Characteristics Of Naturalism In Stephen Crane S Maggie A Girls Of The Streets
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Characteristics of Naturalism in Stephen Crane's "Maggie. A Girls of the Streets" by Andra Stefanescu Pdf
Essay from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 10, University of Bucharest (Faculty of Foreign Languages and Literatures), course: English Literature, language: English, abstract: This essay takes a closer look at characteristics of Naturalism in Stephen Crane’s "Maggie.A girl of the streets.".
Naturalism in Stephen Crane's 'Maggie - a Girl of the Streets' by Kristina Eichhorst Pdf
Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 2,0, Ernst Moritz Arndt University of Greifswald, language: English, abstract: When Mark Twain published his Adventures of Huckleberry Finn in 1884, it was seen as the most important representative of a new literary movement: the realistic literature. Though not everyone thought of the novel as a "masterpiece" from the beginning on, it became more popular and significant in the following decades. Ernest Hemingway even called it "the one book that all modern American literature comes from" (Bloom 2004:2). Taken at face value, this statement implies that also Stephen Crane's Maggie - A Girl of the Streets has been influenced by Twain's writing. Since both authors belong to the same period in American literature they naturally adopted literary styles, topics and devices that were typical for that era. Though both novels belong to the realistic period they vary in certain aspects. Unique to Crane's novel are the use of language and the determinism that accompanies the story. These aspects are the central subjects of this paper. It states that language, the characters and the aspect of determinism make Maggie a rather naturalistic than realistic novel. To understand the difference between both terms a review gives the characteristics of realism and separates naturalism as an independent literary form. The two main aspects that make Maggie a naturalistic novel are being examined separately afterwards. Here, the novel itself shall be the main source. At first, determinism is detected in the novel and it shall explain how the characters' fate is shaped throughout the story. Afterwards, aspects of naturalistic language and animal metaphors are examined. The conclusion gives a brief summary of the findings and offers further considerations on the topic and the novel.
Maggie, a Child of the Streets by Stephen Crane Pdf
Maggie is an astonishing novel of social realism, which parallels many of today's ills. Set in the urban squalor of New York in the 1890s, it follows the careers of the innocent Maggie and her brother Jimmie, children of brutal and drunken parents. It is a tour-de-force equal to The Red Badge of Courage.
Characterization Techniques and Naturalism in Stephen Crane`s "Maggie: A Girl of the Streets" by Maria Melanie Meyer Pdf
Essay from the year 2009 in the subject American Studies - Literature, grade: 1,3, University of Leipzig (Institut für Anglistik), course: Written Academic Discourse, language: English, abstract: Scholars classify Stephen Crane's novel Maggie: A Girl of the Streets as a "blend of realism and naturalism" (Keenan 937). Set in the Bowery district of 19th century Manhattan, it vividly conveys the poor living conditions of the lower classes. Due to rising immigration rates and urbanization during the so-called 'Gilded Age', the social character of New York had undergone dramatic transformations. Thus, the realistic description of the heroine's poor living conditions in Crane's Maggie serves as a vivid illustration of the urban 19th century "residential segregation according to [. . .] social class" (Shi and Tindall 780). Despite its evident realistic elements, Crane's novel cannot merely be categorized as a work of realism. In fact, the dominant techniques of characterization militate in favour of its categorization as a naturalistic novel rather than a realistic one.
Naturalism in Stephen Crane's 'Maggie – A Girl of the Streets': An examination of determinism and language by Kristina Eichhorst Pdf
Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 2,0, Ernst Moritz Arndt University of Greifswald, language: English, abstract: When Mark Twain published his Adventures of Huckleberry Finn in 1884, it was seen as the most important representative of a new literary movement: the realistic literature. Though not everyone thought of the novel as a “masterpiece” from the beginning on, it became more popular and significant in the following decades. Ernest Hemingway even called it “the one book that all modern American literature comes from” (Bloom 2004:2). Taken at face value, this statement implies that also Stephen Crane's Maggie – A Girl of the Streets has been influenced by Twain's writing. Since both authors belong to the same period in American literature they naturally adopted literary styles, topics and devices that were typical for that era. Though both novels belong to the realistic period they vary in certain aspects. Unique to Crane's novel are the use of language and the determinism that accompanies the story. These aspects are the central subjects of this paper. It states that language, the characters and the aspect of determinism make Maggie a rather naturalistic than realistic novel. To understand the difference between both terms a review gives the characteristics of realism and separates naturalism as an independent literary form. The two main aspects that make Maggie a naturalistic novel are being examined separately afterwards. Here, the novel itself shall be the main source. At first, determinism is detected in the novel and it shall explain how the characters' fate is shaped throughout the story. Afterwards, aspects of naturalistic language and animal metaphors are examined. The conclusion gives a brief summary of the findings and offers further considerations on the topic and the novel.
