China S Literary And Cultural Scenes At The Turn Of The 21st Century

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China’s Literary and Cultural Scenes at the Turn of the 21st Century

Author : Jie Lu
Publisher : Routledge
Page : 397 pages
File Size : 50,5 Mb
Release : 2013-10-18
Category : Literary Criticism
ISBN : 9781317969730

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China’s Literary and Cultural Scenes at the Turn of the 21st Century by Jie Lu Pdf

China’s literary and cultural production at the turn of the twenty-first century is marked by heterogeneity, plurality, and diversity. Given its complexity, the literary/cultural production of this period perhaps can be understood most productively as a response to a global modernity that has touched and transformed all aspects of contemporary Chinese reality. The eleven essays in this book offer an introduction to some of the most important works published at the turn of the twenty-first century. In combining textual analysis of specific works with theoretical insights, and in locating the texts in their sociocultural and socioeconomic contexts, the essays explore key theoretical issues and intellectual concerns of the time. They collectively draw a broad contour of new developments, major trends, and radical changes, capturing the intellectual and cultural Zeitgeist of the age. All in all, these essays offer new theoretical approaches to, and critical perspectives on, contemporary Chinese literature and culture.

China and the West at the Crossroads

Author : Daiyun Yue
Publisher : Springer
Page : 388 pages
File Size : 41,7 Mb
Release : 2016-06-23
Category : Social Science
ISBN : 9789811011160

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China and the West at the Crossroads by Daiyun Yue Pdf

Beginning with a retrospective of the past century, this book offers a panoramic picture of Chinese comparative literature, from its nascence in the early 1920s, through its evolution in the 1980s, to the new development at the turn of the century, ending with a prospective look at the future of comparative literature in the 21st century. The articles presented here reveal the author’s deep understandings of the literature and culture of her own country and those of other countries. A rich array of case studies and in-depth theorizing make it an extremely interesting and enlightening read. Prof. Daiyun Yue is a prominent professor at Peking University and a leading figure in Chinese comparative literature. She has served as Head of the Institute for Comparative Literature and Cultural Studies, PKU (1984—1998) and the third president of the Chinese Comparative Literature Association (1989—2014). Further, she is the founder of Dialogue Transculturel, a much-acclaimed journal of comparative literature. Prof. Yue approaches outstanding literature as a bridge to link people of different cultural traditions: “The reason why interdisciplinary literary research between two alien cultures is possible is because dialog between alien cultures, along with exchange and understanding, is more readily realized through literature.” Herein lies the value of comparative literature.

A Companion to Modern Chinese Literature

Author : Yingjin Zhang
Publisher : John Wiley & Sons
Page : 592 pages
File Size : 45,7 Mb
Release : 2015-08-07
Category : Literary Criticism
ISBN : 9781118451618

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A Companion to Modern Chinese Literature by Yingjin Zhang Pdf

This wide-ranging Companion provides a vital overview of modern Chinese literature in different geopolitical areas, from the 1840s to now. It reviews major accomplishments of Chinese literary scholarship published in Chinese and English and brings attention to previously neglected, important areas. Offers the most thorough and concise coverage of modern Chinese literature to date, drawing attention to previously neglected areas such as late Qing, Sinophone, and ethnic minority literature Several chapters explore literature in relation to Sinophone geopolitics, regional culture, urban culture, visual culture, print media, and new media The introduction and two chapters furnish overviews of the institutional development of modern Chinese literature in Chinese and English scholarship since the mid-twentieth century Contributions from leading literary scholars in mainland China and Hong Kong add their voices to international scholarship

Chinese Films in Focus II

Author : Chris Berry
Publisher : Bloomsbury Publishing
Page : 760 pages
File Size : 51,8 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838714970

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Chinese Films in Focus II by Chris Berry Pdf

Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present. The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris Berry is Professor of Film and Television at Goldsmiths, University of London.

