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Author : Bāpū Vāṭave
Publisher : Unknown
Page : 216 pages
File Size : 43,5 Mb
Release : 2004
Category : Business & Economics
ISBN : UOM:39015061284207
A sensitive biography of father of Indian Cinema, who transformed the dream of making the indian film industry indegenous into a reality.Translated into english by S.A. Virkar.
Author : Hseham Amrahs
Publisher : Mds0
Page : 0 pages
File Size : 47,5 Mb
Release : 2022-10-05
Category : Electronic
ISBN : 9798215607800
The life of Dadasaheb Phalke, the father of Indian cinema, has been full of struggles. He always strived to better the cinema and pursued it. He dedicated his entire life to cinema. Because of his contribution and dedication, the Government of India later announced the "Dadasaheb Phalke Award" for its significant contribution to cinema. Every year since 1969, the award has been given for a significant contribution to the field of cinema. Dadasaheb laid such a strong foundation for cinema in India, which later made Indian cinema proud of the world. For this important contribution to cinema, Dadasaheb Phalke is called the "father of Indian cinema." In his career of 29 years, Dadasaheb Phalke made a total of 95 films and 26 short films. The year 1937 was his last film. It was also his first and last speaking film, although the film failed. In 1944, he died like an anonymous man, while by then his initiated caravan had gone ahead and, due to the film world, some personalities had earned their big name and money. In the book presented, the same struggle saga of Dhundiraj Govind Phalke alias Dadas Saheb Phalke is served gradually like the beads of pearls. His passion for films laid the foundation of the Indian film industry and strengthened it. Today the Indian film enterprise is the largest in the world. Dadasaheb became the first brick in its foundation.
Author : D. P. Mishra
Publisher : Unknown
Page : 206 pages
File Size : 43,9 Mb
Release : 2006
Category : Performing Arts
ISBN : UOM:39015076857567
On the life sketches and contributions of Dadasaheb Phalke Awardees.
Author : Tejaswini Ganti
Publisher : Psychology Press
Page : 268 pages
File Size : 48,8 Mb
Release : 2004
Category : Business & Economics
ISBN : 0415288541
A guidebook to Indian films.
Author : Dr. Happy Bhatia
Publisher : Sankalp Publication
Page : 128 pages
File Size : 54,6 Mb
Release : 2024-06-28
Category : Juvenile Nonfiction
ISBN : 9789393849601
It describes the problems and prospects of Jharkhand Film Industry, basically called as Jollywood. This is the first research work on Jharkhand Film Industry. It basically emphasizes on Nagpuri and Santhali Culture. The basic aim of my research was to enmark the hidden talents of Jharkhand actors, their revenue generation and employment opportunities.
Author : Tennessee Williams
Publisher : Dramatists Play Service Inc
Page : 116 pages
File Size : 43,7 Mb
Release : 1988
Category : American drama
ISBN : 0811210472
This book is William's symbol for the military-industrial complex and all the dehumanizing trends it represents from mindless cocktail party chatter to bribery of officials to assassination plots directed against those who won't play the game, to attempted coups by right-wing zealots.
Author : K. Moti Gokulsing,Wimal Dissanayake
Publisher : Routledge
Page : 473 pages
File Size : 46,7 Mb
Release : 2013-04-17
Category : Performing Arts
ISBN : 9781136772849
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
Author : YCT Expert Team
Publisher : YOUTH COMPETITION TIMES
Page : 689 pages
File Size : 55,5 Mb
Release : 2024-06-28
Category : Antiques & Collectibles
ISBN : 8210379456XXX
2023-24 RRB General Knowledge Solved Papers
Author : YCT Expert Team
Publisher : YOUTH COMPETITION TIMES
Page : 592 pages
File Size : 40,9 Mb
Release : 2024-06-28
Category : Antiques & Collectibles
ISBN : 8210379456XXX
2022-23 RRB General Knowledge Chapter-wise Solved Papers
Author : Sangeeta Datta
Publisher : Bloomsbury Publishing
Page : 343 pages
File Size : 50,7 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838718176
Shyam Benegal is the best known and most prolific contemporary film-maker from India's arthouse or 'New Cinema' tradition. This work traces a career with its beginnings in political cinema and a realist aesthetic. Sangeeta Datta demonstrates how the struggles of women and the dispossessed and marginalised in Indian society have found an eloquent expression in films as diverse as Nishant, Bhumika, Mandi, Suraj Ka Satwan Ghoda and Kalyug. The book also traces Benegal's work with his protégés and collaborators including many of the biggest names in Indian Cinema - Shabana Azmi, Smita Patil, Naseeruddin Shah, Karishma Kapoor and A.R. Rahman.
