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Author : Nadya Zimmerman
Publisher : University of Michigan Press
Page : 241 pages
File Size : 41,9 Mb
Release : 2013-07-22
Category : History
ISBN : 9780472035724
A bold reconsideration of the meaning of 1960s San Francisco counterculture
Author : Patrick Burke
Publisher : University of Chicago Press
Page : 246 pages
File Size : 41,6 Mb
Release : 2021-05-10
Category : History
ISBN : 9780226768212
"Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
Author : Damon R. Bach
Publisher : University Press of Kansas
Page : 384 pages
File Size : 55,9 Mb
Release : 2020-12-03
Category : History
ISBN : 9780700630103
Restricted to the shorthand of “sex, drugs, and rock ‘n’ roll,” the counterculture would seem to be a brief, vibrant stretch of the 1960s. But the American counterculture, as this book clearly demonstrates, was far more than a historical blip and its impact continues to resonate. In this comprehensive history, Damon R. Bach traces the counterculture from its antecedents in the 1950s through its emergence and massive expansion in the 1960s to its demise in the 1970s and persistent echoes in the decades since. The counterculture, as Bach tells it, evolved in discrete stages and his book describes its development from coast to heartland to coast as it evolved into a national phenomenon, involving a diverse array of participants and undergoing fundamental changes between 1965 and 1974. Hippiedom appears here in relationship to the era’s movements—civil rights, women’s and gay liberation, Red and Black Power, the New Left, and environmentalism. In its connection to other forces of the time, Bach contends that the counterculture’s central objective was to create a new, superior society based on alternative values and institutions. Drawing for the first time on documents produced by self-described “freaks” from 1964 through 1973—underground newspapers, memoirs, personal correspondence, flyers, and pamphlets—his book creates an unusually nuanced, colorful, and complete picture of a time often portrayed in clichéd or nostalgic terms. This is the counterculture of love-ins and flower children, of the Grateful Dead and Jefferson Airplane, but also of antiwar demonstrations, communes, co-ops, head shops, cultural feminism, Earth Day, and antinuclear activism. What Damon R. Bach conjures is the counterculture in all of its permutations and ramifications as he illuminates its complexity, continually evolving values, and constantly changing components and adherents, which defined and redefined it throughout its near decade-long existence. In the long run, Bach convincingly argues that the counterculture spearheaded cultural transformation, leaving a changed America in its wake.
Author : Elissa Auther,Adam Lerner
Publisher : U of Minnesota Press
Page : 448 pages
File Size : 48,5 Mb
Release : 2011-11-02
Category : Art
ISBN : 9781452933078
In the heady and hallucinogenic days of the 1960s and ’70s, a diverse range of artists and creative individuals based in the American West—from the Pacific coast to the Rocky Mountains and the Southwest—broke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement. Often created through radically collaborative artistic practices, such works as Paolo Soleri’s earth homes, the hand-built architecture of the Drop City and Libre communes, Yolanda López’s political posters, the multisensory movement workshops of Anna and Lawrence Halprin, and the immersive light shows and video-based work by the Ant Farm and Optic Nerve collectives were intended to generate new life patterns that pointed toward social and political emancipation. In West of Center, Elissa Auther and Adam Lerner bring together a prominent group of scholars to elaborate the historical and artistic significance of these counterculture projects within the broader narrative of postwar American art, which skews heavily toward New York’s avant-garde art scene. This west of center countercultural movement has typically been associated with psychedelic art, but the contributors to this book understand this as only one dimension of the larger, artistically oriented, socially based phenomenon. At the same time, they reveal the disciplinary, geographic, and theoretical biases and assumptions that have led to the dismissal of countercultural practices in the history of art and visual culture, and they detail how this form of cultural and political activity found its place in the West. A companion to an exhibition originating at the Museum of Contemporary Art Denver, this book illuminates how, in the western United States, the counterculture’s unique integration of art practices, political action, and collaborative life activities serves as a linchpin connecting postwar and contemporary artistic endeavors.
Author : Marcus Collins
Publisher : Cambridge University Press
Page : 385 pages
File Size : 49,8 Mb
Release : 2020-03-05
Category : History
ISBN : 9781108477246
In this rigorous study, Marcus Collins reconceives the Beatles' social, cultural and political impact on sixties Britain.
Author : Ulf Olsson
Publisher : Univ of California Press
Page : 198 pages
File Size : 41,8 Mb
Release : 2017-05-09
Category : Music
ISBN : 9780520286658
"Roth Family Foundation Music in America imprint"--First page.
Author : Carolene Ayaka,Ian Hague
Publisher : Routledge
Page : 320 pages
File Size : 50,6 Mb
Release : 2014-11-20
Category : Literary Criticism
ISBN : 9781317687153
Multiculturalism, and its representation, has long presented challenges for the medium of comics. This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don’t conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Romania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the ‘other," anthropomorphism, and colonialism. Taking a truly international perspective, the book brings into dialogue a broad range of comics traditions.
Author : Phil Ford
Publisher : Oxford University Press
Page : 321 pages
File Size : 49,9 Mb
Release : 2013-09-12
Category : History
ISBN : 9780199939916
Dig argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples, author Phil Ford shows why and how music became a central facet of hipness and the counterculture.
