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Mastering the Flute with William Bennett by Roderick Seed Pdf
For the first time the exercises and teaching methods of world-renowned flutist William Bennett are featured in one workbook. After more than a decade of study with Bennett and many of his students, Roderick Seed has documented the tools that have made Bennett known for his ability to give the flute the depth, dignity, and grandeur of the voice or the stringed instrument. Topics range from how to overcome basic technical difficulties, such as pitch control, to the tools for phrasing, prosody, tone, and intonation needed for playing with different dynamics and ranges of expression. Advanced musicians will find useful exercises and techniques in this book that will deepen their knowledge and enjoyment of making music and help them in their quest to master the flute.
Ten masterly pieces for orchestra and wind instruments — all the ones considered complete and genuine — reproduced from authoritative Breitkopf & Härtel editions. Includes Bassoon concerto, K.191; Concerto for flute and harp, K.299; Clarinet concerto, K.622; Andante for flute, K.315; 6 more.
Who better to write an authoritative yet fascinating introduction to flute-playing than James Galway whose glittering career extends from the principal flute in the Berlin Philharmonic to the top of the international pop charts? He starts with the history of the flute -- believed to be the first and in its simplest form, the most basic of man's many melodic instruments: only singers have less paraphernalia between them and their listeners. You just put your lips to the flute and blow. Galway entrances with his tale of the flute's evolution from the basic recorder to the complex, beautiful instrument we know today. The author's unique advice and experience is brought to bear on the problems and techniques of learning, practising and playing -- in solo, ensemble, at home, in concert and in the recording studio. The flautist will find the specific advice Galway gives invaluable, while the non-flute player will gain an insight into the way the lovely sounds of the flute are produced. Both will be enthralled by detailed analyses of the author's favourite pieces, while he gives due attention to the whole gamut of the flute repertoire.
Concerto for Flute, Harp and Orchestra in C K299 (Edition for Flute and Piano) by Anonim Pdf
Flute, Harp, Piano N.B.: The solo flute part and the flute/harp cadenza are removable inserts. The solo harp part, however, is printed in the piano score, and is bracketed to diferentiate it from the piano reduction of the intervening orchestral material. For this reason, a second copy of this edition will be necessary in order for flutist, harpist, and pianist to rehearse all together.