Classical Hollywood Film Cycles

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Classical Hollywood Film Cycles

Author : Zoe Wallin
Publisher : Routledge
Page : 378 pages
File Size : 41,7 Mb
Release : 2019-03-07
Category : Social Science
ISBN : 9780429534546

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Classical Hollywood Film Cycles by Zoe Wallin Pdf

This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles. By foregrounding patterns of distribution, spaces of exhibition, and modes of consumption as key components of the form and mechanics of cycles, this book develops a methodology for defining cycles based on an analysis of the industry and trade discourse. Applying her unique framework to six case studies of different cycles, Zoe Wallin blends a wide range of historical sources to analyze the many cultural, social, political, aesthetic, and industrial contexts relevant to these films. This book makes an important contribution to the literature in the area of film historiography, and will be of interest to any scholars of film studies, history and media studies.

The Classical Hollywood Cinema

Author : David Bordwell,Janet Staiger,Kristin Thompson
Publisher : Routledge
Page : 791 pages
File Size : 53,7 Mb
Release : 2003-09-02
Category : Performing Arts
ISBN : 9781134988099

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The Classical Hollywood Cinema by David Bordwell,Janet Staiger,Kristin Thompson Pdf

'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.

Neo-Noir as Post-Classical Hollywood Cinema

Author : Robert Arnett
Publisher : Springer Nature
Page : 208 pages
File Size : 51,5 Mb
Release : 2020-08-31
Category : Performing Arts
ISBN : 9783030436681

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Neo-Noir as Post-Classical Hollywood Cinema by Robert Arnett Pdf

Neo-Noir as Post-Classical Hollywood Cinema suggests the terms “noir” and “neo-noir” have been rendered almost meaningless by overuse. The book seeks to re-establish a purpose for neo-noir films and re-consider the organization of 60 years of neo-noir films. Using the notion of post-classical, the book establishes how neo-noir breaks into many movements, some based on time and others based on thematic similarities. The combined movements then form a mosaic of neo-noir. The time-based movements examine Transitional Noir (1960s-early 1970s), Hollywood Renaissance Noir in the 1970s, Eighties Noir, Nineties Noir, and Digital Noir of the 2000s. The thematic movements explore Nostalgia Noir, Hybrid Noir, and Remake and Homage Noir. Academics as well as film buffs will find this book appealing as it deconstructs popular films and places them within new contexts.

American Film Cycles

Author : Amanda Ann Klein
Publisher : University of Texas Press
Page : 256 pages
File Size : 49,5 Mb
Release : 2011-12-01
Category : Performing Arts
ISBN : 9780292742758

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American Film Cycles by Amanda Ann Klein Pdf

A series of movies that share images, characters, settings, plots, or themes, film cycles have been an industrial strategy since the beginning of cinema. While some have viewed them as "subgenres," mini-genres, or nascent film genres, Amanda Ann Klein argues that film cycles are an entity in their own right and a subject worthy of their own study. She posits that film cycles retain the marks of their historical, economic, and generic contexts and therefore can reveal much about the state of contemporary politics, prevalent social ideologies, aesthetic trends, popular desires, and anxieties. American Film Cycles presents a series of case studies of successful film cycles, including the melodramatic gangster films of the 1920s, the 1930s Dead End Kids cycle, the 1950s juvenile delinquent teenpic cycle, and the 1990s ghetto action cycle. Klein situates these films in several historical trajectories—the Progressive movement of the 1910s and 1920s, the beginnings of America's involvement in World War II, the "birth" of the teenager in the 1950s, and the drug and gangbanger crises of the early 1990s. She shows how filmmakers, audiences, film reviewers, advertisements, and cultural discourses interact with and have an impact on the film texts. Her findings illustrate the utility of the film cycle in broadening our understanding of established film genres, articulating and building upon beliefs about contemporary social problems, shaping and disseminating deviant subcultures, and exploiting and reflecting upon racial and political upheaval.

