adult values and behaviour at an increasingly early age, long before they are developmentally ready to cope with them. We expend immense time and effort attending to their material needs while simultaneously neglecting their developmental needs. In this important polemic, Sue Palmer believes that if we do not get a grip on this problem soon, the increase in developmental disorders, behavioural difficulties and mental health problems recorded by experts over recent decades will soon spiral out of control. Sue discusses challenges faced in the 21st century including: -the problems facing parents in an age of materialism -the way gender wars have intensified those problems -the debate about the 'female brain' -the reasons why contemporary culture can be so damaging for children, especially girls -the challenges involved in detoxifying family life Every parent, grandparent, teacher and carer of girls needs to read this book.
THE SUNDAY TIMES BESTSELLER 'Tessa Dunlop made pains to select women from broad walks of life and succeeds in weaving a rich tapestry of experiences.'The Independent ‘A warm-hearted and engaging read, The Century Girls is replete with wonderful characters.’ Sunday Express 'Dunlop has pulled off an impressive feat of oral history...creating a moving portrait of a world that is now lost forever.' Who Do You Think You Are?? A celebration of the one-hundred years since British women got the vote, told, in their own voices, by six centenarians: Helena, Olive, Edna, Joyce, Ann and Phyllis – The Century Girls? In 2018 Britain celebrates the centenary of some women getting the vote. The intervening ten decades have witnessed staggering change, and The Century Girls features six women born in 1918 or before who haven’t just witnessed that change, they’ve lived it. Empire shrank, war came and went, and modern society demanded continual readjustment.... the Century Girls lasted the course, and this book weaves together their lifetime’s adventures – what they were taught, how they were treated, who they loved, what they did and where they are now. With stories that are intimately knitted into the history of the British Isles, this is a time-travel epic featuring our oldest, most precious national treasures. Edna, 102, was a domestic servant born in Lincolnshire. Helena is 101 years old and the eldest of eight born into a Welsh farming family. Olive, 102, began life as a child of empire in British Guiana and was one of the first women to migrate to London after the war. There’s Ann, a 103-year-London bohemian; 100-year-old Phyllis, daughter of the British Raj, who has called Edinburgh home for nearly eighty years; and finally ‘young’ Joyce – a 99-year-old Cambridge classicist who’s still at work. It is through the prism of these women’s very long lives that The Century Girls provides a deeply personal account of British history over the past one hundred years. Their story is our story too. Further praise for The Century Girls 'It features among others my teacher and mate, 99 year old Joyce Reynolds, going super strong and still a stern and helpful critic.' Mary Beard 'A delightful book . . . all about women and women's lives.' Jane Garvey, Radio 4 Woman's Hour? 'A highly personal insight into British society over the past century...revealing and enlightening stories which would otherwise have been lost.' The Scotsman ‘A deeply personal and moving account of the last 100 years of British history.’ The Bookseller 'It’s a brilliant book… It’s fantastic!' Chris Evans, Radio 2 Breakfast Show ‘A wonderful blend of British history with individual stories – and for any reader under about 90, an often startling reminder of how much things have changed.’ Reader’s Digest? ‘What better way to mark the centenary of some British women getting the vote than to read about inspirational women who witness revolutionary changes? Six centenarians reminisce on their incredible century. A history lesson to savour.’ The Lady
22 DEcember 1899 Time is marching forward, carrying us over the threshold and pitching us willy nilly, into a new century. The prospect of growing up in that unexplored territory is so thrilling that I fancy, if I close my eyes tight, I can almost see the process taking place! A day slips away like sand in a sand glass and then another day dawns and so we are caught up in this inevitable passage towards 1900. I bought a journal and have begun to transfer all my scribblings of the last few days into it. I shall call it 'Twentieth Century Girl', for that is what I intend to be!
Women's Roles in Eighteenth-Century Europe by Jennine Hurl-Eamon Pdf
This concise historical overview of the existing historiography of women from across eighteenth-century Europe covers women of all ages, married and single, rich and poor. During the 18th century, the Enlightenment, the French Revolution, protoindustrialization, and colonial conquest made their marks on women's lives in a variety of ways. Women's Roles in Eighteenth-Century Europe examines women of all ages and social backgrounds as they experienced the major events of this tumultuous period of sweeping social and political change. The book offers an inclusive portrayal of women from across Europe, surveying nations from Portugal to the Russian Empire, from Finland to Italy, including the often overlooked women of Eastern Europe. It depicts queens, an empress, noblewomen, peasants, and midwives. Separate chapters on family, work, politics, law, religion, arts and sciences, and war explore the varying contexts of the feminine experience, from the most intimate aspects of daily life to broad themes and conditions.
Constructing Girlhood through the Periodical Press, 1850-1915 by Kristine Moruzi Pdf
Focusing on six popular British girls' periodicals, Kristine Moruzi explores the debate about the shifting nature of Victorian girlhood between 1850 and 1915. During an era of significant political, social, and economic change, girls' periodicals demonstrate the difficulties of fashioning a coherent, consistent model of girlhood. The mixed-genre format of these magazines, Moruzi suggests, allowed inconsistencies and tensions between competing feminine ideals to exist within the same publication. Adopting a case study approach, Moruzi shows that the Monthly Packet, the Girl of the Period Miscellany, the Girl's Own Paper, Atalanta, the Young Woman, and the Girl's Realm each attempted to define and refine a unique type of girl, particularly the religious girl, the 'Girl of the Period,' the healthy girl, the educated girl, the marrying girl, and the modern girl. These periodicals reflected the challenges of embracing the changing conditions of girls' lives while also attempting to maintain traditional feminine ideals of purity and morality. By analyzing the competing discourses within girls' periodicals, Moruzi's book demonstrates how they were able to frame feminine behaviour in ways that both reinforced and redefined the changing role of girls in nineteenth-century society while also allowing girl readers the opportunity to respond to these definitions.
