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"Crossroads Modernism provides an in-depth look at how West African cultural legacies are brought to bear in the structure of a truly African American modernist creative process. Whereas much has been said about the (generally racist) use of blackness in constituting modernism, Crossroads Modernism is the first book to expose the key role that modernism has played in the constitution of blackness in African American aesthetics". --Publisher.
"Crossroads Modernism provides an in-depth look at how West African cultural legacies are brought to bear in the structure of a truly African American modernist creative process. Whereas much has been said about the (generally racist) use of blackness in constituting modernism, Crossroads Modernism is the first book to expose the key role that modernism has played in the constitution of blackness in African American aesthetics". --Publisher.
Modernism in Kyiv by Irene Rima Makaryk,Virlana Tkacz Pdf
`Modernism in Kyiv restores the multicultural city of Kyiv to its rightful position as a major player in the dialogue and cross-pollination of ideas occurring between important modernist figures in centres such as Paris, New York, London, and Vienna. Engaging and highly readable, this collection is impressive in its scope, depth, and breadth.' The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles. Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here revealed in its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.
This guide helps readers to engage with the major critical debates surrounding literary modernism. A judicious selection of key critical works on literary modernism Presents a critical history from the earliest reviews to the most recent theoretical assessments Shows how modernist writers understood and constructed modernism. Shows how succeeding generations have developed those constructions and brought new interpretations to bear on the subject Discusses how modernism relates to modernity and odernization, and to other literary and cultural movements Texts have been selected for their relevance to the questions surrounding modernism, and for their accessibility to readers with a limited knowledge of the modernist canon Includes a glossary and an annotated bibliography.
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, Joseph Entin argues that these artists drew attention to the country's most vulnerable residents by using what he calls an "aesthetic of astonishment," focused on startling, graphic images of pain, injury, and prejudice. Traditional portrayals of the poor depicted stoic, passive figures of sentimental suffering or degraded but potentially threatening figures in need of supervision. Sensational modernists sought to shock middle-class audiences into new ways of seeing the nation's impoverished and outcast populations. The striking images these artists created, often taking the form of contorted or disfigured bodies drawn from the realm of the tabloids, pulp magazines, and cinema, represented a bold, experimental form of social aesthetics. Entin argues that these artists created a willfully unorthodox brand of vernacular modernism in which formal avant-garde innovations were used to delineate the conditions, contradictions, and pressures of life on the nation's fringes.
African, Native, and Jewish American Literature and the Reshaping of Modernism by A. Kent Pdf
This book examines literature by African, Native, and Jewish American novelists at the beginning of the twentieth century, a period of radical dislocation from homelands for these three ethnic groups as well as the period when such voices established themselves as central figures in the American literary canon.
The Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan by Li-Chun Hsiao Pdf
The Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan: Freedom in the Trenches argues that what appeared to be a "genesis" of new literature engendered by the modernist movement in postwar Taiwan was made possible only through the "splendid isolation" within the Cold War world order sustaining the bubble in which "Free China" lived on borrowed time. The book explores the trenches of freedom in whose confines the soldier-poets' were surrealistically acquiesced to roam free under the aegis of "pure literature" and the buffer zone created by the US presence in Taiwan—and the modernists' expatriate writing from America—that aided their moderated deviance from the official line. It critically examines the anti-establishment character and gesture in the movement phase in terms of its entanglements with the state apparatus and the US-aided literary establishment. Taiwan's modernists counterbalance their retrospectively perceived excess and nuanced forms of exit with a series of spiritual as well as actual returns, upon which earlier traditionalist undercurrents would surface. This modernism's mixed legacies, with its aesthetic avant-gardism marrying politically moderate or conservative penchants, date back to its bifurcated mode of existence and operation of separating the realm of the aesthetic from everything else in life during the Cold War.
Modernism by Ástráður Eysteinsson,Vivian Liska Pdf
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.
The Afro-Modernist Epic and Literary History by K. Schultz Pdf
Analyzing the poets Melvin B. Tolson, Langston Hughes, and Amiri Baraka, this study charts the Afro-Modernist epic. Within the context of Classical epic traditions, early 20th-century American modernist long poems, and the griot traditions of West Africa, Schultz reveals diasporic consciousness in the representation of African American identities.
The Cambridge Companion to Modernist Women Writers by Maren Tova Linett Pdf
Women played a central role in literary modernism, theorizing, debating, writing, and publishing the critical and imaginative work that resulted in a new literary culture during the early twentieth century. This volume provides a thorough overview of the main genres, the important issues, and the key figures in women's writing during the years 1890–1945. The essays treat the work of Woolf, Stein, Cather, H. D. Barnes, Hurston, and many others in detail; they also explore women's salons, little magazines, activism, photography, film criticism, and dance. Written especially for this Companion, these lively essays introduce students and scholars to the vibrant field of women's modernism.
The Cambridge Companion to the American Modernist Novel by Joshua L. Miller Pdf
This Companion offers a comprehensive analysis of U.S. modernism as part of a global literature. Recent writing on U.S. immigration, imperialism, and territorial expansion has generated fresh reasons to read modernist novelists, both prominent and forgotten. Written by a host of leading scholars, this Companion provides unique approaches to modernist texts.
The Worlds of Langston Hughes by Vera M. Kutzinksi Pdf
The poet Langston Hughes was a tireless world traveler and a prolific translator, editor, and marketer. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. In The Worlds of Langston Hughes, Vera Kutzinski contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking. Focusing on Hughes's autobiographies, translations of his poetry, his own translations, and the political lyrics that brought him to the attention of the infamous McCarthy Committee, she shows that translating and being translated-and often mistranslated-are as vital to Hughes's own poetics as they are to understanding the historical network of cultural relations known as literary modernism. As Kutzinski maps the trajectory of Hughes's writings across Europe and the Americas, we see the remarkable extent to which the translations of his poetry were in conversation with the work of other modernist writers. Kutzinski spotlights cities whose role as meeting places for modernists from all over the world has yet to be fully explored: Madrid, Havana, Buenos Aires, Mexico City, and of course Harlem. The result is a fresh look at Hughes, not as a solitary author who wrote in a single language, but as an international figure at the heart of a global intellectual and artistic formation.
This wide-ranging collection of essays contains unexplored themes and theoretical orientations centering on racism and spatial dimensions; the transnational and political Wright; Wright and masculinity, Wright and the American 1950s and 1960s; and some of the first analyses of Wright's recently published A Father ' s Law (2008).
This study of what Brian Norman terms a neo-segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement. From Toni Morrison's first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of recent work by black and nonblack authors and artists, Jim Crow haunts the post-civil rights imagination. Norman traces a neo-segregation narrative tradition--one that developed in tandem with neo-slave narratives--by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides. These writers upset dominant national narratives of achieved equality, portraying what are often more elusive racial divisions in what some would call a postracial present. Norman examines works by black writers such as Lorraine Hansberry, Toni Morrison, Alice Walker, David Bradley, Wesley Brown, Suzan-Lori Parks, and Colson Whitehead, films by Spike Lee, and other cultural works that engage in debates about gender, Black Power, blackface minstrelsy, literary history, and whiteness and ethnicity. Norman also shows that multiethnic writers such as Sherman Alexie and Tom Spanbauer use Jim Crow as a reference point, extending the tradition of William Faulkner's representations of the segregated South and John Howard Griffin's notorious account of crossing the color line from white to black in his 1961 work Black Like Me.