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The relationship of visual perception to color expression in art is presented here in clear detail. Photographs of representative paintings, explanatory line drawings, and abstract, geometric color plates supplement the text.
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
Author : Margaret S. Livingstone Publisher : Harry N. Abrams Page : 240 pages File Size : 47,6 Mb Release : 2014-03-25 Category : Art ISBN : 1419706926
Vision and Art (Updated and Expanded Edition) by Margaret S. Livingstone Pdf
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
A complex and fascinating question is why do humans have such strong emotional reactions and human connections to art? Why do viewers become scared, even haunted for days, by a movie monster they know doesn't exist? Why do humans become enthralled by distorted figures and scenes that aren't realistic? Why do viewers have emotional attachments to comic book characters? The answer lies in that, while humans know art is human made artifice, they view and decipher art using the same often nonconscious methods that they use to view and decipher reality. Looking at how we perceive reality shows us how we perceive art, and looking at how we perceive art helps show us how we perceive reality. Written by the prominent art historian and philosopher Cycleback, this book is a concise introduction to understanding art perception, covering key psychological, cognitive science, physiological and philosophical concepts.
Color Theory and Its Application in Art and Design by George A. Agoston Pdf
My aim in this introductory text is to present a comprehensible discussion of certain technical topics and recent developments in color science that I believe are of real interest to artists and designers. I treat a number of applications of this knowledge, for example in selection and use of colorants (pigments and dyes) and light. Early in the book I discuss what color is and what its characteristics are. This is followed by a chapter on pertinent aspects of light, light as the stimulus that causes the perception of color. Then the subject of the colors of opaque and transparent, nonfluorescent and fluorescent materials is taken up. There are sections on color matching, color mixture, and color primaries. Chapter 6 introduces the basic ideas that underlie the universal method (CIE) of color specification. Later chapters show how these ideas have been extended to serve other purposes such as systematic color naming, de termining complementary colors, mixing colored lights, and demonstrating the limitations of color gamuts of colorants. The Munsell and the Ostwald color systems and the Natural Colour System (Sweden) are explained, and the new Uniform Color Scales (Optical Society of America) are described. Color specification itself is a broad topic. The information presented here is relevant in art and design, for those who work with pigments and dyes or with products that contain them, such as paints, printing inks, plastics, glasses, mosaic tesserae, etc.
Color has been studied for centuries, but remains incompletely understood. Digital technology has recently sparked a burgeoning inter-disciplinary interest in color. Graphic artists prefer to create their images on computers even though colors seen on display look different when printed;galleries now digitally archive valuable work. The fundamental problem that arises is that color reproduction is not simply a matter of reproducing identical physical phenomenona, but is rather a matter of creating perceptual equivalencies. The fact that color is a quality of perception ratherthan a "physical quality" brings up a host of intersting questions and makes it of common interest to both artists and scholars. This highly interdisciplinary volume - the ninth in the Vancouver Studies in Cognitive Science series - brings together chapters by psychologists, philosophers, computerscientists, and artists to explore the nature of human color perception, and hopes to further our understanding of color by encouraging interdisciplinary interaction.
A lively account of our age-old quest for brighter colors, which changed the way we see the world, from the best-selling author of Proof: The Science of Booze From kelly green to millennial pink, our world is graced with a richness of colors. But our human-made colors haven't always matched nature's kaleidoscopic array. To reach those brightest heights required millennia of remarkable innovation and a fascinating exchange of ideas between science and craft that's allowed for the most luminous manifestations of our built and adorned world. In Full Spectrum, Rogers takes us on that globe-trotting journey, tracing an arc from the earliest humans to our digitized, synthesized present and future. We meet our ancestors mashing charcoal in caves, Silk Road merchants competing for the best ceramics, and textile artists cracking the centuries-old mystery of how colors mix, before shooting to the modern era for high-stakes corporate espionage and the digital revolution that's rewriting the rules of color forever. In prose as vibrant as its subject, Rogers opens the door to Oz, sharing the liveliest events of an expansive human quest--to make a brighter, more beautiful world--and along the way, proving why he's "one of the best science writers around."* *National Geographic
The relationship of visual perception to color expression in art is presented here in clear detail. Photographs of representative paintings, explanatory line drawings, and abstract, geometric color plates supplement the text.
Werner G. K. Backhaus,Reinhold Kliegl,John S. Werner
Author : Werner G. K. Backhaus,Reinhold Kliegl,John S. Werner Publisher : Walter de Gruyter Page : 361 pages File Size : 55,8 Mb Release : 2011-06-24 Category : Science ISBN : 9783110806984
'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'
The Principles of Harmony and Contrast of Colors by Michel E. Chevreul Pdf
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.