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Cowboy Politics uses key works of literature, film, and television to explore how westerns address political challenges of Western civilization. This book tracks how westerns supplement liberal politics with republican, populist, perfectionist, and environmentalist politics.
Author : David A. Smith Publisher : University of Oklahoma Press Page : 386 pages File Size : 54,5 Mb Release : 2021-02-11 Category : Political Science ISBN : 9780806169699
For an element so firmly fixed in American culture, the frontier myth is surprisingly flexible. How else to explain its having taken two such different guises in the twentieth century—the progressive, forward-looking politics of Rough Rider president Teddy Roosevelt and the conservative, old-fashioned character and Cold War politics of Ronald Reagan? This is the conundrum at the heart of Cowboy Presidents, which explores the deployment and consequent transformation of the frontier myth by four U.S. presidents: Theodore Roosevelt, Lyndon B. Johnson, Ronald Reagan, and George W. Bush. Behind the shape-shifting of this myth, historian David A. Smith finds major events in American and world history that have made various aspects of the “Old West” frontier more relevant, and more useful, for promoting radically different political ideologies and agendas. And these divergent adaptations of frontier symbolism have altered the frontier myth. Theodore Roosevelt, with his vigorous pursuit of an activist federal government, helped establish a version of the frontier myth that today would be considered liberal. But then, Smith shows, a series of events from the Lyndon Johnson through Jimmy Carter presidencies—including Vietnam, race riots, and stagflation—seemed to give the lie to the progressive frontier myth. In the wake of these crises, Smith’s analysis reveals, the entire structure and popular representation of frontier symbols and images in American politics shifted dramatically from left to right, and from liberal to conservative, with profound implications for the history of American thought and presidential politics. The now popular idea that “frontier American” leaders and politicians are naturally Republicans with conservative ideals flows directly from the Reagan era. Cowboy Presidents gives us a new, clarifying perspective on how Americans shape and understand their national identity and sense of purpose; at the same time, reflecting on the essential mutability of a quintessentially national myth, the book suggests that the next iteration of the frontier myth may well be on the horizon.
While political liberals celebrated the end of “cowboy politics” with the election of Barack Obama to the presidency, political conservatives in the Tea Party and other like-minded groups still vociferously support “cowboy” values such as small government, low taxes, free-market capitalism, and the right to bear arms. Yet, as Douglas Brode argues in this paradigm-shifting book, these supposedly cowboy or “Old West” values hail not so much from the actual American frontier of the nineteenth century as from Hollywood’s portrayal of it in the twentieth century. And a close reading of Western films and TV shows reveals a much more complex picture than the romanticized, simplistic vision espoused by the conservative right. Examining dozens of Westerns, including Gunfight at the O.K. Corral, Red River, 3:10 to Yuma (old and new), The Wild Ones, High Noon, My Darling Clementine, The Alamo, and No Country for Old Men, Brode demonstrates that the genre (with notable exceptions that he fully covers) was the product of Hollywood liberals who used it to project a progressive agenda on issues such as gun control, environmental protection, respect for non-Christian belief systems, and community cohesion versus rugged individualism. Challenging us to rethink everything we thought we knew about the genre, Brode argues that the Western stands for precisely the opposite of what most people today—whether they love it or hate it—believe to be the essential premise of “the only truly, authentically, and uniquely American narrative form.”
Socialist Cowboy is a political biography detailing the life and activism of longtime New Democrat MPP Peter Kormos, one of the most colourful and controversial political personalities in the history of Ontario politics. Throughout his illustrious twenty-three year career as a member of the Ontario legislature, Kormos's unapologetic commitment to democratic socialism and his shoot-from-the-hip brand of small-town populism won him strong accolades back in his blue-collar hometown of Welland, while raising eyebrows at Queen's Park and within his own party. From his days as a student strike leader, to his short-lived time in Bob Rae's cabinet, to his run for the Ontario NDP leadership and his epic battles with the province's political establishment, the book chronicles Kormos's political trajectory, through interviews and archival research, with a view to unpacking the ideas and traits that have made him a New Democrat icon.
