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A Great Plains Reader by Diane Dufva Quantic,P. Jane Hafen Pdf
The Great Plains are as rich and integral a part of American literature as they are of the North American landscape. In this volume the stories, poems, and essays that have described, celebrated, and defined the region evoke the world of the American prairie from the first recorded days of Native history to the realities of life on a present-day reservation, from the arrival of European explorers to the experience of early settlers, from the splendor of the vast and rolling grasslands to the devastation of the Dust Bowl. Several essays look to the future and explore changes that would embolden the people of the Plains to continue to call home this place they have learned to value in spite of its persistent challenges. ø The infinite variety of the Great Plains landscape and its people unfolds in works by writers as diverse as Willa Cather, Loren Eiseley, Louise Erdrich (Ojibwe), Diane Glancy (Cherokee), Langston Hughes, Wes Jackson, Garrison Keillor, William Least Heat-Moon, Kathleen Norris, Wright Morris, Francis Parkman, O. E. R”lvaag, Mari Sandoz, William Stafford, Mark Twain, Douglas Unger, James Welch (Blackfeet), and Canadians Sharon Butala and Sinclair Ross. From tribal histories to the impressions of travelers today, from tales of isolation and nature?s furious storms to accounts of efforts to build communities, from flights of fancy to nuanced observations of the ecology of the grasslands, this comprehensive volume provides a history of the intricate relationships of land and people in the Great Plains.
Uncle Valentine and Other Stories by Willa Cather Pdf
The seven stories in this volume were written during the ascending and perhaps most triumphant years of Willa Cather's career, the period during which she published nine books, including My Ántonia, A Lost Lady, and Death Comes for the Archbishop. For the most part ironic in tone, these stories are, as Bernice Slote observes, bound by the geometrics of urban life—streets and offices, workers and firms, the business world of New York and Pittsburgh, the cities which by 1929 Willa Cather had known well for over thirty years." In her introduction, Slote discusses their biographical elements, connections with earlier and later work, and the intricate patterns that lie below the lucid, shimmering surface of Willa Cather's prose.
"Cather Studies, Volume 13 explores the myriad ways that Willa Cather's writing career was shaped during the crucial years in Pittsburgh and the artistic, professional, and personal connections she made there"--
Willa Cather and Aestheticism by Ann Moseley,Sarah Cheney Watson Pdf
In this collection of essays, contributors investigate the various connections between Willa Cather’s fiction and her aesthetic beliefs and practices. Including multiple perspectives and critical approaches—derived from the Aesthetic Movement, the visual arts, modernism, and the relationship between art and religion—this collection will increase our understanding of Cather’s aesthetic and lead to a better comprehension of her work and her life.
The Midwestern Ascendancy in American Writing by Ronald Weber Pdf
For a half-century - from Edward Eggleston's pioneering novel The Hoosier Schoolmaster in 1871 through the dazzling early work of Hart Crane, F. Scott Fitzgerald, and Ernest Hemingway in the 1920s - Midwestern literature was at the center of American writing. In The Midwestern Ascendancy in American Writing, Ronald Weber illuminates the sense of lost promise that gives rise to the elegiac note struck in many Midwestern works; he also addresses the deeply divided feelings about the region revealed in the contrary desires to abandon and to celebrate. The period of Midwestern cultural ascendancy was a time of tremendous social and technological change. Midwestern writing was a reflection of these societal changes; it was American literature.
Willa Cather's Ecological Imagination by Susan J. Rosowski Pdf
The wide-ranging essays collected in this volume of Cather Studies examine Willa Cather?s unique artistic relationship to the environment. Under the theoretical rubric of ecocriticism, these essays focus on Cather?s close observations of the natural world and how the environment proves, for most of these contributors, to be more than simply a setting for her characters. While it is certain that Cather?s novels and short stories are deeply grounded in place, literary critics are only now considering how place functions within her narratives and addressing environmental issues through her writing. ø These essays reintroduce us to a Cather who is profoundly identified with the places that shaped her and that she wrote about: Glen A. Love offers an interdisciplinary reading of The Professor?s House that is scientifically oriented; Joseph Urgo argues that My ?ntonia models a preservationist aesthetic in which landscape and memory are inextricably entangled; Thomas J. Lyon posits that Cather had a living sense of the biotic community and used nature as the standard of excellence for human endeavors; and Jan Goggans considers the ways that My ?ntonia shifts from nativism toward a ?flexible notion of place-based community.?
Willa Cather by John Joseph Murphy,Merrill Maguire Skaggs Pdf
This book presents interprative approaches to Willa Cather based on materials available in the Drew University Cather Collection. The scholars suggest the work left to do on Willa Cather, and the diverse directions in which scholars now must travel.
Something Complete and Great by Holly Blackford Humes Pdf
This volume situates My Ántonia as a novel that stands the test of time by including in its pages an extraordinarily wide range of historical, cultural, literary, psychological, thematic, perceptual, and stylistic issues. The volume provides an analysis and assessment of complexities in the novel as well as its reception and legacy. The essays as a whole situate the novel at the cusp of the modern period, marking in myriad ways the novel’s transitional role between nineteenth and twentieth-century literature and culture. The first section “Translation” features writers that reflect on Cather’s curious devaluation of My Ántonia’s reception over time; translation issues in Germany, Italty, France, and Russia; and linguistic issues in the novel’s vision of Ántonia’s acculturation. The second section “Tradition” defines Cather’s relationship to modernism and regionalism through her career shifts and changes to the Introduction as well as her narrative technique in marginalizing violence and darkness to the edges of Jim’s consicousness. The third section “Transgender” analyzes Cather’s relationship to Hamlin Garland’s Life on the Prairie, J. M. Barrie’s Peter Pan and the Neverland, and the work of Truman Capote, especially his gay protagoanist Joel Knox in Other Voices, Other Rooms. The fourth section “Transhuman” deploys work on hysteria to situate Cather’s vision of genderless desire and ecocritical lenses to understand Jim and nature. Finally the last section “Transition” discusses Lena Lingard’s presence as a New Woman and gift economies in the novel that underscore the community’s uneasy transition to twentieth-century capitalism. Gathered in the volume are an international group of scholars who demonstrate the novel’s centrality to women’s studies, American studies, queer studies, childhood studies, psychoanalysis, ecology, translation and reception, Marxism, narratology, and intertextuality.
Cather Studies, Volume 10 by Cather Cather Studies Pdf
Willa Cather and the Nineteenth Century explores, with textual specificity and historical alertness, the question of how the cultures of the nineteenth century--the cultures that shaped Willa Cather's childhood, animated her education, supplied her artistic models, generated her inordinate ambitions, and gave embodiment to many of her deeply held values--are addressed in her fiction. In two related sets of essays, seven contributors track within Cather's life or writing the particular cultural formations, emotions, and conflicts of value she absorbed from the atmosphere of her distinct historical moment; their ten colleagues offer a compelling set of case studies that articulate the manifold ways that Cather learned from, built upon, or resisted models provided by particular nineteenth-century writers, works, or artistic genres. Taken together with its Cather Studies predecessor, Willa Cather and Modern Cultures, this volume reveals Cather as explorer and interpreter, sufferer and master of the transition from a Victorian to a Modernist America.