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When Clare Leighton moved to the countryside in the 1930s, she tuned her exceptional creativity to the Chiltern landscape around her. Already considered one of the finest engravers of her time, she immediately began a series of portraits, in words and engravings, which explored the nature and rhythms of rural life. With subjects as varied as picking primroses, the village witch and smithy, harvest festival, chair bodgers, the local pub, felling trees and country cramps, Leighton documents the idiosyncrasies and nuances of rural culture, leaving us with a valuable and beautiful record of a way of life that has now vanished. Illustrated with her own bold and elegant engravings, here is an affectionate, unsentimental portrait of the English countryside. Book jacket.
Country Matters by Meg Clothier,Jonny Clothier Pdf
Everything you wanted to know about the countryside, but were too afraid to ask 'A joyful companion with surprises and delights on every page' Tristan Gooley, author of The Walker's Guide to Outdoor Clues and Signs 'Highly readable and scrupulously balanced' John Wright, author of The Forager's Calendar 'Lovely, luminous' Bella Bathurst, author of Field Work Need advice on how to raise a chicken or pluck a pheasant? Wondering how to train your dog, catch a mole or sneak through a field of cows? Perhaps you're after the secret to the fattest pumpkin, the wormiest compost, the classiest snowdrop? Or are you simply in love with our captivating landscapes, keen to unlock the history and culture of our woods and fields, our footpaths and boundaries, our meadows and moors? In this delightful and eye-opening book, Meg Clothier and her father, Jonny, combine decades of practical know-how with a passion for literature and lore - braced up by a keen understanding of the conundrums of the contemporary countryside. From hedges and holloways to henges and ha-has, Country Matters brings the world beyond our towns and cities - its pleasures and perplexities, its dilemmas and delights - to entertaining and illuminating life.
Daniel Hoffman’s bold new readings reveal unsuspected dimensions in Faulkner’s The Unvanquished, The Hamlet, and Go Down, Moses. He shows how these works, often regarded as disunified collections of short stories and novellas, are coherent and successful experiments in novelistic form. These last three novels of Faulkner’s great period are striated with folklore and structured with myths. They teem with folk motifs of comic exaggeration, deception, horse-trading, tall-tale humor. Hitherto, critics unversed in folklore have been able to treat these aspects only in generalities. Here, drawing on fieldwork from the Mississippi Writers Project in the 1930s, the author of Poe Poe Poe Poe Poe Poe Poe and the influential Form and Fable in America Fiction demonstrates in detail Faulkner’s ironical, subversive, and transformative appropriations of folklore plots, characters, comedy, language, and the style of oral tale-telling, setting these in the full complexity of the works they animate. Hoffman, shows, too how in imagining his dynastic novels, Faulkner interprets myth as history, history as myth. He challenges recent deconstructive, post-Marxist and structuralist readings of “The Bear,” and demonstrates the necessity on the reader’s part for an historical imagination to complement Faulkner’s own. Written with verve, Faulkner’s Country Matters enriches our reading of Faulkner by presenting his work in its necessary settings of southern history and culture. Faulkner’s modernism is restated as a continuance of the great American fiction tradition of Hawthorne, Melville, and Mark Twain.
For more than a decade, Jo Northrop wrote the "Simple Country Pleasures" column in Country Living magazine. This delightful volume collects Northrops thoughtful observations of contemporary life in the country.
Country Matters by Michael Korda,Success Research Cor Pdf
“Dreaming of moving to the country? First, read Michael Korda’s engaging memoir. City types will find laughter, profit, and fair warning in Country Matters.” —Washington Post With his inimitable sense of humor and storytelling talent, New York Times bestselling author Michael Korda brings us this charming, hilarious, self-deprecating memoir of a city couple's new life in the country. At once entertaining, canny, and moving, Country Matters does for Dutchess County, New York, what Under the Tuscan Sun did for Tuscany. This witty memoir, replete with Korda's own line drawings, reads like a novel, as it chronicles the author's transformation from city slicker to full-time country gentleman, complete with tractors, horses, and a leaking roof. When he decides to take up residence in an eighteenth-century farmhouse in Dutchess County, ninety miles north of New York City, Korda discovers what country life is really like: Owning pigs, more than owning horses, even more than owning the actual house, firmly anchored the Kordas as residents in the eyes of their Pleasant Valley neighbors. You may own your land, but without concertina barbed wire, or the 82nd Airborne on patrol, it's impossible to keep people off it! It's possible to line up major household repairs over a tuna melt sandwich. The locals are not particularly quick to accept these outsiders, and the couple's earliest interactions with their new neighbors provide constant entertainment, particularly when the Kordas discover that hunting season is a year-round event—right on their own land! From their closest neighbors, mostly dairy farmers, to their unforgettable caretaker Harold Roe—whose motto regarding the local flora is "Whack it all back! "—the residents of Pleasant Valley eventually come to realize that the Kordas are more than mere weekenders. Sure to have readers in stitches, this is a book that has universal appeal for all who have ever dreamed of owning that perfect little place to escape to up in the country, or, more boldly, have done it.
