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Dramatic new retellings of Celtic poetry’s great lyrics and legends Cinderbiter collects tales and poems originally composed and performed centuries ago in Ireland, Scotland, and Wales, when notions of history and authorship were indistinguishable from the oral traditions of myth and storytelling. In the spirit of recasting these legends and voices for new audiences, celebrated mythologist and storyteller Martin Shaw and award-winning poet Tony Hoagland have created extraordinary new versions of these bardic lyrics, folkloric sagas, and heroes’ journeys, as they have never been rendered before. In long, shaggy tales of the unlikely ascensions of previously unknown heroes such as Cinderbiter, in the shrouded origin stories of figures such as Arthur and Merlin, and in anonymous flickering lyrics of elegy, praise, and heartbreak, these poems retain at once the rapturous, supernatural imagination of the deep past layered with an austere, devout allegiance to the Christian faith. Shaw and Hoagland’s collaboration summons the power within this storehouse of the Celtic mind to arrive at this rare book—distinctive, audacious, and tuned to our time and condition with a convincing resonance.
Dramatic new retellings of Celtic poetry’s great lyrics and legends Cinderbiter collects tales and poems originally composed and performed centuries ago in Ireland, Scotland, and Wales, when notions of history and authorship were indistinguishable from the oral traditions of myth and storytelling. In the spirit of recasting these legends and voices for new audiences, celebrated mythologist and storyteller Martin Shaw and award-winning poet Tony Hoagland have created extraordinary new versions of these bardic lyrics, folkloric sagas, and heroes’ journeys, as they have never been rendered before. In long, shaggy tales of the unlikely ascensions of previously unknown heroes such as Cinderbiter, in the shrouded origin stories of figures such as Arthur and Merlin, and in anonymous flickering lyrics of elegy, praise, and heartbreak, these poems retain at once the rapturous, supernatural imagination of the deep past layered with an austere, devout allegiance to the Christian faith. Shaw and Hoagland’s collaboration summons the power within this storehouse of the Celtic mind to arrive at this rare book—distinctive, audacious, and tuned to our time and condition with a convincing resonance.
"Myth is our wild way of telling the truth, of sharing stories that have our living earth speaking through them. There is an old insistence that we each have a twin we know nothing about. A wild, curious twin that was thrown out the window the night we were born, taking much of our energy with them. This story is a quest to find and court our wild twin, for they have something important to tell us. If there was something we were here to do in our few, brief years, we can be sure that the wild twin is holding the key. In Courting the Wild Twin, Martin Shaw, an accomplished storyteller and scholar of myth and oral tradition, explores two ancient myths concerned with the wild twin and shares how vital they are to our ability to confront challenges with purpose, courage and creativity. Myths are our secret weapon. They have a radical agency of beauty in our age of amnesia, an agency far beyond concept and polemic"--
"With potent, lyrical language and a profound knowledge of storytelling, Shaw encourages and illuminates the mythic in our own lives. He is a modern-day bard." – Madeline Miller, author of Circe and The Song of Achilles At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide. More Praise: "I can still remember the first time I heard Martin Shaw tell a story. The tale that emerged was like a living thing, bounding around, throwing itself at us there listening. I had never heard anything like it before." – Paul Kingsnorth, Booker shortlisted author of The Wake "Martin Shaw’s work is so very beautiful. A new animal. His love of images is deep and contagious." – Coleman Barks, author of The Essential Rumi "Through feral tales and poetic exegesis, Martin Shaw makes you re-see the world, as a place of adventure, and of initiation, as perfect home, and as perfectly other. What a gift." – David Keenan, author of Xstabeth "Shaw has so much wisdom and knowledge about the old stories, it emanates from his pores." – John Densmore, The Doors
“If you’ve got a good idea, and you know it’s going to work, go ahead and do it.” The inspiring story of Grace Hopper—the boundary-breaking woman who revolutionized computer science—is told told in an engaging picture book biography. Who was Grace Hopper? A software tester, workplace jester, cherished mentor, ace inventor, avid reader, naval leader—AND rule breaker, chance taker, and troublemaker. Acclaimed picture book author Laurie Wallmark (Ada Byron Lovelace and the Thinking Machine) once again tells the riveting story of a trailblazing woman. Grace Hopper coined the term “computer bug” and taught computers to “speak English.” Throughout her life, Hopper succeeded in doing what no one had ever done before. Delighting in difficult ideas and in defying expectations, the insatiably curious Hopper truly was “Amazing Grace” . . . and a role model for science- and math-minded girls and boys. With a wealth of witty quotes, and richly detailed illustrations, this book brings Hopper's incredible accomplishments to life.
