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After her marriage fails and she loses her home and custody of her children, Barb Barrett moves into Vladimir Nabokov's old house, discovering what could be his last unpublished manuscript and embarking on a journey toward redemption.
One of the best-loved of Nabokov’s novels, Pnin features his funniest and most heart-rending character. Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity. “Fun and satire are just the beginning of the rewards of this novel. Generous, bewildered Pnin, that most kindly and impractical of men, wins our affection and respect.” —Chicago Tribune Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunder-standings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator. Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct.
New and Experimental Approaches to Writing Lives by Jo Parnell Pdf
With recent advances in digital technology, a number of exciting and innovative approaches to writing lives have emerged, from graphic memoirs to blogs and other visual-verbal-virtual texts. This edited collection is a timely study of new approaches to writing lives, including literary docu-memoir, autobiographical cartography, social media life writing and autobiographical writing for children. Combining literary theory with insightful critical approaches, each essay offers a serious study of innovative forms of life writing, with a view to reflecting on best practice and offering the reader practical guidance on methods and techniques. Offering a range of practical exercises and an insight into cutting-edge literary methodologies, this is an inspiring and thought-provoking companion for students of literature and creative writing studying courses on life writing, memoir or creative non-fiction.
An Oprah Magazine Editors' Pick and Publishers Weekly Best of the Season It’s the summer of 1982 in Blacksburg, Virginia—seven years after the suspicious death of a son and sibling—and the Sobel family is hungry. Francie dresses in tennis skirts and ankle socks and weighs her grams of allotted carrots and iceberg lettuce. Her semi-estranged husband Tate prefers a packed fridge and hidden doughnuts. Daughters Enid, ten, and Vivvy, almost thirteen, are subtler versions of their parents, measuring their summer vacation by meals had or meals skipped. But at summer’s end, secrets both old and new emerge and Francie disappears, leaving the family teetering on the brink. Told from alternating points of view by the four living Sobels, Pretend We Are Lovely is a sharp and darkly funny story of forgiveness, family secrets, and the losses we inherit. At its core is the ever-complicated and deeply-devoted bond of sisterhood as the girls, left mostly to their own devices, must navigate their way through middle school, find comfort in each other, and learn the difference between food and nourishment.
Britannica Book of the Year 2012 by Encyclopaedia Britannica, Inc. Pdf
The Britannica Book of the Year 2012 provides a valuable viewpoint of the people and events that shaped the year and serves as a great reference source for the latest news on the ever changing populations, governments, and economies throughout the world. It is an accurate and comprehensive reference that you will reach for again and again.
WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • NEW YORK TIMES BESTSELLER • From the award–winning author of The Revolutionary and The Witches comes “an elegantly nuanced portrait of [Vladimir Nabokov’s] wife, showing us just how pivotal Nabokov’s marriage was to his hermetic existence and how it indelibly shaped his work.”—Michiko Kakutani, The New York Times ONE OF ESQUIRE’S 50 BEST BIOGRAPHIES OF ALL TIME “Monumental.”—The Boston Globe “Utterly romantic.”—New York magazine “Deeply moving.”—The Seattle Times Stacy Schiff brings to shimmering life one of the greatest literary love stories of our time: Vladimir Nabokov, émigré author of Lolita; Pale Fire; and Speak, Memory, and his beloved wife, Véra. Nabokov wrote his books first for himself, second for his wife, and third for no one at all. “Without my wife,” he once noted, “I wouldn’t have written a single novel.” Set in prewar Europe and postwar America, spanning much of the twentieth century, the story of the Nabokovs’ fifty-two-year marriage reads as vividly as a novel. Véra, both beautiful and brilliant, is its outsized heroine—a woman who loves as deeply and intelligently as did the great romantic heroines of Austen and Tolstoy. Stacy Schiff's Véra is a triumph of the biographical form.
A bold new vision of the modern English novel The leading critic Francis Mulhern uncovers a hidden history in the fiction of the past century, identifying a central new genre: the condition of culture novel. Reading across and against the grain of received patterns of literary association, tracing a line from Hardy and Forster, through Woolf, Waugh and Bowen, to Barstow, Fowles, Rendell, Naipaul, Amis, Kureishi and Smith, he elucidates the recurring topics and narrative logics of the genre, showing how culture emerges as a special ground of social conflict, above all between classes. The narrative evaluations of culture’s ends—the aspirations and the destinies of those whose lives are the subject of these novels—grow steadily darker over time, and the writing itself grows more introverted. A concluding discussion elicits the characteristics of the English condition of culture novel, in an international setting, and closes in, finally, on the central conundrum of the genre: its uncanny reprise, in its own plane, of the historical arc of the modern labour movement in Britain, from its beginnings in the late nineteenth century through its post-war heyday to the seemingly inexorable decline of recent decades.
