Cézanne And The End Of Impressionism A Study Of The Theory Technique And Critical Evaluation Of Modern Art

Author : Richard Shiff
Publisher : University of Chicago Press
Page : 337 pages
File Size : 47,9 Mb
Release : 2014-12-15
Category : Art
ISBN : 9780226237770

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Cézanne and the End of Impressionism by Richard Shiff Pdf

Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.

Author : Richard Shiff
Publisher : Unknown
Page : 318 pages
File Size : 52,6 Mb
Release : 1986
Category : Impressionism (Art)
ISBN : OCLC:29543191

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Cezanne and the End of Impressionism by Richard Shiff Pdf

Author : Anonim
Publisher : Unknown
Page : 318 pages
File Size : 48,7 Mb
Release : 1984
Category : Electronic
ISBN : OCLC:881754694

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Cézanne and the End of Impressionism ; a Study of the Theory, Technique, and Critical Evaluation of Modern Art by Anonim Pdf

Author : Richard Shiff
Publisher : Unknown
Page : 336 pages
File Size : 53,9 Mb
Release : 1984
Category : Electronic
ISBN : OCLC:1075340222

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CEZANNE AND THE END OF IMPRESSIONISM. by Richard Shiff Pdf

Author : Jennifer Johnson
Publisher : Bloomsbury Publishing USA
Page : 216 pages
File Size : 48,9 Mb
Release : 2020-11-26
Category : Art
ISBN : 9781501346118

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Georges Rouault and Material Imagining by Jennifer Johnson Pdf

Described as a difficult and dark painter, Georges Rouault's oeuvre is deeply experimental. Images of the circus emerge from a plethora of chaotic marks, while numerous landscapes appear as if ossified in thick paint. Georges Rouault and Material Imagining approaches Rouault in relation to contemporary theories about making and material, examining how he constructs a 'material consciousness' that departs from other modern painters. Rouault's work explodes the genre of painting, drawing upon the residue of Gustave Moreau's symbolism, the extremities of Fauvism, and the radical theatrical experiments of Alfred Jarry. The repetitions and re-workings at the heart of Rouault's process defy conventional chronological treatment, and place the emphasis upon the coming-into-being of the work of art. Ultimately, the process of making is revealed as both a search for understanding and a response to the problematic world of the twentieth century. Georges Rouault and Material Imagining therefore offers an innovative critical approach to the various questions raised by this difficult modernist.

Author : Mary Tompkins Lewis
Publisher : Univ of California Press
Page : 368 pages
File Size : 52,6 Mb
Release : 2023-12-22
Category : Art
ISBN : 9780520940444

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Critical Readings in Impressionism and Post-Impressionism by Mary Tompkins Lewis Pdf

The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward

Author : James D. Herbert
Publisher : Univ of California Press
Page : 214 pages
File Size : 48,5 Mb
Release : 2008-03-18
Category : Religion
ISBN : 9780520252134

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Our Distance from God by James D. Herbert Pdf

His argument unfolds over five case studies and spans four centuries: the architecture and artworks that glorified Louis XIV at Versailles in the seventeenth century, the interaction of libretto and music in Richard Wagner's Ring of the Nibelung, Claude Monet's enormous and resplendent paintings of water lilies mounted at the Orangerie of Paris in 1927, the inaugural performance in 1962 of Benjamin Britten's War Requiem for the consecration of the new Anglican cathedral at Coventry, and Robert Wilson's recent installation based on the Passion, 14 Stations."--BOOK JACKET.

Author : John I. Clancy
Publisher : Nova Publishers
Page : 242 pages
File Size : 52,7 Mb
Release : 2003
Category : Art
ISBN : 1590335457

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Impressionism by John I. Clancy Pdf

Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.

Author : Erin Schoneveld
Publisher : BRILL
Page : 274 pages
File Size : 41,8 Mb
Release : 2019-01-04
Category : Art
ISBN : 9789004393639

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Shirakaba and Japanese Modernism by Erin Schoneveld Pdf

Shirakaba and Japanese Modernism examines the most significant Japanese art and literary magazine of the early twentieth century, Shirakaba (White Birch, 1910–1923). In this volume Erin Schoneveld explores the fluid relationship that existed between different types of modern visual media, exhibition formats, and artistic practices embraced by the Shirakaba-ha (White Birch Society). Schoneveld provides a new comparative framework for understanding how the avant-garde pursuit of individuality during Japan’s Taishō period stood in opposition to state-sponsored modernism and how this played out in the emerging media of art magazines. This book analyzes key moments in modern Japanese art and intellectual history by focusing on the artists most closely affiliated with Shirakaba, including Takamura Kōtarō, Umehara Ryūzaburō, and Kishida Ryūsei, who selectively engaged with and transformed modernist idioms of individualism and self-expression to create a new artistic style that gave visual form to their own subjective reality. Drawing upon archival research that includes numerous articles, images, and exhibitions reviews from Shirakaba, as well as a complete translation of Yanagi Sōetsu’s seminal essay, “The Revolutionary Artist” (Kakumei no gaka), Schoneveld demonstrates that, contrary to the received narrative that posits Japanese modernism as merely derivative, the debate around modernism among Japan’s early avant-garde was lively, contested, and self-reflexive.