Author : W. J. Rorabaugh
Publisher : Cambridge University Press
Page : 249 pages
File Size : 54,5 Mb
Release : 2015-06-17
Category : History
ISBN : 9781107049239
This short overview of the United States hippie social movement examines hippie beliefs and practices.
Author : D. E. Osto
Publisher : Columbia University Press
Page : 329 pages
File Size : 55,7 Mb
Release : 2016-04-26
Category : Religion
ISBN : 9780231541411
In the 1960s, Americans combined psychedelics with Buddhist meditation to achieve direct experience through altered states of consciousness. As some practitioners became more committed to Buddhism, they abandoned the use of psychedelics in favor of stricter mental discipline, but others carried on with the experiment, advancing a fascinating alchemy called psychedelic Buddhism. Many think exploration with psychedelics in Buddhism faded with the revolutionary spirit of the sixties, but the underground practice has evolved into a brand of religiosity as eclectic and challenging as the era that created it. Altered States combines interviews with well-known figures in American Buddhism and psychedelic spirituality—including Lama Surya Das, Erik Davis, Geoffrey Shugen Arnold Sensei, Rick Strassman, and Charles Tart—and personal stories of everyday practitioners to define a distinctly American religious phenomenon. The nuanced perspective that emerges, grounded in a detailed history of psychedelic religious experience, adds critical depth to debates over the controlled use of psychedelics and drug-induced mysticism. The book also opens new paths of inquiry into such issues as re-enchantment, the limits of rationality, the biochemical and psychosocial basis of altered states of consciousness, and the nature of subjectivity.
Author : Anthony Ashbolt
Publisher : Routledge
Page : 272 pages
File Size : 48,8 Mb
Release : 2015-10-06
Category : History
ISBN : 9781317321880
The San Francisco Bay Area was a meeting point for radical politics and counterculture in the 1960s. Until now there has been little understanding of what made political culture here unique. This work explores the development of a regional culture of radicalism in the Bay Area, one that underpinned both political protest and the counterculture.
Author : Michael J. Kramer
Publisher : Oxford University Press
Page : 352 pages
File Size : 45,9 Mb
Release : 2013-04-05
Category : Music
ISBN : 9780199987351
In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam. Now, in The Republic of Rock, Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love and war-torn Southeast Asia were crucial to the making of the sixties counterculture. The book also illustrates how and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today. Going beyond clichéd narratives about sixties music, Kramer argues that rock became a way for participants in the counterculture to think about what it meant to be an American citizen, a world citizen, a citizen-consumer, or a citizen-soldier. The music became a resource for grappling with the nature of democracy in larger systems of American power both domestically and globally. For anyone interested in the 1960s, popular music, and American culture and counterculture, The Republic of Rock offers new insight into the many ways rock music has shaped our ideas of individual freedom and collective belonging.
Author : Brian F. Wright
Publisher : University of Michigan Press
Page : 393 pages
File Size : 55,5 Mb
Release : 2024
Category : Music
ISBN : 9780472056811
Centering the electric bass in popular music history
Author : Micah Issitt
Publisher : Bloomsbury Publishing USA
Page : 189 pages
File Size : 40,8 Mb
Release : 2009-10-22
Category : Social Science
ISBN : 9780313365737
An insightful introduction to hippie culture and how its revolutionary principles in the 1960s helped shape modern culture. This title explores how hippies, and 1960s counterculture in general, developed and influenced popular culture in America. Covering the years between 1961 and 1972, this is the first volume focused exclusively on the emergence, growth, and lasting legacy of hippie culture, on everything from clothing, hair styles, and music to attitudes toward sex and drugs, and anti-war, anti-establishment activism. Hippies includes a chronology, topical chapters on hippie culture, biographies, primary documents, and a glossary. Coverage ranges from an examination of hippie involvement in drug use, politics, sexual behavior, and music, and a contemporary perspective on lasting impact of hippies on modern American life. Readers will encounter famous icons of the era, from Abbie Hoffman to Timothy Leary, while getting a real sense of what life inside the hippie counterculture was like.
Author : Marcel Danesi
Publisher : Canadian Scholars
Page : 250 pages
File Size : 51,6 Mb
Release : 2018-03-26
Category : Social Science
ISBN : 9781551309545
Is youth culture coming to an end? In this exciting new read, Marcel Danesi offers a compelling account of how youth culture emerged and evolved in North America over the course of the twentieth century and why it may be disappearing. Tracing the origins of youth culture in the Roaring Twenties through its evolution from the rock and roll rebels of the 1950s to the counterculture hippies of the 1960s, the punk and disco subcultures of the 1970s, and the rap movement of the 1990s, From Flappers to Rappers demonstrates how the musical genres, lifestyles, ideologies, and social movements that characterized the different eras of youth culture have radically reshaped our world. In engaging and accessible prose, Danesi makes the argument that the current fragmented environment of the Internet cannot sustain a united community of youths. He analyzes how new technology, which previously helped to entrench youth movements in society, is now ironically bringing about the demise of youth culture as we know it. Brimming with thought-provoking examples and accompanied by a student workbook, From Flappers to Rappers will be indispensable for students of sociology, anthropology, cultural studies, and history, as well as for anyone interested in youth and popular culture.