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Author : Anonim
Publisher : Univ. Press of Mississippi
Page : 248 pages
File Size : 49,7 Mb
Release : 2024-06-18
Category : Biography & Autobiography
ISBN : 1604736461
An authoritative account of the powerful bonds between generations of African American quiltmakers
Author : Kyra E. Hicks
Publisher : McFarland
Page : 274 pages
File Size : 41,7 Mb
Release : 2003
Category : Art
ISBN : UOM:39015055808458
"Comprehensive guide to African American quilt history and contemporary practices"--Page 4 of cover.
Author : Anand Prahlad
Publisher : Bloomsbury Publishing USA
Page : 432 pages
File Size : 55,5 Mb
Release : 2016-08-08
Category : Social Science
ISBN : 9781610699303
African American folklore dates back 240 years and has had a significant impact on American culture from the slavery period to the modern day. This encyclopedia provides accessible entries on key elements of this long history, including folklore originally derived from African cultures that have survived here and those that originated in the United States. Inspired by the author's passion for African American culture and vernacular traditions, African American Folklore: An Encyclopedia for Students thoroughly addresses key elements and motifs in black American folklore-especially those that have influenced American culture. With its alphabetically organized entries that cover a wide range of subjects from the word "conjure" to the dance style of "twerking," this book provides readers with a deeper comprehension of American culture through a greater understanding of the contributions of African American culture and black folk traditions. This book will be useful to general readers as well as students or researchers whose interests include African American culture and folklore or American culture. It offers insight into the histories of African American folklore motifs, their importance within African American groups, and their relevance to the evolution of American culture. The work also provides original materials, such as excepts from folktales and folksongs, and a comprehensive compilation of sources for further research that includes bibliographical citations as well as lists of websites and cultural centers.
Author : Carol Crown,Cheryl Rivers,Charles Reagan Wilson
Publisher : UNC Press Books
Page : 519 pages
File Size : 54,7 Mb
Release : 2013-06-03
Category : Reference
ISBN : 9781469607993
Folk art is one of the American South's most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South's complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South's rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.
Author : Hinda Mandell
Publisher : Rowman & Littlefield
Page : 361 pages
File Size : 43,7 Mb
Release : 2019-10-25
Category : History
ISBN : 9781538118405
Pussyhats, typically crafted with yarn, quite literally created a sea of pink the day after Donald J. Trump became the 45th president of the United States in January 2017, as the inaugural Women’s March unfolded throughout the U.S., and sister cities globally. But there was nothing new about women crafting as a means of dissent. Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats is the first book that demonstrates how craft, typically involving the manipulation of yarn, thread and fabric, has also been used as a subversive tool throughout history and up to the present day, to push back against government policy and social norms that crafters perceive to be harmful to them, their bodies, their families, their ideals relating to equality and human rights, and their aspirations. At the heart of the book is an exploration for how craft is used by makers to engage with the rhetoric and policy shaping their country’s public sphere. The book is divided into three sections: "Crafting Histories," Politics of Craft," and "Crafting Cultural Conversations." Three features make this a unique contribution to the field of craft activism and history: The inclusion of diverse contributors from a global perspective (including from England, Ireland, India, New Zealand, Australia) Essay formats including photo essays, personal essays and scholarly investigations The variety of professional backgrounds among the book’s contributors, including academics, museum curators, art therapists, small business owners, provocateurs, artists and makers. This book explains that while handicraft and craft-motivated activism may appear to be all the rage and “of the moment,” a long thread reveals its roots as far back as the founding of American Democracy, and at key turning points throughout the history of nations throughout the world.
Author : Cheryl Finley,Randall R. Griffey,Amelia Peck,Darryl Pinckney
Publisher : Metropolitan Museum of Art
Page : 118 pages
File Size : 42,8 Mb
Release : 2018-05-21
Category : Art
ISBN : 9781588396099
My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists and quilters working throughout the southeastern United States and Alabama in particular. Their paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profoundly moving assemblages of Thornton Dial to the renowned quilts of Gee’s Bend. Nearly sixty remarkable examples—originally collected by the Souls Grown Deep Foundation and donated to The Metropolitan Museum of Art—are illustrated alongside insightful texts that situate them in the history of modernism and the context of the African American experience in the twentieth-century South. This remarkable study simultaneously considers these works on their own merits while making connections to mainstream contemporary art. Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists’ interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author : Kristin G. Congdon,Kara Kelley Hallmark
Publisher : Bloomsbury Publishing USA
Page : 1433 pages
File Size : 41,9 Mb
Release : 2012-03-19
Category : Architecture
ISBN : 9798216045854
Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.
Author : Kara Thompson
Publisher : Bloomsbury Publishing USA
Page : 192 pages
File Size : 53,6 Mb
Release : 2018-09-20
Category : Literary Criticism
ISBN : 9781628922677
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, Blanket interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals blankets everywhere--film, art, geology, disasters, battlefields, resistance, home--and transforms an ordinary thing into a vibrant and vital carrier of stories and secrets, an object of inheritance and belonging, a companion to uncover. Object Lessons is published in partnership with an essay series in The Atlantic.
