Comic Art Propaganda

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Comic Art Propaganda

Author : Fredrik Strömberg
Publisher : Ilex Press
Page : 186 pages
File Size : 41,9 Mb
Release : 2010
Category : Art
ISBN : PSU:000067902408

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Comic Art Propaganda by Fredrik Strömberg Pdf

As one of the most simple, effective and powerful forms of communication, it comes as no surprise that comic art has been misappropriated by governments, self-interest groups, do-gooders and sinister organisations to spread their messages. World War Two comic book propaganda with Superman, Batman, and Captain America bashing up cartoon enemies was so ubiquitous that there was barely a US comic untainted by the war effort. And theres no shortage of examples from the other side of the globe. This book examines every kind of propaganda, and how positive or pernicious messages have been conveyed in the pages of comic books over the last 100 years. Subject areas include racism and xenophobia, antidrugs comics, pro-drugs comics and religious comics. Plus, there is a look at social programming; how gender roles were re-enforced in comic book stereotyping, and how comics broke free to produce a whole slew of gay superheroes, no matter how ham-fistedly written. This book is a fascinating global, visual history of some of the most contentious, outrageous, unbelievably unusual and politically charged comics ever published. Written by renowned comics historian and author, Fredrik Strömberg.

The 10 Cent War

Author : Trischa Goodnow,James J. Kimble
Publisher : Univ. Press of Mississippi
Page : 240 pages
File Size : 53,6 Mb
Release : 2017-01-20
Category : Literary Criticism
ISBN : 9781496810311

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The 10 Cent War by Trischa Goodnow,James J. Kimble Pdf

Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.

Pulp Empire

Author : Paul S. Hirsch
Publisher : University of Chicago Press
Page : 346 pages
File Size : 52,9 Mb
Release : 2024-06-05
Category : Comics & Graphic Novels
ISBN : 9780226829463

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Pulp Empire by Paul S. Hirsch Pdf

Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.

Comic Book Nation

Author : Bradford W. Wright
Publisher : JHU Press
Page : 364 pages
File Size : 40,5 Mb
Release : 2003-10-17
Category : Art
ISBN : 0801874505

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Comic Book Nation by Bradford W. Wright Pdf

A history of comic books from the 1930s to 9/11.

Primal Man

Author : Jack T. Chick
Publisher : Chick Publications
Page : 36 pages
File Size : 45,5 Mb
Release : 1976
Category : Comics & Graphic Novels
ISBN : 9780758909091

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Primal Man by Jack T. Chick Pdf

Theme: Evolution Frank Connelly is the producer of a television series based on evolution. But his meeting with the Crusaders and their friend, Dr. Lind, will change his opinion on what he's producing. Dr. Lind spends time with the producer showing why the so-called "facts" of evolution are false. With proof presented to him, Frank Connelly is convinced evolution is not the truth. But what will he do?

Take That Adolf!

Author : Mark Fertig
Publisher : Fantagraphics Books
Page : 250 pages
File Size : 43,7 Mb
Release : 2017-03-22
Category : Comics & Graphic Novels
ISBN : 9781606999875

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Take That Adolf! by Mark Fertig Pdf

Between 1941 and 1945, Hitler was pummeled on comic book covers by everyone from Captain America to Wonder Woman. Take That, Adolf! is an oversized compilation of more than 500 stunningly restored comics covers published during World War II, featuring America’s greatest super-villain. From Superman and Daredevil to propaganda and racism, Take That, Adolf! is a fascinating look at how legendary creators such as Joe Simon, Jack Kirby, Alex Schomburg, Will Eisner, and Lou Fine entertained millions of kids on the home front and buoyed the spirits of GIs fighting overseas by using Adolf Hitler as a punching bag.

Stan Lee's How to Draw Comics

Author : Stan Lee
Publisher : Watson-Guptill
Page : 226 pages
File Size : 41,6 Mb
Release : 2011-10-12
Category : Art
ISBN : 9780307786487

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Stan Lee's How to Draw Comics by Stan Lee Pdf

In Stan Lee's How to Draw Comics, Stan Lee reveals his secrets for: * Costumes * Penciling, Inking & Coloring * Lettering & Word Balloons * Digital Advances * Perspective & Foreshortening * What Makes Great Action * Page & Panel Layout * Covers * Creating a Portfolio * Getting Work When it comes to comic books, one name says it all: Stan Lee. His characters are classics. His industry knowledge is vast. His creativity is boundless. And now, he’s sharing what he knows with you, Grasshopper! His cohorts have always been—and still are—some of the best in the business: Jack Kirby, John Romita, Sr., Neal Adams, Gil Kane, Mike Deodato, Jr., Frank Cho, and Jonathan Lau, and many others, Stan includes their work here and discusses what exactly makes it so great. He touches on all the important stuff: anatomy, foreshortening, perspective, action, penciling, inking, hand lettering vs. digital lettering, color, character and costume design, panel flow, materials and tools, computers, file formats, and software. He includes an overview of the history and development of the comic book industry, and there’s an extensive section on various types of covers—the super important element that makes the reader want to pick up that comic! In a world where good battles evil at every turn and the hero fights valiantly to get the girl, no stone is left unturned! Here you’ll also find info on all the small details—that really aren’t so small: word balloons, thought balloons, whisper balloons, bursts, sound effect lettering, and splash pages! And KA-BLAMMM! . . . once you’ve created your art, then what? Lest you think Stan would turn you out into the wilderness without a road map, fellow traveler, there’s also information on preparing and submitting your portfolio, on getting work, and on suggested reading and schools. Stan Lee’s How to Draw Comics features a cover that reunites long time collaborator John Romita Sr. and original cover artist of How to Draw Comics the Marvel Way. John Romita Sr. was most famous for his collaboration on The Amazing Spider-Man with Stan Lee! It’s time for a new approach . . . “a cornucopia of cutting-edge, techno-savvy instructions to lead you down the freshly laid yellow brick road of creativity.” It’s time for a book that takes you on the new journey of creating comic books for the 21st century and beyond! Excelsior!

