Cold War American Exhibitions Of Italian Art And Design

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Cold War American Exhibitions of Italian Art and Design

Author : Antje Gamble
Publisher : Taylor & Francis
Page : 207 pages
File Size : 47,8 Mb
Release : 2023-07-13
Category : Art
ISBN : 9781000901061

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Cold War American Exhibitions of Italian Art and Design by Antje Gamble Pdf

Enriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950–53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after World War II (WWII). Moving beyond previous studies, this book looks to the archival sources and beyond the history of design for a greater understanding of the stakes of the show. First, the book considers art’s role in this exhibition’s import—prominent mid-century sculptors like Giacomo Manzù, Fausto Melotti, and Lucio Fontana were included. Second, it foregrounds the particular role sculpture was able to play in transcending the boundaries of fine art and craft to showcase innovative formalist aesthetics of modernism without falling in the critiques of modernism playing out on the international stage in terms of state funding for art. Third, the book engages with the larger socio-political use of art as a cultural soft power both within the American and Italian contexts. Fourth, it highlights the important role race and culture of Italians and Italian-Americans played in the installation and success of this exhibition. Lastly, therefore, this study connects an investigation of modernist sculpture, modern design, post-war exhibitions, sociology, and transatlantic politics and economics to highlight the important role sculpture played in post-war Italian and American cultural production. The book will be of interest to scholars working in art history, design history, museum studies, Italian studies, and American studies.

Cold War American Exhibitions of Italian Art and Design

Author : Antje Gamble
Publisher : Taylor & Francis
Page : 150 pages
File Size : 45,7 Mb
Release : 2023-07-13
Category : Art
ISBN : 9781000900941

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Cold War American Exhibitions of Italian Art and Design by Antje Gamble Pdf

Enriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950–53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after World War II (WWII). Moving beyond previous studies, this book looks to the archival sources and beyond the history of design for a greater understanding of the stakes of the show. First, the book considers art’s role in this exhibition’s import—prominent mid-century sculptors like Giacomo Manzù, Fausto Melotti, and Lucio Fontana were included. Second, it foregrounds the particular role sculpture was able to play in transcending the boundaries of fine art and craft to showcase innovative formalist aesthetics of modernism without falling in the critiques of modernism playing out on the international stage in terms of state funding for art. Third, the book engages with the larger socio-political use of art as a cultural soft power both within the American and Italian contexts. Fourth, it highlights the important role race and culture of Italians and Italian-Americans played in the installation and success of this exhibition. Lastly, therefore, this study connects an investigation of modernist sculpture, modern design, post-war exhibitions, sociology, and transatlantic politics and economics to highlight the important role sculpture played in post-war Italian and American cultural production. The book will be of interest to scholars working in art history, design history, museum studies, Italian studies, and American studies.

"Painting, Politics, and the New Front of Cold War Italy "

Author : Adrian R. Duran
Publisher : Routledge
Page : 281 pages
File Size : 48,8 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351555159

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"Painting, Politics, and the New Front of Cold War Italy " by Adrian R. Duran Pdf

The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50. Beginning with the dialogues that framed the formation of the Fronte Nuovo, this book reconsiders artists' works, correspondence, critical writings, and manifestos. These are married to examinations of specific exhibitions, the most important of which are the group's 1947 inaugural exhibition and the 1948 and 1950 Venice Biennali. The critical responses to these exhibitions are reconsidered in light of their groundings in the heated political debates of the period. In total, these diverse sources reveal the vast divide between the internal discourse of the arts, generated by the participant artists and their works, and the surrounding politics of Cold War Italy.

Exhibitions Beyond Boundaries

Author : Harriet Atkinson,Verity Clarkson,Sarah A. Lichtman
Publisher : Bloomsbury Publishing
Page : 321 pages
File Size : 48,6 Mb
Release : 2022-12-01
Category : Design
ISBN : 9781350088504

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Exhibitions Beyond Boundaries by Harriet Atkinson,Verity Clarkson,Sarah A. Lichtman Pdf

After World War II, museum and gallery exhibitions, industrial and trade fairs, biennials, triennials, festivals and world's fairs increasingly came to be used as locations for the exercise of "soft power," for displays of cultural diplomacy between nations and as spaces for addressing areas of social and political contestation. Exhibitions Beyond Boundaries opens with a substantial introduction to the key debates, followed by case studies that advance the field of exhibition histories both geographically and methodologically, focusing on postwar transnational exchange and the wider networks engendered through exhibitions. Chapters trace relations across Africa, Asia, Europe, the Middle East, the Pacific, and the United States of America, drawing on a range of approaches and perspectives, principally from art and design history but also from social, economic and political history, and museum studies. Featured case studies include the presentation of African-American Art at FESMAN '66 and FESTAC '77, the US's 1961 Small Industries Exhibition in Colombo, Israel's early appearances at the Venice Biennale, the Vatican Pavilion at the 1964-1965 New York World's Fair, and Hong Kong's Pavilion at Expo 70 in Tokyo.

