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Coco Through the Looking Glass by Marie-Claire Patron Pdf
Coco is a vivacious and enthusiastic romantic on a determined search for the one true love of her life. At about two times the age of a regular princess (or even more), she fearlessly pursues her fairy-tale ending by embracing the paradoxes and age-defying opportunities offered by the modern age. Bolstered by the notions that fifty is the new forty and divorced is the new single, she ventures into the medium of the internet, a space where all things old are excitingly renewed to search for the one. The fairyland of online dating proves to be populated by characters very much akin to those found in fairy tales of old. There are some trolls and other downright dastardly types and others of beastly appearance who turn out to be kindly. There are also some wily witches who try to trap and ensnare. Fortunately, the fairy godmothers (BFFs) mentored Coco through the Black Forest. So will she find the dashing Prince Charming and live happily ever after? Read on and see!
In Intercultural Mirrors: Dynamic Reconstruction of Identity, the authors suggest that the view of us held by culturally different people provides an essential key to self-understanding and identity remodelling. The book aims at analysing intercultural experiences on a deeper level.
“Beautifully written and refreshingly original . . . makes us see [Paris] in a different light.”—San Francisco Chronicle Book Review Swapping his native San Francisco for the City of Light, travel writer David Downie arrived in Paris in 1986 on a one-way ticket, his head full of romantic notions. Curiosity and the legs of a cross-country runner propelled him daily from an unheated, seventh-floor walk-up garret near the Champs-Elysées to the old Montmartre haunts of the doomed painter Modigliani, the tombs of Père-Lachaise cemetery, the luxuriant alleys of the Luxembourg Gardens and the aristocratic Île Saint-Louis midstream in the Seine. Downie wound up living in the chic Marais district, married to the Paris-born American photographer Alison Harris, an equally incurable walker and chronicler. Ten books and a quarter-century later, he still spends several hours every day rambling through Paris, and writing about the city he loves. An irreverent, witty romp featuring thirty-one short prose sketches of people, places and daily life, Paris, Paris: Journey into the City of Light ranges from the glamorous to the least-known corners and characters of the world’s favorite city. Photographs by Alison Harris. Praise for Paris, Paris “I loved his collection of essays and anyone who’s visited Paris in the past, or plans to visit in the future, will be equally charmed as well.”—David Lebovitz, author of The Sweet Life in Paris “[A] quirky, personal, independent view of the city, its history and its people”—Mavis Gallant “Gives fresh poetic insight into the city . . . a voyage into ‘the bends and recesses, the jagged edges, the secret interiors’ [of Paris].”—Departures
Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll Pdf
First published in 1865, Alice’s Adventures in Wonderland began as a story told to Alice Liddell and her two sisters on a boating trip in July 1862. The novel follows Alice down a rabbit-hole and into a world of strange and wonderful characters who constantly turn everything upside down with their mind-boggling logic, word play, and fantastic parodies. The sequel, Through the Looking-Glass and What Alice Found There, was published in 1871, and was both a popular success and appreciated by critics for its wit and philosophical sophistication. Along with both novels and the original Tenniel illustrations, this edition includes Carroll’s earlier story Alice’s Adventures Under Ground. Appendices include Carroll’s photographs of the Liddell sisters, materials on film and television adaptations, selections from other “looking-glass” books for children, and “The Wasp in a Wig,” an originally deleted section of Through the Looking-Glass.
Ariosto in the Machine Age by Alessandro Giammei Pdf
Ariosto in the Machine Age reveals how the most influential poet of the Renaissance was conjured or appropriated to shape Magical Realism, avant-garde painting, Fascist cultural propaganda, and cinema in modern Italy between the birth of Futurism and the end of the Second World War. Based on substantial archival findings, bold iconographic hypotheses, and novel interpretations of literary texts, the book proposes a new account of Italy’s twentieth-century culture through a unique take on Ludovico Ariosto’s early modern poetics and legacy. Starting from the unexpected passéism of Futurists visiting Ferrara on the eve of the First World War, it rereads the development of Giorgio de Chirico’s Metaphysical art and Massimo Bontempelli’s Realismo Magico. The book reconstructs the multimedia archive of the Fascist initiatives for the 1933 centennial anniversary of Ariosto’s death, and then focuses on the passage between Fascist cinema and the birth of neorealism, unearthing unfinished adaptations of the Orlando Furioso by Luchino Visconti and Alessandro Blasetti. Questioning the very concept of reception, this radically interdisciplinary book warns twenty-first-century readers about the risks of monumentalizing the "great authors" of the past.