Author : Kathy-Ann Tan
Publisher : Wayne State University Press
Page : 432 pages
File Size : 53,8 Mb
Release : 2015-12-07
Category : Literary Criticism
ISBN : 9780814341414
Literature has always played a central role in creating and disseminating culturally specific notions of citizenship, nationhood, and belonging. In Reconfiguring Citizenship and National Identity in the North American Literary Imagination, author Kathy-Ann Tan investigates metaphors, configurations, parameters, and articulations of U.S. and Canadian citizenship that are enacted, renegotiated, and revised in modern literary texts, particularly during periods of emergence and crisis. Tan brings together for the first time a selection of canonical and lesser-known U.S. and Canadian writings for critical consideration. She begins by exploring literary depiction of “willful” or “wayward” citizens and those with precarious bodies that are viewed as threatening, undesirable, unacceptable—including refugees and asylum seekers, undocumented migrants, deportees, and stateless people. She also considers the rights to citizenship and political membership claimed by queer bodies and an examination of "new" and alternative forms of citizenship, such as denizenship, urban citizenship, diasporic citizenship, and Indigenous citizenship. With case studies based on works by a diverse collection of authors—including Nathaniel Hawthorne, Djuna Barnes, Etel Adnan, Sarah Schulman, Walt Whitman, Gail Scott, and Philip Roth—Tan uncovers alternative forms of collectivity, community, and nation across a broad range of perspectives. In line with recent cross-disciplinary explorations in the field, Reconfiguring Citizenship and National Identity in the North American Literary Imagination shows citizenship as less of a fixed or static legal entity and more as a set of symbolic and cultural practices. Scholars of literary studies, cultural studies, and citizenship studies will be grateful for Tan’s illuminating study.
Author : Barbara Brackman
Publisher : C&T Publishing Inc
Page : 116 pages
File Size : 55,7 Mb
Release : 2010-11-05
Category : Crafts & Hobbies
ISBN : 9781607053866
“A renowned quilt historian . . . present[s] what she considers to be an accurate assessment of slavery, quilts and the Underground Railroad.” —Time Recall an unforgettable phase of our nation’s history with America’s leading quilt historian. Barbara Brackman presents the most current research on the role of quilts during the time of slavery, emancipation, and the Underground Railroad. Nine quilt projects combine historic blocks with Barbara’s own designs. Did quilts really lead the way to freedom? What role did quilts play? Barbara explores the stories surrounding the Underground Railroad. Read about the people who were there! First-person accounts, newspaper and military records, and surviving quilts all add clues. YOU decide how to interpret the stories and history, fabrication and facts as you learn about this fascinating time in history. Excellent resource for elementary through high school learners—curriculum included! “Quilters interested in African American slavery and quilting will find many historically accurate, teachable moments within these pages. The first-personal accounts by slaves of their quilt making, quilt parties, and stolen quilts make emotional reading. A must-have book for your quilting library!” —Kyra Hicks, author of Black Threads “Brackman skillfully assembles accurate historical evidence along with beautiful quilt examples infused with slave-era symbolism.” —Dr. Carolyn Mazloomi, author of Threads of Faith “Many of persons featured or quoted are women with a connection to the ‘peculiar institution’: slaves, escaped slaves, freed slaves, plantation owners, abolitionists, and so forth . . . teaches history through quilting and offers fun projects for history-minded quilters . . . the stories offer good starting points for one’s own research and the projects are beautiful.” —Beth’s Bobbins
Author : Claire Parfait,Hélène Le Dantec-Lowry,Claire Bourhis-Mariotti
Publisher : Taylor & Francis
Page : 174 pages
File Size : 49,9 Mb
Release : 2016-09-13
Category : Social Science
ISBN : 9781317199618
With contributions from leading American and European scholars, this collection of original essays surveys the actors and the modes of writing history from the "margins" of society, focusing specifically on African Americans. Nearly 100 years after The Journal of Negro History was founded, this book assesses the legacy of the African American historians, mostly amateur historians initially, who wrote the history of their community between the 1830s and World War II. Subsequently, the growth of the civil rights movement further changed historical paradigms--and the place of African Americans and that of black writers in publishing and in the historical profession. Through slavery and segregation, self-educated and formally educated Blacks wrote works of history, often in order to inscribe African Americans within the main historical narrative of the nation, with a two-fold objective: to make African Americans proud of their past and to enable them to fight against white prejudice. Over the past decade, historians have turned to the study of these pioneers, but a number of issues remain to be considered. This anthology will contribute to answering several key questions concerning who published these books, and how were they distributed, read, and received. Little has been written concerning what they reveal about the construction of professional history in the nineteenth century when examined in relation to other writings by Euro-Americans working in an academic setting or as independent researchers.
Author : Julia Bryan-Wilson
Publisher : University of Chicago Press
Page : 335 pages
File Size : 53,5 Mb
Release : 2021-02
Category : Art
ISBN : 9780226077826
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
Author : Jacqueline L. Tobin,Raymond G. Dobard
Publisher : Anchor
Page : 254 pages
File Size : 40,6 Mb
Release : 2011-05-25
Category : Social Science
ISBN : 9780307790569
The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad. In Hidden in Plain View, historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns, including a prominent one called the Charleston Code, were, in fact, essential tools for escape along the Underground Railroad. In 1993, historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston, South Carolina. With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready." During the three years it took for Williams's narrative to unfold—and as the friendship and trust between the two women grew—Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery. Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story. With a new afterword. Illlustrations and photographs throughout, including a full-color photo insert.
Author : Carolyn Mazloomi
Publisher : Clarkson Potter
Page : 202 pages
File Size : 48,6 Mb
Release : 1998
Category : Art
ISBN : IND:30000056730025
The author presents a collection of 150 contemporary African American quilts and the stories behind both the quilts and the quilters.
Author : Claudia Gould
Publisher : University Press of Colorado
Page : 126 pages
File Size : 51,6 Mb
Release : 2009-10-09
Category : Fiction
ISBN : 9780874217605
Drawing on ethnographic field work she conducted among Christians in her home state of North Carolina, Claudia Gould crafts stories that lay open the human heart and social complications of fundamentalist belief. These stories and the compelling characters who inhabit them draw us into the complex essence of religious experience among southern American Christians.
