Collective Trauma And The Psychology Of Secrets In Transnational Film

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Collective Trauma and the Psychology of Secrets in Transnational Film

Author : Deborah Lynn Porter
Publisher : Routledge
Page : 248 pages
File Size : 50,5 Mb
Release : 2018-01-31
Category : Performing Arts
ISBN : 9781351246040

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Collective Trauma and the Psychology of Secrets in Transnational Film by Deborah Lynn Porter Pdf

Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained. Premised on a critical reading strategy informed by a metapsychology of secrets, the book features analyses of internationally acclaimed films—Guillermo del Torro’s Pan’s Labyrinth, Andrey Zvyagintsev’s The Return, Jee-woon Kim’s A Tale of Two Sisters, and Alejandro Amenábar’s The Others. It demonstrates how a rethinking of the figure of the secret in national film yields a new vantage point for examining heretofore unrecognized connections between collective historical experience, cinematic production and a transnational aesthetic of concealment and hiding.

Classical Hollywood Film Cycles

Author : Zoe Wallin
Publisher : Routledge
Page : 378 pages
File Size : 48,5 Mb
Release : 2019-03-07
Category : Social Science
ISBN : 9780429534546

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Classical Hollywood Film Cycles by Zoe Wallin Pdf

This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles. By foregrounding patterns of distribution, spaces of exhibition, and modes of consumption as key components of the form and mechanics of cycles, this book develops a methodology for defining cycles based on an analysis of the industry and trade discourse. Applying her unique framework to six case studies of different cycles, Zoe Wallin blends a wide range of historical sources to analyze the many cultural, social, political, aesthetic, and industrial contexts relevant to these films. This book makes an important contribution to the literature in the area of film historiography, and will be of interest to any scholars of film studies, history and media studies.

Found Footage Horror Films

Author : Peter Turner
Publisher : Routledge
Page : 190 pages
File Size : 46,8 Mb
Release : 2019-01-28
Category : Social Science
ISBN : 9780429758133

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Found Footage Horror Films by Peter Turner Pdf

This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognition of viewers. It further examines the way in which mediated realism is constructed in the films in order to attempt to make audiences either (mis)read the footage as non-fiction, or more commonly to imagine that the footage is non-fiction. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie, Noroi: The Curse, Autohead and Zero Day This book will be of key interest to Film Studies scholars with research interests in horror and genre studies, cognitive studies of the moving image, and those with interests in narration, realism and mimesis. It is an essential read for students undertaking courses with a focus on film theory, particularly those interested specifically in horror films and cognitive film theory.

Melodrama, Self and Nation in Post-War British Popular Film

Author : Johanna Laitila
Publisher : Routledge
Page : 196 pages
File Size : 47,5 Mb
Release : 2018-06-22
Category : Social Science
ISBN : 9781351056564

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Melodrama, Self and Nation in Post-War British Popular Film by Johanna Laitila Pdf

This book investigates the portrayal of nationalities and sexualities in British post-Second World War crime film and melodrama. By focussing on these genres, and looking at the concept of melodrama as an analytical tool apt for the analysis of both sexuality and nation, the book offers insight into the desires, fears, and anxieties of post-war culture. The problem of returning to ‘normalcy’ after the war is one of the recurring themes discussed; alienation from society, family, and the self were central issues for both women and men in the post-war years, and the book examines the anxieties surrounding these social changes in the films of the period. In particular, it explores heterosexuality and nationality as some of the most prominent frameworks for the construction of identities in our time, structures that, for all their centrality, are made invisible in our culture.

Emotion in Animated Films

Author : Meike Uhrig
Publisher : Routledge
Page : 238 pages
File Size : 54,5 Mb
Release : 2018-10-01
Category : Performing Arts
ISBN : 9781351399449

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Emotion in Animated Films by Meike Uhrig Pdf

Ranging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication processes today. Be it the portrayal of emotional characters in moving films or the creation of controllable emotional stimuli in scientific contexts, computer animation’s characteristic artificiality makes it ideal for various areas connected to the emotional: with the ability to move beyond the constraints of the empirical "real world," animation allows for an immense freedom. This book looks at international film productions using animation techniques to display and/or to elicit emotions, with a special attention to the aesthetics, characters and stories of these films, and to the challenges and benefits of using computer techniques for these purposes.

