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Imagining Medieval English by Tim William Machan Pdf
Imagining Medieval English is concerned with how we think about language, and simply through the process of thinking about it, give substance to an array of phenomena, including grammar, usage, variation, change, regional dialects, sociolects, registers, periodization, and even language itself. Leading scholars in the field explore conventional conceptualisations of medieval English, and consider possible alternatives and their implications for cultural as well as linguistic history. They explore not only the language's structural traits, but also the sociolinguistic and theoretical expectations that frame them and make them real. Spanning the period from 500 to 1500 and drawing on a wide range of examples, the chapters discuss topics such as medieval multilingualism, colloquial medieval English, standard and regional varieties, and the post-medieval reception of Old and Middle English. Together, they argue that what medieval English is, depends, in part, on who's looking at it, how, when and why.
Print Culture and the Medieval Author by Alexandra Gillespie Pdf
Alexandra Gillespie takes a new look at hundreds of neglected old books containing works by Chaucer, the 'father' of English poetry, and his much-maligned follower, John Lydgate. She demonstrates that the shift from manuscript to print was part of the controversial process by which Chaucer earned his exclusive place in English literary history.
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority. Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques—assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event.
This book focuses on the use of the past in two senses. First, it looks at the way in which medieval texts from the eighth to the fifteenth centuries discussed the past: how they presented history, what kinds of historical narratives they employed, and what anxieties gathered around the practice of historiography. Second, this study examines twentieth-century interactions with this textual past, and the problems that have arisen for critics trying to negotiate this radically different textual culture. Lauryn Mayer examines chronicle histories that have been largely ignored by scholars, bringing these neglected texts into dialogue with contemporaneous canonical works such as Troilus and Criseyde, The House of Fame, the Morte Darthur, Beowulf, and The Battle of Maldon.
Musical Culture in the World of Adam de la Halle by Anonim Pdf
Musical Culture in the World of Adam de la Halle explores the 13th-century composer’s music, drama, and poetry in the context of his urban environment. The authors use approaches from musicology, history, art history, and literary studies.
Middle English Word Studies by Louise Sylvester,Jane Roberts Pdf
A bibliography of studies of individual Middle English words and groups of words offering evidence for word meanings. Although detailed and full bibliographies exist for Old English word studies, this is the first specifically on Middle English lexicography, focussing on studies of individual Middle English words and groups of words which offer evidence for word meanings: ante- and post-datings for the Oxford English Dictionary and the Middle English Dictionary, missing entries and ghost words, possible proverbs, proposals for etymologies, wordplay, punning, new readingsin manuscripts and the reinterpretations of textual cruces. It first presents an annotated bibliography arranged alphabetically by author's name and date of publication; the annotations include notes on the contents and approach of each article, cross-references to related work, and references to reviews. Two indexes follow, the Index of Words, an alphabetical listing of words that have attracted significant discussion with references to the author(s), publication date and notes of pages on which the words are discussed; and an Index of Authors. The introductory section offers critical analyses of the word studies. Professor JANE ROBERTS and Dr LOUISE SYLVESTER teach atKing's College London.
Author : Stephen Partridge,Erik Kwakkel Publisher : University of Toronto Press Page : 321 pages File Size : 51,6 Mb Release : 2012-01-01 Category : History ISBN : 9780802099341
Author, Reader, Book by Stephen Partridge,Erik Kwakkel Pdf
Incorporating several kinds of scholarship on medieval authorship, the essays examine interrelated questions raised by the relationship between an author and a reader, the relationships between authors and their antecedents, and the ways in which authorship interacts with the physical presentation of texts in books.
Mindful Spirit in Late Medieval Literature by Bonnie Wheeler Pdf
In what varieties of ways is late medieval literature inflected by spiritual insight and desires? What weaves of literary cloth especially suit religious insight? In this collection dedicated to Elizabeth D. Kirk, Emeritus Professor of English at Brown University, several renowned scholars assess those related issues in a range of Medieval texts.
The Medieval Chronicle VIII by Erik Kooper,Sjoerd Levelt Pdf
Contents Contributors Preface Julia Marvin: Latinity and Vernacularity in the Tradition of Geoffrey of Monmouth: Text, Apparatus and Readership Erik Kooper: Content Markers in the Manuscripts of Robert of Gloucester¿s Chronicle Dániel Bagi: Genealogische Fälschungen und Fiktionen als Legitimierungsmittel in narrativen Quellen des Östlichen Europas im 11¿13. Jahrhundert Isabel de Barros Dias: The Emperor, the Archbishop and the Saint: One Event Told in Different Textual Forms Anders Bengtsson: L¿Essor de la proposition participiale dans la prose historique Cristian Bratu : Translatio, autorité et affirmation de soi chez Gaimar, Wace et Benoît de Sainte-Maure R. W. Burgess and Michael Kulikowski: Medieval Historiographical Terminology: The Meaning of the Word Annales Nicholas Coureas: The Conquest of Cyprus during the Third Crusade according to Greek Chronicles from Cyprus Isabelle Guyot-Bachy : La Chronique abrégée des rois de France et les Grandes chroniques de France: concurrence ou complémentarité dans la construction d¿une culture historique en France à la fin du Moyen ge? Mihkel Mäesalu: A Crusader Conflict Mediated by a Papal Legate: The Chronicle of Henry of Livonia as a Legal Text Adrien Quéret-Podesta : Le Gallus anonymus et l¿abbaye de Saint Gilles du Gard Lisa M. Ruch: Digression or Discourse? William of Newburgh¿s Ghost Stories as Urban Legends Biörn Tjällén: Political Thought and Political Myth in Late Medieval National Histories: Rodrigo Sánchez de Arévalo (¿1470)