Cultural Appropriation And The Arts

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Cultural Appropriation and the Arts

Author : James O. Young
Publisher : John Wiley & Sons
Page : 196 pages
File Size : 53,7 Mb
Release : 2010-02-01
Category : Philosophy
ISBN : 9781444332711

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Cultural Appropriation and the Arts by James O. Young Pdf

Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series

Cultural Appropriation and the Arts

Author : James O. Young
Publisher : John Wiley & Sons
Page : 192 pages
File Size : 50,8 Mb
Release : 2008-04-15
Category : Philosophy
ISBN : 9780470693360

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Cultural Appropriation and the Arts by James O. Young Pdf

Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series

Cultural Appropriation and the Arts

Author : James O. Young
Publisher : Wiley-Blackwell
Page : 192 pages
File Size : 54,6 Mb
Release : 2008-04-07
Category : Philosophy
ISBN : 047069419X

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Cultural Appropriation and the Arts by James O. Young Pdf

Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series

The Ethics of Cultural Appropriation

Author : James O. Young,Conrad G. Brunk
Publisher : John Wiley & Sons
Page : 321 pages
File Size : 47,9 Mb
Release : 2012-02-13
Category : Philosophy
ISBN : 9781444350838

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The Ethics of Cultural Appropriation by James O. Young,Conrad G. Brunk Pdf

The Ethics of Cultural Appropriation undertakes a comprehensive and systematic investigation of the moral and aesthetic questions that arise from the practice of cultural appropriation. Explores cultural appropriation in a wide variety of contexts, among them the arts and archaeology, museums, and religion Questions whether cultural appropriation is always morally objectionable Includes research that is equally informed by empirical knowledge and general normative theory Provides a coherent and authoritative perspective gained by the collaboration of philosophers and specialists in the field who all participated in this unique research project

Borrowed Power

Author : Bruce H. Ziff,Pratima V. Rao
Publisher : Rutgers University Press
Page : 356 pages
File Size : 41,5 Mb
Release : 1997
Category : Law
ISBN : 0813523729

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Borrowed Power by Bruce H. Ziff,Pratima V. Rao Pdf

An informative and insightful collection of essays on cultural appropriation, focusing on America's appropriation and use of Native American culture specifically. The topics in this book covers topics from the arts, land, and artifacts to ideas, knowledge, and symbols.

Adaptation and Cultural Appropriation

Author : Pascal Nicklas,Oliver Lindner
Publisher : Walter de Gruyter
Page : 285 pages
File Size : 42,6 Mb
Release : 2012-05-29
Category : Literary Criticism
ISBN : 9783110272239

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Adaptation and Cultural Appropriation by Pascal Nicklas,Oliver Lindner Pdf

“Hamlet” by Olivier, Kaurismäki or Shepard and “Pride and Prejudice” in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.

Who Owns Culture?

Author : Susan Scafidi
Publisher : Rutgers University Press
Page : 228 pages
File Size : 51,8 Mb
Release : 2005
Category : Law
ISBN : 0813536065

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Who Owns Culture? by Susan Scafidi Pdf

It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production.

Cannibal Culture

Author : Deborah Root
Publisher : Routledge
Page : 387 pages
File Size : 51,7 Mb
Release : 2018-10-08
Category : Art
ISBN : 9780429981524

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Cannibal Culture by Deborah Root Pdf

The book examines the ways Western art and Western commerce co-opt, pigeonhole, and commodify so-called "native experiences." It raises important and uncomfortable questions about how we travel, what we buy, and how we determine cultural merit.

Appropriation as Practice

Author : A. Schneider
Publisher : Springer
Page : 230 pages
File Size : 53,7 Mb
Release : 2006-06-30
Category : Art
ISBN : 9781403983176

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Appropriation as Practice by A. Schneider Pdf

How the "traffic in culture" is practiced, rationalized and experienced by visual artists in the globalized world. The book focuses on artistic practices in the appropriation of indigenous cultures, and the construction of new Latin American identities. Appropriation is the fundamental theoretical concept developed to understand these processes.

Appropriation

Author : David Evans
Publisher : MIT Press
Page : 239 pages
File Size : 40,7 Mb
Release : 2009
Category : Art
ISBN : 9780262550703

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Appropriation by David Evans Pdf

"Many influential artists today draw on a legacy of 'stealing' images and forms from other makers. The term appropriation is particularly associated with the 'Pictures' generation, centred [sic] on New York in the 1980s; this anthology provides a far wider context. Historically, it reappraises a diverse lineage of precedents - from the Dadaist readymade to Situationist détournement - while contemporary 'art after appropriation' is considered from multiple perspectives within a global context." --back cover.

