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Controversial claims that C.G. Jung, founder of analytical psychology, was a charlatan and a self-appointed demi-god have recently brought his legacy under renewed scrutiny. The basis of the attack on Jung is a previously unknown text, said to be Jung's inaugural address at the founding of his 'cult', otherwise known as the Psychological Club, in Zurich in 1916. It is claimed that this cult is alive and well in Jungian psychology as it is practised today, in a movement which continues to masquerade as a genuine professional discipline, whilst selling false dreams of spiritual redemption. In Cult Fictions, leading Jung scholar Sonu Shamdasani looks into the evidence for such claims and draws on previously unpublished documents to show that they are fallacious. This accurate and revealing account of the history of the Jungian movement, from the founding of the Psychological Club to the reformulation of Jung's approach by his followers, establishes a fresh agenda for the historical evaluation of analytical psychology today.
Published to accompany the Hayward Gallery Touring Exhibition, held at New Art Gallery, Wallsall, 4 May - 1 July 2007, Nottingham Castle, 14 July - 16 September 2007, Leeds City Art Gallery, 21 September - 11 November 2007, Aberystwyth Art Gallery, 17 November 2007 - 13 January 2008 and Tullie House, Carlisle, 19 January - 16 March 2008.
Here is an exploration of pulp literature and pulp mentalities: an investigation into the nature and theory of the contemporary mind in art and in life. Here too, the violent, the sensational and the erotic signify different facets of the modern experience played out in the gaudy pages of kitsch literature. Clive Bloom offers the reader a chance to investigate the underworld of literary production and from it find a new set of co-ordinates for questions regarding publishing and reading practices in America and Britain, ideas of genre, problems related to commercial production, concerns regarding high and low culture, the canon and censorship, as well as a discussion of the rhetoric of current critical debate. Concentrating on remembered authors as well as many long disregarded or forgotten, Cult Fiction provides a theory of kitsch art that radically alters our perceptions of literature and literary values whilst providing a panorama of an almost forgotten history: the history of pulp.
This is the story of Stephen Moore. It is also the story of a bench and a fire called Malcolm. Above all, it is the story of the birth of that great religion called Mooranity.
Cult Television by Sara Gwenllian-Jones,Roberta E. Pearson Pdf
A television series is tagged with the label "cult" by the media, advertisers, and network executives when it is considered edgy or offbeat, when it appeals to nostalgia, or when it is considered emblematic of a particular subculture. By these criteria, almost any series could be described as cult. Yet certain programs exert an uncanny power over their fans, encouraging them to immerse themselves within a fictional world. In Cult Television leading scholars examine such shows as The X-Files; The Avengers; Doctor Who, Babylon Five; Star Trek; Xena, Warrior Princess; and Buffy the Vampire Slayer to determine the defining characteristics of cult television and map the contours of this phenomenon within the larger scope of popular culture. Contributors: Karen Backstein; David A. Black, Seton Hall U; Mary Hammond, Open U; Nathan Hunt, U of Nottingham; Mark Jancovich; Petra Kuppers, Bryant College; Philippe Le Guern, U of Angers, France; Alan McKee; Toby Miller, New York U; Jeffrey Sconce, Northwestern U; Eva Vieth Sara Gwenllian-Jones is a lecturer in television and digital media at Cardiff University and co-editor of Intensities: The Journal of Cult Media. Roberta E. Pearson is a reader in media and cultural studies at Cardiff University. She is the author of the forthcoming book Small Screen, Big Universe: Star Trek and Television.
Cult Fiction by Andrew Calcutt,Richard Shephard Pdf
What makes a novel cult?: drink and drugs; sex and rock 'n' roll?; a window on subcultures?; the ability to tap into the zeitgeist? This book provides an insight into the cult canon assessing 250 authors who have pioneered experiments in style and content, from Kathy Acker and Nelson Algren via Burroughs and Bukowski to Tom Wolfe and Irvine Welsh.