Maggie: A Girl of the Streets by Stephen Crane Pdf
Originally published under the pseudonym of Johnston Smith, this novella was Stephen Crane's first, large venture into the publishing world. Rejected by several publishing firms, Crane self-published this work. Although it wasn't received well by the public at the time, this early work of Crane is important in relation to his later notoriety as an author
Illusions and Dreams in Stephen Crane’s "Maggie a Girl of the Streets" as a Portrayal of the Romantic Idealism in Melodramas by Anonim Pdf
Seminar paper from the year 2016 in the subject American Studies - Literature, grade: 1,3, Johannes Gutenberg University Mainz, language: English, abstract: This term paper deals with the book "Maggie a Girl of the Streets" by Stephen Crane. In the middle of the 19th century a new type of literature emerged from the prior romanticist novellas. Authors wanted to present life more realistically than it had been portrayed before, separating from romanticist literature which to them did not seem to portray life in an adequate manner. Therefore, the concepts of "Realism" and "Naturalism" were introduced whose followers tried to portray life as it actually was. The book "Maggie a Girl of the Streets" by Stephen Crane is often considered a naturalist story which appears to fulfil the aspect of portraying life in a realistic way. It deals with the struggles of existence in lower class society, which is a typical feature of naturalist stories. However, Crane often confronts the reader with illusions and dreams of the characters in his book, which seems to contradict the notion of a realist story. Thus, it is questionable if Crane’s Maggie can really be considered a naturalist work. It is therefore interesting to find out what purpose the illusions and dreams in Crane’s book have, as it does not appear to be coincidental that they run throughout the whole story. Furthermore the question arises why "Maggie a Girl of the Streets" can nevertheless be considered a realist piece of work. This term paper argues that Crane uses the devices of illusions and ideals in Maggie as a medium to satirise the romantic melodrama along with its sentimentalism, since it strongly simplifies reality. By means of this thesis first Crane’s exaggerated descriptions of fighting scenes are portrayed, which shall serve as a proof for Crane’s melodramatic allusions, followed by Maggie’s blurred depiction of Pete as the ideal man. Finally it is illustrated how the theatre shows, which contain melodramatic elements, appear to work as a parallelism to Maggie’s story.
Maggie, a Girl of the Streets Illustrated by Stephen Crane Pdf
Stephen Crane's first novel, Maggie - A Girl of the Streets has been called "The first dark flower of American Naturalism" for its distinctive elements of naturalistic fiction. The chief character, Maggie, descends into prostitution after being led astray by her lover. Rather than focusing on those that make up the very rich or middle class, the novel highlights the deplorable living conditions of the working class during the so-called Gilded Age in New York's Bowery.
The Environment of Maggie in Crane's "Maggie: A Girl of the Streets" by Kim Vahnenbruck Pdf
Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Wuppertal, course: Hauptseminar - New York in American Literature, language: English, abstract: Stephen Crane published his first novel Maggie: A Girl of the Streets in March 1893 on his own expenses under the pseudonym "Johnston Smith". As a young author "who was yet to find a public he was cautious about immediately identifying himself with a work that he himself regarded as shocking" (Ziff x) because it tried "to show that environment is a tremendous thing [...] and frequently shapes lives regardless" (Sorrentino 82). That Maggie is one of the major works to criticize the environment of late 19th century New York City becomes obvious when the reader notices that the protagonist Maggie does neither occur in the first, nor in the last chapter of the novella. Looking more closely at the word "environment" itself one can observe that the term is ambiguous. On the surface the term seems to describe the external living conditions, namely where and under which circumstances the characters live. But it is not the life in the Bowery and the tenements Stephen Crane is referring to since Maggie does not die of starvation or diseases, but of the mental influences, such as the Church and the theater that constantly affect the people. Exactly this environment, Jacob Riis argues, "is indeed a 'tremendous thing in the world' and it frequently shapes the lives of children who grow up in it" (LaFrance 42). Nevertheless, the external living conditions determine the way people are and act. "Crane depicts the influence the city exerts upon the perception of reality of its inhabitants, and this perception differs very much already from one member of the Johnson family to the other" (Schaetzle 19). This is the reason for me to argue that the bad circumstances in the Bowery of New York City contribute to the decay of the moral values and shape lives, as well. T
Stephen Crane is widely recognized as a master of literary naturalism. His best-known works include the classic novel The Red Badge of Courage, the short stories "The Open Boat," "The Bride Comes to Yellow Sky," and "The Blue Hotel," and some of the nineteenth century's most innovative lyric poems. The essays gathered in this updated volume offer a wealth of critical information and analysis that speaks to Crane's relevance and far-ranging influence. Book jacket.
This carefully crafted ebook: " The Blue Hotel + The Bride Comes to Yellow Sky + The Open Boat (3 famous stories by Stephen Crane)" is formatted for your eReader with a functional and detailed table of contents. This omnibus contains the 3 famous stories by Stephen Crane: The Blue Hotel The Bride Comes to Yellow Sky The Open Boat Stephen Crane (1871-1900) was an American novelist, short-story writer, and poet who is often called the first modern American writer. Crane was a correspondent in the Greek-Turkish War and the Spanish American War, penning numerous articles, war reports and sketches.
Romantic Prose Fiction by Gerald Ernest Paul Gillespie,Manfred Engel,Bernard Dieterle Pdf
In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding truths by which to define the permanent meaning of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Maggie: A Girl of the Streets is an 1893 novella by American author Stephen Crane (1871-1900). The story centers on Maggie, a young girl from the Bowery who is driven to unfortunate circumstances by poverty and solitude. The work was considered risque by publishers because of its literary realism and strong themes. Crane - who was 22 years old at the time - financed the book's publication himself, although the original 1893 edition was printed under the pseudonym Johnston Smith. After the success of 1895's The Red Badge of Courage, Maggie was reissued in 1896 with considerable changes and re-writing."