Aboriginal Art, Identity and Appropriation

Author : Elizabeth Burns Coleman
Publisher : Routledge
Page : 225 pages
File Size : 41,6 Mb
Release : 2017-05-15
Category : Social Science
ISBN : 9781351961301

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Aboriginal Art, Identity and Appropriation by Elizabeth Burns Coleman Pdf

The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.

Cultural Contact and the Making of European Art since the Age of Exploration

Author : Mary D. Sheriff
Publisher : Univ of North Carolina Press
Page : 240 pages
File Size : 51,9 Mb
Release : 2010-06-21
Category : Art
ISBN : 9780807898192

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Cultural Contact and the Making of European Art since the Age of Exploration by Mary D. Sheriff Pdf

Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century. Essays here analyze distinct zones of contact--between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific--focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrounds the centrality of international borrowings or colonial appropriations and counters conceptions of European art as a "pure" tradition uninfluenced by the artistic forms of other cultures. The contributors analyze the social, cultural, commercial, and political conditions of cultural contact--including tourism, colonialism, religious pilgrimage, trade missions, and scientific voyages--that enabled these exchanges well before the modern age of globalization. Contributors: Claire Farago, University of Colorado at Boulder Elisabeth A. Fraser, University of South Florida Julie Hochstrasser, University of Iowa Christopher Johns, Vanderbilt University Carol Mavor, University of North Carolina at Chapel Hill Mary D. Sheriff, University of North Carolina at Chapel Hill Lyneise E. Williams, University of North Carolina at Chapel Hill

White Negroes

Author : Lauren Michele Jackson
Publisher : Beacon Press
Page : 202 pages
File Size : 55,6 Mb
Release : 2019-11-12
Category : Social Science
ISBN : 9780807011805

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White Negroes by Lauren Michele Jackson Pdf

Exposes the new generation of whiteness thriving at the expense and borrowed ingenuity of black people—and explores how this intensifies racial inequality. American culture loves blackness. From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders. An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.

Appropriate: A Provocation

Author : Paisley Rekdal
Publisher : W. W. Norton & Company
Page : 178 pages
File Size : 53,6 Mb
Release : 2021-02-16
Category : Social Science
ISBN : 9781324003595

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Appropriate: A Provocation by Paisley Rekdal Pdf

A timely, nuanced work that dissects the thorny debate around cultural appropriation and the literary imagination. How do we properly define cultural appropriation, and is it always wrong? If we can write in the voice of another, should we? And if so, what questions do we need to consider first? In Appropriate, creative writing professor Paisley Rekdal addresses a young writer to delineate how the idea of cultural appropriation has evolved—and perhaps calcified—in our political climate. What follows is a penetrating exploration of fluctuating literary power and authorial privilege, about whiteness and what we really mean by the term empathy, that examines writers from William Styron to Peter Ho Davies to Jeanine Cummins. Lucid, reflective, and astute, Appropriate presents a generous new framework for one of the most controversial subjects in contemporary literature.

Robert Heinecken and the Art of Appropriation

Author : Matthew Biro
Publisher : U of Minnesota Press
Page : 429 pages
File Size : 45,6 Mb
Release : 2022-03-29
Category : Art
ISBN : 9781452966724

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Robert Heinecken and the Art of Appropriation by Matthew Biro Pdf

The first comprehensive study of the artist Robert Heinecken and his critical views on the culture of mass media This is the first book-length study dedicated to the artist Robert Heinecken, whose innovative photographic practices sought to interrogate how mass media imagery facilitated the construction of individual and collective identities. Appropriating, rephotographing, and layering pictures culled from newspapers, advertisements, pornography, and television, Heinecken recombined and transformed the ubiquitous images of mass culture to encourage viewers to critically reflect on their sense of self. From the 1960s through the late 1990s, Heinecken’s controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture’s relationship to gender and identity politics. Embodying the evolution of contemporary art toward increasingly hybrid and conceptual approaches, his oeuvre includes examples of painting, sculpture, photomontage, performance, installation, time-based media, and artist’s books, all of which collectively exploit photography’s reproducibility to subvert society’s dominant ideologies and stereotypical modes of representation. Author Matthew Biro presents an exhaustive look at Heinecken’s life and art, locating him within a lineage that encompasses the activities of the early twentieth-century avant-gardes and the postmodern strategies of the Pictures Generation artists. Assessing his career within the specific political and historical contexts from which he gleaned his material, and illustrated throughout with vibrant full-color reproductions of his art, this in-depth examination demonstrates Robert Heinecken’s significance as a key figure of twentieth-century art and an incisive commentator on modern life in America.