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Author : Joseba Gabilondo
Publisher : Unknown
Page : 492 pages
File Size : 54,8 Mb
Release : 1991
Category : Motion pictures
ISBN : UCSD:31822007654973
Author : P. Buse,A. Stott
Publisher : Springer
Page : 268 pages
File Size : 44,5 Mb
Release : 1999-01-28
Category : Literary Criticism
ISBN : 9780230374812
Did you know that the father of psychoanalysis believed in ghosts, or that Frederick Engels attended seances? Ghosts: Deconstruction, Psychoanalysis, History is the first collection of theoretical essays to evaluate these facts and consider the importance of the metaphor of haunting as it has appeared in literature, culture, and philosophy. Haunting is considered as both a literal and figurative term that encapsulates social anxieties and concerns. The collection includes discussions of nineteenth-century spiritualism, gothic and postcolonial ghost stories, and popular film, with essays on important theoretical writers including Freud, Derrida, Adorno, and Walter Benjamin.
Author : Mandy Merck
Publisher : NYU Press
Page : 253 pages
File Size : 42,7 Mb
Release : 2000-10
Category : Psychology
ISBN : 9780814756393
At a time when "sexy" can be an adjective for anything, when sexual awareness is declared to be advancing faster in months than in the past half century, and when pundits warn of sexual overload, the actual representation of sex is still deemed confrontational, aggressive, "in your face." While critics accuse the academy of an obsession with sexuality, they also complain that nothing that appears to refer to sex really does. In readings ranging across film, drama, opera, fine art, and critical theory, Mandy Merck considers these phenomena as well as the role of the dog in anti-porn propaganda, the unacknowledged significance of the lesbian hand, and the early retirement of the phallus. Other topics include the relationship of women's tennis and prostitution, the gendering of the wild and the tame in the age of AIDS, and the sexlessness of postmodern criticism. In Your Face ends with the face and its alleged desecration by fellatio. Germaine Greer's condemnation of Bill Clinton for "fucking the faces of little girls" is examined in the light of one of Monica Lewinsky's endearments for the President--"fuckface." In a country whose last great Presidential scandal revolved around a key witness known only as "Deep Throat" and whose current Chief Executive works in the "Oral Office," giving head is going down in history. Analyzing the strange relationship of Linda Lovelace, Camille Paglia, and Paul de Man, In Your Face concludes by considering desire and disgust in high and low places.
Author : Robert Brent Toplin
Publisher : Unknown
Page : 368 pages
File Size : 53,9 Mb
Release : 2000
Category : Performing Arts
ISBN : UOM:39015042872260
Challenging audiences and critics alike, the films of Oliver Stone have compelled many viewers to re-examine some of their most revered beliefs about America's past. Stone has generated enormous controversy and debate among those who take issue with his dramatic use of history. This book brings Stone face to face with some of his most thoughtful critics and supporters and allows him room to respond to their views. Writers including David Halberstam, Stephen Ambrose, Arthur Schlesinger Jr, Walter LaFeber and Robert Rosenstone critique Stone's most contested films to show how they may distort, amplify or transcend the historical realities they appear to depict.
Author : Greg Bird,Giovanbattista Tusa
Publisher : MIT Press
Page : 515 pages
File Size : 53,6 Mb
Release : 2023-12-05
Category : Philosophy
ISBN : 9780262544337
A ground-breaking anthology that places dispositifs (“apparatuses”) at the center of contemporary thought. Dispositif is one of the most prevalent yet elusive terms in contemporary thought. This comprehensive anthology brings together formative, seminal, and contemporary texts and visual applications to illuminate how central dispositifs are to contemporary theory. Greg Bird and Giovanbattista Tusa’s selection and placement of critical texts invite readers to explore common themes and genealogies, different interpretations and readings, and their diverse deployments across multiple disciplines and genres by such figures as Karl Marx, Franz Kafka, Judith Butler, Martin Heidegger, Gilbert Simondon, Michel Foucault, Edward Said, Jasbir Puar, Donna Haraway, Giorgio Agamben, Jacques Derrida, Tiqqun, Claire Fontaine, and many others. Dispositif: A Cartography is a true toolbox for the development of technological ecology thinking that accounts for situated knowledge. This collection provides coordinates for reorienting oneself in a permanently changing world, offering possible roadmaps for navigating these profoundly uncertain times. More than just a compilation of interventions on the dispositif, this volume acts as a guide for understanding the complex interaction between technology, philosophy, and the languages of the arts and media.