Author : Carol Armstrong
Publisher : Yale University Press
Page : 293 pages
File Size : 40,5 Mb
Release : 2018-11-13
Category : Art
ISBN : 9780300232714

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Cézanne's Gravity by Carol Armstrong Pdf

A transformative study, freeing the artist from outdated art historical narratives and revealing his work as newly strange again Cézanne’s Gravity is an ambitious reassessment of the paintings of Paul Cézanne (1839–1906). Whereas previous studies have often looked at the artist’s work for its influence on his successors and on the development of abstraction, Carol Armstrong untethers it from this timeline, examining Cézanne’s painting as a phenomenological and intellectual endeavor. Armstrong uses an interdisciplinary approach to analyze Cézanne’s work, pairing the painter with artists and thinkers who came after him, including Roger Fry, Virginia Woolf, Albert Einstein, Maurice Merleau-Ponty, Rainer Maria Rilke, R. D. Laing, and Helen Frankenthaler. Through these pairings, Armstrong addresses diverse subjects that illuminate Cézanne’s painting, from the nonlinear narratives of modernist literature and the ways in which space and time act on objects, to color sensation and the schizophrenic mind. Cézanne’s Gravity attends to both the physicality of the artist’s works and the weight they bear on the history of art. This distinctive study not only invites its readers to view Cézanne’s paintings with fresh eyes but also offers a new methodology for art historical inquiry outside linear narratives, one truly fitting for our time.

Author : Laura Anne Kalba
Publisher : Penn State Press
Page : 288 pages
File Size : 49,6 Mb
Release : 2017-07-18
Category : Art
ISBN : 9780271079806

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Color in the Age of Impressionism by Laura Anne Kalba Pdf

This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.

Author : KimberlyMorse Jones
Publisher : Routledge
Page : 232 pages
File Size : 49,8 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351568456

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"Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism " by KimberlyMorse Jones Pdf

Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell, a prolific 'New Art Critic', helped formulate and develop formalist methodology in Britain at the end of the nineteenth century, which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art, Pennell used her platform to promote the work of ?new? artists, including ?ouard Manet and Edgar Degas, which had only recently been introduced to British audiences. In particular, Pennell championed the work of James McNeill Whistler for whom she, along with her husband, the artist Joseph Pennell, wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general, a point which is often ignored.

Author : Harmon Siegel
Publisher : Princeton University Press
Page : 312 pages
File Size : 53,8 Mb
Release : 2024-05-14
Category : Art
ISBN : 9780691257440

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Painting with Monet by Harmon Siegel Pdf

A major reassessment of the methods and meaning of impressionism At pivotal moments in his career, Claude Monet would go out with a fellow artist, plant his easel beside his friend’s, and paint the same scene. Painting with Monet closely examines pairs of such works, showing how attention to this practice raises tantalizing new questions about Monet’s art and about impressionism as a movement. Is impressionist painting an objective attempt to capture reality as it really is? Or is it a subjective expression of the artist’s unique way of perceiving things? How can artists create a movement without conformity extinguishing individuality? Harmon Siegel reveals how Monet explored problems like these in concrete, practical ways while painting alongside his teachers, Eugène Boudin and Johan Barthold Jongkind; his friends, Frédéric Bazille and Pierre-Auguste Renoir; and his hero, Édouard Manet. At a time of major cultural upheavals, these artists asked how we can know reality beyond our personal perception. Siegel provides new insights into the aesthetic, philosophical, and ethical stakes for these painters as they responded to a rapidly changing society. Beautifully illustrated, Painting with Monet sheds critical light on how Monet and his fellow impressionists, painting side by side, professed their capacity to know the world and affirmed their belief in what Siegel calls the reality of others.

Author : Pam Meecham
Publisher : John Wiley & Sons
Page : 568 pages
File Size : 49,7 Mb
Release : 2017-11-10
Category : Art
ISBN : 9781118639801

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A Companion to Modern Art by Pam Meecham Pdf

A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more

Author : AndrŽ Dombrowski
Publisher : Univ of California Press
Page : 320 pages
File Size : 48,7 Mb
Release : 2013
Category : Art
ISBN : 9780520273399

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CŽzanne, Murder, and Modern Life by AndrŽ Dombrowski Pdf

"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance