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Merciless Luca da Silva makes it his business to keep his friends close—and his enemies closer. And the next item on the tycoon's agenda is revenge! Believing the da Silva family name is under threat, the powerful Italian goes straight for the source—beautiful Morgan Marshall. Luca doesn't trust innocent Morgan, but her delectable curves have his body working overtime. So what better way to keep an eye on her than to make her his mistress? And where better to seek vengeance than between this billionaire's very own silk sheets…?
DA SILVA'S MISTRESS by Tina Duncan,Misao Hoshiai Pdf
Morgan was called to Da Silva’s, one of her clients, by its CEO, Luca da Silva, who abruptly told her she would be fired. He suspected her of having an affair with Joseph, his brother-in-law, and ordered her to break up with him immediately. Morgan bristled at his arrogant and high-handed manner, but she couldn’t tell him what her true relationship with Joseph was. They were father and daughter, a fact they must not let anyone know. As she stood there unable to defend herself, Luca unexpectedly kissed her and demanded that she become his mistress!
DA SILVA'S MISTRESS by Tina Duncan,Misao Hoshiai Pdf
Morgan was called to Da Silva’s, one of her clients, by its CEO, Luca da Silva, who abruptly told her she would be fired. He suspected her of having an affair with Joseph, his brother-in-law, and ordered her to break up with him immediately. Morgan bristled at his arrogant and high-handed manner, but she couldn’t tell him what her true relationship with Joseph was. They were father and daughter, a fact they must not let anyone know. As she stood there unable to defend herself, Luca unexpectedly kissed her and demanded that she become his mistress!
Domestic Servants in Literature and Testimony in Brazil, 1889-1999 by S. Roncador Pdf
Drawing from a variety of historical sources, theory, and fictional and non-fictional production, this book addresses the cultural imaginary of domestic servants in modern Brazil and demonstrates maids' symbolic centrality to shifting notions of servitude, subordination, femininity, and domesticity.
Author : Niyi Afolabi Publisher : State University of New York Press Page : 352 pages File Size : 43,6 Mb Release : 2021-02-01 Category : History ISBN : 9781438482514
Drawing on historical and cultural approaches to race relations, Identities in Flux examines iconic Afro-Brazilian figures and theorizes how they have been appropriated to either support or contest a utopian vision of multiculturalism. Zumbi dos Palmares, the leader of a runaway slave community in the seventeenth century, is shown not as an anti-Brazilian rebel but as a symbol of Black consciousness and anti-colonial resistance. Xica da Silva, an eighteenth-century mixed-race enslaved woman who "married" her master and has been seen as a licentious mulatta, questions gendered stereotypes of so-called racial democracy. Manuel Querino, whose ethnographic studies have been ignored and virtually unknown for much of the twentieth century, is put on par with more widely known African American trailblazers such as W. E. B. Du Bois. Niyi Afolabi draws out the intermingling influences of Yoruba and Classical Greek mythologies in Brazilian representations of the carnivalesque Black Orpheus, while his analysis of City of God focuses on the growing centrality of the ghetto, or favela, as a theme and producer of culture in the early twenty-first-century Brazilian urban scene. Ultimately, Afolabi argues, the identities of these figures are not fixed, but rather inhabit a fluid terrain of ideological and political struggle, challenging the idealistic notion that racial hybridity has eliminated racial discrimination in Brazil.
This title was first published in 2001. Concentrating exclusively on the dramatic content of Verdi's opera, this text illuminates the characters and plot scenarios that inspired one of the greatest composers of opera. Organized alphabetically, the reference contains over 250 entries, with synopses and first performance and cast details.
In the Sex and Race series, first published in the 1940s, historian Joel Augustus Rogers questioned the concept of race, the origins of racial differentiation, and the root of the “color problem.” Rogers surmised that a large percentage of ethnic differences are the result of sociological factors and in these volumes he gathered what he called “the bran of history”—the uncollected, unexamined history of black people—in the hope that these neglected parts of history would become part of the mainstream body of Western history. Drawing on a vast amount of research, Rogers was attempting to point out the absurdity of racial divisions. Indeed his belief in one race—humanity—precluded the idea of several different ethnic races. The series marshals the data he had collected as evidence to prove his underlying humanistic thesis: that people were one large family without racial boundaries. Self-trained and self-published, Rogers and his work were immensely popular and influential during his day, even cited by Malcolm X. The books are presented here in their original editions.
