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Chiang Yee's account of London, first published in 1938, is original in more ways than one. Not only one of the first widely available books written by a Chinese author in English, it also reverses the conventions of travel writing. For here the "exotic" subject matter is none other than London and its people, quizzically observed as an alien culture by a foreign writer.
A young man arrives in England in the 1930s, knowing few words of the English language. Yet, two years later he writes a successful English book on Chinese art, and within the following decade publishes more than a dozen others. This is the true story of Chiang Yee, a renowned writer, artist, and worldwide traveler, best known for the Silent Traveller series--stories of England, the United States, Ireland, France, Japan, and Australia--all written in his humorous, delightfully refreshing, and enlightening literary style. This biography is more than a recounting of extraordinary accomplishments. It also embraces the transatlantic life experience of Yee who traveled from China to England and then on to the United States, where he taught at Columbia University, to his return to China in 1975, after a forty-two year absence. Interwoven is the history of the communist revolution in China; the battle to save England during World War II; the United States during the McCarthy red scare era; and, eventually, thawing Sino-American relations in the 1970s. Da Zheng uncovers Yee's encounters with racial exclusion and immigration laws, displacement, exile, and the pain and losses he endured hidden behind a popular public image.
Chiang Yee’s Chinese Calligraphy: An Introduction to Its Aesthetic and Technique remains the classic introduction to Chinese calligraphy. In eleven richly illustrated chapters, Chiang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measures the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers. In addition to aesthetic considerations, the text deals with more practical subjects such as the origin and construction of the Chinese characters, styles, technique, strokes, composition, training, and the relations between calligraphy and other forms of Chinese art. Chinese Calligraphy is a superb appreciation of beauty in the movement of strokes and in the patterns of structure—and an inspiration to amateurs as well as professionals interested in the decorative arts.
Author : Paul Bevan,Anne Witchard,Da Zheng Publisher : Hong Kong University Press Page : 438 pages File Size : 50,5 Mb Release : 2022-04-13 Category : History ISBN : 9789888754137
Chiang Yee and His Circle by Paul Bevan,Anne Witchard,Da Zheng Pdf
This book, Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930–1950, celebrates the life and work of Chiang Yee (1903–1977), a Chinese writer, poet, and painter who made his home in London, England during the 1930s and 1940s. It examines Chiang’s relationship with his circle of friends and colleagues in the English capital, and assesses the work he produced during his sojourn there. This edited volume, with contributions from eleven distinguished scholars, tells a story of a Chinese intellectual community in London that up to now has been largely overlooked. It portrays a dynamic picture of the London-based émigré life during the years that led up to the war and during the conflict that was the catalyst for many of them moving on. In addition, the book broadens our understanding of cultural interactions between China and the West in Hampstead, one of the most vibrant artistic communities in London. ‘The collected essays convey a striking portrait of a community of Chinese intellectuals in England during World War II and how it interacted with cultural elites in London and elsewhere both as artists and as anti-fascist activists. As a whole, the volume makes significant points about how people claim status as “authentic” interpreters of a cultural tradition, a process that can pit friends against each other.’ —Kristin Stapleton, The University at Buffalo, SUNY ‘In this delightful collection of essays, a team of experts in literature, history, and the arts bring to light a world of literary interconnectedness and wartime collaboration seldom explored in scholarship. The perfect resource for anyone who values the humanistic common ground between the East and the West.’ —Jenny H. Day, Skidmore College
In 1940 the Chinese writer Chiang Yee arrived in Oxford as a refugee from the London Blitz, his lodgings having been bombed. He came to Oxford, he writes, in rather a turmoil. What was meant to be a brief escape turned into a five-year stay, an affectionate relationship with the city, and the fifth in the hugely successful Silent Traveller series. Looking at the city and its historic university with the curiosity and openness of a complete stranger, Chiang Yee paints a revealing picture of Oxford's particular atmosphere, its rituals and traditions. He mixes with undergraduates and dons, visits pubs and restaurants, witnesses Union debates and punting on the river, all with a gentle astonishment and perceptive eye for detail. Chiang Yee explores the colleges and other student haunts, but also the city and its surrounds, from Port Meadow to Headington and Hinksey. First published in 1944, The Silent Traveller in Oxford evokes a wartime city of shortages and blackouts. It also captures an earlier age of university life, when students drank sherry and scaled college walls to escape prowling Bulldogs. Throughout Chiang Yee draws parallels between Oxford and his native China, compari
The Silent Traveller in Lakeland by Yee Chiang Pdf
Chiang Yee was exiled from his homeland of China for over 40 years, during which time he wrote and illustrated a number of travel classics. 'The Silent Traveller' series, which also includes titles on London and Edinburgh, began with this book about the Lake District.
The Silent Traveller Returns Distinguished author, artist, calligrapher, and poet Chiang Yee wrote and illustrated a dozen "Silent Traveller" books, from 1937-1972. The second to focus on an American city was The Silent Traveller in Boston, originally published in 1959. Long out-of-print, the book captures Mr. Chiang's quiet and observant views, a new take on an old city, from Beacon Hill to the Fenway, from Copley Square to Jamaica Pond. Mr. Chiang travels further afield to neighboring towns on Cape Cod & the Islands, as well as to Concord, Salem, Rockport, and Plymouth. Illustrated with 16 color and 60 black-and-white illustrations by Mr. Chaing, the book presents a city that is both fresh and familiar. The reader who knows all about Boston will find new charms; the reader who knows only a little will find an urbane guide with a warm regard for the traditional and a refreshing interest in the human side of the city's past and present. "This not-so-silent travel book is more than a pleasant guide for perceptive, leisurely tourists, more than an attractive piece of bookmaking; it is a guide to understanding." --The New York Times Book Review
From the Outer World by Oscar Handlin,Lilian Handlin Pdf
Oscar and Lilian Handlin show how the new voyagers in the twentieth century--from Asia, Africa, Australia, and Latin America--record their experiences in the United States. Many accounts are newly translated from Arabic, Persian, Hebrew, and Spanish, and include such authors as Rabindranath Tagore, V. S. Naipaul and Octavio Paz.
The Silent Traveller in San Francisco by Chiang Yee Pdf
The Silent Traveller Returns! Distinguished author, artist, calligrapher, and poet Chiang Yee wrote and illustrated a dozen "Silent Traveller" books, from 1937-1972. The last to focus on an American city was The Silent Traveller in San Francisco, originally published in 1964. Long out-of-print, the book reveals Mr. Chiang's special affection for a city whose fog-draped hills and winding streets recall for him the poetic beauty and mystery of his much loved Chinese landscape. From Market Street to the Golden Gate Bridge, Fisherman's Wharf to Telegraph Hill, Chinatown to Berkeley, Oakland, and the Napa Valley, Mr. Chiang always charms the reader with his quizzical, quiet observations which fuse the old with the new, the historical with the present. Illustrated with 16 color and 50 black-and-white illustrations by Mr. Chiang, the book presents a unique view of one of the world's most enchanting and picturesque cities.
A General Theory of Visual Culture by Whitney Davis Pdf
What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.
"For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303–361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today.A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607–1685). Because his work spans the late Ming–early Qing divide, it is an ideal prism through which to view the transformation in calligraphy.Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history."