Author : Donna J. Haraway,Thyrza Goodeve
Publisher : Routledge
Page : 374 pages
File Size : 53,6 Mb
Release : 2018-06-27
Category : Art
ISBN : 9781351399234
One of the founders of the posthumanities, Donna J. Haraway is professor in the History of Consciousness program at the University of California, Santa Cruz. Author of many books and widely read essays, including the now-classic essay "The Cyborg Manifesto," she received the J.D. Bernal Prize in 2000, a lifetime achievement award from the Society for Social Studies in Science. Thyrza Nicholas Goodeve is a professor of Art History at the School of Visual Arts.
Author : Rosa Barba
Publisher : Hatje Cantz Verlag
Page : 162 pages
File Size : 43,8 Mb
Release : 2021-12-08
Category : Art
ISBN : 9783775750295
This publication engages with a futuristic progressive vision on the condition of cinema. By questioning and analyzing cinema's past and present industry with respect to various forms of staging from the perspective of artistic practice and research, a new space beyond is formulated. The author takes on a journey to reveal an imaginary—astronomical—political trope on and through what can be called the cinema of the present.
Author : Randy Laist
Publisher : Bloomsbury Publishing USA
Page : 267 pages
File Size : 46,7 Mb
Release : 2015-03-26
Category : Performing Arts
ISBN : 9781628920819
Hyperreality is an Alice-in-Wonderland dimension where copies have no originals, simulation is more real than reality, and living dreams undermine the barriers between imagination and objective experience. The most prominent philosopher of the hyperreal, Jean Baudrillard, formulated his concept of hyperreality throughout the 1980s, but it was not until the 1990s that the end of the Cold War, along with the proliferation of new reality-bending technologies, made hyperreality seem to come true. In the “lost decade” between the fall of the Berlin Wall and 9/11, the nature of reality itself became a source of uncertainty, a psychic condition that has been recognizably recorded by that seismograph of American consciousness, Hollywood cinema. The auteur cinema of the 1970s aimed for gritty realism, and the most prominent feature of Reagan-era cinema was its fantastic unrealism. Clinton-era cinema, however, is characterized by a prevailing mood of hyperrealism, communicated in various ways by such benchmark films as JFK, Pulp Fiction, and The Matrix. The hyperreal cinema of the 1990s conceives of the movie screen as neither a window on a preexisting social reality (realism), nor as a wormhole into a fantastic dream-dimension (escapism), but as an arena in which images and reality exchange masks, blend into one another, and challenge the philosophical premises which differentiate them from one another. Cinema of Simulation: Hyperreal Hollywood in the Long 1990s provides a guided tour through the anxieties and fantasies, reciprocally social and cinematic, which characterize the surreal territory of the hyperreal.
Author : Poshek Fu,David Desser
Publisher : Cambridge University Press
Page : 356 pages
File Size : 42,6 Mb
Release : 2002-03-25
Category : Performing Arts
ISBN : 0521776023
This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.
Author : Laurence A. Rickels
Publisher : punctum books
Page : 255 pages
File Size : 51,9 Mb
Release : 2020
Category : Psychology
ISBN : 9781950192922
Critique of Fantasy, Vol. 1: Between a Crypt and a Date Mark addresses both the style or genre of fantasy and the mental faculty, long the hot property of philosophical ethics. Freud passed it along in his 1907 essay on the poetics of daydreaming when he addressed omnipotent wish fantasy as the source and resource of the aspirations and resolutions of art, which, however, the artwork can never look back at or acknowledge. By grounding his genre in the one fantasy that is true, the Gospel, J.R.R. Tolkien obviated and made obvious the ethical mandate of fantasy's restraining order.With George Lucas's Star Wars we entered the borderlands of the fantasy and science fiction genres, a zone resulting from and staggering a contest, which Tolkien inaugurated in the 1930s. The history of this contested borderland marks changes that arose in expectation of what the new media held in store, changes realized (but outside the box of what had been projected) upon the arrival of the unanticipated digital relation, which at last seemed to award the fantasy genre the contest prize.Freud's notion of the Zeitmarke (datemark), the indelible impress of the present moment that triggered the daydream that denies it, already introduced the import of fantasy's historicization. Science fiction won a second prize that keeps it in the running. No longer bound to projecting the future, the former calling which in light of digitization it flunked, science fiction becomes allegorical and reading in the ruins of its failed predictions illuminates all the date marks and crypts hiding out in the borderlands it traverses with fantasy. To motivate the import of an evolving science fiction genre, Critique of Fantasy makes Gotthard Günther's reflections in the 1950s on American science fiction - as heralding a new metaphysics and a new planetary going on interstellar civilization - a mainstay of its cultural anthropology with B-genres.