China and New Left Visions

Author : Jie Lu,Ban Wang
Publisher : Lexington Books
Page : 274 pages
File Size : 45,6 Mb
Release : 2012-07-20
Category : Political Science
ISBN : 9780739165188

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China and New Left Visions by Jie Lu,Ban Wang Pdf

Against the dire consequences of China’s market development, a new intellectual force of the New Left has come on the scene since the mid 1990s. New Left intellectuals debate the issues of social justice, distributive equality, markets, state intervention, the socialist legacy, and sustainable development. Against the neoliberal trends of free markets, liberal democracy, and consumerism, New Left critics launched a critique in hopes of seeking an alternative to global capitalism. This volume takes a comprehensive look at China’s New Left in intellectual, cultural, and literary manifestations. The writers place the New Left within a global anti-hegemonic movement and the legacy of the Cold War. They discover grassroots literature that portrays the plight and resilience of the downtrodden and disadvantaged. With historical visions the writers also shed light on the present by drawing on the socialist past.

Transpacific Literary and Cultural Connections

Author : Jie Lu,Martín Camps
Publisher : Springer Nature
Page : 269 pages
File Size : 45,6 Mb
Release : 2020-11-11
Category : Social Science
ISBN : 9783030557737

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Transpacific Literary and Cultural Connections by Jie Lu,Martín Camps Pdf

This critical interdisciplinary volume investigates modern and contemporary Asian cultural products in the non-westernized transpacific context of Asian and Latin American intellectual and cultural connections. It focuses on the Latin American intellectual, literary, and cultural influences on Asia, which have long been overshadowed by the dominance of Europe/North America-oriented discourse and by the predominance of academic research by both Asian and western intellectuals that focuses only on the West. Moving beyond the western intellectual paradigm, the volume examines how Asian literature, films, and art interact with Latin American literature and ideas to reexamine, reconsider, and re-explore issues related to the two regions' historical traumas, cultural identities, indigenous/vernacular traditions, and peripheral global-ness. The volume argues that Asian and Latin American literary and cultural endeavors are part of these regions' broader efforts to search for the forms of modernity that best fit their unique sociohistorical and sociocultural conditions.

Cinema, Space, and Polylocality in a Globalizing China

Author : Yingjin Zhang
Publisher : University of Hawaii Press
Page : 274 pages
File Size : 51,7 Mb
Release : 2009-10-09
Category : Political Science
ISBN : 9780824837709

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Cinema, Space, and Polylocality in a Globalizing China by Yingjin Zhang Pdf

In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism. The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics. Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture.

Culture and Social Transformations in Reform Era China

Author : Tian Yu Cao,Xueping Zhong,Liao Kebin
Publisher : BRILL
Page : 459 pages
File Size : 54,7 Mb
Release : 2010-05-31
Category : Social Science
ISBN : 9789047428619

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Culture and Social Transformations in Reform Era China by Tian Yu Cao,Xueping Zhong,Liao Kebin Pdf

Leading scholars examine the interplay between the ideological reorientation and radical social changes in contemporary China in terms of the interpretation, appropriation and mobilization of three major cultural resources (traditional, May Fourth, and socialist) by various social groups.

Uneven Modernity

Author : Haomin Gong
Publisher : University of Hawaii Press
Page : 201 pages
File Size : 44,5 Mb
Release : 2011-12-31
Category : Literary Criticism
ISBN : 9780824860400

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Uneven Modernity by Haomin Gong Pdf

Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. Haomin Gong’s dynamic study of these paradoxes, or “unevenness,” provides a unique and seminal approach to contemporary China. Reading unevenness as a problem and an opportunity simultaneously, Gong investigates how this dialectical social situation shapes cultural production. He begins his investigation of “uneven modernity” in China by constructing a critical framework of unevenness among different theoretical schools and expounding on how dialectical thinking points to a metaphysical paradox in capitalism and modernity: the inevitable tension between a constant pursuit of infinite fullness and a break of fullness (unevenness) as the means of this pursuit. In the Chinese context, this paradox is created in the “uneven developmentalism” that most manifestly characterizes the postsocialist period. Gong goes on to investigate manifestations of the dialectics of unevenness in specific cultural events. Four case studies address respectively but not exclusively literature (the prose of Yu Qiuyu), popular fiction (Chi Li’s neorealist fiction), commercial cinema (the movies of Feng Xiaogang), and art-house cinema (Wang Xiaoshuai’s filmmaking). Representing different aspects of cultural production in postsocialist China, these writers and directors deal with the same social condition of uneven development, and their works clearly exhibit the problematics of this age. Uneven Modernity makes a significant contribution to the burgeoning field of China studies as well as the study of uneven development in general. It addresses some of the most popular, yet understudied, cultural phenomena in contemporary China. Specialists and students will find its insights admirable and its style accessible.