Author : Sean P. Cunningham Publisher : University Press of Kentucky Page : 311 pages File Size : 43,5 Mb Release : 2010-07-02 Category : History ISBN : 9780813173719
During the 1960s and 1970s, Texas was rocked by a series of political transitions. Despite its century-long heritage of solidly Democratic politics, the state became a Republican stronghold virtually overnight, and by 1980 it was known as "Reagan Country." Ultimately, Republicans dominated the Texas political landscape, holding all twenty-seven of its elected offices and carrying former governor George W. Bush to his second term as president with more than 61 percent of the Texas vote. Sean P. Cunningham examines the remarkable history of Republican Texas in Cowboy Conservatism: Texas and the Rise of the Modern Right. Utilizing extensive research drawn from the archives of four presidential libraries, gubernatorial papers, local campaign offices, and oral histories, Cunningham presents a compelling narrative of the most notable regional genesis of modern conservatism. Spanning the decades from Kennedy's assassination to Reagan's presidency, Cunningham reveals a vivid portrait of modern conservatism in one of the nation's largest and most politically powerful states. The newest title in the New Directions in Southern History series, Cunningham's Cowboy Conservatism demonstrates Texas's distinctive and vital contributions to the transformation of postwar American politics.
Author : Ryan W. McMaken Publisher : Ludwig von Mises Institute Page : 134 pages File Size : 49,6 Mb Release : 2013-06-01 Category : History ISBN : 9781481114189
The Western genre has long been associated with right-wing and libertarian politics, and is said to promote individualism and free-market economics. In a new look at the Western, however, Ryan McMaken shows that the Western is in fact often anti-capitalist, and in many ways, the genre attacks the dominant ideology of nineteenth-century America: classical liberalism. The classical Westerns of the mid-twentieth century often feature wealthy capitalist villains who oppress the cowardly and defenseless shopkeepers and farmers of the frontier. The gunfighter, a representative of the law and order provided by the nation-state, intervenes to provide safety and justice. In addition to attacks on capitalism, the Western attacks other prized values of the bourgeois middle classes including Christianity, education and urbanization. McMaken examines these themes as used in the films of John Ford, Anthony Mann, and Howard Hawks. These pioneers of the classical Westerns are then contrasted with later innovators such as Sergio Leone, Sam Peckinpah, and Clint Eastwood. Also included are discussions of the role of the LITTLE HOUSE ON THE PRAIRIE series, Victorian literature, and the nature of crime on the historical frontier. With a foreword by Paul A. Cantor, author of GILLIGAN UNBOUND and THE INVISIBLE HAND IN POPULAR CULTURE.
Andrus, four-term governor of Idaho and former US Secretary of the Interior under President Carter, brings his irascible charm to the task of reflecting upon his life as a politician. He reminisces frankly and honestly, giving particular attention to his fight to preserve the environment in his home state and throughout the nation. Annotation copyrighted by Book News, Inc., Portland, OR
A classic tale of political intuitions spiced by New Mexico flavor as unique as Hatch green chile, this autobiography of Governor Bruce King makes lively reading for anyone interested in politics, history, cowboys, ranching, and the American West.
The Western and Political Thought by Damien K. Picariello Pdf
The Western and Political Thought: A Fistful of Politics offers a variety of engaging and entertaining answers to the question: What do Westerns have to do with politics? This collection features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between Westerns (prose fiction, films, television series, and more) and politics.
