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Cool TV 2: More Cult TV from The 1960s by Jon Abbott Pdf
The Sequel Has Landed.... Now, following the successful five star reviewed Cool TV of the 1960s comes Cool TV 2, featuring all the episodes of seven more cult TV shows from the '60s covered in complete nit-picking, fact-checking, family-annoying, partner-irritating detail: The Outer Limits, The Invaders, The Green Hornet, Jonny Quest, Burke's Law, Honey West, and the short-lived, little known Amos Burke, Secret Agent. "Jon Abbott's 'Cool T.V. of the 60's' is one of the best books on television I have ever read. Now we have the sequel, and it does not disappoint. Superbly written, Jon provides great insight into these shows and the remarkable decade that produced them".--Five star review on Amazon.co.uk Jon Abbott is currently appearing regularly in Infinity magazine. He has been writing professionally about 20th century pop culture for over thirty years, during which time he has had over four hundred articles on TV and film published in over two dozen different magazines, trade, specialist, and populist, including Video Today, Starburst, TV Zone, Dreamwatch, What Satellite, Video Buyer, and The DarkSide. Click on blue to see all similar titles, including Irwin Allen Productions, the first Cool TV (with Batman and UNCLE), and The Great Desilu Series of the 1960s, which gives the same Cool TV treatment to The Untouchables, Star Trek, The Lucy Show, and Mission: Impossible...
The buzzword of 1960s popular culture was NEW! NEW! NEW! The 1960s was an extraordinarily creative time for television, as well as the arts, fashion, and music. This book looks at the three most influential and original American television series from that period, The Man from UNCLE, Batman, and The Monkees. It examines the origins, development, and influence on surrounding media of these three pop culture phenomenons, then and today, and provides the most detailed study to date of every single episode of these three series, their feature film versions, and spin-off The Girl from UNCLE, each one a total original that displays 1960s media styles, fashions, and obsessions in all their inspirational glory. This is the story of the secret agent craze, the super-hero fad, and the first boy band-three media phenomena that still influence popular culture today.
Television Series of the 1960s by Vincent Terrace Pdf
By 1960, watching television had become the pastime of millions of viewers around the world. Week after week, audiences tuned in to watch their favorite programs and catch up with their favorite characters. During the 1960s, some of the most beloved shows of all time originally aired, including The Andy Griffith Show, The Fugitive, Get Smart, The Man from U.N.C.L.E., and The Wild, Wild West. Even after these shows departed the airwaves, they lived on in syndication, entertaining several generations of viewers. Devoted and casual fans alike can probably remember basic facts about these shows—like the name of Rob Petrie’s boss on The Dick Van Dyke Show or the original captain of the USS Enterprise—but more obscure facts, like Barney Fife’s middle name, might be harder to recall. In Television Series of the 1960s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about more than seventy-five programs from the decade. For example, did you know that on The Addams Family, Lurch’s mother wanted him to become a jockey? Or that on The Avengers, John Steed had a pet dog named Freckles? Or that Patty and Cathy Lane of The Patty Duke Show had a distant cousin named Betsy Lane? These are but a few of the hundreds of fun and intriguing specifics contained within this volume. Shows from all three major networks (ABC, CBS, and NBC)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs but a treasure trove of the facts associated with each of these programs. From Mister Ed’s social security number to the zip code for Hooterville on Green Acres, readers will discover a wealth of fascinating information that, for the most part, cannot be found anywhere else. In some cases, the factual data detailed herein is the only such documentation that exists. Television Series of the 1960s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
Popular Music And Television In Britain by Dr Ian Inglis Pdf
Listening to popular music and watching television have become the two most common activities for postwar generations in Britain. From the experiences of programmes like Oh Boy! and Juke Box Jury, to the introduction of 24 hour music video channels, the number and variety of television outputs that consistently make use of popular music, and the importance of the small screen as a principal point of contact between audiences and performers are familiar components of contemporary media operation. Yet there have been few attempts to examine the two activities in tandem, to chart their parallel evolution, to explore the associations that unite them, or to consider the increasingly frequent ways in which the production and consumption of TV and music are linked in theory and in practice. This volume provides an invaluable critical analysis of these, and other, topics in newly-written contributions from some of Britain's leading scholars in the disciplines of television and/or popular music studies. Through a concentration on four main areas in which TV organises and presents popular music – history and heritage; performers and performances; comedy and drama; audiences and territories – the book investigates a diverse range of musical genres and styles, factual and fictional programming, historical and geographical demographics, and the constraints of commerce and technology to provide the first systematic account of the place of popular music on British television.
Author : Bryan D. Palmer Publisher : University of Toronto Press Page : 649 pages File Size : 53,8 Mb Release : 2009-01-01 Category : History ISBN : 9780802099549
Focusing on the major movements and personalities of the time, as well as the lasting influence of the period, Canada's 1960s examines the legacy of this rebellious decade's impact on contemporary notions of Canadian identity.