Author : Dr. Manish Rannjan (IAS)
Publisher : Prabhat Prakashan
Page : 595 pages
File Size : 54,5 Mb
Release : 2023-08-19
Category : Study Aids
ISBN : 9789355216946
The presented book 'Indian Art & Culture' is extremely beneficial for the candidates preparing for the Preliminary and Mains Examination of Civil and State Services. The entire subject matter of the book is divided into 3 sections: Indian Art, Indian Culture and Indian Heritage. Each section has been discussed in detail in various chapters of the book. It is even more important for the aspirants because the book includes the diverse forms of Indian Art, Culture and Heritage, such as paintings and handicrafts, architecture, drama, dance, music, sculpture, architecture, inscriptions, festivals, heritage sites declared by UNESCO, language, literature, education, religion and philosophy etc. and their historical development since the time of their inception till now. This book is presented in a critical form with authentic facts and updated data keeping in view the latest developments in the field of art & culture. Four appendices have also been given at the end of the book in which examination related material pertaining to art and culture has been incorporated.
Author : Babli Sinha
Publisher : Routledge
Page : 158 pages
File Size : 45,5 Mb
Release : 2013-07-18
Category : History
ISBN : 9781136765001
Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism. The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm. Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.
Author : Brigitte Schulze
Publisher : Unknown
Page : 432 pages
File Size : 48,9 Mb
Release : 2003
Category : Bombay (India)
ISBN : UOM:39015058232292
"Film made in Bombay" have a much longer and more complex history than "Bollywood"; and what is widely projected as "authentically Indian" is a politicised and ideologically contested space since the first decades of the 20th century. How did the historical audiences in Bombay actually respond to the first "Indian films", to an Indian filmaker's mediation of ideas and feelings of "being Indian"? In what way did for instance in 1913-18 the first long narrative films by the pioneer Dhundiraj Govind Phalke convey patriotic sentiments? These are some of the questions tackled by Brigitte Schulze, a sociologist and activist of Indian cinema cultures since the late 1980s. Exploring the beginnings of Bombay's cinema means to enter spaces largely occupied by orientalist or nationalist myths; however, once these are critiqued her discursive and contextualising approach brings into light long forgotten visions and landscapes of a "cinematographic humanism" beyond caste, class, gender or nation-state.
Author : Jyotī Nisaḷa
Publisher : Unknown
Page : 116 pages
File Size : 49,5 Mb
Release : 2017
Category : Motion picture industry
ISBN : 8193280083
Biography of Dhundiraj Govind Phalke, 1870-1944, Indian motion picture director and father of Indian cinema.
Author : Midhun Moorthi C
Publisher : Academic Guru Publishing House
Page : 224 pages
File Size : 44,6 Mb
Release : 2023-12-18
Category : Study Aids
ISBN : 9788196849467
Cinema has undergone significant development since its inception in the nineteenth century. In the past two centuries and beyond, technological progress and innovative experimentation have been prevalent. Each successive film movement as well as filmmaking technique contributed to the development of the art form we adore today. A comprehensive understanding of films necessitates an understanding of cinema, and an appreciation for cinema requires an acknowledgment that, unlike any other art form, it has consistently been influenced by external forces, primarily due to its immense popularity. Furthermore, cinema possesses the capacity to shape history in its own right. While it is not advisable to write histories of literature and music as straightforward biographies of authors and their works, omitting any discussion of printing and recording technologies, the industries that utilize them, or the contemporary world where artists and their audiences operated, is possible but not recommended. Cinema renders this task unattainable. Placing films within their proper context is fundamental to the endeavor of this book; without it, they would be devoid of existence, much less significance. This entails acknowledging that while demands of industry and art in the film industry may not always coincide, they are not inherently contradictory. Instead, it is the case that they lack proportionality. Cinema, as an industrial art form, has evolved to incorporate industrialized methods of art production. Nevertheless, this is a fact that has proven to be exceedingly challenging for traditional aesthetics to accept. Conversely, numerous films exist that establish an artistic value that contradicts the principles of the industry upon which their production hinged. Moreover, there are numerous instances where the artistic merit of a given film is, to put it mildly, questionable.