NabokovÕs Cinematic Afterlife by Ewa Mazierska Pdf
This book offers critical studies of films that adapted works by Vladimir Nabokov. One of the most screened twentieth century authors (with over ten books adapted for cinema), his works are full of quirky and forbidden romance, and his writing is renowned for its cinematic qualities (e.g., frames, stage directions, and descriptions suggesting specific camera positions and movements). Films discussed include Lolita (both Kubrick’s 1962 and Lyne’s 1997 versions), Richardson’s Laughter in the Dark (1969), Skolimowski’s King, Queen, Knave (1972), Fassbinder’s Despair (1978), Foulon’s Mademoiselle O (1994), Kuik’s An Affair of Honor (1999), Gorris’ The Luzhin Defence (2000), and Rohmer’s The Triple Agent (2004). A final chapter discusses similarities between Nabokov and Jean-Luc Godard.
Molly Giles's engaging collection of stories was the winner not only of the Flannery O'Connor Award for Short Fiction but also of the 1985 San Francisco Bay Area Book Reviewers Association (BABRA) Award for Fiction and the 1986 Boston Globe Fiction Award. Many of the stories in Rough Translations have been anthologized and adapted for radio performance. A master of the complexities of language, Molly Giles writes of the missed connections in life and of the rough translations that we employ when we try to convey, through words and gestures, what we are thinking and what we want from our loved ones.
A timely and captivating novel about a mother whose life spirals out of control when she descends into alcoholism, and her battle to get sober and regain custody of her beloved son. Cadence didn’t sit down one night and decide that downing two bottles of wine was a brilliant idea. Her drinking snuck up on her—as a way to sleep, to help her relax after a long day, to relieve some of the stress of the painful divorce that’s left her struggling to make ends meet with her five-year old son, Charlie. It wasn’t always like this. Just a few years ago, Cadence seemed to have it all—a successful husband, an adorable son, and a promising career as a freelance journalist. But with the demise of her marriage, her carefully constructed life begins to spiral out of control. Suddenly she is all alone trying to juggle the demands of work and motherhood. Logically, Cadence knows that she is drinking too much, and every day begins with renewed promises to herself that she will stop. But within a few hours, driven by something she doesn’t understand, she is reaching for the bottle—even when it means not playing with her son because she is too tired, or dropping him off at preschool late, again. And even when one calamitous night it means leaving him alone to pick up more wine at the grocery store. It’s only when her ex-husband shows up at her door to take Charlie away that Cadence realizes her best kept secret has been discovered…. Heartbreaking, haunting, and ultimately life-affirming, Best Kept Secret is more than just the story of Cadence—it’s a story of how the secrets we hold closest are the ones that can most tear us apart.
"[A] stunning, multilayered debut . . . . with a great deal of intelligent, beautifully written panache. . . . What a satisfying novel, with its shifting perspectives and competing stories and notion that our relationship to the truth changes with time and distance." -The New York Times A fiercely imagined fiction debut in which two young women face what happened the summer they were twelve, when a handsome stranger abducted them Everyone thought we were dead. We were missing for nearly two months; we were twelve. What else could they think? -Lois It's always been hard to talk about what happened without sounding all melodramatic. . . . Actually, I haven't mentioned it for years, not to a goddamned person. -Carly May The summer precocious Lois and pretty Carly May were twelve years old, they were kidnapped, driven across the country, and held in a cabin in the woods for two months by a charismatic stranger. Nearly twenty years later, Lois has become a professor, teaching British literature at a small college in upstate New York, and Carly May is an actress in Los Angeles, drinking too much and struggling to revive her career. When a movie with a shockingly familiar plot draws the two women together once more, they must face the public exposure of their secret history and confront the dark longings and unspeakable truths that haunt them still. Maggie Mitchell's Pretty Is beautifully defies ripped-from-the-headlines crime story expectations and announces the debut of a masterful new storytelling talent.
Attending a New England summer camp as an adolescent, young Erik Schroder - a first generation East German immigrant - adopts a new name and a new persona - Eric Kennedy - in the hopes that it will help him fit in. This fateful white lie will set him on an improbable and ultimately tragic course. Schroder relates the story of Eric's urgent escape years later through the New England countryside with his six-year-old daughter, Meadow, in an attempt to outrun the authorities amidst a heated custody battle with his wife, who will soon discover that her husband is not who he says he is. From a correctional facility, Eric surveys the course of his life in order to understand - and maybe even explain - his behaviour; the painful separation from his mother in childhood; a harrowing escape to America with his taciturn father; a romance that withered under a shadow of lies; and his proudest moments and greatest regrets as a flawed but loving father.
In this collection of interviews, articles, and editorials, Nabokov ranges over his life, art, education, politics, literature, movies, and modern times, among other subjects. Strong Opinions offers his trenchant, witty, and always engaging views on everything from the Russian Revolution to the correct pronunciation of Lolita.
The letters of the great writer to his wife—gathered here for the first time—chronicle a decades-long love story and document anew the creative energies of an artist who was always at work. No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight in life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra form a narrative arc that tells a half-century-long love story, one that is playful, romantic, pithy and memorable. At the same time, the letters tell us much about the man and the writer. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, the landscapes and cityscapes he encountered—and learn of the poems, plays, stories, novels, memoirs, screenplays and translations on which he worked ceaselessly. This delicious volume contains twenty-one photographs, as well as facsimiles of the letters themselves and the puzzles and doodles Vladimir often sent to Véra.