Camp TV of The 1960s by Isabel Pinedo,W. D. Phillips Pdf
Camp TV of the 1960s offers a comprehensive understanding of all of the many forms camp TV took during that critical decade. In reevaluating the history of camp on television, the authors reconsider the infantilized conceptualization of sixties television, which has generally been characterized as the creative and cultural ebb between the 1950s Golden Age of television and the networks' shift to "relevance" in the early 1970s. Encompassing contributions from a broad range of media and television scholars that (re)consider programs like Batman, The Monkees, The Addams Family, Bewitched, F Troop, The Beverly Hillbillies, and Rowan & Martin's Laugh-In, chapters closely examine beloved 1960s American prime-time programs that drew significantly on aspects of camp, many of which were widely syndicated and left continuing imprints on popular culture. Other chapters consider key TV precursors from the early sixties; British camp television programs such as The Avengers; the use of musical codes to convey camp humor (even on black-and-white sets); the role that the viewing strategies of queer communities played - and continued to play even decades later; and how camp's multivalence allowed for more conservative readings, especially among older audiences, which were critical for the move to "mass camp" throughout American culture by the early seventies. Camp TV of the 1960s is essential reading for students and scholars in television studies and others interested in the history and theory of camp, the 1960s, or popular culture, as well as fans of these well-known but generally understudied television programs.
The Columbia Guide to America in the 1960s by David Farber,Beth Bailey Pdf
The 1960s continue to be the subject of passionate debate and political controversy, a touchstone in struggles over the meaning of the American past and the direction of the American future. Amid the polemics and the myths, making sense of the Sixties and its legacies presents a challenge. This book is for all those who want to take it on. Because there are so many facets to this unique and transformative era, this volume offers multiple approaches and perspectives. The first section gives a lively narrative overview of the decade's major policies, events, and cultural changes. The second presents ten original interpretative essays from prominent historians about significant and controversial issues from the Vietnam War to the sexual revolution, followed by a concise encyclopedia articles organized alphabetically. This section could stand as a reference work in itself and serves to supplement the narrative. Subsequent sections include short topical essays, special subjects, a brief chronology, and finally an extensive annotated bibliography with ample information on books, films, and electronic resources for further exploration. With interesting facts, statistics, and comparisons presented in almanac style as well as the expertise of prominent scholars, The Columbia Guide to America in the 1960s is the most complete guide to an enduringly fascinating era.
A social psychologist examines the widespread cultural bias against unmarried adults, debunks commonly held myths about singlehood, and challenges the financial, social, economic, and other discrimination that single adults confront.
B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present by George Plasketes Pdf
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.
Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.
The Encyclopedia of Sixties Cool by Chris Strodder Pdf
The Encyclopedia of Sixties Cool profiles over 250 of the most intriguing personalities of the 1960s. The men and women covered in the book include a wide range of celebrities—from well-known superstars (the Beatles, Dustin Hoffman, Muhammad Ali) to lesser-known icons (Nico, Terry Southern, Bo Belinsky)—who had a significant impact on popular culture. The figures include musicians, actors, directors, artists, athletes, politicians, writers, astronauts . . . anyone and everyone who made the sixties the most influential decade of the twentieth century! Over 200 vintage photographs and more than fifty sidebars are featured throughout the text. The sidebars include lists of Best Picture winners, great quarterbacks, Playmates of the Year, memorable TV theme songs, favorite toys, Disneyland rides, Wimbledon champions, groovy screen cars, surf stars, Indy 500 winners, cool cartoons, sci-fi classics, Bond girls, “bubblegum” hits, beach-movie cameos, and legendary concerts. A “what happened on this day” calendar highlighting landmark events in the lives of those profiled appears on every page. Entertaining and enlightening, The Encyclopedia of Sixties Cool is truly a celebration of the grooviest people, events, and artifacts of the 1960s!
Presidential Debate Negotiation from 1960 to 1988 by John W. Self Pdf
Since their inception, the presidential debates Americans have watched on television were carefully negotiated. This book closely examines a previously unexamined type of political communication, presidential debate negotiation. While it has been widely known that all general election presidential debates since 1960 have been negotiated by the participating candidates, no one has ever completed a systematic study of them. In particular, the 1960, 1976, 1980, 1984, and 1988 negotiations were examined in detail. For each of these election cycles, a comprehensive narrative of what occurred during the pre-debate negotiations was constructed based on primary source materials, media accounts, and other secondary sources. Comparisons across election cycles were made in order to draw some conclusions about presidential debate negotiation. Presidential debate negotiations are not just negotiations, but rather also a form of political rhetoric for several different players. The research concluded that that there are five contexts in which presidential debate rhetoric occurs and the rhetoric is aimed at two audiences. Within each context, the functions and strategies of the rhetoric were discussed and explained from the perspective of the sponsor of the debate(s), the candidates and their representatives, as well as the media.