Painting Politics and the New Front of Cold War Italy

Author : Adrian R. Duran
Publisher : Routledge
Page : 196 pages
File Size : 47,6 Mb
Release : 2018-02-06
Category : Electronic
ISBN : 113854826X

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Painting Politics and the New Front of Cold War Italy by Adrian R. Duran Pdf

The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists' group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era - realism vs. abstraction, Communism vs. democracy, conformism vs. freedom - have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50. Beginning with the dialogues that framed the formation of the Fronte Nuovo, this book reconsiders artists' works, correspondence, critical writings, and manifestos. These are married to examinations of specific exhibitions, the most important of which are the group's 1947 inaugural exhibition and the 1948 and 1950 Venice Biennali. The critical responses to these exhibitions are reconsidered in light of their groundings in the heated political debates of the period. In total, these diverse sources reveal the vast divide between the internal discourse of the arts, generated by the participant artists and their works, and the surrounding politics of Cold War Italy.

Exhibiting Italian Art in the United States from Futurism to Arte Povera

Author : Raffaele Bedarida
Publisher : Taylor & Francis
Page : 320 pages
File Size : 41,7 Mb
Release : 2022-06-28
Category : Art
ISBN : 9781000595802

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Exhibiting Italian Art in the United States from Futurism to Arte Povera by Raffaele Bedarida Pdf

This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.

U.S. International Exhibitions during the Cold War

Author : Andrew James Wulf
Publisher : Rowman & Littlefield
Page : 357 pages
File Size : 46,9 Mb
Release : 2015-01-30
Category : Business & Economics
ISBN : 9781442246430

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U.S. International Exhibitions during the Cold War by Andrew James Wulf Pdf

Although cultural diplomacy has become an increasingly fashionable term embraced by academics, foreign-service personnel, and private sector commercial and cultural interests, the very practice of this idea remains conspicuously challenging to define. This book takes on this problem, advancing a new understanding of cultural diplomacy that results from a historical investigation of a single area of government and private sector partnership, and what became in the mid-twentieth century the most prominent manifestation of this alliance—the cultural exhibitions sent abroad to “tell America’s story” with the goal of “winning hearts and minds.” To illustrate this point, selected exhibitions and the intentions of the policymakers who proposed them are interrogated for the first time beside archival documentation, writings from the history of design, advertising, science, as well as art historical and museum studies theories that address various aspects of the history of collecting and display, all of which explore the reality of how these exhibitions were conceived and prepared for foreign audiences. Most importantly, personal interviews with the designers and government representatives responsible for the ultimate appearance of these events upturn preconceived notions of how these events came to be. Seventy-five photographs from the exhibits make this history come alive. Through this discussion these questions are answered: What was America showing of itself through these exhibitions? And, more urgently, what do these exhibitions tell us about U.S. interest in verisimilitude? This investigation spans the crucial years of American exhibitions abroad (1955-1975), beginning with the formation of an official system of exhibiting American commercial wares and political ideas at trade fairs, through official exchanges with the U.S.S.R., to pavilions at world's fairs, and finally to museum exhibitions that signaled a return to the display of founding American values. They are thus complex ideological symbols in which concepts of national identity, globalization, technology, consumerism, design, and image management both coincided and clashed. The investigation of these exhibitions enhances the understanding of a significant chapter of U.S. cultural diplomacy at the height of the Cold War and how America constantly reimagined itself.

Cold War Modern

Author : David Crowley,Jane Pavitt
Publisher : Victoria & Albert Museum
Page : 322 pages
File Size : 52,9 Mb
Release : 2008
Category : Art
ISBN : UOM:39015076148389

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Cold War Modern by David Crowley,Jane Pavitt Pdf

Modern life after 1945 seemed to promise both utopia and catastrophe. Both could, it seemed, be achieved at the 'push of a button'. Published to accompany a major V & A exhibition, 'Cold War Modern: Design 1945-1970', this book explores how the politics of the Cold War shaped architecture and design. Reassessing 'classic' designs and introducing many little-known objects.

Cold War Confrontations

Author : Jack Masey,Conway Lloyd Morgan
Publisher : Springer
Page : 430 pages
File Size : 54,5 Mb
Release : 2008-10-02
Category : Architecture
ISBN : STANFORD:36105131634714

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Cold War Confrontations by Jack Masey,Conway Lloyd Morgan Pdf

World's Fairs and International Exhibitions have always had a political as well as a commercial and cultural context. This was particularly true during the Cold War when America and the Soviet Union used architecture and design to represent their opposing political ideologies. Jack Masey served with the United States Information Agency from 1951 to 1979, for many years as Director of Design. This important new book draws on his recollections and extensive new illustrative material to detail the significant role played by architects and designers in shaping America's image during the cultural Cold War.

