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Ten masterly pieces for orchestra and wind instruments — all the ones considered complete and genuine — reproduced from authoritative Breitkopf & Härtel editions. Includes Bassoon concerto, K.191; Concerto for flute and harp, K.299; Clarinet concerto, K.622; Andante for flute, K.315; 6 more.
Concerto for Flute, Harp and Orchestra in C K299 (Edition for Flute and Piano) by Anonim Pdf
Flute, Harp, Piano N.B.: The solo flute part and the flute/harp cadenza are removable inserts. The solo harp part, however, is printed in the piano score, and is bracketed to diferentiate it from the piano reduction of the intervening orchestral material. For this reason, a second copy of this edition will be necessary in order for flutist, harpist, and pianist to rehearse all together.
Boyhood of Mozart, as child prodigy at the various royal courts of Europe. Before he died at the age of thirty-six he had left the world a great heritage of music.
This adaptation is based on the timeless swashbuckler by Alexandre Dumas, a tale of heroism, treachery, close escapes and above all, honor. The story, set in 1625, begins with d¿Artagnan who sets off for Paris in search of adventure. Along with d¿Artagnan goes Sabine, his sister, the quintessential tomboy. Sent with d¿Artagnan to attend a convent school in Paris, she poses as a young man ¿ d¿Artagnan¿s servant ¿ and quickly becomes entangled in her brother¿s adventures. Soon after reaching Paris, d¿Artagnan encounters the greatest heroes of the day, Athos, Porthos and Aramis, the famous musketeers, and he joins forces with his heroes to defend the honor of the Queen of France. In so doing, he finds himself in opposition to the most dangerous man in Europe, Cardinal Richelieu. Even more deadly is the infamous Countess de Winter, known as Milady, who will stop at nothing to revenge herself on d¿Artagnan ¿ and Sabine ¿ for their meddlesome behavior. Little does Milady know that the young girl she scorns, Sabine, will ultimately save the day.
(Ensemble). For decades the legendary harpist Ursula Holliger performed these cadenzas to Mozart's popular flute harp concerto with renowned flutists such as Peter-Lukas Graf and Aurele Nicolet. They are now available for the first time as a sheet music edition.
Who better to write an authoritative yet fascinating introduction to flute-playing than James Galway whose glittering career extends from the principal flute in the Berlin Philharmonic to the top of the international pop charts? He starts with the history of the flute -- believed to be the first and in its simplest form, the most basic of man's many melodic instruments: only singers have less paraphernalia between them and their listeners. You just put your lips to the flute and blow. Galway entrances with his tale of the flute's evolution from the basic recorder to the complex, beautiful instrument we know today. The author's unique advice and experience is brought to bear on the problems and techniques of learning, practising and playing -- in solo, ensemble, at home, in concert and in the recording studio. The flautist will find the specific advice Galway gives invaluable, while the non-flute player will gain an insight into the way the lovely sounds of the flute are produced. Both will be enthralled by detailed analyses of the author's favourite pieces, while he gives due attention to the whole gamut of the flute repertoire.