Essays on 50 books that have acquired a permanent underground following in the past two centuries, analyze each story, its place in its world, and the manifestations of its cultism. Animal farm, Dune, Lord of the rings, and Walden two, are among the books. Also includes an introductory survey of the cult phenomenon, general and specific bibliographies, and a chronological list, 1774-1979, that also notes books not discussed. Classic Cult Fiction is a history, analysis, and reference guide to books that have become "bibles" to generations of Europeans and Americans over the past 200 years--books like The Catcher in the Rye. Fearlessly taking on "canon formation," Whissen identifies the top 50 classic cult books, first presenting an informed and witty interpretation of the phenomenon and its characteristics with examples from different cultures and periods. The individual works are each discussed relative to time and place, impact, and audience psychology and analyzed in terms of common cult attributes. A chronological listing of cult fiction adds a number of titles not chosen for the top 50.
The Cult Film Reader by Mathijs, Ernest,Mendik, Xavier Pdf
"An invaluable collection for anyone researching or teaching cult cinema ... The Cult Film Reader is an authoritative text that should be of value to any student or researcher interested in challenging and transgressive cinema that pushes the boundaries of conventional cinema and film studies." Science Fiction Film and Television "A really impressive and comprehensive collection of the key writings in the field. The editors have done a terrific job in drawing together the various traditions and providing a clear sense of this rich and rewarding scholarly terrain. This collection is as wild and diverse as the films that it covers. Fascinating." Mark Jancovich, Professor of Film and Television Studies, University of East Anglia, UK "It's about time the lunatic fans and loyal theorists of cult movies were treated to a book they can call their own. The effort and knowledge contained in The Cult Film Reader will satisfy even the most ravenous zombie's desire for detail and insight. This book will gnaw, scratch and infect you just like the cult films themselves." Brett Sullivan, Director of Ginger Snaps Unleashed and The Chair "The Cult Film Reader is a great film text book and a fun read." John Landis, Director of The Blues Brothers, An American Werewolf in London and Michael Jackson's Thriller "Excellent overview of the subject, and a comprehensive collection of significant scholarship in the field of cult film. Very impressive and long overdue." Steven Rawle, York St John University, UK Whether defined by horror, kung-fu, sci-fi, sexploitation, kitsch musical or ‘weird world cinema’, cult movies and their global followings are emerging as a distinct subject of film and media theory, dedicated to dissecting the world’s unruliest images. This book is the world’s first reader on cult film. It brings together key works in the field on the structure, form, status, and reception of cult cinema traditions. Including work from key established scholars in the field such as Umberto Eco, Janet Staiger, Jeffrey Sconce, Henry Jenkins, and Barry Keith Grant, as well as new perspectives on the gradually developing canon of cult cinema, the book not only presents an overview of ways in which cult cinema can be approached, it also re-assesses the methods used to study the cult text and its audiences. With editors’ introductions to the volume and to each section, the book is divided into four clear thematic areas of study – The Conceptions of Cult; Cult Case Studies; National and International Cults; and Cult Consumption – to provide an accessible overview of the topic. It also contains an extensive bibliography for further related readings. Written in a lively and accessible style, The Cult Film Reader dissects some of biggest trends, icons, auteurs and periods of global cult film production. Films discussed include Casablanca, The Rocky Horror Picture Show, Eraserhead, The Texas Chainsaw Massacre, Showgirls and Ginger Snaps. Essays by: Jinsoo An; Jane Arthurs; Bruce Austin; Martin Barker; Walter Benjamin; Harry Benshoff; Pierre Bourdieu; Noel Carroll; Steve Chibnall; Umberto Eco; Nezih Erdogan; Welch Everman; John Fiske; Barry Keith Grant ; Joan Hawkins; Gary Hentzi; Matt Hills; Ramaswami Harindranath; J.Hoberman; Leon Hunt; I.Q. Hunter; Mark Jancovich; Henry Jenkins; Anne Jerslev; Siegfried Kracauer; Gina Marchetti; Tom Mes; Gary Needham; Sheila J. Nayar; Annalee Newitz; Lawrence O’Toole; Harry Allan Potamkin; Jonathan Rosenbaum; Andrew Ross; David Sanjek; Eric Schaefer; Steven Jay Schneider; Jeffrey Sconce; Janet Staiger; J.P. Telotte; Parker Tyler; Jean Vigo; Harmony Wu
The magnum opus by Japanese literary sensation Fuminori Nakamura, Cult X is a story that dives into the psychology of fringe religion, obsession, and social disaffection. When Toru Narazaki’s girlfriend, Ryoko Tachibana, disappears, he tries to track her down, despite the warnings of the private detective he’s hired to find her. Ryoko’s past is shrouded in mystery, but the one concrete clue to her whereabouts is a previous address in the heart of Tokyo. She lived in a compound with a group that seems to be a cult led by a charismatic guru with a revisionist Buddhist scheme of life, death, and society. Narazaki plunges into the secretive world of the cult, ready to expose himself to any of the guru’s brainwashing tactics if it means he can learn the truth about Ryoko. But the cult isn’t what he expected, and he has no idea of the bubbling violence he is stepping into. Inspired by the 1995 sarin gas terrorist attack on the Tokyo subway, Cult X is an exploration of what draws individuals into extremism. It is a tour de force that captures the connections between astrophysics, neuroscience, and religion; an invective against predatory corporate consumerism and exploitative geopolitics; and a love story about compassion in the face of nihilism.
Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinema Offers a scholarly treatment of a hotly contested topic at the center of current academic debate Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic
Victorian Fiction and the Cult of the Horse by Gina M. Dorré Pdf
The horse was essential to the workings of Victorian society, and its representations, which are vast, ranging, and often contradictory, comprise a vibrant cult of the horse. Examining the representational, emblematic, and rhetorical uses of horses in a diversity of nineteenth-century texts, Gina M. Dorré shows how discourses about horses reveal and negotiate anxieties related to industrialism and technology, constructions of gender and sexuality, ruptures in the social fabric caused by class conflict and mobility, and changes occasioned by national "progress" and imperial expansion. She argues that as a cultural object, the horse functions as a repository of desire and despair in a society rocked by astonishing social, economic, and technological shifts. While representations of horses abound in Victorian fiction, Gina M. Dorré's study focuses on those novels by Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore that engage with the most impassioned controversies concerning horses and horse-care, such as the introduction of the steam engine, popular new methods of horse-taming, debates over the tight-reining of horses, and the moral furor surrounding gambling at the race track. Her book establishes the centrality of the horse as a Victorian cultural icon and explores how through it, dominant ideologies of gender and class are created, promoted, and disrupted.
Hilariously insightful and delightfully suspenseful, Cult Classic is an original: a masterfully crafted tale of love, memory, morality, and mind control, as well as a fresh foray into the philosophy of romance. A BEST BOOK OF THE YEAR at the Washington Post, the BBC, Esquire, Harper’s Bazaar, and more! One night in New York City’s Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And . . . another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past. What would normally pass for coincidence becomes something far stranger as the recently engaged Lola must contend not only with the viability of her current relationship but with the fact that both her best friend and her former boss, a magazine editor turned mystical guru, might have an unhealthy investment in the outcome. Memories of the past swirl and converge in ways both comic and eerie, as Lola is forced to decide if she will surrender herself to the conspiring of one very contemporary cult. Is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale? With her gimlet eye, Sloane Crosley spins a wry literary fantasy that is equal parts page-turner and poignant portrayal of alienation.
500 Essential Cult Books by Gina McKinnon,Steve Holland Pdf
500 essential cult books brings together some of the best cult books ever written, assembling an incredible list comprising fiction, memoirs, thrillers, sci-fi and fantasy epics, self-help tomes, graphic novels and children's books from across the ages.
Fiction, Memory, and Identity in the Cult of St. Maurus, 830–1270 by John B. Wickstrom Pdf
This book explores one of the most significant medieval saints’ cults, that of St. Maurus, the first known disciple of Saint Benedict. Despite the centrality of this story to the myth of medieval Benedictine culture, no major scholarly work has been devoted to Maurus since the late nineteenth century. Drawing on memory studies, this book investigates the origins and history of the cult, from the ninth-century Life of St. Maurus by Odo, abbot of Glanfueil, to its appropriation and re-shaping by three powerful abbeys through to the thirteenth century—Fossés, Cluny, and Montecassino. It traces how these institutions deployed caches of mostly forged documents (many translated here for the first time) to adapt the cult to their aspirations and, moreover, considers how the cult adapted itself further, to face the challenges of the modern world.