When cowboys were workers and battled their bosses In the pantheon of American icons, the cowboy embodies the traits of “rugged individualism,” independent, solitary, and stoical. In reality, cowboys were grossly exploited and underpaid seasonal workers, who responded to the abuses of their employers in a series of militant strikes. Their resistance arose from the rise and demise of a “beef bonanza” that attracted international capital. Business interests approached the market with the expectation that it would have the same freedom to brutally impose its will as it had exercised on native peoples and the recently emancipated African Americans. These assumptions contributed to a series of bitter and violent “range wars,” which broke out from Texas to Montana and framed the appearance of labor conflicts in the region. These social tensions stirred a series of political insurgencies that became virtually endemic to the American West of the Gilded Age. Mark A. Lause explores the relationship between these neglected labor conflicts, the “range wars,” and the third-party movements. The Great Cowboy Strike subverts American mythology to reveal the class abuses and inequalities that have blinded a nation to its true history and nature
During the 1960s and 1970s, Texas was rocked by a series of political transitions. Despite its century-long heritage of solidly Democratic politics, the state became a Republican stronghold virtually overnight, and by 1980 it was known as "Reagan Country." Ultimately, Republicans dominated the Texas political landscape, holding all twenty-seven of its elected offices and carrying former governor George W. Bush to his second term as president with more than 61 percent of the Texas vote. Sean P. Cunningham examines the remarkable history of Republican Texas in Cowboy Conservatism: Texas and the R.
The Western and Political Thought by Damien K. Picariello Pdf
"Political theory explores the concepts (law, violence, property) and principles (share necessities, don't back down, but do get along) that animate western civilization. Picariello's set of studies engage these politics through the colorful characters and exciting scenes in popular westerns. The yield is a great range of insights about well-known classics, provocative additions, and productive connections. Riding this range is a real pleasure - and education!" -John S. Nelson, Emeritus Professor of Political Theory and Communication, University of Iowa, USA and author of Cowboy Politics "Picariello and his colleagues have prepared a treat for students of political theory and fans of Western movies. Beginning from the premise that Westerns demonstrate the frontier where law, order, justice, equality, freedom, obedience, and violence intertwine, the chapters included analyze a wide range of Westerns building on insights from Plato, Hobbes, Aristotle, and Locke, among others. Readers will find themselves rewatching movies and rereading these essays for years to come." -Anthony P. Spanakos, Professor of Political Science and Law, Montclair State University, USA "For teachers and students of American politics and cultural studies, political philosophy and theory, American literature and cinema and popular culture, this volume...constitutes an indispensable resource." -Jeffrey J. Poelvoorde, Professor Emeritus of Political Science, Converse University, USA The Western and Political Thought: A Fistful of Politics offers a variety of engaging and entertaining answers to the question: What do Westerns have to do with politics? This collection features contributions from scholars in a variety of fields-political science, English, communication studies, and others-that explore the connections between Westerns (prose fiction, films, television series, and more) and politics. Damien K. Picariello is Associate Professor of Political Science and Williams Brice Edwards Professor of Social Sciences at the University of South Carolina Sumter, USA. He is the editor of Politics in Gotham: The Batman Universe and Political Thought (Palgrave Macmillan, 2019) and The Politics of Horror (Palgrave Macmillan, 2020).
Jimi Hendrix and the Cultural Politics of Popular Music by Aaron Lefkovitz Pdf
This book, on Jimi Hendrix’s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix’s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant “Gypsy” and “Voodoo child” whose racialized “freak” visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix’s transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music’s global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix’s place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.
Best known to Americans as the “singing cowboy,” beloved entertainer Gene Autry (1907–1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry’s name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry’s influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt’s New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt’s New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry’s films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president’s focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, “Sergeant Gene Autry” played a unique role in making FDR’s internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.
When cowboys were workers and battled their bosses In the pantheon of American icons, the cowboy embodies the traits of “rugged individualism,” independent, solitary, and stoical. In reality, cowboys were grossly exploited and underpaid seasonal workers, who responded to the abuses of their employers in a series of militant strikes. Their resistance arose from the rise and demise of a “beef bonanza” that attracted international capital. Business interests approached the market with the expectation that it would have the same freedom to brutally impose its will as it had exercised on native peoples and the recently emancipated African Americans. These assumptions contributed to a series of bitter and violent “range wars,” which broke out from Texas to Montana and framed the appearance of labor conflicts in the region. These social tensions stirred a series of political insurgencies that became virtually endemic to the American West of the Gilded Age. Mark A. Lause explores the relationship between these neglected labor conflicts, the “range wars,” and the third-party movements. The Great Cowboy Strike subverts American mythology to reveal the class abuses and inequalities that have blinded a nation to its true history and nature
