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From a cuneiform tablet to a Chicago prison, from the depths of the cosmos to the text on our T-shirts, Lawrence Weschler finds strange connections wherever he looks. The farther one travels (through geography, through art, through science, through time), the more everything seems to converge -- at least, it does if you're looking through Weschler's giddy, brilliant eyes. Weschler combines his keen insights into art, his years of experience as a chronicler of the fall of Communism, and his triumphs and failures as the father of a teenage girl into a series of essays sure to illuminate, educate, and astound.
Maria del Guadalupe Davidson,Kathryn Sophia Belle,Donna-Dale L. Marcano
Author : Maria del Guadalupe Davidson,Kathryn Sophia Belle,Donna-Dale L. Marcano Publisher : State University of New York Press Page : 282 pages File Size : 48,7 Mb Release : 2010-10-01 Category : Philosophy ISBN : 9781438432687
Convergences by Maria del Guadalupe Davidson,Kathryn Sophia Belle,Donna-Dale L. Marcano Pdf
A range of themes—race and gender, sexuality, otherness, sisterhood, and agency—run throughout this collection, and the chapters constitute a collective discourse at the intersection of Black feminist thought and continental philosophy, converging on a similar set of questions and concerns. These convergences are not random or forced, but are in many ways natural and necessary: the same issues of agency, identity, alienation, and power inevitably are addressed by both camps. Never before has a group of scholars worked together to examine the resources these two traditions can offer one another. By bringing the relationship between these two critical fields of thought to the forefront, the book will encourage scholars to engage in new dialogues about how each can inform the other. If contemporary philosophy is troubled by the fact that it can be too limited, too closed, too white, too male, then this groundbreaking book confronts and challenges these problems.
This anthology is an amalgam of the authors output in the domains of interpretation, translation, and literary scholarship. It is a serious attempt to highlight the cardinal traits common to said fields. This research is a vested trek into the inner workings of the authors profession; interpretation and translation, as well as his standing engagement with literary genres throughout the ages. The books uniqueness resides in treating a diversity of matters interrelated in various ways, although on the surface it appears to make up a queer admixture of dissimilar elementshence the title, Convergences. Interpretation and translation are twin vocations, and between them, convergence is all encompassing. Both transform a message from a source to a target language. Complementary and mutually supportive as they are, yet there is a train of difference in the execution of these two inseparable professions: the method, nature and techniques involved in each. Interpretation is the instantaneous, the simultaneous, in a word the express mode of communication; and translation is the meditative, the slow or the local medium of correspondence. Concomitantly, literature is the crucible for teleologically permeable convergences and incredible divergences. It has a noble ontological message and brings out humanitys hidden treasures, experiences, thoughts, and choices. Literatures lofty missive is grounded in understanding the scenes, events, and characters it depicts excerpts of which feed into discourses to be interpreted and translated. Clients come up with multiple interpretations depending on circumstances and the context in which texts are couched.
In an age of theological fragmentation, Hans Urs von Balthasar urges a reintegration of theology. The increasing specialization and compartmentalization to which theology has been subjected leads to confusion and disunity. Convergences: To the Source of Christian Mystery begins by showing the unity between Christian thought (theology) and Christian living (spirituality). Then Balthasar turns to the specializations and divisions of theology, and shows how the unity of dogma governs and directs the specializations. Next, he examines "the dreadful multiplicity of churches and its pseudo-justfication through the alleged variety of theologies" in the New Testament". Finally, Balthasar has the reader focus on himself, challenging him to consider where "the integrated simplicity of his own existence might lie". Balthasar argues against an imprudent simplification of theology which seeks to return to the simplicity of ancient Christian thought by throwing away allegedly useless accretions. It is thought, says Balthasar in the Foreword, that liberating unity is achieved by ridding oneself of superfluous amassed goods. One cannot remain true to theology, argues Balthasar, by throwing parts of the tradition overboard in an attempt to find a lost, longed-for theological unity. A prior experience of the unity of theology is required to make sound judgments about what is useless and what is helpful.