===After thirty years teaching at the University of California, Santa Barbara, in 2011 Laurence A. Rickels accepted a professorship in art and theory at the Staatliche Akademie der Bildenden Künste, Karlsruhe and taught there as successor to Klaus Theweleit until 2017. During 2018 Rickels was Eberhard Berent Visiting Professor and Distinguished Writer at New York University, and he continues to offer seminars in media and philosophy at the European Graduate School (Saas Fee, Switzerland and Malta) where he holds the Sigmund Freud Chair. Rickels is the author of Aberrations of Mourning (Minnesota, 1988), The Case of California (Minnesota, 1991), The Vampire Lectures (Minnesota, 1999), Nazi Psychoanalysis (Minnesota, 2002), The Devil Notebooks (Minnesota, 2008), Ulrike Ottinger: The Autobiography of Art Cinema (Minnesota, 2008), I Think I Am: Philip K. Dick (Minnesota, 2010), SPECTRE (Anti-Oedipus, 2013), Germany: A Science Fiction (Anti-Oedipus, 2014), and The Psycho Records (Columbia, 2016).
Author : Robert John Rehak
Publisher : NYU Press
Page : 240 pages
File Size : 42,9 Mb
Release : 2018-03-13
Category : Business & Economics
ISBN : 9781479813155
Introduction: Seeing past the state of the art -- That which survives: design networks and blueprint culture between fandom and franchise -- Used universes and immaculate realities: appropriation and authorship in the age of previz -- Chains of evidence: augmented performance before and after the digital -- Microgenres in migration: special effects and transmedia travel -- Conclusion: The effects of special effects.
Author : John McLeod
Publisher : Psychology Press
Page : 221 pages
File Size : 40,5 Mb
Release : 2004
Category : Authors, Commonwealth
ISBN : 9780415344609
This superb study explores the imaginative transformation of the city by African, Asian, Caribbean and South Pacific writers since the 1950s.
Author : Johan Andersson,Lawrence Webb
Publisher : Bloomsbury Publishing
Page : 402 pages
File Size : 54,5 Mb
Release : 2019-06-27
Category : Performing Arts
ISBN : 9781350115620
How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).
Author : David Clarke
Publisher : Routledge
Page : 264 pages
File Size : 49,7 Mb
Release : 2005-08-19
Category : Art
ISBN : 9781134797974
The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others. The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film. Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik
Author : George W.S. Trow
Publisher : Vintage
Page : 314 pages
File Size : 49,6 Mb
Release : 2010-10-20
Category : Social Science
ISBN : 9780307766984
In My Pilgrim's Progress, George W. S. Trow gives us a brilliantly original and provocative look at what's happened to America in our time -- a guided tour of the media, the politics, and the personalities of the last half-century by one of our most persuasive social critics. This new book by the author of Within the Context of No Context might be subtitled "A son of Roosevelt reads newspapers, goes to the movies, watches television, and tells us how 1950 got to be 1998." Trow takes 1950 as the year the Old World gave way to the New: Winston Churchill had just been named The Man of the Half-Century by Time magazine; George Bernard Shaw was still alive, and so was William Randolph Hearst. But before the next half-decade was out, the world represented by these powerful old men had disappeared. To illustrate his points, Trow takes the reader on a roller-coaster ride through the New York Times of February 1950, from the thundering front pages where the terror of the H-bomb is making its first appearance to the early, sketchy, amateur television listings. He finds a piece of Television Personality Reportage in the paper -- a kind of proto-People magazine profile -- of the TV "hostess" and "guest" Faye Emerson, and notes: "As to World War II, the Germans lost, and Faye Emerson won." The son of a tabloid journalist from an old New York brownstone family, Trow was brought up in the Deepest Roosevelt Aesthetic -- half FDR and half Walter Winchell. But he soon succumbed to the spell of Dwight David Eisenhower and the extraordinary/ordinary qualities of Ike's era. It is the thrust of Trow's book that both the Roosevelt authority and the Ike decencies are completely gone -- and where are they now that we need them more than ever?