Fall-Out Shelters for the Human Spirit

Author : Michael L. Krenn
Publisher : Univ of North Carolina Press
Page : 312 pages
File Size : 52,5 Mb
Release : 2006-03-08
Category : Political Science
ISBN : 9780807876411

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Fall-Out Shelters for the Human Spirit by Michael L. Krenn Pdf

During the Cold War, culture became another weapon in America's battle against communism. Part of that effort in cultural diplomacy included a program to arrange the exhibition of hundreds of American paintings overseas. Michael L. Krenn studies the successes, failures, contradictions, and controversies that arose when the U.S. government and the American art world sought to work together to make an international art program a reality between the 1940s and the 1970s. The Department of State, then the United States Information Agency, and eventually the Smithsonian Institution directed this effort, relying heavily on the assistance of major American art organizations, museums, curators, and artists. What the government hoped to accomplish and what the art community had in mind, however, were often at odds. Intense domestic controversies resulted, particularly when the effort involved modern or abstract expressionist art. Ultimately, the exhibition of American art overseas was one of the most controversial Cold War initiatives undertaken by the United States. Krenn's investigation deepens our understanding of the cultural dimensions of America's postwar diplomacy and explores how unexpected elements of the Cold War led to a redefinition of what is, and is not, "American."

Curating Fascism

Author : Sharon Hecker,Raffaele Bedarida
Publisher : Bloomsbury Publishing
Page : 321 pages
File Size : 49,8 Mb
Release : 2022-11-17
Category : Art
ISBN : 9781350229471

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Curating Fascism by Sharon Hecker,Raffaele Bedarida Pdf

On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice. In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment.

Cold War on the Home Front

Author : Greg Castillo
Publisher : U of Minnesota Press
Page : 307 pages
File Size : 46,5 Mb
Release : 2010
Category : History
ISBN : 9780816646913

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Cold War on the Home Front by Greg Castillo Pdf

Greg Castillo presents an illustrated history of the persuasive impact of model homes, appliances, and furniture in Cold War propaganda.

Utopia

Author : Flavia Frigeri
Publisher : Artmedia (Acc)
Page : 72 pages
File Size : 44,7 Mb
Release : 2020
Category : Art
ISBN : 8855210335

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Utopia by Flavia Frigeri Pdf

-Explores how the Italian avant-garde has changed the history of 20th century art and design -Highlights the cross-pollination between art and design during a fundamental period in the history of Italian art The effervescent, creative synergy among Italian artists and designers in the post-war, post-fascist period is the subject of this exhibition catalogue for a show in Paris held at the end of 2019. Forty works of avant-garde art and design highlight the common aspirations and experimental spirit of this visionary generation, featuring artists and works that mirror each other in their approach to the world. Included here are works by Lucio Fontana, Carlo Mollino, Ettore Sottsass, Gaetano Pesce, Carlo Scarpa, Gino Sarfatti, Dadamaino, Alighiero Boetti, Mimmo Rotella, Gio Ponti, and Piero Manzoni, among others. In this show, Italian artists, architects, and designers reveal their exceptional ability to overturn the boundaries between art and design. Their visionary modernism is still influential today.

What Will Be Already Exists

Author : Emese Kürti,Zsuzsa László
Publisher : transcript Verlag
Page : 200 pages
File Size : 50,7 Mb
Release : 2021-09-30
Category : Art
ISBN : 9783839458235

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What Will Be Already Exists by Emese Kürti,Zsuzsa László Pdf

How do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an underground institution based on György Galántai's »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicization. The contributions give knowledgeable insights into the transition of Cold War art networks and institutional landscapes.

Modern in the Making

Author : Austin Porter,Sandra Zalman
Publisher : Bloomsbury Publishing
Page : 379 pages
File Size : 41,5 Mb
Release : 2020-10-29
Category : Art
ISBN : 9781350186378

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Modern in the Making by Austin Porter,Sandra Zalman Pdf

Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA's early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibition of a multidisciplinary idea of modern art. Between its founding in 1929 and its 20th anniversary in 1949, MoMA created the first museum departments of architecture and design, film, and photography in the country, marshaled modern art as a political tool, and brought consumer culture into a versatile yet institutional context. Encompassing 14 essays that investigate the diversity of modern art, this volume demonstrates how MoMA's programming shaped a version of modern art that was not elitist but fundamentally intertwined with all levels of cultural production.