From the Subsidized Muse to Creative Industries: Convergences and Compromises by Keti Lelo Pdf
La difficoltà di "collocare" le attività economiche derivanti dalla cultura e dalla creatività in un contesto di coerenza ed intelligibilità ha impedito agli studiosi e ai responsabili delle politiche economiche di giungere a conclusioni condivise sui criteri di definizione di questo settore economico. La mancanza di chiarezza nella terminologia raggiunse l'apice alla fine degli anni Novanta, quando le "industrie creative" sostituirono le "industrie culturali", termine fino ad allora ampiamente diffuso e utilizzato nelle politiche culturali nazionali e internazionali. Alla luce dell'intenso dibattito accademico sviluppato attorno alle industrie culturali e creative, la prima parte di questo libro analizza tensioni, dibattiti e divergenze nelle definizioni, nonché le peculiari caratteristiche di queste industrie. Vengono inoltre illustrati gli effetti dell'applicazione di diversi schemi di classificazione del settore culturale e creativo sul suo peso economico, e discusse le difficoltà che esso incontra nella competizione con altri settori per accedere ai programmi di finanziamento europeo. La seconda parte del libro indaga le molteplici relazioni che le industrie creative installano tra di loro e con il contesto urbano. I modelli di localizzazione delle imprese creative vengono analizzati in un caso di studio nella Città metropolitana di Roma. Le distribuzioni spaziali dei diversi settori creativi sono studiate utilizzando punti georiferiti come input per un modello statistico basato sulla funzione K di Ripley. Un'ipotesi nulla di distribuzione casuale viene verificata per le seguenti condizioni: analizzando la distribuzione spaziale di ogni singolo settore creativo rispetto al resto delle attività creative; confrontando a coppie i settori creativi per identificare quelli che rivelano attrazione reciproca; confrontando, per ciascun settore creativo, i modelli di localizzazione delle attività core-creative rispetto alla localizzazione delle rispettive funzioni di servizio. L'analisi empirica ha mostrato che, nella maggior parte dei casi, i settori core-creativi hanno la tendenza di raggrupparsi nello spazio a piccole distanze mentre i rispettivi settori di servizio sono dispersi internamente e disposti attorno al cuore. I confronti reciproci hanno rivelato l'esistenza di cluster creativi urbani caratterizzati dalla coesistenza di diverse attività creative.
By pairing essays with other kinds of compositions — a TV show, a news report, a photo, an ad, a cast-off grocery list — Convergences asks students to respond to all kinds of visual and verbal texts. Its organization into six broad thematic chapters — each of which is broken out into six clusters — presents the materials in a way that is compelling and teachable. Convergences urges students to ask: Why did that author write that essay? Where was it published, and for what audience? What is the message of that poem? Why is that image on that Web site? Who thinks that joke is funny? How is that ad getting me to buy things I don’t need? And, most importantly — how do I make meaning of it all? With its full-color design, varied themes and texts, and helpful reading and writing support, Convergences inspires students to read the world in new ways — and to respond thoughtfully in their own compositions.
Winner of the 2007 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award 2007 Choice Outstanding Academic Title A classic study on the dynamic between an individual and different media channels Convergence Culture maps a new territory: where old and new media intersect, where grassroots and corporate media collide, where the power of the media producer and the power of the consumer interact in unpredictable ways. Henry Jenkins, one of America’s most respected media analysts, delves beneath the new media hype to uncover the important cultural transformations that are taking place as media converge. He takes us into the secret world of Survivor Spoilers, where avid internet users pool their knowledge to unearth the show’s secrets before they are revealed on the air. He introduces us to young Harry Potter fans who are writing their own Hogwarts tales while executives at Warner Brothers struggle for control of their franchise. He shows us how The Matrix has pushed transmedia storytelling to new levels, creating a fictional world where consumers track down bits of the story across multiple media channels.Jenkins argues that struggles over convergence will redefine the face of American popular culture. Industry leaders see opportunities to direct content across many channels to increase revenue and broaden markets. At the same time, consumers envision a liberated public sphere, free of network controls, in a decentralized media environment. Sometimes corporate and grassroots efforts reinforce each other, creating closer, more rewarding relations between media producers and consumers. Sometimes these two forces are at war. Jenkins provides a riveting introduction to the world where every story gets told and every brand gets sold across multiple media platforms. He explains the cultural shift that is occurring as consumers fight for control across disparate channels, changing the way we do business, elect our leaders, and educate our children.
With a unique focus on message, method, and medium, Convergences asks students to think about what, why, and how we communicate. What's the best way to tell the story of your life, through words or pictures? How would the Gettysburg Address be received if Lincoln had delivered it on PowerPoint? Why did Benetton design a marketing campaign around death row inmates? Convergences asks these questions, among others. Convergences has been put together to help students explore the many different kinds of compositions that surround them. Clusters bring together texts from multiple media and genres -- essays, advertisements, the Web, news, comics, television, and film, among others -- with a methodology to read them. And the new edition does even more to suggest a vocabulary students can use to talk about all kinds of texts, both in the book and in ix -- a ground-breaking CD-ROM exploring fundamental concepts of visual rhetoric -- that comes with every copy of Convergences.