Corporeality In Early Cinema

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Corporeality in Early Cinema

Author : Marina Dahlquist,Doron Galili,Jan Olsson,Valentine Robert
Publisher : Indiana University Press
Page : 371 pages
File Size : 52,7 Mb
Release : 2018-11-01
Category : Performing Arts
ISBN : 9780253033666

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Corporeality in Early Cinema by Marina Dahlquist,Doron Galili,Jan Olsson,Valentine Robert Pdf

Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.

The Corporeal Image

Author : David MacDougall
Publisher : Princeton University Press
Page : 328 pages
File Size : 46,9 Mb
Release : 2006
Category : Performing Arts
ISBN : 9780691121567

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The Corporeal Image by David MacDougall Pdf

David MacDougall argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words.

The Image in Early Cinema

Author : Scott Curtis,Philippe Gauthier,Tom Gunning,Joshua Yumibe
Publisher : Indiana University Press
Page : 392 pages
File Size : 52,8 Mb
Release : 2018-03-22
Category : Performing Arts
ISBN : 9780253034427

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The Image in Early Cinema by Scott Curtis,Philippe Gauthier,Tom Gunning,Joshua Yumibe Pdf

In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.

Body Shots

Author : Jonathan Auerbach
Publisher : Univ of California Press
Page : 214 pages
File Size : 53,6 Mb
Release : 2007-10-09
Category : Performing Arts
ISBN : 9780520252936

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Body Shots by Jonathan Auerbach Pdf

Auerbach places the body at the center of cinema's first decade of emergence and challenges the idea that for early audiences, the new medium's fascination rested on visual spectacle for its own sake.

Specters of Slapstick and Silent Film Comediennes

Author : Maggie Hennefeld
Publisher : Columbia University Press
Page : 359 pages
File Size : 41,7 Mb
Release : 2018-03-27
Category : Performing Arts
ISBN : 9780231547062

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Specters of Slapstick and Silent Film Comediennes by Maggie Hennefeld Pdf

Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds—and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.

Cinema and Sensation

Author : Martine Beugnet
Publisher : SIU Press
Page : 208 pages
File Size : 52,6 Mb
Release : 2007
Category : Art
ISBN : 0809328569

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Cinema and Sensation by Martine Beugnet Pdf

"Cinema and Sensation: " "French Film and the Art of Transgression" looks at a much-debated phenomenon in contemporary cinema: the reemergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema s sensory impact and transgressive nature: "Adieu"; "A ma soeur"; "Baise-moi"; "Beau Travail"; "La Blessure"; "La Captive"; "Dans ma peau"; "Demonlover"; "L Humanite"; "Flandres"; "L Intrus"; "Les Invisibles"; "Lady Chatterley"; "Lecons de tenebres"; "Romance"; "Sombre"; "Tiresia"; "Trouble Every Day"; "Twentynine Palms"; "Vendredi soir"; "La Vie nouvelle"; "Wild Side"; and "Zidane, un portrait du XXIeme siecle." These films, among others, typify a willingness to explore cinema s unique capacity to move us both viscerally and intellectually.Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of Deleuze, Merleau-Ponty, and Bataille, among others, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques, and motifs that allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching today s most burning sociocultural debatesfrom the growing supremacy of technology, to globalization, exile, and exclusion."

Silent Cinema and the Politics of Space

Author : Jennifer M. Bean,Anupama Kapse,Laura Horak
Publisher : Indiana University Press
Page : 359 pages
File Size : 49,7 Mb
Release : 2014-04-02
Category : Performing Arts
ISBN : 9780253015075

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Silent Cinema and the Politics of Space by Jennifer M. Bean,Anupama Kapse,Laura Horak Pdf

In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forces–geographic, economic, political, psychological, textual, and experiential–that underscore a non-linear approach to film history. The "messiness" of film history, as demonstrated here, opens a new realm of inquiry into unexpected political, social, and aesthetic crossings of silent cinema.

Flesh Cinema

Author : Ara Osterweil
Publisher : Manchester University Press
Page : 304 pages
File Size : 53,8 Mb
Release : 2014-08-13
Category : Art
ISBN : 0719091918

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Flesh Cinema by Ara Osterweil Pdf

Flesh Cinema: The Corporeal Turn in American Avant-Garde Film explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning. Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.