The Evolution of Chinese Filiality

Author : Deborah Lynn Porter
Publisher : Routledge
Page : 128 pages
File Size : 44,5 Mb
Release : 2022-03-11
Category : Art
ISBN : 9781000553321

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The Evolution of Chinese Filiality by Deborah Lynn Porter Pdf

This unique book brings a fresh interdisciplinary approach to the analysis of ancient Chinese history, creating a historical model for the emergence of cultural mainstays by applying recent dramatic findings in the fields of neuroscience and cultural evolution. The centrality in Chinese culture of a deep reverence for the lives of preceding generations, filial piety, is conventionally attributed to Confucius (551-479 B.C.), who viewed hierarchical family relations as foundational for social order. Here, Porter argues that Confucian conceptions of filiality themselves evolved from a systemized set of behaviors and thoughts, a mental structure, which descended from a specific Neolithic mindset, and that this psychological structure was contoured by particular emotional conditions experienced by China’s earliest farmers. Using case study analysis from Neolithic sky observers to the dynastic cultures of the Shang and Western Zhou, the book shows how filial piety evolved as a structure of feeling, a legacy of a cultural predisposition toward particular moods and emotions that were inherited from the ancestral past. Porter also brings new urgency to the topic of ecological grief, linking the distress central to the evolution of the filial structure to its catalyst in an environmental crisis. With a blended multidisciplinary approach combining social neuroscience, cultural evolution, cognitive archaeology, and historical analysis, this book is ideal for students and researchers in neuropsychology, religion, and Chinese culture and history.

Melancholy Emotion in Contemporary Cinema

Author : Francesco Sticchi
Publisher : Routledge
Page : 198 pages
File Size : 43,8 Mb
Release : 2019-01-15
Category : Performing Arts
ISBN : 9780429847455

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Melancholy Emotion in Contemporary Cinema by Francesco Sticchi Pdf

This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi’s exploration of Spinozian philosophy creates an experiential constructive model to blend the affective and intellectual aspects of cognition, and to combine it with different philosophical interpretations of film theory. Spinoza’s embodied philosophy rejected logical and ethical dualisms, and established a perfect parallelism between sensation and reason and provides the opportunity to address negative emotions and sad passions without referring exclusively to traditional notions such as catharsis or sublimation, and to put forth a practical/embodied notion of Film-Philosophy. This new analytical approach is tested on four case studies, films that challenge the viewer’s emotional engagement since they display situations of cosmic failure and depict controversial and damaged characters: A Serious Man (2009); Melancholia (2011); The Act of Killing (2012) and Only Lovers Left Alive (2013). This book is an important addition to the literature in Film Studies, particularly in Cognitive Film Theory and Philosophy of Film. Its affective and semantic analyses of film experience (studies of embodied conceptualisation), connecting Spinoza’s thought to the analysis of audiovisual media, will also be of interest to Philosophy scholars and in academic courses of film theory, film-philosophy and cognitive film studies.

Affect and Embodied Meaning in Animation

Author : Sylvie Bissonnette
Publisher : Routledge
Page : 493 pages
File Size : 49,9 Mb
Release : 2019-03-11
Category : Performing Arts
ISBN : 9781351054447

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Affect and Embodied Meaning in Animation by Sylvie Bissonnette Pdf

This book combines insights from the humanities and modern neuroscience to explore the contribution of affect and embodiment on meaning-making in case studies from animation, video games, and virtual worlds. As we interact more and more with animated characters and avatars in everyday media consumption, it has become vital to investigate the ways that animated environments influence our perception of the liberal humanist subject. This book is the first to apply recent research on the application of the embodied mind thesis to our understanding of embodied engagement with nonhumans and cyborgs in animated media, analyzing works by Émile Cohl, Hayao Miyazaki, Tim Burton, Norman McLaren, the Quay Brothers, Pixar, and many others. Drawing on the breakthroughs of modern brain science to argue that animated media broadens the viewer’s perceptual reach, this title offers a welcome contribution to the growing literature at the intersection of cognitive studies and film studies, with a perspective on animation that is new and original. ‘Affect and Embodied Meaning in Animation’ will be essential reading for researchers of Animation Studies, Film and Media Theory, Posthumanism, Video Games, and Digital Culture, and will provide a key insight into animation for both undergraduate and graduate students. Because of the increasing importance of visual effect cinema and video games, the book will also be of keen interest within Film Studies and Media Studies, as well as to general readers interested in scholarship in animated media.

Post-Production and the Invisible Revolution of Filmmaking

Author : George Larkin
Publisher : Routledge
Page : 224 pages
File Size : 51,5 Mb
Release : 2018-12-07
Category : Performing Arts
ISBN : 9780429960642

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Post-Production and the Invisible Revolution of Filmmaking by George Larkin Pdf

Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period. The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film’s final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.

New Approaches to Cinematic Space

Author : Filipa Rosário,Iván Villarmea Álvarez
Publisher : Routledge
Page : 296 pages
File Size : 43,8 Mb
Release : 2019-01-03
Category : Performing Arts
ISBN : 9780429887857

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New Approaches to Cinematic Space by Filipa Rosário,Iván Villarmea Álvarez Pdf

New Approaches to Cinematic Space aims to discuss the process of creation of cinematic spaces through moving images and the subsequent interpretation of their purpose and meaning. Throughout seventeen chapters, this edited collection will attempt to identify and interpret the formal strategies used by different filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces. The contributors to this volume will specifically focus on a series of systems of representation that go beyond the mere visual reproduction of a given location to construct a network of meanings that ultimately shapes our spatial worldview.