Girl Culture [2 volumes] by Claudia Mitchell,Jacqueline Reid-Walsh Pdf
Never before has so much popular culture been produced about what it means to be a girl in today's society. From the first appearance of Nancy Drew in 1930, to Seventeen magazine in 1944 to the emergence of Bratz dolls in 2001, girl culture has been increasingly linked to popular culture and an escalating of commodities directed towards girls of all ages. Editors Claudia A. Mitchell and Jacqueline Reid-Walsh investigate the increasingly complex relationships, struggles, obsessions, and idols of American tween and teen girls who are growing up faster today than ever before. From pre-school to high school and beyond, Girl Culture tackles numerous hot-button issues, including the recent barrage of advertising geared toward very young girls emphasizing sexuality and extreme thinness. Nothing is off-limits: body image, peer pressure, cliques, gangs, and plastic surgery are among the over 250 in-depth entries highlighted. Comprehensive in its coverage of the twenty and twenty-first century trendsetters, fashion, literature, film, in-group rituals and hot-button issues that shape—and are shaped by—girl culture, this two-volume resource offers a wealth of information to help students, educators, and interested readers better understand the ongoing interplay between girls and mainstream culture.
The Victorian Girl and the Feminine Ideal by Deborah Gorham Pdf
In Victorian England, the perception of girlhood arose not in isolation, but as one manifestation of the prevailing conception of femininity. Examining the assumptions that underlay the education and upbringing of middle-class girls, this book is also a study of the learning of gender roles in theory and reality. It was originally published in 1982. The first two sections examine the image of women in the Victorian family, and the advice offered in printed sources on the rearing of daughters during the Victorian period. To illustrate the effect and evolution of feminine ideals over the Victorian period, the book’s final section presents the actual experiences of several middle-class Victorian women who represent three generations and range, socioeconomically, from lower-middle class through upper-middle class.
New Woman Hybridities by MARGARET BEETHAM,Ann Heilmann Pdf
This book explores the diversity of meanings ascribed to the turn-of-the-century New Woman in the context of cultural debates conducted within and across a wide range of national frameworks. Individual chapters by international scholars scrutinize the flow of ideas, images, and textual parameters of New Woman discourses in the UK, North America, Europe, and Japan, elucidating the national and ethnic hybridity of the 'modern woman' by locating this figure within both international consumer culture and feminist writing. The volume will be essential reading for advanced students and researchers of American Studies, Women's Studies, and Women's History.
" She was homely, overweight, and over the hill, but there was a time when Marie Dressler outdrew such cinema sex symbols as Garbo, Dietrich, and Harlow. To movie audiences suffering the hardships of the Great Depression, she was Everywoman, and in the early 1930s her charming mixture of pathos and comedy packed movie theaters everywhere. In the early days of the century, Dressler was constantly in the headlines. She took up the cause of the "ponies" in the chorus lines, earning them better pay and benefits. She played in productions organized to raise money for the women's suffrage movement. And during World War I she claimed she sold more liberty bonds than any other individual in the United States. Dressler was an astute observer of public mood and taste. When she was lucky enough to find work in the newly minted Hollywood talkies, she grabbed the brass ring with fierce enthusiasm, even making three films in the year before her death, when she was so sick she had to rest between scenes on a sofa just out of camera range. The two-hundred-pound actress's remarkable stage presence captivated audiences even though her roles were not Hollywood beauties. She played tough, practical characters such as the old wharf rat in Anna Christie (1930), the waterfront innkeeper in Min and Bill (1931) -- for which she won the Academy Award for best actress -- the aging housekeeper in Emma (1932), and the title role in Tugboat Annie (1933). She spoke honestly to her audiences, and troubled people in the comforting darkness of the Depression-era movie theaters embraced her as one of themselves.
Any girl who twists her hat will be fired! – Florenz Ziegfeld And no Ziegfeld girl ever did as she made her way down the gala stairways of the Ziegfeld Follies in some of the most astonishing spectacles the American theatergoing public ever witnessed. When Florenz Ziegfeld started in theater, it was flea circus, operetta and sideshow all rolled into one. When he left it, the glamorous world of "show-biz" had been created. Though many know him as the man who "glorified the American girl," his first real star attraction was the bodybuilder Eugen Sandow, who flexed his muscles and thrilled the society matrons who came backstage to squeeze his biceps. His lesson learned with Sandow, Ziegfeld went on to present Anna Held, the naughty French sensation, who became the first Mrs. Ziegfeld. He was one of the first impresarios to mix headliners of different ethnic backgrounds, and literally the earliest proponent of mixed-race casting. The stars he showcased and, in some cases, created have become legends: Billie Burke (who also became his wife), elfin Marilyn Miller, cowboy Will Rogers, Bert Williams, W. C. Fields, Eddie Cantor and, last but not least, neighborhood diva Fanny Brice. A man of voracious sexual appetites when it came to beautiful women, Ziegfeld knew what he wanted and what others would want as well. From that passion, the Ziegfeld Girl was born. Elaborately bejeweled, they wore little more than a smile as they glided through eye-popping tableaux that were the highlight of the Follies, presented almost every year from 1907 to 1931. Ziegfeld's reputation and power, however, went beyond the stage of the Follies as he produced a number of other musicals, among them the ground-breaking Show Boat. In Ziegfeld: The Man Who Created Show Business, Ethan Mordden recreates the lost world of the Follies, a place of long-vanished beauty masterminded by one of the most inventive, ruthless, street-smart and exacting men ever to fill a theatre on the Great White Way : Florenz Ziegfeld.