The Institutionalization of Educational Cinema

Author : Marina Dahlquist,Joel Frykholm
Publisher : Indiana University Press
Page : 272 pages
File Size : 42,9 Mb
Release : 2020-01-01
Category : Performing Arts
ISBN : 9780253045225

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The Institutionalization of Educational Cinema by Marina Dahlquist,Joel Frykholm Pdf

The potential of films to educate has been crucial for the development of cinema intended to influence culture, and is as important as conceptions of film as a form of art, science, industry, or entertainment. Using the concept of institutionalization as a heuristic for generating new approaches to the history of educational cinema, contributors to this volume study the co-evolving discourses, cultural practices, technical standards, and institutional frameworks that transformed educational cinema from a convincing idea into an enduring genre. The Institutionalization of Educational Cinema examines the methods of production, distribution, and exhibition established for the use of educational films within institutions–such as schools, libraries, and industrial settings in various national and international contexts and takes a close look at the networks of organizations, individuals, and government agencies that were created as a result of these films' circulation. Through case studies of educational cinemas in different North American and European countries that explore various modes of institutionalization of educational film, this book highlights the wide range of vested interests that framed the birth of educational and nontheatrical cinema.

The Image in Early Cinema

Author : Scott Curtis,Philippe Gauthier,Tom Gunning,Joshua Yumibe
Publisher : Indiana University Press
Page : 344 pages
File Size : 55,7 Mb
Release : 2018-03-22
Category : Performing Arts
ISBN : 9780253034403

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The Image in Early Cinema by Scott Curtis,Philippe Gauthier,Tom Gunning,Joshua Yumibe Pdf

1. This book is a fascinating look at how early cinema and moving images inspired and were inspired by other more static forms of visual culture, such as painting, photography, and tableaux vivants. The contributors to this volume demonstrate how cinema responded to and was positioned within broader artistic and cultural frameworks. 2. This book is another strong contribution to the Proceedings of Domitor series, of which we are now the sole publishers. 3. It will benefit from our well established reputation in early cinema studies.

Feminisms

Author : Laura Mulvey,Anna Backman Rogers
Publisher : Unknown
Page : 0 pages
File Size : 44,5 Mb
Release : 2015
Category : Feminism and motion pictures
ISBN : 9089646760

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Feminisms by Laura Mulvey,Anna Backman Rogers Pdf

This collection demonstrates the diverse legacy of feminist film studies. From female agencies in television series to digitized heroines in film to the aging female star, Feminisms combines compelling analyses of contemporary images of women and their narratives with reflections and interviews on the developments and differentiation in the history, theory, and practice of women and film and in the larger field of media studies.

The Sounds of Early Cinema

Author : Richard Abel,Rick R. Altman
Publisher : Indiana University Press
Page : 350 pages
File Size : 44,8 Mb
Release : 2001-10-03
Category : Performing Arts
ISBN : 0253108705

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The Sounds of Early Cinema by Richard Abel,Rick R. Altman Pdf

The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

New Perspectives on Early Cinema History

Author : Mario Slugan,Daniël Biltereyst
Publisher : Bloomsbury Publishing
Page : 305 pages
File Size : 42,8 Mb
Release : 2022-06-02
Category : Performing Arts
ISBN : 9781350181991

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New Perspectives on Early Cinema History by Mario Slugan,Daniël Biltereyst Pdf

In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper's Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.

Provenance and Early Cinema

Author : Joanne Bernardi,Paolo Cherchi Usai,Tami Williams,Joshua Yumibe
Publisher : Indiana University Press
Page : 431 pages
File Size : 46,5 Mb
Release : 2021-02-01
Category : Performing Arts
ISBN : 9780253053008

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Provenance and Early Cinema by Joanne Bernardi,Paolo Cherchi Usai,Tami Williams,Joshua Yumibe Pdf

Remnants of early films often have a story to tell. As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.

Embodied Modernities

Author : Fran Martin,Ari Larissa Heinrich
Publisher : University of Hawaii Press
Page : 302 pages
File Size : 42,9 Mb
Release : 2006-07-31
Category : Literary Criticism
ISBN : 9780824829636

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Embodied Modernities by Fran Martin,Ari Larissa Heinrich Pdf

From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. By facilitating fresh dialogue between fields as diverse as the history of science, literary studies, diaspora studies, cultural anthropology, and contemporary Chinese film and cultural studies, Embodied Modernities addresses contemporary Chinese embodiments as they are represented textually and as part of everyday life practices. The book is divided into two sections, each with a dedicated introduction by the editors. The first examines "Thresholds of Modernity" in chapters on Chinese body cultures in the late nineteenth and early twentieth centuries—a period of intensive cultural, political, and social modernization that led to a series of radical transformations in how bodies were understood and represented.The second section on "Contemporary Embodiments" explores body representations across the People’s Republic of China,Taiwan, and Hong Kong today. Contributors: Chris Berry, Louise Edwards, Maram Epstein, Larissa Heinrich, Olivia Khoo, Fran Martin, Jami Proctor-Xu, Tze-lan D. Sang, Teri Silvio, Mark Stevenson, Cuncun Wu, Angela Zito, John Zou.