Cultural Trauma and Collective Identity

Author : Jeffrey C. Alexander,Ron Eyerman,Bernard Giesen,Neil J. Smelser,Piotr Sztompka
Publisher : Univ of California Press
Page : 334 pages
File Size : 44,6 Mb
Release : 2004-03-22
Category : Social Science
ISBN : 0520936760

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Cultural Trauma and Collective Identity by Jeffrey C. Alexander,Ron Eyerman,Bernard Giesen,Neil J. Smelser,Piotr Sztompka Pdf

In this collaboratively authored work, five distinguished sociologists develop an ambitious theoretical model of "cultural trauma"—and on this basis build a new understanding of how social groups interact with emotion to create new and binding understandings of social responsibility. Looking at the "meaning making process" as an open-ended social dialogue in which strikingly different social narratives vie for influence, they outline a strongly constructivist approach to trauma and apply this theoretical model in a series of extensive case studies, including the Nazi Holocaust, slavery in the United States, and September 11, 2001.

Melodrama and Trauma

Author : Thomas Elsaesser
Publisher : Unknown
Page : 336 pages
File Size : 42,8 Mb
Release : 2017-03
Category : Performing Arts
ISBN : 0415968127

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Melodrama and Trauma by Thomas Elsaesser Pdf

The woman's picture, the male trauma narrative, and mind-game films—three ways that American cinema tests the limits: of what victims can suffer, what the body can bear, and what the mind can understand. Usually considered both marginal and excessive, these genres, modes, or tendencies in contemporary Hollywood have more in common than might at first appear. They tell us much about the way America engages in dialogue with its own divided nature and nation, demonstrated across its most cherished and characteristic of art forms: the movies.

World War II in Contemporary German and Dutch Fiction

Author : Jan Lensen
Publisher : Routledge
Page : 167 pages
File Size : 40,5 Mb
Release : 2021-03-04
Category : Literary Criticism
ISBN : 9781000350050

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World War II in Contemporary German and Dutch Fiction by Jan Lensen Pdf

World War II in Contemporary German and Dutch Fiction: The Generation of Meta-Memory offers a comparative study of the construction of World War II memory in contemporary German, Flemish, and Dutch literature. More specifically, it investigates in what ways the large temporal distance to the historical events has impacted how literary writers from these three literatures have negotiated its meaning and form during the last decades. To that end, this book offers analyses of nine novels that demonstrate a pronounced reflexivity on the conditions of contemporary remembering. Rather than a dig for historical truth or a struggle with historical trauma, these novels reflect on the transmission, the narrative shapes, the formation processes, and the functions of World War II memory today, while asserting a self-conscious and often irreverent approach toward established mnemonic routines, practices, and rules. As the analyses show, this approach is equally articulated through the novels’ poetics, which are marked by a large formal diversity and a playfulness that highlights mnemonic agency, a posttraumatic positioning, and the ascendency of the literary over the historiographical. Based on these findings, this book proposes the emergence of a new paradigm within the postwar cultural assessment of World War II: the generation of meta-memory.

Cultural Trauma

Author : Ron Eyerman
Publisher : Cambridge University Press
Page : 318 pages
File Size : 42,5 Mb
Release : 2001-12-13
Category : Biography & Autobiography
ISBN : 0521004373

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Cultural Trauma by Ron Eyerman Pdf

Ron Eyerman explores the formation of African American identity through the cultural trauma of slavery.

The Horrors of Trauma in Cinema

Author : Michael Elm,Kobi Kabalek,Julia B. Köhne
Publisher : Cambridge Scholars Publishing
Page : 355 pages
File Size : 51,8 Mb
Release : 2014-10-02
Category : History
ISBN : 9781443868518

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The Horrors of Trauma in Cinema by Michael Elm,Kobi Kabalek,Julia B. Köhne Pdf

This volume explores the multifaceted depiction and staging of historical and social traumata as the result of extreme violence within national contexts. It focuses on Israeli-Palestinian, German and (US) American film, and reaches out to cinematic traditions from other countries like France, Great Britain and the former USSR. International and interdisciplinary scholars analyze both mainstream and avant-garde movies and documentaries premiering from the 1960s to the present. From transnational and cross-genre perspectives, they query the modes of representation – regarding narration, dramaturgy, aesthetics, mise-en-scène, iconology, lighting, cinematography, editing and sound – held by film as a medium to visualize shattering experiences of violence and their traumatic encoding in individuals, collectives, bodies and psyches. This anthology uniquely traces horror aesthetics and trajectories as a way to reenact, echo and question the perpetual loops of trauma in film cultures. The contributors examine the discursive transfer between historical traumata necessarily transmitted in a medialized and conceptualized form, the changing landscape of (clinical) trauma theory, the filmic depiction and language of trauma, and the official memory politics and hegemonic national-identity constructions.