Cycling and Cinema

Author : Bruce Bennett
Publisher : MIT Press
Page : 234 pages
File Size : 50,5 Mb
Release : 2019-04-30
Category : Performing Arts
ISBN : 9781906897994

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Cycling and Cinema by Bruce Bennett Pdf

A unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films. Cycling and Cinema explores the history of the bicycle in cinema from the late nineteenth century through to the present day. In this new book from Goldsmiths Press, Bruce Bennett examines a wide variety of films from around the world, ranging from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films, to consider the complex, shifting cultural significance of the bicycle. The bicycle is an everyday technology, but in examining the ways in which bicycles are used in films, Bennett reveals the rich social and cultural importance of this apparently unremarkable machine. The cinematic bicycles discussed in this book have various functions. They are the source of absurd comedy in silent films, and the vehicles that allow their owners to work in sports films and social realist cinema. They are a means of independence and escape for children in melodramas and kids' films, and the tools that offer political agency and freedom to women, as depicted in films from around the world. In recounting the cinematic history of the bicycle, Bennett reminds us that this machine is not just a practical means of transport or a child's toy, but the vehicle for a wide range of meanings concerning individual identity, social class, nationhood and belonging, family, gender, and sexuality and pleasure. As this book shows, two hundred years on from its invention, the bicycle is a revolutionary technology that retains the power to transform the world.

New Wave, New Hollywood

Author : Nathan Abrams,Gregory Frame
Publisher : Bloomsbury Publishing USA
Page : 270 pages
File Size : 54,8 Mb
Release : 2021-09-23
Category : Performing Arts
ISBN : 9781501360398

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New Wave, New Hollywood by Nathan Abrams,Gregory Frame Pdf

As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven's Gate, it produced films that continue to be watched, discussed, analysed and poured over. It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the 'New Wave proper'. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the 'legacy' of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of 'New Wave, New Hollywood', and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.

Classic Hollywood

Author : Veronica Pravadelli
Publisher : University of Illinois Press
Page : 248 pages
File Size : 42,9 Mb
Release : 2015-01-30
Category : Performing Arts
ISBN : 9780252096730

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Classic Hollywood by Veronica Pravadelli Pdf

Studies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films. Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency.

Projecting the World

Author : Russell Meeuf,Anna Cooper
Publisher : Wayne State University Press
Page : 272 pages
File Size : 41,5 Mb
Release : 2017-06-05
Category : Art
ISBN : 9780814343074

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Projecting the World by Russell Meeuf,Anna Cooper Pdf

Discussion of international culture and politics in Hollywood films from the mid-1930s to 1960s.

The Last Great American Picture Show

Author : Alexander Horwath,Thomas Elsaesser,Noel King
Publisher : Amsterdam University Press
Page : 410 pages
File Size : 40,8 Mb
Release : 2004
Category : Performing Arts
ISBN : 9053564934

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The Last Great American Picture Show by Alexander Horwath,Thomas Elsaesser,Noel King Pdf

This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah.

Cycling and Cinema

Author : Bruce Bennett
Publisher : MIT Press
Page : 234 pages
File Size : 52,6 Mb
Release : 2019-04-30
Category : Performing Arts
ISBN : 9781912685035

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Cycling and Cinema by Bruce Bennett Pdf

A unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films. Cycling and Cinema explores the history of the bicycle in cinema from the late nineteenth century through to the present day. In this new book from Goldsmiths Press, Bruce Bennett examines a wide variety of films from around the world, ranging from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films, to consider the complex, shifting cultural significance of the bicycle. The bicycle is an everyday technology, but in examining the ways in which bicycles are used in films, Bennett reveals the rich social and cultural importance of this apparently unremarkable machine. The cinematic bicycles discussed in this book have various functions. They are the source of absurd comedy in silent films, and the vehicles that allow their owners to work in sports films and social realist cinema. They are a means of independence and escape for children in melodramas and kids' films, and the tools that offer political agency and freedom to women, as depicted in films from around the world. In recounting the cinematic history of the bicycle, Bennett reminds us that this machine is not just a practical means of transport or a child's toy, but the vehicle for a wide range of meanings concerning individual identity, social class, nationhood and belonging, family, gender, and sexuality and pleasure. As this book shows, two hundred years on from its invention, the bicycle is a revolutionary technology that retains the power to transform the world.