Champions of the Oppressed?

Author : Christopher Murray
Publisher : Hampton Press (NJ)
Page : 289 pages
File Size : 53,6 Mb
Release : 2011
Category : History
ISBN : 1612890024

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Champions of the Oppressed? by Christopher Murray Pdf

This book explores the relationship between American superhero comics and propaganda during World War II. It contends that superhero comics were an important means by which the war was represented to the American people and argues that the ideological links between superhero comics and propaganda resides in the imagery and rhetoric they both employed in order to fashion, maintain and reshape conceptions of identity, power and morality for political purposes.

Is This Tomorrow

Author : Anonim
Publisher : Unknown
Page : 52 pages
File Size : 49,8 Mb
Release : 2016
Category : Comics & Graphic Novels
ISBN : 1934044172

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Is This Tomorrow by Anonim Pdf

Originally published in the midst of the cold war, Is This Tomorrow is a classic example of red scare propaganda. The story envisions a scenario in which the Soviet Union orders American communists to overthrow the US Government. Charles Schulz contributed to the artwork throughout the issue. Reprinted here for the first time in 70 years.

The Comic Art of War

Author : Christina M. Knopf
Publisher : McFarland
Page : 253 pages
File Size : 54,8 Mb
Release : 2015-07-14
Category : History
ISBN : 9780786498352

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The Comic Art of War by Christina M. Knopf Pdf

For military cartoonists the absurdity of war inspires a laugh-or-cry response and provides an endless source of un-funny amusement. Cartoons by hundreds of artists-at-arms from more than a dozen countries and spanning two centuries are included in this study--the first to consider such a broad range of military comics. War and military life are examined through the inside jokes of the men and women who served. The author analyzes themes of culture, hierarchy, enemies and allies, geography, sexuality, combat, and civilian relations and describes how comics function within a community. A number of artists included were known for their work with Disney, Marvel Comics, the New Yorker and Madison Avenue but many lesser known artists are recognized.

All Art Is Propaganda

Author : George Orwell,Keith Gessen
Publisher : HarperCollins
Page : 416 pages
File Size : 43,8 Mb
Release : 2009-10-14
Category : Literary Collections
ISBN : 9780547417752

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All Art Is Propaganda by George Orwell,Keith Gessen Pdf

The essential collection of critical essays from a twentieth-century master and author of 1984. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line." With an Introduction from Keith Gessen.

Comics Art in China

Author : John A. Lent,Xu Ying
Publisher : Univ. Press of Mississippi
Page : 249 pages
File Size : 51,7 Mb
Release : 2017-07-20
Category : Literary Criticism
ISBN : 9781496811776

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Comics Art in China by John A. Lent,Xu Ying Pdf

In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists" actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.

I'm Not a Plastic Bag

Author : Rachel Hope Allison
Publisher : Boom! Studios
Page : 92 pages
File Size : 43,6 Mb
Release : 2013-04-17
Category : Comics & Graphic Novels
ISBN : 9781641449403

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I'm Not a Plastic Bag by Rachel Hope Allison Pdf

Based on the real-life occurrence of The Great Pacific Garbage Patch, an island of floating trash in a remote area of the Northern Pacific Ocean more than twice the size of Texas, I'm Not A Plastic Bag tells a moving story about loneliness, beauty, and humankind's connection to our planet

War, Politics and Superheroes

Author : Marc Di Paolo
Publisher : McFarland Publishing
Page : 330 pages
File Size : 45,9 Mb
Release : 2011
Category : History
ISBN : 0786447184

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War, Politics and Superheroes by Marc Di Paolo Pdf

Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and the surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Fantastic Four and the X-Men, and topics covered include American wars, conflicts, and public policy. Instructors considering this book for use in a course may request an examination copy here.

Star Wars Propaganda

Author : Pablo Hidalgo
Publisher : HarperCollins
Page : 227 pages
File Size : 42,8 Mb
Release : 2016-11-29
Category : Performing Arts
ISBN : 9780062466839

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Star Wars Propaganda by Pablo Hidalgo Pdf

An exploration of Star Wars universe history through stunning propaganda-style artworks tied to some of the films. A Star Wars authority deepens and extends our appreciation of the Star Wars galaxy with this imaginative “history” featuring striking full-color artwork—created exclusively for this entertaining volume—that examines the persuasive messages used to intimidate and inspire the citizenry of the galaxy far, far away. . . . A Star Destroyer hovering over a planet, symbolizing Imperial domination. An X-wing delivering a message of resistance and hope on behalf of the Rebellion. A line of armed, faceless First Order stormtroopers promoting unity. These are all examples of propaganda used by the Empire to advocate strength and maintain fear, and by the Rebel Alliance to inspire hope and win support for the fight. Star Wars Propaganda takes fans into the beloved epic story as never before, bringing the battle between these two sides to life in a fresh and brilliant way. Star Wars Propaganda includes fifty dazzling pieces of art representing all seven episodes—including material related to Star Wars: The Force Awakens—specially produced for this companion volume. Each page combines an original image and a short description detailing its “history”: the in-world “artist” who created it (either willingly or through coercion), where in the Star Wars galaxy it appeared, and why that particular location was targeted. Written by a franchise expert and insider, Star Wars Propaganda is sure to become a keepsake for every fan and graphic artist as well. Praise for Star Wars Propaganda “A galactic history lesson, offering even the most devoted fans a deep dive into corners of the George Lucas films they may not have known. The artwork of ‘Propaganda’ is stellar.” —Wall Street Journal