Cubism And Futurism

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Cubism and Futurism

Author : Maly Gerhardus,Dietfried Gerhardus
Publisher : Unknown
Page : 100 pages
File Size : 54,6 Mb
Release : 1979
Category : Art
ISBN : STANFORD:36105003276057

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Cubism and Futurism by Maly Gerhardus,Dietfried Gerhardus Pdf

Starting with Cezanne, this book shows how Cubism, originating in France, spread rapidly to Russia and Italy. Picasso, Braque, Juan Gris and Fernand Leger, to escape from objectivity, 'deformed' objects in order to discover their inner reality. The aim of art ceased to be the imitation of nature, but the means of creating new forms. To this, the Futurists added dynamism and movement which led eventually to abstraction.

In Defiance of Painting

Author : Christine Poggi
Publisher : Yale University Press
Page : 318 pages
File Size : 42,7 Mb
Release : 1992-01-01
Category : Art
ISBN : 0300051093

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In Defiance of Painting by Christine Poggi Pdf

The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.

Cubism and Futurism

Author : R. Bruce Elder
Publisher : Wilfrid Laurier Univ. Press
Page : 591 pages
File Size : 40,7 Mb
Release : 2018-06-30
Category : Performing Arts
ISBN : 9781771122726

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Cubism and Futurism by R. Bruce Elder Pdf

Cubism and futurism were closely related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these were the issues that passed back and forth between the two. Cubism and Futurism: Spiritual Machines and the Cinematic Effect shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the Cartesian world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality. Cubism and Futurism examines the similarity and differences between the two movements’ engagement with the new science of energy and shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.

Cubism/futurism

Author : Max Kozloff
Publisher : Unknown
Page : 264 pages
File Size : 43,9 Mb
Release : 1973
Category : Cubism
ISBN : STANFORD:36105003278145

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Cubism/futurism by Max Kozloff Pdf

Cubism, Futurism and Constructivism

Author : John Malcolm Nash
Publisher : Barron's Educational Series
Page : 136 pages
File Size : 51,7 Mb
Release : 1978
Category : Art
ISBN : UOM:39015007235701

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Cubism, Futurism and Constructivism by John Malcolm Nash Pdf

The New Tendency in Art

Author : Henry Rankin Poore
Publisher : Unknown
Page : 96 pages
File Size : 52,9 Mb
Release : 1913
Category : Art, Modern
ISBN : UCAL:B4410123

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The New Tendency in Art by Henry Rankin Poore Pdf

Is it Art?

Author : John Nilsen Laurvik
Publisher : Unknown
Page : 70 pages
File Size : 42,8 Mb
Release : 1913
Category : Art, Modern
ISBN : HARVARD:32044034359240

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Is it Art? by John Nilsen Laurvik Pdf

DADA, Surrealism, and the Cinematic Effect

Author : R. Bruce Elder
Publisher : Wilfrid Laurier Univ. Press
Page : 776 pages
File Size : 44,9 Mb
Release : 2015-10-15
Category : Performing Arts
ISBN : 9781554586417

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DADA, Surrealism, and the Cinematic Effect by R. Bruce Elder Pdf

This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life. This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media’s materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author’s previous, Harmony & Dissent, examines the Dada and Surrealist movements as responses to the advent of the cinema.

Italian Futurism 1909-1944

Author : Solomon R. Guggenheim Museum
Publisher : Guggenheim Museum
Page : 0 pages
File Size : 44,5 Mb
Release : 2014
Category : Art, Italian
ISBN : 089207499X

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Italian Futurism 1909-1944 by Solomon R. Guggenheim Museum Pdf

February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.

Mayakovsky's Cubo-futurist Vision

Author : Juliette R. Stapanian
Publisher : Unknown
Page : 248 pages
File Size : 54,6 Mb
Release : 1986
Category : Cubism
ISBN : UCSC:32106008326354

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Mayakovsky's Cubo-futurist Vision by Juliette R. Stapanian Pdf

NEW TENDENCY IN ART POST IMPRE

Author : Henry Rankin 1859-1940 Poore
Publisher : Unknown
Page : 92 pages
File Size : 52,9 Mb
Release : 2016-08-27
Category : History
ISBN : 1371010846

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NEW TENDENCY IN ART POST IMPRE by Henry Rankin 1859-1940 Poore Pdf

Inventing Futurism

Author : Christine Poggi
Publisher : Princeton University Press
Page : 418 pages
File Size : 40,7 Mb
Release : 2009
Category : Art
ISBN : 0691133700

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Inventing Futurism by Christine Poggi Pdf

In 1909 the poet Filippo Tommaso Marinetti published the founding manifesto of Italian Futurism, an inflammatory celebration of "the love of danger" and "the beauty of speed" that provoked readers to take aggressive action and "glorify war--the world's only hygiene." Marinetti's words unleashed an influential artistic and political movement that has since been neglected owing to its exaltation of violence and nationalism, its overt manipulation of mass media channels, and its associations with Fascism. Inventing Futurism is a major reassessment of Futurism that reintegrates it into the history of twentieth-century avant-garde artistic movements. Countering the standard view of Futurism as naïvely bellicose, Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social history, revealing a surprisingly powerful undercurrent of anxiety among the Futurists--toward the accelerated rhythms of urban life, the rising influence of the masses, changing gender roles, and the destructiveness of war. Poggi traces the movement from its explosive beginnings through its transformations under Fascism to offer completely new insights into familiar Futurist themes, such as the thrill and trauma of velocity, the psychology of urban crowds, and the fantasy of flesh fused with metal, among others. Lavishly illustrated and unparalleled in scope, Inventing Futurism demonstrates that beneath Futurism's belligerent avant-garde posturing lay complex and contradictory attitudes toward an always-deferred utopian future.

The New Tendency in Art

Author : Henry Rankin 1859-1940 Poore
Publisher : Nabu Press
Page : 92 pages
File Size : 41,9 Mb
Release : 2013-09
Category : Electronic
ISBN : 1289665532

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The New Tendency in Art by Henry Rankin 1859-1940 Poore Pdf

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The New Tendency, in Art

Author : Henry R. Poore
Publisher : Forgotten Books
Page : 94 pages
File Size : 53,8 Mb
Release : 2015-06-24
Category : Self-Help
ISBN : 1330328507

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The New Tendency, in Art by Henry R. Poore Pdf

Excerpt from The New Tendency, in Art: Post Impressionism, Cubism, Futurism Art's complaisancy has been shocked. The immunity which has been continued to her through thirty odd centuries is at length recalled. She finds herself now brought face to face with a challenge which she must either ignore or accept. The world has lived through the like experience in its other great activities. In medicine Hahnemann inaugurated no less of a revolution, when, instead of opposing the principle in disease, he treated it in kind, nor was Luther's revolt any less appalling when he substituted faith in place of works. Music has arrived with less of a shock at Debussy because of Wagner, but the step from Mendelssohn to him is no greater than from Raphael to Gauguin. In jurisprudence the wig and gown has received its fillip in the Recall of Judicial Decisions. In time each of these, comfortably established by Tradition, has been asked to rouse itself, get up, and turn around. It has never hurt any of these to be viewed from the other side. In the New Movement in art we can detect the same protesting spirit in which Luther nailed his theses upon the Church door of Wittenberg when he tried to raise formalism to the higher power of faith. Here likewise is a protest that demands the eye of faith, with its ability to see the spirit. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.