Why Growth Matters by Jagdish Bhagwati,Arvind Panagariya Pdf
In its history since Independence, India has seen widely different economic experiments: from Jawharlal Nehru's pragmatism to the rigid state socialism of Indira Gandhi to the brisk liberalization of the 1990s. So which strategy best addresses India's, and by extension the world's, greatest moral challenge: lifting a great number of extremely poor people out of poverty? Bhagwati and Panagariya argue forcefully that only one strategy will help the poor to any significant effect: economic growth, led by markets overseen and encouraged by liberal state policies. Their radical message has huge consequences for economists, development NGOs and anti-poverty campaigners worldwide. There are vital lessons here not only for Southeast Asia, but for Africa, Eastern Europe, and anyone who cares that the effort to eradicate poverty is more than just good intentions. If you want it to work, you need growth. With all that implies.
Does China Matter? by Gerald Segal,Barry Buzan,Rosemary Foot Pdf
Developing the key work of Gerry Segal, this book examines China in the context of the world economy, the Asian economy, as a global military power, as a regional military power, within world and Asian politics, and within the contemporary world and Asian culture.
World Literacy by John W. Miller,Michael C. McKenna Pdf
International literacy assessments have provided ample data for ranking nations, charting growth, and casting blame. Summarizing the findings of these assessments, which afford a useful vantage from which to view world literacy as it evolves, this book examines literate behavior worldwide, in terms of both the ability of populations from a wide variety of nations to read and the practice of literate behavior in those nations. Drawing on The World’s Most Literate Nations, author Jack Miller’s internationally released study, emerging trends in world literacy and their relationships to political, economic, and social factors are explored. Literacy, and in particular the practice of literate behaviors, is used as a lens through which to view countries’ economic development, gender equality, resource utilization, and ethnic discrimination. Above all, this book is about trajectories. It begins with historical contexts, described in terms of support for literate cultures. Based on a variety of data sources, these trends are traced to the present and then projected ahead. The literate futures of nations are discussed and how these relate to their economic and sociocultural development. This book is unique in providing a broader perspective on an intractable problem, a vantage point that offers useful insights to inform policy, and in bringing together an array of relevant data sources not typically associated with literacy status.
Re-Visions of Shakespeare: Essays in Honor of Robert Ornstein is a tribute to one of the most prominent Shakespeareans in the last half of the twentieth century, past president of the Shakespeare Association of America, and author of Shakespeare's Comedies: From Roman Farce to Romantic Mystery, and Other texts. Twelve original contributions by an international group of scholars, including some of the most prominent working in Shakespeare studies today, use a variety of theoretical perspectives to address issues of contemporary import in the dramatic texts. Janus-like, the collection suggests the directions of Shakespeare studies at the outset of the new millennium while considering their roots in the last.
'Painting matters to Australia and Australians as it does in few other countries. It has formed our consciousness, our sense of where we come from, and who we are. It cries out for wider recognition and acknowledgement.' - Patrick McCaughey Why has Australia, an island continent with a small population, produced such original and powerful art? And why is it so little known beyond our shores? Strange Country: Why Australian Painting Matters is Patrick McCaughey's answer.
Author : Rui Manuel G. de Carvalho Homem,A. J. Hoenselaars Publisher : Rodopi Page : 296 pages File Size : 54,8 Mb Release : 2004 Category : Language Arts & Disciplines ISBN : 904201721X
Translating Shakespeare for the Twenty-first Century by Rui Manuel G. de Carvalho Homem,A. J. Hoenselaars Pdf
Most of the contributions to Translating Shakespeare for the Twenty-First Century evolve from a practical commitment to the translation of Shakespearean drama and at the same time reveal a sophisticated awareness of recent developments in literary criticism, Shakespeare studies, and the relatively new field of Translation studies. All the essays are sensitive to the criticism to which notions of the original as well as distinctions between the creative and the derivative have been subjected in recent years. Consequently, they endeavour to retrieve translation from its otherwise subordinate status, and advance it as a model for all writing, which is construed, inevitably, as a rewriting. This volume offers a wide range of responses to the theme of Shakespeare and translation as well as Shakespeare in translation. Diversity is ensured both by the authors' varied academic and cultural backgrounds, and by the different critical standpoints from which they approach their themes - from semiotics to theatre studies, and from gender studies to readings firmly rooted in the practice of translation. Translating Shakespeare for the Twenty-First Century is divided into two complementary sections. The first part deals with the broader insights to be gained from a multilingual and multicultural framework. The second part focuses on Shakespearean translation into the specific language and the culture of Portugal.
In 1823, Sir Henry Bunbury discovered a badly bound volume of twelve Shakespeare plays in a closet of his manor house. Nearly all of the plays were first editions, but one stood out as extraordinary: a previously unknown text of Hamlet that predated all other versions. Suddenly, the world had to grapple with a radically new—or rather, old—Hamlet in which the characters, plot, and poetry of Shakespeare's most famous play were profoundly and strangely transformed. Q1, as the text is known, has been declared a rough draft, a shorthand piracy, a memorial reconstruction, and a pre-Shakespearean "ur-Hamlet," among other things. Flickering between two historical moments—its publication in Shakespeare's early seventeenth century and its rediscovery in Bunbury's early nineteenth—Q1 is both the first and last Hamlet. Because this text became widely known only after the familiar version of the play had reached the pinnacle of English literature, its reception has entirely depended on this uncanny temporal oscillation; so too has its ongoing influence on twentieth- and twenty-first-century ideas of the play. Zachary Lesser examines how the improbable discovery of Q1 has forced readers to reconsider accepted truths about Shakespeare as an author and about the nature of Shakespeare's texts. In telling the story of this mysterious quarto and tracing the debates in newspapers, London theaters, and scholarly journals that followed its discovery, Lesser offers brilliant new insights on what we think we mean by Hamlet.