County Folklore Volume V Examples Of Printed Folklore Concerning Lincolnshire
County Folklore Volume V Examples Of Printed Folklore Concerning Lincolnshire Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of County Folklore Volume V Examples Of Printed Folklore Concerning Lincolnshire book. This book definitely worth reading, it is an incredibly well-written.
County Folklore (Volume V); Examples Of Printed Folklore Concerning Lincolnshire by Mrs Gutch,Mabel Peacock Pdf
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
County Folk-Lore - Volume V - Examples of Printed Folk-Lore Concerning Lincolnshire by Eliza Gutch Pdf
Part of the successful county folklore series - this book is packed full of superstitions, customs and old wives tales. A great book for anybody in or around Lincolnshire, or with an interest in the rich folklore of the United Kingdom. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Examples Of Printed Folk-lore Concerning Lincolnshire; Volume 5 by Eliza Gutch,Mabel Peacock Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Examples of Printed Folk-Lore Concerning Lincolnshire by Eliza Gutch Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In recent decades, there has been a growing recognition of the significance of the supernatural in a Victorian context. Studies of nineteenth-century spiritualism, occultism, magic, and folklore have highlighted that Victorian England was ridden with spectres and learned magicians. Despite this growing body of scholarship, little historiographical work has addressed the Devil. This book demonstrates the significance of the Devil in a Victorian context, emphasising his pervasiveness and diversity. Drawing on a rich array of primary material, including theological and folkloric works, fiction, newspapers and periodicals, and broadsides and other ephemera, it uses the diabolic to explore the Victorians' complex and ambivalent relationship with the supernatural. Both the Devil and hell were theologically contested during the nineteenth century, with an increasing number of both clergymen and laypeople being discomfited by the thought of eternal hellfire. Nevertheless, the Devil continued to play a role in the majority of English denominations, as well as in folklore, spiritualism, occultism, popular culture, literature, and theatre. The Devil and the Victorians will appeal to readers interested in nineteenth-century English cultural and religious history, as well as the darker side of the supernatural.
County Folk-Lore. Vol. V. Printed Extracts No. VII. Examples of Printed Folk-Lore Concerning Lincolnshire. by Mabel Peacock Pdf
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
The English Traditional Ballad by David Atkinson Pdf
Ballads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The English Traditional Ballad, David Atkinson examines the ways in which the body of ballads known in England make reference both to ballads from elsewhere and to other English folk songs. The book outlines current theoretical directions in ballad scholarship: structuralism, traditional referentiality, genre and context, print and oral transmission, and the theory of tradition and revival. These are combined to offer readers a method of approaching the central issue in ballad studies - the creation of meaning(s) out of ballad texts. Atkinson focuses on some of the most interesting problems in ballad studies: the 'wit-combat' in versions of The Unquiet Grave; variable perspectives in comic ballads about marriage; incest as a ballad theme; problems of feminine motivation in ballads like The Outlandish Knight and The Broomfield Hill; murder ballads and murder in other instances of early popular literature. Through discussion of these issues and themes in ballad texts, the book outlines a way of tracing tradition(s) in English balladry, while recognizing that ballad tradition is far from being simply chronological and linear.
Lincolnshire, a county with many variations in the dialect, once nurtured many folk tales, and though these stories may no longer be told as often as they once were, they still resonate within the rural landscape. From the dark tales of the Black Dog that would cross the marshes at night, and the Lincolnshire Imp that haunted Lincoln Cathedral, to the humorous tales of the Lad that went to look for Fools and the Farmer and the Boggart, so many of these tales are rooted in the county and take us back to a time when the people would huddle around the fire in the mud and stud cottages to while away the long winter evenings. Such nights would also inspire the telling of tales of witches, fairies, ghosts, giants and dragons. These tales will be of interest to modern readers (and storytellers), both within Lincolnshire and elsewhere.
Behold the Mysteries of the Faery Beasts Beyond the faery realms, all sorts of magical creatures lurk. This book explores the most fearsome beasts that have been known to meddle in human affairs. Renowned faery expert John T. Kruse reveals the secret lives of merfolk, meremaids, river sprites, kelpies, hags, banshees, and many more. These are not the fanciful faeries and kindly beings found in light entertainment. Instead, you will discover hobs, goblins, bogies, and daemon dogs—magical creatures that are more apt to terrify than to help. Beyond Faery shares the features, habits, and history of dozens of these otherworldly beasts, since learning their ways may be just what you need to survive an encounter of your own.
• Reveals how mask rituals are akin to shamanic journeying and allow the mask wearer to personify an ancestral presence, spirit, deity, or power • Examines animal guising and shows how mask customs are tied to creation myths and the ancestral founders of a people, tribe, city, or nation • Looks at morris dancers and mummers in the UK, Krampuslauf and Perchtenlauf in Germanic areas, the Gorgon myths of Greece, Norse Berserker rituals, and the annual Black Forest rite to awaken ensouled masks every spring There is a spiritual power in masks that transports one into realms unseen and gives voice to things unspoken. Within the context of ritual, putting on a mask places the wearer at the intersection between the present and the past, the living and the dead, this world and the Otherworld. Masks make it possible to activate ancient archetypes, with the mask wearer reanimating or personifying an ancestral presence or spirit, a deity or power, an animal or a being of the eldritch world. In this illustrated study, Nigel Pennick explores the magical and spiritual aspects of mask wearing from ancient times to the present. He examines the many mask traditions around Europe and shows how mask rituals are similar to shamanic journeying and near-death experiences and can induce ecstatic states that allow the power signified by the mask to take possession of the individual wearing it. He also looks at the practice of dressing up as sacred animals and mask wearing as it relates to ostenta, events that occur suddenly and without warning that are considered a token or sign from the Otherworld. Unveiling the sacred power of masks, the author shows how masks allow us to transport into realms unseen, embody ancestors and otherworldly entities, and connect with traditions that stretch back to time immemorial.