NATIONAL BESTSELLER Certain lives are at once so exceptional, and yet so in step with their historical moments, that they illuminate cultural forces far beyond the scope of a single person. Such is the case with Coco Chanel, whose life offers one of the most fascinating tales of the twentieth century—throwing into dramatic relief an era of war, fashion, ardent nationalism, and earth-shaking change—here brilliantly treated, for the first time, with wide-ranging and incisive historical scrutiny. Coco Chanel transformed forever the way women dressed. Her influence remains so pervasive that to this day we can see her afterimage a dozen times while just walking down a single street: in all the little black dresses, flat shoes, costume jewelry, cardigan sweaters, and tortoiseshell eyeglasses on women of every age and background. A bottle of Chanel No. 5 perfume is sold every three seconds. Arguably, no other individual has had a deeper impact on the visual aesthetic of the world. But how did a poor orphan become a global icon of both luxury and everyday style? How did she develop such vast, undying influence? And what does our ongoing love of all things Chanel tell us about ourselves? These are the mysteries that Rhonda K. Garelick unravels in Mademoiselle. Raised in rural poverty and orphaned early, the young Chanel supported herself as best she could. Then, as an uneducated nineteen-year-old café singer, she attracted the attention of a wealthy and powerful admirer and parlayed his support into her own hat design business. For the rest of Chanel’s life, the professional, personal, and political were interwoven; her lovers included diplomat Boy Capel; composer Igor Stravinsky; Romanov heir Grand Duke Dmitri; Hugh Grosvenor, the Duke of Westminster; poet Pierre Reverdy; a Nazi officer; and several women as well. For all that, she was profoundly alone, her romantic life relentlessly plagued by abandonment and tragedy. Chanel’s ambitions and accomplishments were unparalleled. Her hat shop evolved into a clothing empire. She became a noted theatrical and film costume designer, collaborating with the likes of Pablo Picasso, Jean Cocteau, and Luchino Visconti. The genius of Coco Chanel, Garelick shows, lay in the way she absorbed the zeitgeist, reflecting it back to the world in her designs and in what Garelick calls “wearable personality”—the irresistible and contagious style infused with both world history and Chanel’s nearly unbelievable life saga. By age forty, Chanel had become a multimillionaire and a household name, and her Chanel Corporation is still the highest-earning privately owned luxury goods manufacturer in the world. In Mademoiselle, Garelick delivers the most probing, well-researched, and insightful biography to date on this seemingly familiar but endlessly surprising figure—a work that is truly both a heady intellectual study and a literary page-turner. Praise for Mademoiselle “A detailed, wry and nuanced portrait of a complicated woman that leaves the reader in a state of utterly satisfying confusion—blissfully mesmerized and confounded by the reality of the human spirit.”—The Washington Post “Writing an exhaustive biography of Chanel is a challenge comparable to racing a four-horse chariot. . . . This makes the assured confidence with which Garelick tells her story all the more remarkable.”—The New York Review of Books “Broadly focused and beautifully written.”—The Wall Street Journal
A young widow, Alice Aron arrives on a Mediterranean island with her two young sons to visit her husband's birthplace. The place is sun-drenched and barren, its people poor, subdued by corruption, longing for independence that will not come, regarding everyone with suspicion and resentment. This is no island paradise. Within hours Alice's seven year old, Sam has disappeared. No-one admits to knowing anything. The authorities are inert and impotent, except for the unpopular detective Antoine Stuart, whose main drive to find the child seems to be his obsessive desire to nail the criminal Coco Santini, a man who is a model of violence and intimidation but against whom there is not a shred of evidence.Rumours spread that The Movement, idealistic freedom fighters turned amoral racketeers, are responsible for the abduction; or maybe Italian gangsters. In a small place ruled by ancient enmities hiding a child can be dangerous. Someone will test a loyalty too far. Lost is a riveting, tense thriller peopled with unforgettable characters in a place that comes to life before us.
Writing as a competitive athlete, an academic, and a woman, Leslie Heywood merges personal history and scholarship to expose the "anorexic logic" that underlies Western high culture. She maneuvers deftly across the terrain of modern literature, illustrating how this logic—the privileging of mind over body, of hard over soft, of masculine over feminine—is at the heart of the modernist style. Her argument ranges from Plato to women's bodybuilding, from Franz Kafka to Nike ads. In penetrating examinations of Kafka, Pound, Eliot, William Carlos Williams, and Conrad, Heywood demonstrates how the anorexic aesthetic is embodied in high modernism. In a compelling chapter on Jean Rhys, Heywood portrays an author who struggles to develop a clean, spare, "anorexic" style in the midst of a shatteringly messy emotional life. As Heywood points out, students are trained in the aesthetic of high modernism, and academics are pressured into its straitjacket. The resulting complications are reflected in structures as diverse as gender identity formation, sexual harassment, and eating disorders. Direct, engaging, and intensely informed by the author's personal involvement with her subject, Dedication to Hunger offers a powerful challenge to cultural assumptions about language, gender, subjectivity, and identity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
Rewriting/Reprising in Literature by Claude Maisonnat,Josiane Paccaud-Huguet,Annie Ramel Pdf
This volumes includes a series of 17 selected essays, preceded by a methodological introduction, whose purpose is to offer a fresh outlook on the question of rewriting-reprising. The argument, taking for granted the phenomenon of intertextuality, develops along three main axes: the first one reconsiders the already debated issue of authority on post-structuralist premises, arguing that the origin of a text is untraceable. The second looks at a phenomenon often associated with reprising, especially in a post-colonial context: trauma, whether individual or historical, in relation to creative repetition. The third axis offers a re-reading of the question of voice, introducing the notion of the textual voice, understood as that part of the enunciative act over which the author has no control. When writers make of reprising a deliberate practise, we are tempted to believe that their position, between homage and pillage, presupposes the existence of a traceable source of the literary Word. We must however face the problematic nature of enunciation, the void on which is is founded. Which leads us to the proposition that the act of reprising is a creation ex nihilo: a certain mode of organisation around that void. Besides, in a century of major man-made traumas, whose effect was the tearing up of social fabrics, reprising will assume a more complex significance: the symptomatic, repetitive stitching of what is being constantly ripped up.