The Classical Hollywood Reader

Author : Stephen Neale
Publisher : Routledge
Page : 484 pages
File Size : 51,5 Mb
Release : 2012
Category : Performing Arts
ISBN : 9780415576727

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The Classical Hollywood Reader by Stephen Neale Pdf

First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

The 1990s Teen Horror Cycle

Author : Alexandra West
Publisher : McFarland
Page : 196 pages
File Size : 54,8 Mb
Release : 2018-05-25
Category : Performing Arts
ISBN : 9781476670645

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The 1990s Teen Horror Cycle by Alexandra West Pdf

Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).

American Disaster Movies of the 1970s

Author : Scott Freer
Publisher : Bloomsbury Publishing USA
Page : 273 pages
File Size : 42,8 Mb
Release : 2023-10-19
Category : Performing Arts
ISBN : 9781501336843

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American Disaster Movies of the 1970s by Scott Freer Pdf

American Disaster Movies of the 1970s is the first scholarly book dedicated to the disaster cycle that dominated American cinema and television in the 1970s. Through examining films such as Airport (1970), The Poseidon Adventure (1972), Two-Minute Warning (1976) and The Swarm (1978), alongside their historical contexts and American contemporaneous trends, the disaster cycle is treated as a time-bound phenomenon. This book further contextualises the cycle by drawing on the longer cultural history of modernist reactions to modern anxieties, including the widespread dependence on technology and corporate power. Each chapter considers cinematic precursors, such as the 'ark movie', and contemporaneous trends, such as New Hollywood, vigilante and blaxploitation films, as well as the immediate American context: the end of the civil rights and countercultural era, the Watergate crisis, and the defeat in Vietnam.As Scott Freer argues, the disaster movie is a modern, demotic form of tragedy that satisfies a taste for the macabre. It is also an aesthetic means for processing painful truths, and many of the dramatized themes anticipate present-day monstrosities of modernity.

A Certain Tendency of the Hollywood Cinema, 1930-1980

Author : Robert B. Ray
Publisher : Princeton University Press
Page : 422 pages
File Size : 55,5 Mb
Release : 2020-07-21
Category : Performing Arts
ISBN : 9780691216164

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A Certain Tendency of the Hollywood Cinema, 1930-1980 by Robert B. Ray Pdf

Robert B. Ray examines the ideology of the most enduringly popular cinema in the world--the Hollywood movie. Aided by 364 frame enlargements, he describes the development of that historically overdetermined form, giving close readings of five typical instances: Casablanca, It's a Wonderful Life, The Man Who Shot Liberty Valance, The Godfather, and Taxi Driver. Like the heroes of these movies, American filmmaking has avoided commitment, in both plot and technique. Instead of choosing left or right, avant-garde or tradition, American cinema tries to have it both ways. Although Hollywood's commercial success has led the world audience to equate the American cinema with film itself, Hollywood filmmaking is a particular strategy designed to respond to specific historical situations. As an art restricted in theoretical scope but rich in individual variations, the American cinema poses the most interesting question of popular culture: Do dissident forms have any chance of remaining free of a mass medium seeking to co-opt them?

Postmodern Chick Flicks

Author : R. Garrett
Publisher : Springer
Page : 232 pages
File Size : 51,5 Mb
Release : 2007-04-12
Category : Performing Arts
ISBN : 9780230801523

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Postmodern Chick Flicks by R. Garrett Pdf

In this extensive analysis of the renewed popularity of the 'woman's film' in the 1990s, Roberta Garrett examines melodrama, romantic comedy, costume drama and female-led noirs , revealing the way they blend classical and contemporary themes and formal devices.