21st Century Retro: "Mad Men" and 1960s America in Film and Television by Debarchana Baruah Pdf
Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositions style invites discussions from scholars of various fields, as well as those who are simply fans of history or of Mad Men.
The Great Desilu Series of The 1960s by Jon Abbott Pdf
From the author of, and in the style of, Irwin Allen Productions 1964--1970 and Cool TV of the 1960s comes a critical celebration of four classic television shows from the legendary Desilu Studios, with complete cast lists and episode guides. Nearly 600 pages / For comments on reviews, click on 'see all reviews' Desi Arnaz and Lucille Ball's imprint is all over television history. The Desilu company that was formed by Lucy and Desi to produce and market Lucy's TV series I Love Lucy and The Lucy Show was later sold to Paramount, handing them three of the biggest cash cows in television history--for it was Desilu that produced and financed The Untouchables, Mission: Impossible and Star Trek, three of the most admired and respected television series ever made. All three would never have made it to air without the power, influence and support of Desi Arnaz and Lucille Ball. It was Lucy who took television out of New York theaterland to Hollywood; she financed the pilot for I Love Lucy with her own money; she was the first to film before a live audience; her show pioneered the three camera system of filming sit-coms; her onscreen pregnancy forced American television to grow up a little when it was written into her series. It was Desi who protected The Untouchables; it was Lucy who bullied Star Trek and Mission: Impossible onto the air. This book examines the four major Desilu legacies of the 1960s in detail--The Untouchables, The Lucy Show, Mission: Impossible, and Star Trek. Controversial mob show The Untouchables ran for four seasons (1959 to 1963) until TV's censors and professional complainers finally finished it off. It set the bar so high and created such controversy (albeit media-manufactured) that it was twenty five years before gangster shows of comparable quality appeared, and to this day there has not been a gangland show as successful. It was a pulp paperback brought to life, the American trash magazine as live action TV. The slam-bang rapid pace, the justifiable but shameless voyeuristic violence, and the staccato machine-gun-like narration was unique and exciting in the more slower-paced environment of early-'60s TV, and the list of guest stars giving top-rate performances of mostly first-rate scripts is as long as it is distinguished. The Lucy Show ran for six seasons, featured wonderful physical comedy, numerous staple sit-com formula plots, and dozens of celebrity guest stars as a significant and popular part of Lucille Ball's twenty year TV career. Her co-stars, Vivian Vance and Gale Gordon (as Mr. Mooney) achieved career highs. Mission: Impossible was the longest running and most parodied spy show of the 1960s, and is today a major movie franchise. With its dazzling theme, self-destructing taped messages, convoluted schemes, drop-jawed disbelieving villains, and iconic characters, it became a genuine pop culture item. Star Trek, also a major movie franchise, presented pure science-fiction concepts to a mature and wide-ranging mass audience for the first time in television's history, by brilliantly transposing the western formula to futuristic space adventure, and becoming one of the most significant and revered television series in the history of the medium. Desi and Lucy were barely aware they were producing it, but Lucy got it on the air by securing another television first--a second pilot. The Great Desilu Series of the 1960s is a fascinating, fun-filled, fact-filled story of four famously loved television series--related in the context of each other and discussed together for what I believe to be the first time.
As Heard on TV: Popular Music in Advertising by Dr Bethany Klein Pdf
The use of popular music in advertising represents one of the most pervasive mergers of cultural and commercial objectives in the modern age. Steady public response to popular music in television commercials, ranging from the celebratory to the outraged, highlights both unresolved tensions around such partnerships and the need to unpack the complex issues behind everyday media practice. Through an analysis of press coverage and interviews with musicians, music supervisors, advertising creatives, and licensing managers, As Heard on TV considers the industrial changes that have provided a foundation for the increased use of popular music in advertising, and explores the critical issues and debates surrounding media alliances that blur cultural ambitions with commercial goals. The practice of licensing popular music for advertising revisits and continues a number of themes in cultural and media studies, among them the connection between authorship and ownership in popular music, the legitimization of advertising as art, industrial transformations in radio and music, the role of music in branding, and the restructuring of meaning that results from commercial exploitation of popular music. As Heard on TV addresses these topics by exploring cases involving artists from the Beatles to the Shins and various dominant corporations of the last half-century. As one example within a wider debate about the role of commerce in the production of culture, the use of popular music in advertising provides an entry point through which a range of practices can be understood and interrogated. This book attends to the relationship between popular culture and corporate power in its complicated variation: at times mutually beneficial and playfully suspicious of constructed boundaries, and at others conceived in strain and symbolic of the triumph of hypercommercialism.