A Branch from the Lightning Tree by Martin Shaw Pdf
A BRANCH FROM THE LIGHTNING TREE is centered around several key elements: 1. It features four texts and commentaries ? Welsh, Russian, Siberian and Norwegian myths that explore the process of leaving what is considered safe and predictable and journeying out into wild, uncertain areas of nature and the psyche in search of new insights. The four stories have at their center a man, woman, and adolescent. 2. A narrative of why the author gave up a large musical publishing deal with Warner Brothers to spend four years living in a tent in the wilds and over a decade facilitating wilderness rites-of-passage for others. 3. Shaw's eloquent insistence that without a renewed attention to myth and the initiation process we are only partially equipped to reestablish a complementary relationship with the living world. 4. The core of these stories are paradoxical in nature, far from the clumsily perceived ?hero' myths, and point towards Trickster, or Coyote, as a way of existing in a world ambivalent to the insights of what you could call traditional knowledge. A BRANCH FROM THE LIGHTNING TREE is unique in the field of myth and ritual in several ways: 1. It carries an ?in-the-field' narrative of several hundred men and women who have gone out into wild places to fast for four days and nights. Not in the Amazon, or in Mongolia, but in a place that is indigenous to them, that grounds the experience in the wider context of their lives, rather than a one-off event that can be hard to reconnect with. This is part of a growing mood to get to the bones of initiatory experience, rather than the cultural affectations. The stories illustrate both the grandeur and struggle of this often subtle process. 2. Unlike many of the big mythological sellers (i.e Bly's IRON JOHN or Pinkola Estes WOMEN WHO RUN WITH WOLVES), A BRANCH FROM THE LIGHTNING TREE is not a gender piece, but focuses on both men and women's movement into wildness as part of the bigger awareness of climate change and ecology. It presents the old stories as keys into any debate on these issues, that the ability to think metaphorically/mythologically loosens the grip of literalness, and can ?re-enchant' our perspectives. 3. As a wilderness teacher Shaw has noticed that the real point of crisis that is emerging is the return to community, rather than the time out in the wild. This is turning of rites-of-passage on its head: Shaw reasons that the rites-of-passage process requires three stages following an initial Call to the Soul: (i) Going out of the Village, and the severance from ordinary life and the stepping into the image-laden language of myth, story, ritual; (ii) Into the Forest, baring the soul to extraordinary forces, receiving the sacred wound, bonding with the living world; (iii) And Back Again, return to community, the performance of identity, and the confirmation in and of the Soul. A BRANCH FROM THE LIGHTNING TREE invokes Robert Graves work on the White Goddess, and the Crow poems of Ted Hughes-it is a combination of practical knowledge, imaginative insight and passionate storytelling that gives Shaw's book its persuasiveness and power. At times incantatory, at times novelistic and poetic, he writes as someone who has been to these places, undergone these trials and tested himself at the extremes of lived experience.
In this intellectually and politically potent new book, Martin Shaw proposes a way through the confusion surrounding the idea of genocide. He considers the origins and development of the concept and its relationships to other forms of political violence. Offering a radical critique of the existing literature on genocide, Shaw argues that what distinguishes genocide from more legitimate warfare is that the enemies targeted are groups and individuals of a civilian character. He vividly illustrates his argument from a wide range of historical episodes, and shows how the question 'What is genocide?' matters politically whenever populations are threatened by violence. This compelling book will undoubtedly open up vigorous debate, appealing to students and scholars across the social sciences and in law. Shaw's arguments will be of lasting importance.
“Revelatory to young audiences in more ways than one.” —Kirkus “Many STEM-for-girls biographies fan excitement over women’s achievements, but this title actually brings the central scientific concept within middle-grade reach.” —The Bulletin of the Center for Children’s Books Movie star by day, ace inventor at night: learn about the hidden life of actress Hedy Lamarr! To her adoring public, Hedy Lamarr was a glamorous movie star, widely considered the most beautiful woman in the world. But in private, she was something more: a brilliant inventor. And for many years only her closest friends knew her secret. Now Laurie Wallmark and Katy Wu, who collaborated on Sterling’s critically acclaimed picture-book biography Grace Hopper: Queen of Computer Code, tell the inspiring story of how, during World War Two, Lamarr developed a groundbreaking communications system that still remains essential to the security of today’s technology.
A stunning debut picture book that encourages kids to look beyond first impressions by sharing unexpected details about seemingly scary wild animals like gorillas, rhinoceroses, and more. This nonfiction picture book is an excellent choice to share during homeschooling, in particular for children ages 4 to 6. It's a fun way to learn to read and as a supplement for activity books for children. Spiders are creepy. Porcupines are scary. Bats are ugly. Or are they...? This captivating book invites you to learn more about awe-inspiring animals in the wild. After all, it's best not to judge a beast until you understand its full, lovely life. Includes backmatter with additional reading suggestions.