The Chinese Cinema Book

Author : Song Hwee Lim,Julian Ward
Publisher : Bloomsbury Publishing
Page : 336 pages
File Size : 53,6 Mb
Release : 2020-04-30
Category : Performing Arts
ISBN : 9781911239550

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The Chinese Cinema Book by Song Hwee Lim,Julian Ward Pdf

This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.

Martial Arts as Embodied Knowledge

Author : D. S. Farrer,John Whalen-Bridge
Publisher : State University of New York Press
Page : 265 pages
File Size : 47,5 Mb
Release : 2011-12-01
Category : Sports & Recreation
ISBN : 9781438439686

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Martial Arts as Embodied Knowledge by D. S. Farrer,John Whalen-Bridge Pdf

This landmark work provides a wide-ranging scholarly consideration of the traditional Asian martial arts. Most of the contributors to the volume are practitioners of the martial arts, and all are keenly aware that these traditions now exist in a transnational context. The book's cutting-edge research includes ethnography and approaches from film, literature, performance, and theater studies. Three central aspects emerge from this book: martial arts as embodied fantasy, as a culturally embedded form of self-cultivation, and as a continuous process of identity formation. Contributors explore several popular and highbrow cultural considerations, including the career of Bruce Lee, Chinese wuxia films, and Don DeLillo's novel Running Dog. Ethnographies explored describe how the social body trains in martial arts and how martial arts are constructed in transnational training. Ultimately, this academic study of martial arts offers a focal point for new understandings of cultural and social beliefs and of practice and agency.

The Oxford Handbook of Chinese Cinemas

Author : Carlos Rojas,Eileen Chow
Publisher : Oxford University Press
Page : 792 pages
File Size : 41,5 Mb
Release : 2013-03-13
Category : Performing Arts
ISBN : 9780199988440

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The Oxford Handbook of Chinese Cinemas by Carlos Rojas,Eileen Chow Pdf

What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity -- all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.

The Chinese Novel at the Turn of the Century

Author : Milena Dolezelova-Velingerova
Publisher : University of Toronto Press
Page : 128 pages
File Size : 55,6 Mb
Release : 1980-12-15
Category : Literary Criticism
ISBN : 9781442638334

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The Chinese Novel at the Turn of the Century by Milena Dolezelova-Velingerova Pdf

This collection of essays reveals the dynamic role of the late Qing novel in the process of modernization of Chinese fiction. Substantial changes in various aspects of the Chinese novel at the turn of the century, demonstrated by structural analyses of several representative novels, suggest that the evolution of modern Chinese fiction was a more complex process than a simple imitation of Western literatures. The results challenge the scholarly consensus that modern Chinese fiction resulted from a radical change brought about by the May Fourth Movement in 1919. It is demonstrated rather that the transformation had already begun in the first decade of the twentieth century and that the conspicuous changes in Chinese fiction of the 1920s represent a culmination rather than a beginning of the modern evolutionary process. The book consists of nine studies which analyse the late Qing novel in its general and specific aspects. The introduction and first essay explain how social changes conditioned cultural and literary changes during the period and how the resultant new theory of fiction generated new concepts of a politically engaged novel. The two following studies develop a general statement of narrative structures and devices, derived from structural analyses of seven outstanding late Qing novels. The last six articles examine particular novels in detail, focusing on the specific fictional techniques which predominate in each. This is the first volume in a new series, Modern East Asian Studies.

Ecoambiguity

Author : Karen Thornber
Publisher : University of Michigan Press
Page : 703 pages
File Size : 54,5 Mb
Release : 2012-03-02
Category : Literary Criticism
ISBN : 9780472118069

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Ecoambiguity by Karen Thornber Pdf

Delving into the complex, contradictory relationships between humans and the environment in Asian literatures