The Politics of Translation in International Relations by Zeynep Gulsah Capan,Filipe dos Reis,Maj Grasten Pdf
This volume concerns the role and nature of translation in global politics. Through the establishment of trade routes, the encounter with the ‘New World’, and the circulation of concepts and norms across global space, meaning making and social connections have unfolded through practices of translating. While translation is core to international relations it has been relatively neglected in the discipline of International Relations. The Politics of Translation in International Relations remedies this neglect to suggest an understanding of translation that transcends language to encompass a broad range of recurrent social and political practices. The volume provides a wide variety of case studies, including financial regulation, gender training programs, and grassroot movements. Contributors situate the politics of translation in the theoretical and methodological landscape of International Relations, encompassing feminist theory, de- and post-colonial theory, hermeneutics, post-structuralism, critical constructivism, semiotics, conceptual history, actor-network theory and translation studies. The Politics of Translation in International Relations furthers and intensifies a cross-disciplinary dialogue on how translation makes international relations.
Is anyone ever truly lost in the internet age? A moving, original memoir of a young woman reckoning with her parents’ absence, the virus that took them, and what it means to search for meaning in a hyperconnected world. “Brilliantly innovative . . . syncing a narrative of profoundly personal emotion with the invention and evolution of today’s cyberspace.”—William Gibson, author of Neuromancer and The Peripheral In the early 1990s, Heather McCalden lost both her parents to AIDS. She was seven when her father died, ten when she lost her mother. Raised by her grandmother, Nivia, she grew up in Los Angeles, also known as ground zero for the virus and its destruction. Years later, she begins researching online the history of HIV as a way to deal with her loss, which leads her to the unexpected realization that the AIDS crisis and the internet developed on parallel timelines. By accumulating whatever fragments she could about both phenomena—images, anecdotes, and scientific entries—alongside her own personal history, McCalden forms a synaptic journey of what happened to her family, one that leads to an equally unexpected discovery about who her parents might have been. Entwining this personal search with a wider cultural narrative of what the virus and virality mean in our times—interrogating what it means to “go viral” in an era of explosive biochemical and virtual contagion—The Observable Universe is at once a history of our viral culture and a prismatic account of grief in the internet age.
In this gripping creative story novel, Angeni's life takes an unexpected turn when his brother Aisling realizes that their unique connection as twins is the key to unlocking extraordinary experiences. Follow one's journey as they embark on a thrilling adventure filled with out-of-body experiences and puzzling encounters. Aislings' sense of deductive reasoning keeps them on their toes, leaving readers mesmerized by his every decision. But just when everything seems to be falling into place, a sudden rift throws Aisling and his twin apart, leaving him questioning his own existence. As mystery and intrigue surround him, he finds himself tangled in a web of strange occurrences and unexplained phenomena. What dark forces are at play? Will he be able to uncover the truth hidden within the depths of the small town? Discover the secrets waiting to be unraveled in The Looking Glass. This riveting story will keep you on the edge of your seat, yearning for more with every turn of the page. Brace yourself for a rollercoaster of emotions as you journey alongside Aisling and his adventurous travels through life and be prepared to witness the unveiling of knowledge that will leave you spellbound. Experience the power of fate.
Portfolio Presentation for Fashion Designers by Linda Tain Pdf
Portfolio Presentation for Fashion Designers, Fourth Edition, is still your best guide to showing your designs, skill sets, and creativity, to get you that job. In new images throughout, the book shows examples of croquis books, spec and flat drawings, and visual research presentations from both fashion professionals and students. From concept through finished product, Portfolio Presentation for Fashion Designers is an indispensable tool to help you prepare your career for the next chapter. New to this edition · Helpful Hints at the end of each chapter help you to make critical decisions · Expanded Glossary now features knitwear terms · Introduces how to develop a successful fashion portfolio · Expanded discussion and examples of visual research presentation layouts