The story of a boy and his imaginary friend—told by the imaginary friend Zach should’ve outgrown his imaginary friend by now. He knows this. He’s 11, long past the days when kids are supposed to go on epic make-believe adventures with their invisible friends. But after the death of his father five years ago, all Zach wanted was an escape from the real world. So his imaginary friend, Shovel, hasn’t faded away like the other kids’ have. Their imaginary friendship grew stronger. But now Zach’s in middle school, and things are getting awkward. His best friend ditched him for a cooler crowd. His classmates tease him in the hallways. He still misses his dad. Reality is the worst. Which is why Zach makes regular visits to a fantasy world with Shovel. But is Zach’s overactive imagination helping him deal with loss or just pushing people away? Poignant, humorous, and breathtaking, Imaginary is an inventive story of friendship, loss, and growing up . . . as only an imaginary friend could tell it.
In Snowy Tower, Dr. Martin Shaw continues his trilogy of works on the relationship between myth, wilderness, and a culture of wildness. In this second book, he gives a telling of the Grail epic Parzival. Claiming it as a great trickster story of medieval Europe, he offers a deft and erudite commentary, with topics ranging from climate change and the soul to the discipline of erotic consciousness, from the hallucination of empire to a revisioning of the dark speech of the ancient bards. Ingrained in the very syntax of Snowy Tower is an invocation of what Shaw calls 'wild mythologies' -- stories that are more than just human allegory, that seem to brush the winged thinking of owl, stream, and open moor. This daring work offers a connection to the genius of the margins; that the big questions of today will not be solved by big answers, but by the myriad of associations that both myth and wilderness offer.
The Viking king Authun leads his men on a raid against an Anglo-Saxon village. Men and women are killed indiscriminately, but Authun demands that no child be touched. He is acting on prophecy—a prophecy which tells him that the Saxons have stolen a child from the gods. If Authun, in turn, takes the child and raises him as an heir, the child will lead his people to glory. But Authun discovers not one child, but twin baby boys. After ensuring that his faithful warriors, witnesses to what has happened, die during the raid, Authun takes the children and their mother home, back to the witches who live on the troll wall. And he places his destiny in their hands. So begins a stunning multivolume fantasy epic that will take a werewolf from his beginnings as the heir to a brutal Viking king down through the ages. It is a journey that will see him hunt for his lost love through centuries and lives, and see the endless battle between the wolf, Odin, and Loki, the eternal trickster, spill over into countless bloody conflicts from our history and our lives. This is the myth of the werewolf as it has never been told before and marks the beginning of an extraordinary new fantasy series. From the Trade Paperback edition.
Author : Arthur W. Frank Publisher : University of Chicago Press Page : 223 pages File Size : 41,7 Mb Release : 1997-05-15 Category : Health & Fitness ISBN : 9780226259932
Ill people are more than victims of disease or patients of medicine; they are wounded storytellers, Frank argues. People tell stories to make sense of their suffering; when they turn their diseases into stories, they find healing. Drawing on the work of authors such as Oliver Sacks, Anatole Broyard, Norman Cousins, and Audre Lorde, as well as on the stories of people he has met during years spent among different illness groups, Frank recounts a stirring collection of illness narratives, ranging from the well-known - Gilda Radner's battle with ovarian cancer - to the private testimonials of people with cancer, chronic fatigue syndrome, and disabilities. Their stories are more than accounts of personal suffering: they abound with moral choices and point to a social ethic. Frank identifies three basic narratives of illness - stories of restitution, chaos, and quest. Restitution narratives anticipate getting well and give prominence to the technology of cure. In chaos narratives, illness seems to stretch on forever, with no respite or redeeming insights. Quest narratives are about finding that illness can be transformed into a means for the ill person to become someone new. Understanding these three narrative types helps us to hear the ill, but ultimately illness stories are more. Frank presents these stories as a form of testimony: the ill person is more than a survivor; she is a witness. Schooled in a "pedagogy of suffering", the ill person reaches out to others, offering a truth about living. The truth is a starting point for a "narrative ethics", as private experiences become public voices. Wounded storytellers teach more than a new way to understand illness; they exemplify an emergingethic of postmodern times.
A Hut at the Edge of the Village by John Moriarty Pdf
A Hut at the Edge of the Village presents a collection of Moriarty’s writings ordered thematically, with sections ranging from place, love and wildness through to voyaging, ceremony and the legitimacy of sorrow. These carefully chosen extracts are supported by an introduction by Martin Shaw and a foreword by Tommy Tiernan, a long-time admirer of Moriarty’s work.